Arts & Entertainment
Gay high holy day
Madonna brings ‘MDNA Tour’ to D.C.
It sounds silly to say unless you were there, but Madonna’s show at the Verizon Center in D.C. last night — her first shows here since 2004 — felt like a wild mix of gay church, homecoming and an eye-popping musical extravaganza that, at times, rivaled a Cirque du Soleil production in scale, scope and special effects.
Madonna last night in D.C. (Blade photo by Joey DiGuglielmo)
Though barely anyone sat down the whole night, when the lights came up for a fourth quarter sing-along to “Like a Prayer,” there was an energy and fervor in the room that felt positively spiritual. It wasn’t so much, for me anyway, about the musicianship of the moment. I even winced a time or two at the thin vocals (she deserves credit for singing it live, though!), but that didn’t feel to me the point. In an arena full of what appeared to be about 70 percent gay men, the “Prayer” singalong felt more like a celebration of everything Madonna has always represented — you can be spiritual, intelligent, gay and have fun. And — projecting and paraphrasing of course — the stodgy old anti-gay gatekeepers of the Roman Catholic church, don’t think for a minute it’s their way or nothing. Yes, they’re onto something powerful and timeless, but they’re not the gatekeepers.
A bone for the gays. (Blade photo by Joey DiGuglielmo)
Sure, this isn’t a new thing by any means — Madonna has been using religious imagery to powerful concert effect at least since the “Blonde Ambition Tour,” but somehow this time out, it had a freshness and impact that totally worked. Arriving on stage in a confessional booth in one of her best tour entrances ever, this was an evening that brought with it redemptive powers. It’s also one of her best tours in ages — true, a Madonna show is never a bad show, but the arrangements, mix of old and new and staging, not to mention the flawless execution last night by all involved, has a hypnotic effect that can’t be fully conveyed. She plays another D.C. show tonight. Tickets are still available.
Almost everything worked in the expertly paced two-hour show. A pleasant surprise, considering her last few tours, was how faithful some of the arrangements were on the old hits. After having reworked “Vogue,” “Holiday,” and “Like a Prayer” so radically on outings’ past, it was great to hear them in near-original form for a change this time. While some of her re-imaginings other times have been amazing — I loved the gypsy/mariachi take on “La Isla Bonita” last time — this backfires as often as it works.
Last night’s percussion-heavy reworking of “Open Your Heart” was just so-so and a loungy, torchy “Like a Virgin” failed to pick up any heat, but thankfully there were enough faithful interpretations of other songs to make things largely effective overall. Second-tier, and more recent semi-hits, like “Revolver” and “Celebration” from her last hits collection, were unexpected surprises. And with “Papa Don’t Preach” and “Express Yourself” included as well, there wasn’t the slightest feeling Madonna was being stingy with the hits. They blended very well with material from her excellent new album. Some of the most effective moments of the evening were new songs like a blistering “I Don’t Give A” and an intensely satisfying “I’m Addicted.”
(Blade photo by Joey DiGuglielmo)
The band, sets, dancers, choreography, video montages and special effects were all super top-notch. And yes, there was a slight sense that for perhaps the first time, she left most of the tricky dance steps to the troupe, not always joining right in as she has in other tours. I noticed it, but it didn’t dampen the proceedings.
A lot has been made of the Tarantino-esque violence of the first quarter shooting rampage that accompanies “Girl Gone Wild” and “Gang Bang.” It was intense — blood splattering across arena-size monster jumbo screens is a jolt for sure — but it felt more cartoonish and campy than literal or disconcerting to me. In an evening where everything was writ as large as possible, it felt, to me, just one more piece of a broad emotional collage. One appreciates light much more after great darkness.
Even when there’s a song or two that aren’t what you would have picked — did we really need “Human Nature” again, for instance? — or an arrangement or two that left you cold, all that really is quibbling. Madonna never phones it in, never takes the easy route, never — even with a generous bounty of ’80s hits in the mix — feels like she’s a nostalgia act stuck in another era. Her live vocals — typically the calling card for a concert — are not her long suit, but to get too hung up on that is to miss the point entirely. Yeah, it’s always fun to see great legends in concert, but so many of them are on the gravy train and plow through their hits like they’re crossing off a grocery list. Madonna’s insistence on keeping it fresh even after all these years, remains an awe-inspiring thing.
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
‘The Pitt’ stars discuss what season two gets right about queer representation
My family voted for Trump and I cut off contact
Queery: Meet artist, performer John Levengood
Project GLOW celebrates LGBTQ acts
Response to a personal attack against me
Trump budget targets ‘gender extremism’
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