Arts & Entertainment
Summer stock staycation
D.C.’s never-ending theater season in full swing
When planning your staycation, don’t forget to include some of the tempting selections offered by D.C.’s never ending theater season. Here are a just a few must-see summer productions.
A trip to Olney Theatre Center’s (olney-theatre.org) rambling campus of leafy trees and white clapboard buildings makes a perfect staycation outing. But make no mistake — the longtime company’s upcoming production of “A Chorus Line” (Aug. 1-Sept.1) is more a trip to Times Square than the countryside. When Olney’s new artistic director Jason Loewith took the reins earlier this year, he made a few changes. Tweaks included adding the musical about 17 hoofing hopefuls vying for eight spots in a Broadway musical. Throughout the grueling auditions, the candidates open up, revealing not only battered pasts and heartaches but also the unbridled joy and fulfillment they’ve found in dance. Stephen Nachamie directs and choreographs.
Studio 2ndstage’s (studio-theatre.org) summer production has typically been a highpoint of staycations past. In recent years, they’ve taken audiences from Studio’s 14th Street location to old Kentucky (“Bloody, Bloody Andrew Jackson”), Los Angeles (“Passing Strange”) and a Chicago television studio (“Jerry Springer: The Opera”). Now it’s a visit to a lonely castle with “Richard O’Brien’s Rocky Horror Picture Show” (through Aug. 4). Mitchell Jarvis stars as that sweet transvestite Dr. Frank N. Furter. Cast includes Sarah Marshall, Matthew DeLorenzo and Will Hayes. Keith Alan Baker and Alan Paul direct. Costume designer Collin Ranney (also known around town as his outré drag persona Birdie LaCage) has been assigned the task of dressing the cast in what promises to be some provocative getups.
Featuring well over a hundred shows in about a dozen or so local venues, Capital Fringe Festival 2013 (capitalfringe.org; July 11-28) adds a kick to your D.C. summer staycation. Like the Fest’s performance spaces that range from cool and comfy to hot as Calcutta in May (though with increasingly improved venues that’s less and less the case), the options onstage (theater, music, dance, puppetry, etc.) are wide and varied, inspiringly risky to flat-out bad. Though quality is on the rise, the delight still lies in finding the gems among the clunkers.
In Silver Spring, Forum Theatre (forum-theatre.com) presents the world premiere of “The T Party” (July 17-27), a celebration of gender transformation in the nation’s capital. Written and directed by versatile Forum company member Natsu Onoda Power, “The T Party” is comprised of two very different acts. The first invites the audience to join interactive small groups: a bridal shower, a prom, a karaoke party or a super bowl party; while the second consists of a series of performed vignettes including songs, dance numbers, video projection, as well as more traditional “scenes” and monologues. Audience participation is not required. Whew.
For its annual Free For All, Shakespeare Theatre Company (shakespearetheatre.org) is reviving its Cuba-themed production of the Bard’s romantic comedy “Much Ado About Nothing” (Aug. 20 – Sept.1) featuring Derek Smith and Kathryn Meisle as witty lovers Benedick and Beatrice. A popular Washington tradition for 22 years, Free For All offers free tickets to the general public to experience Shakespeare in the late summer. These performances formerly took place under the stars at Carter Barron Amphitheater, but now it all goes down indoors in the comfort of STC’s Sidney Harman Hall. No rain. No mosquitoes. No humidity.
Whitman-Walker Health held the 38th annual Walk and 5K to End HIV at Anacostia Park on Saturday, Dec. 7. Hundreds participated in the charity fundraiser, despite temperatures below freezing. According to organizers, nearly $450,000 was raised for HIV/AIDS treatment and research.
(Washington Blade photos by Michael Key)
The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.
(Washington Blade photos by Michael Key)
Books
Mother wages fight for trans daughter in new book
‘Beautiful Woman’ seethes with resentment, rattles bars of injustice
‘One Day I’ll Grow Up and Be a Beautiful Woman’
By Abi Maxwell
c.2024, Knopf
$28/307 pages
“How many times have I told you that…?”
How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.
When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.
But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.
Her child had been saying, in so many ways, that she was a girl.
Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one – though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.
Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.
Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”
When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.
Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health – all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.
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