Arts & Entertainment
‘Midsummer’ magic
Cleverly staged production transports action to the 1940s
‘A Midsummer Night’s Dream’
Through Dec. 30
Shakespeare Theatre Company
Sidney Harman Hall
610 F Street NW
$43-$105
202-547-1122

Christiana Clark as Helena and Amelia Pedlow as Hermia in Shakespeare Theatre Company’s production of ‘A Midsummer Night’s Dream.’ (Photo by Scott Suchman; courtesy of Shakespeare Theatre Company)
Shakespeare’s “A Midsummer Night’s Dream” brings together fairies, high-born Athenians and a sextet of skilled workmen with theatrical aspirations to create an improbable but magical world where even the most extreme situations end happily. In a visually exciting and extremely fun production currently playing at Shakespeare Theatre Company’s Sidney Harman Hall, director Ethan McSweeny keeps the old material fresh.
McSweeny’s take is appropriately magic-filled and newly theatrical. He sets the story in the 1940s inside an empty theater where possibilities are boundless. After all, as the program points out, Shakespeare premiered this play on a bare stage. With two balconies, a couple chandeliers, fly ropes, trap doors, Lee Savage’s beautiful set — a once grand theater — is essentially a blank slate, allowing the action to move convincingly (with the help of Tyler Micoleau’s skilled lighting) from Athens to an enchanted forest.
Cast members are equally versatile. Tim Cambell and Sara Topham appealingly play the comely ruling couple Theseus, Duke of Athens, and Hippolyta, Queen of the Amazons, as well as Oberon and Titania, King and Queen of the fairies. Adam Green splendidly transforms from Theseus’ oddly buttoned up assistant to literature’s mischief maker extraordinaire, Puck. Dressed in a corset and breeches, Green’s agile fairy nimbly traverses the set delighting in the mayhem he initiates without ever being too cutesy or grating. It’s a terrific performance.
“Dream” is a comic tale of young love, both requited and not. Hermia (Amelia Pedlow) cannot bear Demetrius (Chris Myers), the preppy boy her father insists she must marry. Instead she loves Lysander (Robert Beitzel), a folksy poet who is never without his acoustic guitar. Hermia’s best friend Helena (the excellent Christiana Clark), whose taste runs toward shopping and chocolates, loves Demetrius; but alas Demetrius loves Hermia. In order escape her father’s commands, Hermia and Lysander retreat to the woods.
Along the way, before all ends well, Hermia and Helena, clad only in their underthings, fall into a long, drawn out cat fight (staged wet and goopy by McSweeny). The boys (also stripped to their skivvies) get involved too. Puck watches from the sidelines perched in a theater balcony nibbling on popcorn. Invisible to the young lovers, he descends into the fray, cleverly egging on the battle. It’s a wonderfully well-rehearsed scene that comes off without a hitch.
“Dream’s” amusing subplot focuses on the rude mechanicals, a group of workers including a tinker and a tailor who are keen to perform a work of their own making (Shakespeare’s enduring slapstick-filled skit within the play) for the Duke and Queen. Led by Ted van Griethuysen as Peter Quince, the group of avid amateur thespians includes Robin Starveling (Christopher Bloch), Tom Snout (a dour Herschel Sparber), the slowwitted Snug (Robert Dorfman) and the wonderful David Graham Jones as Francis Flute who plays the mechanical’s enthusiastic ingénue. The group’s most eager member, Nick Bottom, is hilariously played by Bruce Dow as a total drama queen, more than ready for his close up.
McSweeney’s imagery is unforgettable: The show strikingly opens with the Duke (covered in medals) and his first lady (looking more than a little Evita-ish with a chic hat and carefully arranged fur piece), addressing their drab public from the palace balcony. There is the moving tableau featuring an ardent Titania and her disinterested paramour Bottom (who has been magically made into an ass) being pulled across stage by a team of young fairies as they lie in the gutted piano that serves as their bed. Then at the play’s close, there’s Puck making his apologies to the audience lit by the glow of a lone ghost light.
Jennifer Moeller provides a collection of impeccably realized costumes from the 1940s suits and gowns worn by the Athenians to Oberon and Titania’s romantic frayed remnants of court finery. And the fairies’ costumes: vintage foundation garments topped with odds and ends culled from an abandoned backstage.
With its classic storyline, inventive staging and delightful cast that handles the language and comedy more than ably, Shakespeare Theatre Company’s “Midsummer Night’s Dream” makes perfect holiday fare both for Bard aficionados and the uninitiated alike.
