Arts & Entertainment
Gay high holy day
Madonna brings ‘MDNA Tour’ to D.C.
It sounds silly to say unless you were there, but Madonna’s show at the Verizon Center in D.C. last night — her first shows here since 2004 — felt like a wild mix of gay church, homecoming and an eye-popping musical extravaganza that, at times, rivaled a Cirque du Soleil production in scale, scope and special effects.
Though barely anyone sat down the whole night, when the lights came up for a fourth quarter sing-along to “Like a Prayer,” there was an energy and fervor in the room that felt positively spiritual. It wasn’t so much, for me anyway, about the musicianship of the moment. I even winced a time or two at the thin vocals (she deserves credit for singing it live, though!), but that didn’t feel to me the point. In an arena full of what appeared to be about 70 percent gay men, the “Prayer” singalong felt more like a celebration of everything Madonna has always represented — you can be spiritual, intelligent, gay and have fun. And — projecting and paraphrasing of course — the stodgy old anti-gay gatekeepers of the Roman Catholic church, don’t think for a minute it’s their way or nothing. Yes, they’re onto something powerful and timeless, but they’re not the gatekeepers.
Sure, this isn’t a new thing by any means — Madonna has been using religious imagery to powerful concert effect at least since the “Blonde Ambition Tour,” but somehow this time out, it had a freshness and impact that totally worked. Arriving on stage in a confessional booth in one of her best tour entrances ever, this was an evening that brought with it redemptive powers. It’s also one of her best tours in ages — true, a Madonna show is never a bad show, but the arrangements, mix of old and new and staging, not to mention the flawless execution last night by all involved, has a hypnotic effect that can’t be fully conveyed. She plays another D.C. show tonight. Tickets are still available.
Almost everything worked in the expertly paced two-hour show. A pleasant surprise, considering her last few tours, was how faithful some of the arrangements were on the old hits. After having reworked “Vogue,” “Holiday,” and “Like a Prayer” so radically on outings’ past, it was great to hear them in near-original form for a change this time. While some of her re-imaginings other times have been amazing — I loved the gypsy/mariachi take on “La Isla Bonita” last time — this backfires as often as it works.
Last night’s percussion-heavy reworking of “Open Your Heart” was just so-so and a loungy, torchy “Like a Virgin” failed to pick up any heat, but thankfully there were enough faithful interpretations of other songs to make things largely effective overall. Second-tier, and more recent semi-hits, like “Revolver” and “Celebration” from her last hits collection, were unexpected surprises. And with “Papa Don’t Preach” and “Express Yourself” included as well, there wasn’t the slightest feeling Madonna was being stingy with the hits. They blended very well with material from her excellent new album. Some of the most effective moments of the evening were new songs like a blistering “I Don’t Give A” and an intensely satisfying “I’m Addicted.”
The band, sets, dancers, choreography, video montages and special effects were all super top-notch. And yes, there was a slight sense that for perhaps the first time, she left most of the tricky dance steps to the troupe, not always joining right in as she has in other tours. I noticed it, but it didn’t dampen the proceedings.
A lot has been made of the Tarantino-esque violence of the first quarter shooting rampage that accompanies “Girl Gone Wild” and “Gang Bang.” It was intense — blood splattering across arena-size monster jumbo screens is a jolt for sure — but it felt more cartoonish and campy than literal or disconcerting to me. In an evening where everything was writ as large as possible, it felt, to me, just one more piece of a broad emotional collage. One appreciates light much more after great darkness.
Even when there’s a song or two that aren’t what you would have picked — did we really need “Human Nature” again, for instance? — or an arrangement or two that left you cold, all that really is quibbling. Madonna never phones it in, never takes the easy route, never — even with a generous bounty of ’80s hits in the mix — feels like she’s a nostalgia act stuck in another era. Her live vocals — typically the calling card for a concert — are not her long suit, but to get too hung up on that is to miss the point entirely. Yeah, it’s always fun to see great legends in concert, but so many of them are on the gravy train and plow through their hits like they’re crossing off a grocery list. Madonna’s insistence on keeping it fresh even after all these years, remains an awe-inspiring thing.
Friday, April 17
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 18
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, April 19
Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Monday, April 20
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, April 21
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.
Wednesday, April 22
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 23
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Out & About
Team DC’s annual gala set for this weekend
LGBTQ sports organization to hold annual ‘Night of Champions’
Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.
This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.
There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.
This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports:
- Trailblazer Award – Adam Peck, District Wrestling
- Most Valuable Person Award – Sean Bartel (posthumously)
- Champion Award – Dan Martin
- Clark Ray Horizon Award – Manuel Montelongo, aka Mari Con Carne
- Bernard Jude Delia Award – Dr. Sara Varghai
- Platinum All Star Award – Centaur Motorcycle Club
To purchase tickets, visit Team DC’s website.
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.



