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Don’t look in the basement

Odd but endearing play explores pregnant teen’s isolation

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Maya Jackson, Holly, Kara Lee Corthron, Holly Down in Heaven, Round House Theatre, Washington Blade gay news

‘Holly Down In Heaven’
Through Oct. 20
Forum Theatre
Round House Theatre Silver Spring
8641 Colesville Road, Silver Spring
$15-$25
240-644-1100

Maya Jackson, Holly, Kara Lee Corthron, Holly Down in Heaven, Round House Theatre, Washington Blade gay news

Maya Jackson as Holly in Kara Lee Corthron’s ‘Holly Down in Heaven.’ (Photo courtesy Round House Theatre)

Holly keeps counsel with dolls. When you’re a teenager marking time in your basement far from the world, it gets lonely. So she talks to them. And they talk back. Occasionally she even gets some good advice.

Emerging playwright Kara Lee Corthron writes thoughtfully about young women. In her funny and oddly heartwarming “Holly Down In Heaven” (currently making its world premiere at Forum Theatre in a fresh production ably staged by the company’s artistic director Michael Dove), Corthron explores a chaotic childhood journey.

After learning she’s pregnant, 15-year-old honor student Holly (Maya Jackson) sentences herself to nine months downstairs, vowing not to come up again until the baby is born. There, surrounded by her vast doll collection, she waits. Her indulgent widowed father (KenYatta Rogers) however has different ideas. From upstairs he keeps a close eye on his only child, gently encouraging her to consider alternatives to keeping the baby. For born again Christian Holly, abortion is out. She’s adamant: her intention is to remain underground, see no doctors and become a mother.

Tucked away, Holly seeks comfort from her dolls. Displayed on shelves around the perimeter of the open room, they’re arranged singly and in groups. The black contingent headed by a sassy Cabbage Patch baby includes a tiny, diplomatic Kofi Annan; next to them is a ponderously earnest Native American; then there are the Victorian dolls, most notably Queen Victoria herself; and across the basement in a spot lit place of honor stands a graceful Geisha girl (voiced by KyoSin).

Increasingly, conversation between Holly and the dolls centers on their reluctance to share her with a living, breathing baby. Sometimes these talks (actually just Holly talking to herself) become overly heated; and when it does, she quells the mayhem with threats of putting certain dolls in storage or even striking a match. (Like the “Wizard of Oz’s” scarecrow, these chatty collectibles are acutely aware of their flammability.)

For more serious chats, Holly goes one-on-one with her prized psychiatrist doll that bears a resemblance to Carol Channing in appearance and voice. The straight talking, potty-mouthed shrink (expertly handled and hilariously voiced by Vanessa Strickland) encourages her adolescent patient to become less closed off from the humans in her life.

Yes, non-dolls occasionally do make the subterranean scene: In addition to her father, Holly’s tutor Mia (Dawn Thomas), an agreeably neurotic grad student with father issues comes three times a week; and Yager (Parker Drown), the gamer next door pays brief unsolicited visits entering and exiting via a basement window.

Holly is at turns charming and charmless. A bundle of teenage hormones (and pregnant to boot), she is changeable and bratty as she explores notions of independence, relationships and faith. In the title role, Jackson perfectly places her character between little girl and young woman.

As Holly’s inept but well-meaning ex-boyfriend Yager, Drown (who’s gay) gives a terrifically understated performance, securing his growing reputation as a versatile local actor. He’s unrecognizable from his Helen Hayes Award-winning performance as Angel, the drum beating drag queen in Keegan Theatre’s production of “Rent.”

Sometimes the longish “Holly Down In Heaven” doesn’t seem sure what kind of play it is, veering from thoughtful comedy to sticky sitcom, but its general quirkiness make it worth a go.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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