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‘Fire and Air’

Classical ballet, modern dance, Cherry weekend and more among season’s dance highlights

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Dustin Kimball, Junichi Fukada, Bowen McCauley Dance, gay news, Washington Blade
Dustin Kimball, Junichi Fukada, Bowen McCauley Dance, gay news, Washington Blade

Dustin Kimball, left, and Junichi Fukada of Bowen McCauley Dance. (Photo by Jeff Malet; courtesy the company)

Washington Ballet, led by gay artistic director Septime Webre, is considered one the country’s finest ballet companies. This spring the company will put on several performances.

From March 5-9, the Ballet will perform “British Invasion: the Beatles and the Rolling Stones” at the Kennedy Center Eisenhower Theater (2700 F St., N.W.). This three-piece production includes Trey McIntyre’s “A Day In the Life,” Christopher Bruce’s “Rooster” and “There Where She Loved.” Tickets start at $25 and are available at kennedy-center.org.

From April 16-25, the company’s “Peter Pan” will take audiences on a highflying adventure to Neverland. This coming-of-age story is told through the vibrant and powerful dances choreographed by Webre. Tickets range from $25-125 and can be purchased at kennedy-center.org.

And on April 23-25, for just three performances, the Washington Ballet will be presenting “Tour-de-Force,” a program that contains provocative and engaging classical and contemporary ballets. The centerpiece of the evening is George Balanchine’s “Themes and Variations,” which evokes the great period in classical dance where Russian Ballet flourished. Tickets are only available to subscribers and start at $35.

Bowen McCauley Dance performs at Atlas Intersections Festival today at the Atlas Performing Arts Center (1333 H St., N.E.). The performance will explore the environment’s influence in movement in “Afoot in Vienna” and “Fire and Air.” It also includes a re-imagination of Shakespeare’s “Antony and Cleopatra” with a rare performance by Lucy Bowen McCauley herself. To purchase tickets, visit atlasarts.org.

The Atlas Intersections Festival ends Saturday. Intersections allows onlookers and artists to discover the collaborative energy of audiences and artists with eight days of boundary-crossing performances.

From April 1-6, the New York City Ballet performs Balanchine’s dazzling full-length piece “Jewels” at the Kennedy Center Opera House (2700 F St., N.W.). Tickets are on sale now and cost $25-95. To purchase tickets or for more information, visit kennedy-center.org.

On April 19 starting at 1 p.m., the gay-led Dana Tai Soon Burgess Dance Company performs a new work at the National Portrait Gallery (8th and F streets, N.W.) where this company maintains its residency and performs regularly. It’s free.

Sean Dorsey Dance performs May 9-10 at Joe’s Movement Emporium in Mount Rainier, Md., with a work called “Secret History of Love,” which reveals the ways that LGBT individuals found love and happiness in decades past. This work by transgender dance director is packed with full throttle dancing, riveting storytelling and truly reveals the strength of the human heart. Tickets are $22.

On May 16-17, Jessica Lang Dance premieres a new work at the Kennedy Center along with the National Symphony Orchestra (2700 F St., N.W.). For tickets visit kennedy-center.org.

Gay choreographer Kyle Abraham and his company Abraham.In.Motion will perform “Live: The Realest MC” on May 17-18 at the Atlas Performing Arts Center (1333 H St., N.E.). Abraham, who was awarded a 2013 MacArthur Genius Award, has created a production that explores what it means to be a real boy a la Pinocchio. Tickets are $31.50 in advance or $35.50 at the door. Visit atlas arts.org for details.

The Bolshoi Ballet performst at the Kennedy Center May 20-25 with “Giselle,” a powerful piece that deals with betrayal, physical fragility and spiritual strength. Tickets are available by visiting kennedy-center.org.

From June 9-20, gay-helmed Dana Tai Soon Burgess Dance Company partners with Georgetown Day School to allow advanced and intermediate dancers in seventh through 11th grades to have one-on-one instruction with members of the company.

Dance Place (3225 8th St., N.E.) is always the center of dance activity in Washington with performances every weekend as well as dance classes for adults and children.

In radically different dance news, the Chippendales male dance revue — geared to straight women but, like Playgirl, long a gay guilty pleasure — performs March 27 at 9 p.m. at the Fillmore in Silver Spring (8656 Colesville Rd.). Tickets are $25-35 and available at fillmoresilverspring.com.

And D.C.’s trademark benefit circuit party Cherry is the weekend of April 4-6 with DJs Eddie Elias, Paulo, Alain Jackinsky, Joe Gauthreaux, TWiN and Mike Reimer at the various locations throughout the weekend such as Cobalt and Town. This year’s event is dubbed “Metamorphosis.” Visit cherryfund.org for full details.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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