Theater
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Out sound designer Madeline ‘Mo’ Oslejsek notes ‘sound is my bag’
‘Dragon Play’
Through May 17
Rorschach Theatre
The Stacks @ Buzzard Point
101 V St., S.W.
$50 ($35 for students and seniors)
Rorschachtheatre.org
Celebrated for its site-specific, immersive productions, Rorschach Theatre puts on plays all over town. The unlikely spots have included greenhouses, church vestibules, closed retail spaces (including a vacant downtown big and tall men’s store) and historic locales like Rock Creek Cemetery’s Adams Memorial.
For its current offering “Dragon Play” (through May 17), a tale of love and longing, Rorschach is using a raw space in The Stacks at Buzzard Point, a new mixed-use neighborhood situated where the Anacostia and Potomac rivers meet.
Out sound designer Madeline ‘Mo’ Oslejsek considers all sites – whether traditional theatrical spaces or not – specific, particularly in terms of sound. She says, “Part of my practice is if you’re creating a soundscape for a theatrical production you’re also working with sound that already exists with the space.”
For instance, The Stacks space comes with its own unique qualities. It’s a large cement room that has a different reverberation, an echo.
“Some sounds (a car, dog bark) are planted or they might just happen. What starts as a live sound might be heard again as something recorded.”
Whip smart with a ready laugh, Oslejsek never set out to be a sound designer. She was going to direct. And now, the 2025 Helen Hayes Award nominee for Outstanding Sound Design (“Astro Boy and the God of Comics” at Flying V,) says, “Sound is my bag. Sometimes it seems that I’m the only one in the room thinking about it.”
As an undergrad studying theater at Ohio Wesleyan University, she was first exposed to sound design, but it didn’t make a big impression.
In grad school at Royal Central School of Speech and Drama, University of London, she was interested in direction. But when students were offered a choice of three more specific tracks to choose from (performance, composition, and scenography, which includes sound design), Oslejsek was swayed.
“An introduction to scenography by the department head radically changed the course of my life,” she says.
What struck her most about sound was the subjectivity: “The core of my practice is that sound has no meaning until it’s experienced. All sound is noise. It’s just a pitch, active, or vocalization. It becomes real when you hear it and apply meaning to it. That’s very exciting to me.”
Today, Oslejsek and partner Caitlin Hooper, an actor and intimacy choreographer, are based in Baltimore but work primarily in D.C.
“It feels good to be in a place where art and queerness in art are celebrated. It’s not like that everywhere, and making that kind of work down the street from this White House where that’s not the vibe, is real resistance. That feels really meaningful.”
Also important to Oslejsek (who identifies alternately as queer and lesbian) is “queer as a practice,” a concept suggesting that a queer identity or practice does not seek to replace other identities but to encompass and bridge them.
“I’m queer because I like women, but the work is more about making room for what everyone in the room hears,” she says. “Never do I want to come into a space thinking I have all the answers. That’s no fun.”
As its title might suggest, Jenny Connell Davis’ play directed by Rorschach’s Randy Baker is filled with magic. “Dragon Play,” blurs the past and present; one world bleeds into the next; and, of course, there are dragons. At 80 minutes with no intermission, the play moves in and out of different timelines; increasingly things start to overlap.
And it’s also about the magic of relationships – all kinds. There’s a line where the dragon girl asks a Texas boy what he dreams about and he replies “you, always you.”
Oslejsek, 30, is touched by those words: “In my little gay heart, I cried. It makes me think of my partner. This play is about the idea of people who strike a match in your heart that never really goes away.”
In creating a layered soundscape, she brings her own brand of magic to the production. Her big goal was “not to play with how we think a dragon might sound, but rather with how does the world sound to a dragon.”
Sometimes sound design takes the lead, but in some productions, sound is purposely subtle or secondary, she says. Either way, sound can be monumental in shaping theater.
Friday, April 17
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 18
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, April 19
Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Monday, April 20
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, April 21
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.
Wednesday, April 22
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 23
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Out & About
Team DC’s annual gala set for this weekend
LGBTQ sports organization to hold annual ‘Night of Champions’
Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.
This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.
There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.
This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports:
- Trailblazer Award – Adam Peck, District Wrestling
- Most Valuable Person Award – Sean Bartel (posthumously)
- Champion Award – Dan Martin
- Clark Ray Horizon Award – Manuel Montelongo, aka Mari Con Carne
- Bernard Jude Delia Award – Dr. Sara Varghai
- Platinum All Star Award – Centaur Motorcycle Club
To purchase tickets, visit Team DC’s website.
-
Lebanon4 days agoLebanese LGBTQ group responds to latest war
-
Noticias en Español5 days agoLa X vuelve al tribunal
-
Federal Government5 days agoInside the LGBTQ records of Todd Blanche and Markwayne Mullin
-
Brazil4 days agoTrailblazing trans Brazilian lawmaker refuses to set foot in Trump’s America
