Arts & Entertainment
Calendar: Nov. 15
Parties, concerts, social group meetings and more through Nov. 21
D.C.’s Transgender Day of Remembrance is slated for Wednesday night at MCC. (Washington Blade file photo by Michael Key)
Friday, Nov. 15
Howard Community College’s Rep Stage (10901 Little Patuxent Prkwy., Columbia, Md.) presents “I Am My Own Wife,” a one-man show performed by Michael Stebbins, tonight at 8 p.m. The play tells the true story of Charlotte von Mahlsdorf, a German transvestite who survived the Nazi and East German Communist regimes. Tickets range from $33-40. For details, visit repstage.org or call 443-518-1500.
Lisa Marie Presley performs at Wolf Trap (1645 Trap Rd., Vienna, Va.) tonight at 8 p.m. She performs songs from her latest album “Storm and Grace” and older hits. Tickets range from $35-$40. To purchase tickets and for more information, visit wolftrap.org.
http://www.youtube.com/watch?v=2NcHogHRE7Y
Cobalt (1639 R St., N.W.) hosts free vodka Friday tonight from 9 p.m.-3 a.m. Free rail vodka 11 p.m.-midnight. Two DJs on two floors. Cover is $10. Admission is limited to guests 21 and over. For more information, visit cobaltdc.com.
Saturday, Nov. 16
The Latino Queer Bilingual Writing Group hosts its monthly workshop today at the D.C. Center (2000 14th St., N.W.) today from 12:30-2:30 p.m. Open to writers of any genre and levels of experience to share creative work in Spanish or English. Workshop is free and no prior experience is necessary. For details, call 202-682-2245 or email [email protected].
Burgundy Crescent, a gay volunteer organization, volunteers for Casey Trees to help plant 50 shade trees at the Armed Forces Retirement Home (199 Rock Creek Church Rd., N.W.) from 9 a.m.-noon today. Wear appropriate clothing such as closed toe shoes. Bring photo ID. To volunteer, email [email protected]. For more details, visit burgundycrescent.org.
The Smithsonian hosts 12 contemporary poets for a public reading of their work in “Lines in Long Array: A Civil War Commemoration: Poems and Photographs, Past and Present” at the National Portrait Gallery (8th and F streets, N.W.) in the Tucker McEvoy Auditorium today at 2 p.m. Afterward, there will be a round table discussion and book signing. It is the first time the Smithsonian has commissioned works of poetry. Cost is free. For details, visit npg.si.edu.
Town (2009 8th St., N.W.) hosts “Gagarama” to celebrate Lady Gaga’s new album “ARTPOP” tonight at 10 p.m. Lady Gaga music will play upstairs and downstairs will be a Gaga-free playlist. The cover is $8 from 10-11 p.m. and $12 after 11 p.m. There will be $3 drinks before 11 p.m. The drag show starts at 10:30 p.m. Admission is limited to guests 21 and over. For more information, visit towndc.com.
Sunday, Nov. 17
A benefit for Rehoboth Beach, Del.,-based singer Viki Dee — a popular lesbian entertainer there who lost her home and pets in an October house fire — has been rescheduled to occur today from 2-7 p.m. at the Rehoboth Beach Convention Center (229 Rehoboth Ave.). The benefit will feature 15 local entertainers, silent and live auctions and a spaghetti dinner. Tickets are $25 and can be purchased at Maggio Shields Real Estate (70 Rehoboth Ave., No. 101), Sign-a-Rama or CAMP Rehoboth (37 Baltimore Ave.).
Dignity Washington, an LGBT Catholic group, hosts “Love Lost in Translation: Homosexuality and the Bible,” a PowerPoint presentation, today at 3 p.m. at St. Margaret’s Episcopal Church (1830 Connecticut Ave.). Danish linguist and theologian K. Renato Lings will give the presentation. Visit dignitywashington.org for details.
Perry’s (1811 Columbia Rd., N.W.) hosts its weekly “Sunday Drag Brunch” today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For more details, visit perrysadamsmorgan.com.
Adventuring, an LGBT outdoors group, hosts a circuit hike through Old Rag early this morning at 1:15 a.m. Meet at 1:15 a.m at the East Falls Church Kiss and Ride (2001 N. Sycamore St., Arlington, Va.). Hike time starts at 3:30 a.m. After the hike there will be a wait at the peak to watch the sun rise after 7 a.m. There is an optional breakfast at the Northside 29 Restaurant (5037 Lee Hwy., Warrenton, Va.) after the hike. For advanced hikers only. Bring plenty of snacks and drinks. Wear sturdy boots and bring a head lamp. Cost is $25. For more information, visit adventuring.org.
