Arts & Entertainment
‘Twelfth’ goes ‘20s
New Synetic adaptation takes the Bard to the flapper era

Irina Tsikurishvili as Viola in ‘Twelfth Night.’ (Photo by Koko Lanham; courtesy Synetic)
‘Twelfth Night’
Through Feb. 16
Synetic Theater
1800 South Bell Street, Crystal City, VA
$35 and up (some discounts available)
866-811-4111
Ordinarily when we meet “Twelfth Night’s” Viola she’s just been washed ashore after a terrible ship wreck. Not in Synetic Theater’s roaring ‘20s take on the Shakespeare comedy.
Here, the yacht is still very much afloat with onboard flappers and their beaus enjoying a wild Gatsby-esque party. Viola (Irina Tsikurishvili) and her twin Sebastian (Alex Mills) are the main attraction, a magnetic sibling dance team not unlike the elegant young Fred and Adele Astaire, only more double-jointed. It’s a great party, but everyone ends up under water just the same.
Once on dry land — alone and in a strange place — Viola disguises herself as a man and goes to work for Duke Orsino (Philip Fletcher). As Cesario, Viola’s newly assumed name, she carries letters between the duke and the object of his unrequited passion Olivia (Kathy Gordon). But the gender-bending plot thickens when Olivia is instantly smitten with Cesario. Viola, in turn, falls for Orsino. What’s more, there are zany subplots involving more unrequited feelings and a devastating prank. Billed as a comedy, “Twelfth Night” boasts many moments of hilarity but there’s sadness too (Viola believes her twin has died at sea). Director Paata Tsikurishvili doesn’t neglect those darker moments — he gets the balance just right.
Fittingly the movement-based company whose players almost never utter a sound has set the 10th addition to its Silent Shakespeare series on a silent movie stage — the type that would later be converted into “sound stages” with the advent of the “talkies.” The action unfolds as a silent comedy directed by Olivia’s household fool Feste (Ben Cunis) with the help of his clownish cinematographer sidekick Fabian (Vato Tsikurishvili) who both step in and out of the action, playing their parts in the story when needed. This works wonderfully particularly since Feste is an almost omniscient presence in the original text.
The production draws broadly from the voiceless genre: sepia-toned subtitles on a movie screen, frantically paced comedy, lots of physical comedy and even the old pie-in-the-face bit. But the scenes most reminiscent of the silent cinema era are those with Viola/Cesario. It’s Tsikurishvili as the resilient cross-dressing heroine who shines most brightly. With an economy of movement, brilliant attention to detail and expressive face — all reminiscent of Chaplin’s iconic bowler-wearing little tramp, she recreates the best of silent film.
An early scene in which Tsikurishvili’s Cesario gets acquainted with Orsino (played wonderfully as a schmaltzy lothario by Fletcher ,who is gay) has the feel of a true silent comedy. It’s especially well thought out and executed. Her scenes with twin Sebastian (out actor Alex Mills) are also memorable, ranging from high spirited to wistful. The talented cast nicely assays the supporting stock characters including Gordon’s vampy Oliva; the lush, Sir Toby Belch (Hector Reynoso); and an over eager college boy, Sir Andrew Aquecheek (Dallas Tolentino). Irakli Kavsadze is perfect as the solemn yet ridiculous butler, Malvolio.
In addition to playing Viola, Tsikurishvili is also the production’s choreographer. Like all Synetic productions, movement affects the mood and emotion deeply and often instantly. Here it’s during the shipwreck when partiers who seconds ago were dancing the fox trot, Charleston and athletic Lindy Hop (all new to Synetic), are suddenly deep underwater, moving slowly but beautifully in a quest for survival.
Phil Charlwood’s set is a functional amalgam of ropes, pulleys, rolling cameras, big lights and a moveable screen. And Kendra Rai’s costumes are spot on — white dinner jackets and glittery above the knee dresses. Especially good is Olivia’s dramatic mourning weeds — her stylish black dress and long veil bring to mind the many bereft young (and not so young) women who turned up at the funeral for ‘20s heartthrob Rudolf Valentino.
Synetic’s “Twelfth Night” closes by flashing the play’s most famous line across the screen: “If music be the food of love, play on …” And with that the cast — led by Tsikurishvili — erupts into a big, exuberant dance number inspired by the infectious beats of jazz great Gene Krupa’s “Swing Swing Swing.” It’s the kind of big number you’d expect to see in a hot production of “Anything Goes” or “42nd Street.” Not your typical Synetic fare, but they nail it. And to make no mistake it’s them, the company drops some of their own high flying acrobatic moves into this treat of an upbeat curtain call.
Friday, July 24
The DC LGBTQ+ Community Center hosts Trans Discussion Group from 7-9 p.m. via Zoom. The Trans Discussion Group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, visit the DC Center’s website.
Saturday, July 25
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC LGBTQ+ Community Center will host Black Lesbian Support Group at 11 a,.m. Join the DC Center and the Beta Kappa Chapter of the Beta Phi Omega Sorority for a peer-led support group devoted to the joys and challenges of being a Black Lesbian. For more details, visit the Center’s website.
Sunday, July 26
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, July 27
The DC LGBTQ+ Community Center will host Queer Book Club at 6:30 p.m. This month’s selection is “Uncomfortable Labels” by Laura Kate Dale. The meeting will be held via Zoom.Email [email protected] for details.
Tuesday, July 28
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as bi individuals in a private setting. Visit Facebook or Meetup for more information.
Wednesday, July 29
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, July 30
The DC Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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