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Don’t look in the basement

Odd but endearing play explores pregnant teen’s isolation

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Maya Jackson, Holly, Kara Lee Corthron, Holly Down in Heaven, Round House Theatre, Washington Blade gay news

‘Holly Down In Heaven’
Through Oct. 20
Forum Theatre
Round House Theatre Silver Spring
8641 Colesville Road, Silver Spring
$15-$25
240-644-1100

Maya Jackson, Holly, Kara Lee Corthron, Holly Down in Heaven, Round House Theatre, Washington Blade gay news

Maya Jackson as Holly in Kara Lee Corthron’s ‘Holly Down in Heaven.’ (Photo courtesy Round House Theatre)

Holly keeps counsel with dolls. When you’re a teenager marking time in your basement far from the world, it gets lonely. So she talks to them. And they talk back. Occasionally she even gets some good advice.

Emerging playwright Kara Lee Corthron writes thoughtfully about young women. In her funny and oddly heartwarming “Holly Down In Heaven” (currently making its world premiere at Forum Theatre in a fresh production ably staged by the company’s artistic director Michael Dove), Corthron explores a chaotic childhood journey.

After learning she’s pregnant, 15-year-old honor student Holly (Maya Jackson) sentences herself to nine months downstairs, vowing not to come up again until the baby is born. There, surrounded by her vast doll collection, she waits. Her indulgent widowed father (KenYatta Rogers) however has different ideas. From upstairs he keeps a close eye on his only child, gently encouraging her to consider alternatives to keeping the baby. For born again Christian Holly, abortion is out. She’s adamant: her intention is to remain underground, see no doctors and become a mother.

Tucked away, Holly seeks comfort from her dolls. Displayed on shelves around the perimeter of the open room, they’re arranged singly and in groups. The black contingent headed by a sassy Cabbage Patch baby includes a tiny, diplomatic Kofi Annan; next to them is a ponderously earnest Native American; then there are the Victorian dolls, most notably Queen Victoria herself; and across the basement in a spot lit place of honor stands a graceful Geisha girl (voiced by KyoSin).

Increasingly, conversation between Holly and the dolls centers on their reluctance to share her with a living, breathing baby. Sometimes these talks (actually just Holly talking to herself) become overly heated; and when it does, she quells the mayhem with threats of putting certain dolls in storage or even striking a match. (Like the “Wizard of Oz’s” scarecrow, these chatty collectibles are acutely aware of their flammability.)

For more serious chats, Holly goes one-on-one with her prized psychiatrist doll that bears a resemblance to Carol Channing in appearance and voice. The straight talking, potty-mouthed shrink (expertly handled and hilariously voiced by Vanessa Strickland) encourages her adolescent patient to become less closed off from the humans in her life.

Yes, non-dolls occasionally do make the subterranean scene: In addition to her father, Holly’s tutor Mia (Dawn Thomas), an agreeably neurotic grad student with father issues comes three times a week; and Yager (Parker Drown), the gamer next door pays brief unsolicited visits entering and exiting via a basement window.

Holly is at turns charming and charmless. A bundle of teenage hormones (and pregnant to boot), she is changeable and bratty as she explores notions of independence, relationships and faith. In the title role, Jackson perfectly places her character between little girl and young woman.

As Holly’s inept but well-meaning ex-boyfriend Yager, Drown (who’s gay) gives a terrifically understated performance, securing his growing reputation as a versatile local actor. He’s unrecognizable from his Helen Hayes Award-winning performance as Angel, the drum beating drag queen in Keegan Theatre’s production of “Rent.”

Sometimes the longish “Holly Down In Heaven” doesn’t seem sure what kind of play it is, veering from thoughtful comedy to sticky sitcom, but its general quirkiness make it worth a go.

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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Books

New book explores homosexuality in ancient cultures

‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome

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(Book cover image courtesy of Bloomsbury)

‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages

Nobody likes you very much.

That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.

When he was a teenager, Harry Tanner says that he thought he “was going to hell.”

For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”

Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”

Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.

In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”

Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”

Says Tanner, “all is not what it seems.”

So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.

Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.

While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.

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