Monday, Nov. 18
The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.
The D.C. Center (2000 14th St., N.W.) hosts Adoption Information Night tonight from 6-8 p.m. Learn about the D.C. child welfare system and the need for host/foster families in the District. Foster and host parents will speak as well as representatives of the Latin American Youth Center’s Child Placement programs. A question-and-answer session will follow. The event is free. For more details, visit thedccenter.org.
Tuesday, Nov. 19
Green Lantern (1335 Green Ct., N.W.) hosts its weekly ”FUK!T Packing Party” from 7-10:30 p.m. tonight. For more details, visit thedccenter.org or greenlanterndc.com.
Whitman-Walker hosts free HIV testing at Panam Supermarker (3552 14th St., N.W.) tonight from 7-9 p.m. For details, visir Whitman-walker.org.
University of Maryland (College Park, Md.) hosts “Queering the Body: Performing the Self” tonight from 6:30-8:30 p.m. in the Stamp Student Union. Kris Grey, a gender queer artist, gives a performance lecture about exposing the permeability and constructed nature of the male/female binary. Admission is free. For details, visit umd.edu.
Wednesday, Nov. 20
Bookmen D.C., an informal men’s gay literature group, discusses “The Practical Heart” by Allan Gurganus, a tale about inhabitants in a North Carolina town including a young man dying of AIDS, at 2101 E St., N.W.at 7:30 p.m. All are welcome. For details, visit bookmendc.blogspot.com.
The Tom Davoren Social Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for social bridge. No partner needed. For more information, call 301-345-1571.
The Metropolitan Community Church of Washington (474 Ridge St., N.W.) hosts the D.C. observance of the Transgender Day of Remembrance today at 6 p.m. The vigil remembers the transgender people whose lives have been lost. For more information, visit thedccenter.org.
Thursday, Nov. 21
Burgundy Crescent, a gay volunteer organization, volunteers for the National Gay and Lesbian Chamber of Commerce for its 11th annual National Dinner Gala at the NGLCC office (729 15th St., N.W) and the National Building Musem (401 F St., N.W.) today at various times. Volunteers will assist with facilitating the dinner in registration, greeting guests, crowd management and more. There is a possibility volunteers can enjoy the dinner. To volunteer, email [email protected]. For more details on exact volunteer times and locations, visit burgundycrescent.org.
The D.C. Center hosts “Beaujolais Nouveau,” a wine tasting and networking event, tonight from 7-9 p.m. Beaujolais Nouveua is a red wine produced in the Beaujolais region in France. Every year after weeks of fermentation it is released for sale on the third Thursday of November. The party is hosted by Ebone Bell, founder and managing editor of bi-monthly lesbian publication Tagg, and Laura V Steiner, the owner and CEO of Meliora Pet Care and active LGBT community member. Tickets are $20. To purchase tickets visit thedccenter.org.
The D.C. Center (1318 U St., N.W.) hosts its monthly Poly Discussion Group at 7 p.m. People of all different stages are invited to discuss polyamory and other consensual non-monogamous relationships. This event is for new comers, established polyamorous relationships and open to all sexual orientations. For details, visit thedccenter.org.
Nellie’s Sports Bar (900 U St., N.W.) hosts the “2013 NCA Queer No Host Party” tonight from 9 p.m.-midnight. Bring your friends and colleagues for fun and queer solidarity to celebrate the third Queer No Host. For more information, visit nelliessportsbar.com.
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave in it himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils as it permits us to forgive our own trespasses through our acceptance of its lovably amoral – when it comes right down to it – characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they do, and that they are all therefore, at some level, to blame for whatever consequences they endure.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody has their reasons for doing what they do, and most of those reasons make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play, and it is, perhaps, taking things a bit too seriously to go that “deep.” As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises. In a reality in which we can only respond to corruption by finding the ethical validation for making the choice to survive, how can we judge ourselves – or anyone else – for doing whatever is necessary?
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, so clearly to be focused merely on reminding us of how much necessity dictates our choices –for truly, the fate of all its characters hinges on how well they respond to the compromised decisions that must make along the way. The more important observation, perhaps, has to do with the necessity to make such moral choices along our way – and it comes not from a moralistic urge toward making the “right” choice as much as it does from a candid recognition that all of us are compromised from the outset, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega, Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
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