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Calendar: March 28-April 3

Center groups, parties, exhibits and more for the week ahead

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Cher Lloyd, gay news, Washington Blade
Cher Lloyd, gay news, Washington Blade

Singer Cher Lloyd, who played the Capital Pride mainstage last summer, visits Rams Head Live in Baltimore next week. (Photo courtesy Rams Head Live)

Calendar for the week ahead in LGBT D.C. events:

 

Friday, March 28

The Latino History Project hosts its third annual “Mujeres en el Movimiento,” an event for lesbian Latinas to meet and connect, at MOVA Lounge (2204 14th St., N.W.) tonight from 6:30-8:30 p.m. The theme is “Celebrating Women of Color, Courage and Commitment.” There will be drinks, Latino music and a historical digital photo exhibit. There is a $5 suggested donation. For more details, visit latinoglbthistory.org.

Chef Art Smith hosts a private dinner as part of “Taste of Pride” at his restaurant Art and Soul (415 New Jersey Ave., N.W.) tonight from 7-10 p.m. Smith, who has appeared on numerous television specials including “ABC’s Lady Gaga Thanksgiving Special,” will prepare a three-course dinner with red wine. There will also be a meet and greet with him. Tickets are $60. For more details and to purchase tickets, visit capitalpride.org/taste.

Bachelor’s Mill (1104 8th St., S.E.) holds a happy hour from 5-7:30 p.m. tonight with all drinks half price. Enjoy pool, video games and cards. Admission is $5 after 9 p.m. Must be 21 and over. For more details, visit bachelorsmill.com.

Women in Their 20s, a social discussion group for lesbian, bisexual, transgender and all women interested in women, meets today at the D.C. Center (2000 14th St., N.W.) from 8-9:30 p.m. All welcome to join. For details, visit thedccenter.org.

 

Saturday, March 29

Washington Independent Review of Books hosts “Books Alive!,” a literary book conference for writers, agents and book lovers, at the Bethesda Marriott (5151 Pooks Hill Rd., Bethesda, Md.) today from 9 a.m.-5 p.m. Speakers include best-selling author Jonathan Alter, cookbook author Joan Nathan and former Washington Post restaurant critic Phyllis Richman. There will also be pitch session for aspiring authors to meet with top literary agents. Tickets are $220 and include morning coffee and a box lunch. For more information, visit washingtonindependentreviewofbooks.com.

“Bring It On: The Musical,” a musical adaptation of the hit blockbuster movie “Bring It On” comes to Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for two performances today at 3 and 8 p.m. The musical was on Broadway and written by Tony Award-winning writer of “Avenue Q,” Jeff Whitty. Tickets range from $31-81. For more details, visit strathmore.org.

Town (2009 8th St., N.W.) hosts DJ Chord, who will be playing pop music, tonight. Doors open at 10 p.m. Cover is $8 from 10-11 p.m. and $12 after 11 p.m. Drinks are $3 before 11 p.m. The drag show starts at 10:30 p.m. Admission is limited to guests 21 and over.

Sunday, March 30

 

Perry’s (1811 Columbia Rd., N.W.) hosts its weekly “Sunday Drag Brunch” today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For more details, visit perrysadamsmorgan.com.

Adventuring, an LGBT outdoors group, holds a walking tour of the Battle of Spotsylvania this morning at 9 a.m. The tour covers seven miles of trails including the Bloody Angle, where two armies were locked in combat for nearly 24 hours. Bring a picnic lunch, bug spray and $10 for transportation and trip fees. They will carpool at 9 a.m. from the King Street Metro Station (1900 King St., Alexandria, Va.). For more information, visit adventuring.org.

 

Monday, March 31

 

University of Maryland’s Jewish LGBT group hosts Rabbi Steve Greenberg, an openly gay rabbi, at Theodore R. McKeldin Library at University of Maryland (Theodore R Mckeldin Library Campus Dr., College Park, Md.) in the special events room on the sixth floor tonight from 7-10 p.m. He will speak on “wrestling with God” as an openly gay Jew in the Orthodox world. For more details, visit marylandhillel.org.

The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.

Us Helping Us  (3636 Georgia Ave., N.W.) holds a support group for gay black men to discuss topics that affect them, share perspectives and have meaningful conversations. For details, visit uhupil.org.

Nellie’s Sports Bar (900 U St., N.W.) hosts poker night tonight at 8 p.m. Win prizes. Free to play. For more information, visit nelliessportsbar.com.

 

Tuesday, April 1

 

Green Lantern (1335 Green Ct., N.W.) hosts its weekly ”FUK!T Packing Party” from 7-9 p.m. tonight. For more details, visit thedccenter.org or greenlanterndc.com.

The National Education Association (1537 M St., N.W.) screens “Always Be My Son,” a short documentary about a family struggling with a family member’s sexuality, tonight from 7-9 p.m. For more information, thedccenter.org.

SMYAL (410 7th St., S.E.) provides free and confidential HIV testing drop-in hours today from 3-5 p.m. For more information, visit smyal.org.

 

Wednesday, April 2

 

The Tom Davoren Social Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for social bridge. No partner needed. For more information, call 301-345-1571.

Bookmen D.C., an informal men’s gay literature group, discusses “The Queen’s Throat: Opera, Homosexuality and the Mystery of Desire,” an exploration of the relationship between gay men and opera, at Tenleytown Library (4450 Wisconsin Ave., N.W.) tonight at 7:30 p.m. All are welcome. For details, visit bookmendc.blogspot.com.

 

Thursday, April 3

British pop singer Cher Lloyd performs at Rams Head Live (20 Market Pl., Baltimore) tonight at 8 p.m. Lloyd is a former “The X Factor U.K.” contestant and received fame in the United States with her hit single “Want U Back.” Lloyd has previously performed at Capital Pride. Doors open at 6 p.m. Tickets are $22 in advance and $25 the day of show. For more details, visit ramsheadlive.com.

Broadway star Linda Eder performs at Wolf Trap (1645 Trap Rd., Vienna, Va.) tonight at 8 p.m. Eder played Lucy in the Broadway musical “Jekyll and Hyde.” She also has 14 solo albums and one duets album. Tickets range from $44-48. For more details and to purchase tickets, visit wolftrap.org.

Rude Boi Entertainment hosts “Tempted 2 Touch,” a ladies dance party, at the Fab Lounge (2022 Florida Ave., N.W.) Doors open at 10 p.m. Drink specials $5 and vodka shots $3 all night. No cover charge. Admission limited to guests 21 and over. For more details, visit rudeboientertainment.wordpress.com.

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Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

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Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

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Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

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A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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