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Emmylou Harris on her LGBT support, love of animals

Country legend to play D.C. show next week

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Emmylou Harris, music, gay news, Washington Blade
Emmylou Harris, music, gay news, Washington Blade

Emmylou Harris came to prominence in the Washington, D.C. music scene. (Photo by Jack Spencer)

Emmylou Harris

Dec. 4, 7:30 p.m.

The Hamilton, 600 14th St., N.W.

Tickets $94 and $104

202-787-1000;

thehamiltondc.com/live

Those that assume country, bluegrass and Americana artists aren’t supportive of LGBT rights may not realize that many routinely work to further the cause.

Consider 12-time Grammy Award-winning artist Emmylou Harris, who came to prominence in the Washington, D.C. music scene, and will soon perform here. Harris has performed and donated auction items to the Human Rights Campaign’s Equality Dinners in Nashville and has otherwise lent her voice to furthering LGBT rights.

“You know, Nashville still has a ways to go there, but we’re on the move,” the legendary artist said in an interview with the Blade. Harris lives in Nashville in Davidson County and says that, “Davidson is a little blue county in a sea of red in the State of Tennessee.”

Harris lent her name to hasten that move just this past May when she joined fellow musicians Big & Rich’s William “Big Kenny” Alphin, Mary Chapin Carpenter and Rodney Crowell in co-signing an open letter in support of the now successful marriage equality push in Illinois.

“Traditionally speaking, country music, arguably more than any other genre, draws its inspiration from that inexplicable conundrum known as the human condition,” the letter reads. “Songs and stories of love, family, joy, and human imperfection are the root of its appeal. To deny our gay brothers and sisters the right to legally ritualize their love – to marry – is to deny that they too experience the complexity of human emotion that make a song like Dolly Parton’s ‘I Will Always Love You’ the shared phenomenon that it is.”

Harris doesn’t recall a particular turning point that heightened her awareness of LGBT issues when she lived in the D.C. area but was caught up in the urgency of it in recent years.

“I was totally not aware of that at all,” she says of the discrimination faced by the LGBT community, especially in the 1970s when she lived in the D.C. area. “Really it just sort of came to me later in life, the urgency of the situation. You broaden your horizons as you meet people and more people come into your fold as friends. I just believe in equal rights for everyone.  Everyone has the right to happiness — to life, liberty and the pursuit of happiness. And, you know, it shouldn’t be different for anyone.”

She was quick to add that she would welcome the opportunity to perform at Capital Pride and other LGBT events. For now, fans can support Harris by attending her upcoming show to benefit Bonaparte’s Retreat, which she operates from her Nashville home. Named after her beloved dog Bonaparte who died nearly 10 years ago, Harris takes in dogs whose time has run out at Nashville’s Metro Animal Control and houses them in a bunk house in the corner of her small backyard. She relies on support from the greater Nashville community, which pitches in to foster the dogs. “We keep them, socialize them and love them until we find homes for them,” Harris said.

Key to the success of the retreat are the many fundraising efforts Harris undertakes around the country on top of her regular – and busy – touring schedule. The show next week is another homecoming for Harris who fondly recalls her years in D.C. and often returns. “I was kind of a staple there at Clyde’s and my mother and I used to shop there at Garfinckles,” she says of the famed department store that was at the site currently occupied by the Hamilton. Harris says she hopes the Hamilton benefit becomes an annual tradition.

She also fondly recalls performing at the now defunct Childe Harold bar and restaurant in Dupont Circle, which saw early performances by Bruce Springsteen, The Ramones, Al Jarreau and Bonnie Raitt. Harris laughed when told her name was used for a sandwich at the Childe Harold. “Right, well, you know, you get publicity any way you can, a sandwich, or whatever,” she said.

Now, of course, Harris receives publicity everywhere she goes, and everywhere almost always includes her dogs. During her March show in the D.C. area with Rodney Crowell in support of their album “Old Yellow Moon,” she welcomed a special canine guest appearance by her yellow rescue dog Keeta. “I love it when I can travel with the dogs,” she says. “They make life so much richer, especially when you’re on the road and away from home.” She recalls that Bonaparte was an incredible travel dog and went everywhere with her. Her one regret during her many years on the road was that she spent many of those years without a dog. When Bonaparte died and Harris eventually adopted Keeta and then Bella, “the big black dog that came into my life, they were just great!”

Fans know that Harris wrote the song “Big Black Dog” based on her experience meeting and then rescuing Bella from the pound. Listen for her to likely include that song in her upcoming concert. Although her show will take place after Thanksgiving, she says her heart is always full of thanks for the joys she has found in life. “As far as music, I think I’ve been able to do whatever I want. I’ve been able to play with extraordinary musicians, all of whom have remained friends,” she says. “You don’t work alone; it’s all sort of a group effort, whether in the studio or on the road. I’ve been so fortunate to work with so many wonderful musicians on my own records and then with so many of my heroes like Neil Young, Mark Knopfler and, of course, Linda Ronstadt and Dolly Parton. It’s been like being at Disneyland, my whole career, you know, it never gets boring.”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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