Arts & Entertainment
Books: Hot gay page turners
Spring book release schedule chock full of LGBT content
‘Decadence’ by Eric Jerome Dickey, ‘Gypsy Boy on the Run’ by Mikey Walsh and ‘Prairie Silence’ by Melanie Hoffert, just three of many gay-themed books slated for release in the coming months. (Photos courtesy the publishers)
The spring publishing season is full of gay reads, especially if you like memoirs.
Mikey Walsh gifts us with a sequel to last year’s “Gypsy Boy” (one of my favorite books of 2012) with his new book “Gypsy Boy on the Run.” This book picks up where the first book left off — Walsh has just escaped his father’s abuse and the Romany culture in which he grew up — and off we go. Which is great, since the first book practically begged for an update. His being gay is a major reason he was shunned by his culture of origin.
What would you do if you hailed from a place where you being gay was the farthest thing from your neighbors’ minds? In “Prairie Silence,” author Melanie Hoffert tackles that, coming from her home state of North Dakota. This is a beautiful book, almost bucolic, and filled with a quiet sense of calm and crops.
“Letters from the Closet: Ten Years of Correspondence That Changed My Life” by Amy Hollingsworth is a bit of a unusual memoir: it’s about a teacher who was not “out,” his favorite student and letters that he wrote to her that she kept until his death, years later. It’s a powerful story of secrets that aren’t so secret, from a Christian writer.
Speaking of church, “Banished: Surviving My Years in the Westboro Baptist Church” by Lauren Drain is the true story of the organization and a little girl whose father got so caught up in his examination of the church that he moved his family to Kansas and into the fold. It’s also the story of a girl who examines her conscience and realizes that her former beliefs were wrong. Controversial? You betcha, but oh-so-interesting, too.
“Plane Queer” by Phil Tiemeyer is a book about male flight attendants from the 1920s to about a decade ago, their work in a female-dominated career, the discrimination they faced and how AIDS has tied into their area of the industry. There’s a lot to learn here (because — did you know this? — they were in the forefront of an important civil rights law), so this book isn’t just a scandal-filled, juicy read.
Local gay author Garrett Peck continues his historical explorations with “The Smithsonian Castle and the Seneca Quarry.” This is somewhat of a sequel to Peck’s last book and explains how some of D.C.’s best-loved sites are tied together in an unlikely way.
California-based gay author and pop culture historian Mike Pingel is out with another tidbit-crammed page turner. “Betty White Rules the World” traces the legend’s career from “Life With Elizabeth,” “Mary Tyler Moore,” “The Golden Girls,” “Hot in Cleveland” and more. As with previous books on everything from “Wonder Woman” to “Charlie’s Angels,” Pingel keeps the pace moving — pullout boxes and mini-chapters are well-chocked with interesting factoids that keep the pace moving.
So you’re clamoring for a novel. Just a good story, that’s all you want.
And then you want “The Beauty of Men Never Dies” by David Leddick.
Blending fiction with memoir, this book is about aging and falling in love later in life. It’s a whirlwind trip from America to Europe, from one fabulous job to another, and from love lost to love gained. How much is true and how much is not? I’m not saying. Read the book.
Gay author Brent Hartinger will release “The Elephant of Surprise” from Buddha Kitty Books on March 31. It’s the fourth book in the “Geography Club” series, the first entry of which has been adapted into a film starring Scott Bakula and Nikki Blonsky. In “Elephant,” Russel and his friends Min and Gunnar laugh about a phenomenon referenced in the title — the tendency of life to never turn out as expected. Russel becomes involved with Wade, a hot-but-homeless activist, just as his old flame Kevin returns to his front burner. And Min is learning surprising things about her girlfriend Leah. Hartinger, a former Blade contributor, has earned kudos for his well-crafted depictions of gay teen life.
Finally, if you just want something fun, hedonistic and so hot you’ll need oven mitts, then look for “Decadence” by Eric Jerome Dickey this spring. Nia Simone Bijou (she of 2008’s “Pleasure”) is back and looking to hone her “gifts” of love by stepping into a pleasure palace for awhile.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
