Arts & Entertainment
Queery: Alex Mills
The Synetic ‘Jekyll & Hyde’ lead answers 20 gay questions
Alex Mills (Blade photo by Michael Key)
Alex Mills is in the midst of a heinously busy day. It’s after 11 p.m. and he’s been in heavy-duty tech rehearsals since 5:30. After we get off the phone, he’s going back for another 90 minutes or so. It’s all part of the grueling process of getting a show on its feet.
Mills plays the title role in “Jekyll & Hyde,” the latest movement-based extravaganza from Arlington’s Synetic Theater where Mills has been in several shows since 2008. It started when he took a year off from college overwhelmed by the daunting Boston University tuition price. A friend suggested he check out Synetic. He did, got a callback and is now one of the innovative theater’s senior company members.
If the roster there seems rather insular, he says it’s out of necessity. The grueling physical training regimen its visionaries — Paata and Irina Tsikurishvilli — put their players through means other actors in the region not steeped in the Synetic tradition could get up to speed fast enough for a single show. Synetic members commit to one show a year and staying up to date with their training sessions. Mills is just starting to branch out some — look for him at Studio and Signature in the coming year.
But is the all-consuming nature of the work at Synetic too overwhelming after a few years?
“Doing these shows is so fulfilling,” the 23-year-old Fredericksburg, Va., native says. “There’s such a sense of ownership in the worl, it’s sort of my spiritual outlet as well. It’s what fills me up. A lot of the actors say after they haven’t been doing a show for a month or so, that they feel so empty … we’re very close. We talk about everything and no each other so intimately. They’re the closest people in my life.”
“Jekyll & Hyde” is in previews now and opens officially Thursday and runs through Oct. 21. Visit synetictheater.org for details.
Mills, who’s single, says he has few interests outside theater. He was crashing with a friend recently but just moved to Bloomingdale.
How long have you been out and who was the hardest person to tell?
I came out when I was 21 so I guess that makes it about a year and a half for me. The hardest person to tell (and by hard I don’t mean in any way hard due to repercussions or any fear of not being accepted) was my mom. I think for most guys coming out the first significant person in your life you tell, whether it be friends or family, is always the hardest because its like “There’s no going back now!”
Who’s your LGBT hero?
Anderson Cooper. I admire him for his professionalism and the fact that him being gay is not something that he even feels he has to explain to people. He is what he is and lives his life.
What’s Washington’s best nightspot, past or present?
I’m probably the worst person to ask this to because I am so not in the scene. Being in theater, I would say wherever the cast of a large play or musical goes to is going to be the best nightspot you could find. It’s a free show.
Describe your dream wedding.
I actually don’t have a fully fleshed out idea of what I would want but it would be small, probably on the beach with close friends and family. Or on Mars; the landing of this rover has really got me thinking.
What non-LGBT issue are you most passionate about?
Women’s rights. Legitimate rape? Come on. It’s amazing how these people come into power.
What historical outcome would you change?
Luke Skywalker going to the Dark Side.
What’s been the most memorable pop culture moment of your lifetime?
The whole era of Britney Spears going crazy.
On what do you insist?
Be able to laugh at yourself.
What was your last Facebook post or Tweet?
Dear God, Ryan and I tackled him moving in like a couple of coke heads with a mission; shazamablama!
If your life were a book, what would the title be?
“Makin’ it Work; somehow”
If science discovered a way to change sexual orientation, what would you do?
That’s a thought I don’t even want to entertain. I’d be afraid it’d turn into an “X-Men 3”-type situation.
What do you believe in beyond the physical world?
I wouldn’t say I believe in something beyond the physical world, necessarily, but I do like to think and hope that there’s some energy out there that directs us or at least collects us at the end.
What’s your advice for LGBT movement leaders?
Be strong and patient.
What would you walk across hot coals for?
My friends and family.
What LGBT stereotype annoys you most?
That we are all super coiffed at all times.
What’s your favorite LGBT movie?
“Were the World Mine.” I saw it during the time when I was in rehearsals for a “Midsummer Night’s Dream.”
What’s the most overrated social custom?
Having to keep conversation with people when you don’t want to.
What trophy or prize do you most covet?
I want an Olympic medal so bad. Ideally, in gymnastics, but that ship has sailed.
What do you wish you’d known at 18?
That coming out doesn’t make the slightest difference in the world, at least in my life with the people I’m surrounded by.
Why Washington?
It was never a choice for me, I started working up here with Synetic Theater when I was 19 and I’ve been trucking along ever since. I love the community, and the fact that D.C. is totally manageable and not overwhelming. And it just fits, at least for right now in my life.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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Comings & Goings
