Arts & Entertainment
‘Lots of tacos and strong margaritas’
‘Top Chef’ finalist brings bold flair to Bandolero


Mike Isabella of Bandolero, one of the hot new must-try D.C. restaurants. (Submitted photo by Greg Powers)
Mike Isabella’s idea of a perfect dinner out has three essential components — a welcome feel, cocktail in hand and delicious food at the ready.
Those are the elements the “Top Chef All Stars” runner-up is incorporating at his new restaurant Bandolero (3241 M Street, N.W.) where he likes to “have fun with his food by changing flavors and textures” in the traditional Mexican dishes he offers up with new twists.
A reservation for eight is difficult to get at Bandolero, but in my opinion it’s the perfect number to experience all Bandolero has to offer. We walked in, the hostess greeted us warmly, brought us to the remainder of our party, and we were seated. Our waiter approached, explained the small plates concept, and took our drink orders. In moments drinks were being passed around the table. Throughout the evening the exceptional staff including general manager, James Horn, served us and others attentively but not intrusively. Our glasses were always full, we never searched for a plate and there was always food on the table.
When opening Bandolero, Isabella wanted two things: “lots of tacos and strong margaritas.” Drinks by head mixologist, Sam Babcock, are not only strong but delicious renditions of classics. Each drink is perfectly balanced. The basic margarita falls short on flavor, but don’t waste time on the basic when standouts like the frozen prickly pear margarita exist; it’s Isabella’s favorite. Other well-crafted drinks include the El Dorado with a five-spice syrup that adds a deep warmth to the cocktail, the fresh Jesus Malverde has cucumber, lime, agave and pork barrel hellfire bitters, and the Casa En Fuego was a mouth full of rich fire from a habanero-infused tequila.
The moment the first dish arrived, flavors began exploding in our mouths. The guacamole is tangy and fresh, and not only does Bandolero succeed with its guacamole but it also serves up an exquisite dip called sikil pak composed of pumpkin seeds, jalapenos and orange. After the dips, we moved on to taquitos and tostadas, a course we quickly dubbed “Mexican sushi.” These fresh raw bites were perfect combinations of unexpected flavors. The blue crab with coconut and red chili was too good to pass up, even though I’m sensitive to shellfish. The tuna with ginger and sweet potato as well as the snapper with charred mango and jicama were the two overall favorites at the table.
Then it was time for tacos. We couldn’t wait to try the crispy mahi mahi with chipotle, avocado and lime but we ended up being blown away by the complexity of flavors in the suckling pig tacos with apple and habanero mustard. Each bite of this taco with its fresh ingredients was absolute perfection. The BBQ chicken taco however, was dry and bland.
We started getting full, but couldn’t resist ordering a few more items. I had been eying the nachos with crispy goat and goat cheese and they turned out to be amazing. Also, the queso fundido with duck confit, manchego and egg was delectable. The sweet plantains were almost as good as my Cuban grandmother’s. After such fantastic courses, we couldn’t possibly eat anything else, at least until dessert. We ordered the sopapillas — fried donuts with dulce de leche, the besitos de coco (little coconut cookies) and the spicy chocolate ice cream. Before we knew it the plates were scraped clean.
As I look back at the meal I realize that Bandolero gets high marks with almost every drink and dish. Isabella’s menu is creative, playful and full of unexpected combinations. The Day of the Dead theme of the restaurant feels authentic, but it also creates a very dark and loud dining room. We found ourselves yelling across the table when conversing. However, the bar at the front of the restaurant is a bright warm spot with reclaimed materials where the playfulness of the theme shines through. Bandolero is an absolute must try, and without a doubt serves up some of the best Mexican cuisine I have tasted in the city.
Movies
A cat and its comrades ride to adventure in breathtaking ‘Flow’
Latvian filmmaker Gints Zilbalodis directs animated fantasy adventure

