Arts & Entertainment
Books: Hot gay page turners
Spring book release schedule chock full of LGBT content
‘Decadence’ by Eric Jerome Dickey, ‘Gypsy Boy on the Run’ by Mikey Walsh and ‘Prairie Silence’ by Melanie Hoffert, just three of many gay-themed books slated for release in the coming months. (Photos courtesy the publishers)
The spring publishing season is full of gay reads, especially if you like memoirs.
Mikey Walsh gifts us with a sequel to last year’s “Gypsy Boy” (one of my favorite books of 2012) with his new book “Gypsy Boy on the Run.” This book picks up where the first book left off — Walsh has just escaped his father’s abuse and the Romany culture in which he grew up — and off we go. Which is great, since the first book practically begged for an update. His being gay is a major reason he was shunned by his culture of origin.
What would you do if you hailed from a place where you being gay was the farthest thing from your neighbors’ minds? In “Prairie Silence,” author Melanie Hoffert tackles that, coming from her home state of North Dakota. This is a beautiful book, almost bucolic, and filled with a quiet sense of calm and crops.
“Letters from the Closet: Ten Years of Correspondence That Changed My Life” by Amy Hollingsworth is a bit of a unusual memoir: it’s about a teacher who was not “out,” his favorite student and letters that he wrote to her that she kept until his death, years later. It’s a powerful story of secrets that aren’t so secret, from a Christian writer.
Speaking of church, “Banished: Surviving My Years in the Westboro Baptist Church” by Lauren Drain is the true story of the organization and a little girl whose father got so caught up in his examination of the church that he moved his family to Kansas and into the fold. It’s also the story of a girl who examines her conscience and realizes that her former beliefs were wrong. Controversial? You betcha, but oh-so-interesting, too.
“Plane Queer” by Phil Tiemeyer is a book about male flight attendants from the 1920s to about a decade ago, their work in a female-dominated career, the discrimination they faced and how AIDS has tied into their area of the industry. There’s a lot to learn here (because — did you know this? — they were in the forefront of an important civil rights law), so this book isn’t just a scandal-filled, juicy read.
Local gay author Garrett Peck continues his historical explorations with “The Smithsonian Castle and the Seneca Quarry.” This is somewhat of a sequel to Peck’s last book and explains how some of D.C.’s best-loved sites are tied together in an unlikely way.
California-based gay author and pop culture historian Mike Pingel is out with another tidbit-crammed page turner. “Betty White Rules the World” traces the legend’s career from “Life With Elizabeth,” “Mary Tyler Moore,” “The Golden Girls,” “Hot in Cleveland” and more. As with previous books on everything from “Wonder Woman” to “Charlie’s Angels,” Pingel keeps the pace moving — pullout boxes and mini-chapters are well-chocked with interesting factoids that keep the pace moving.
So you’re clamoring for a novel. Just a good story, that’s all you want.
And then you want “The Beauty of Men Never Dies” by David Leddick.
Blending fiction with memoir, this book is about aging and falling in love later in life. It’s a whirlwind trip from America to Europe, from one fabulous job to another, and from love lost to love gained. How much is true and how much is not? I’m not saying. Read the book.
Gay author Brent Hartinger will release “The Elephant of Surprise” from Buddha Kitty Books on March 31. It’s the fourth book in the “Geography Club” series, the first entry of which has been adapted into a film starring Scott Bakula and Nikki Blonsky. In “Elephant,” Russel and his friends Min and Gunnar laugh about a phenomenon referenced in the title — the tendency of life to never turn out as expected. Russel becomes involved with Wade, a hot-but-homeless activist, just as his old flame Kevin returns to his front burner. And Min is learning surprising things about her girlfriend Leah. Hartinger, a former Blade contributor, has earned kudos for his well-crafted depictions of gay teen life.
Finally, if you just want something fun, hedonistic and so hot you’ll need oven mitts, then look for “Decadence” by Eric Jerome Dickey this spring. Nia Simone Bijou (she of 2008’s “Pleasure”) is back and looking to hone her “gifts” of love by stepping into a pleasure palace for awhile.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
Comings & Goings
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Virginia4 days agoHashmi speaks at Equality Virginia Lobby Day
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District of Columbia4 days ago
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Maryland4 days ago
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