Sometimes, life changes overnight, and there’s nothing to do but be swept away by it, trying to navigate its currents with nothing to help you but sheer instinct and the will to survive.
Sound familiar? It should; most lives are at some point met with the challenge of facing a new personal reality when the old one unexpectedly ceases to exist. Losing a job, a home, a relationship: any of these experiences require us to adapt, often on the fly; well-laid plans fall by the wayside and the only thing that matters is surviving to meet a new challenge tomorrow.
When such catastrophes are communal, national, or even global, the stability of existence can be erased so completely that adaptation feels nearly impossible; the “hits” just keep on coming, and we’re left reeling in a constant state of panicked uncertainty. That might sound familiar, too.
If so, you likely realize that there’s little comfort to be found in most of the entertainments we seek for distraction, outside of the temporary respite provided by thinking about something else for a while — but there are some entertainments that can work on us in a deeper way, too, and perhaps provide us with something that feels like hope, even when we know there is no chance of returning to the world we once knew.
“Flow” is just such an entertainment.
Directed by Latvian filmmaker Gints Zilbalodis from a screenplay co-written with Matīss Kaža, this independently-produced, five-and-a-half-year-in-the-making animated fantasy adventure has become one of the most acclaimed films of 2024; debuting at Cannes in the non-competitive “Un Certain Regard” section, it won raves from international reviewers and went on to claim yearly “best of” honors from numerous critics’ organizations and film award bodies, including the Golden Globes and the National Board of Review. Now nominated not only for the Academy’s Best Animated Feature award but as Best International Feature (only the third animated movie to accomplish that feat) as well, it stands as the odds-on favorite to take home at least one of those Oscars, and possibly even both — and once seen, it’s hard to dissent from that assessment.
Set in an unspecified time and an unknown, richly forested place, it centers its narrative — which begins with breathtaking quickness, almost from the opening frames of the film — on a small-ish charcoal grey cat, who wakes from its slumber to find its home rapidly disappearing under a rising tide of water. Trying to stay ahead of the flood, it finds a lifeline when it discovers an abandoned sailboat, adrift on the waves, and seeks safety on board; but the cat is not the only refugee here, and with an unlikely group of other animals — a dog, a capybara, a lemur, and a secretary bird — sharing the ride, the plucky feline must forge alliances with (and between) each of its shipmates if any of them are to avoid a seemingly apocalyptic fate. Faced with setbacks and challenges at every turn, the crew of unlikely comrades learns to cooperate out of shared necessity — but will it be enough to keep the uncontrollable waters that surround them from becoming their final oblivion?
With no human presence in the movie — though the implication that it once existed, accompanied by the inevitable suspicion that climate change is behind the mysterious flood, is ominously delivered through the monumental ruined structures and broken relics it has seemingly left behind — the story unfolds without a word of dialogue, a narrative chain of events that keeps us ever-focused on the “now.” The non-verbal vocalizations of its characters (each provided by authentic animal sounds rather than human impersonation) help to convey their relationships with clarity, but it’s the visual evocation of their sensory experiences — of being trapped and at the mercy of the elements, of making an unexpected connection with another being, of enjoying a simple pleasure like a soft place to sleep — that fuels this remarkable exploration of physical existence at its most raw and vulnerable. We have no way of knowing what has happened, no way of imagining what is yet to come, but such questions fade quickly into irrelevance as the story carries our attention from the immediacy of one moment into the next.
Accentuating this in-the-moment flow of “Flow”— for if ever a film title could be said to summarize its style, it is surely this one — is its eye-absorbing visual beauty, rendered via the open-sourced software Blender to provide an aesthetic which matches the material. These realistically-drawn animals come vividly to life against a backdrop that captures a deep connection to nature, accented with the surreal intrusions of human influence and a certain appreciation for the colorful beauty of the world around us, even at its most untamed, which hints at an indefinable mysticism; and when the story begins to transcend the expected borders of its meticulously-crafted realism, the animation takes us there so easily that we scarcely notice it has happened.
Yet transcend it does, and in so doing becomes something greater than a humble adventure tale. As the animal companions progress in their journey toward hoped-for safety, the remnants of human existence become more weathered, more ancient, and less recognizable; the natural landscape through which they are carried begins to be transformed, rendered in a more mythic light by the clash of elemental forces swirling around them and the strange encounters with other creatures that occur along their way. Whatever world this may have been, it seems rapidly to be dissolving into a cosmos where the forms of the past are being reconfigured into something new — and the band of travelers, both witness to and participants in this process, cannot help but be reconfigured, too.
We can’t explain that further without spoilers, but we can tell you that it includes the cat’s ability to ignore its solitary instincts and natural mistrust of its comrades in order to form a diverse (yes, we said it) and cooperative team. It also involves learning to let go of things that can no longer help, to be open to new possibilities that might, and perhaps most importantly, to surrender without fear to the “flow” and trust that it will eventually take you where you need to go, as long as you can manage to stay afloat until you get there.
Zilbalodis’s film is an immersive ride, full of visceral and frequently harrowing moments that may produce some anxiety (especially for those who hate seeing animals in peril) and conceptual shifts that may challenge your expectations — but it is a ride well worth taking. More than merely a fantastical “Noah’s Ark” fable reimagined for an environmentally conscious age, it just might offer the timely catharsis many of us need to confront our unknowable future with a renewed sense of possibility.
“Flow” begins streaming on Max on Feb. 14.

SADBrunch will host “Drag Brunch” on Sunday, Feb. 16 at 12 p.m. at Throw Social.
Grab your friends & family, your mimosa, a plate full of food, and join us for Drag Brunch. Five flocking fabulous queens take to the stage to perform in this sassy, extravagant, fantabulous event. Tickets start at $25 and are available on Eventbrite.
Out & About
Being single doesn’t mean you have to be alone this Valentine’s Day!
Casa De LGBT hosts speed dating event

Casa De LGBT will host “Gay, DL, Transgender Speed Dating” on Friday, Feb. 14 at 8:00p.m. at 1406 N. Capitol St. NW.
This will be a night of speed dating, deep connections, and good vibes! Whether you’re gay, lesbian, transgender, or queer, this event is designed to bring people together in a safe, respectful, and welcoming environment Come ready to connect, have fun, and maybe even meet someone special. Tickets cost $30 and can be purchased on Eventbrite.
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