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Tone balancing

Screen-to-stage adaptation is multi-media delight

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Brief Encounters, theater, gay news, Washington Blade
Brief Encounters, theater, gay news, Washington Blade

The cast of Kneehigh’s U.S. tour of ‘Brief Encounters’ by Jim Cox. (Photo courtesy STC)

‘Brief Encounter’

Through April 13

Shakespeare Theatre Company

The Lansburgh Theatre

450 7th Street, NW

$30-75

202-547-1122

ShakespeareTheatre.org

Conventional wisdom says don’t mess with a classic. Typically the result is a letdown. But there are exceptions. Case in point is the UK-based Kneehigh Theatre’s delightful production of “Brief Encounter,” an adaptation of the same-named 1945 British film.

In bringing the iconic screen romance to the stage, director/playwright Emma Rice blends theater and film incorporating projections, musical numbers and myriad clever touches, all now on display at the Shakespeare Theatre Company’s Lansburgh Theatre.

The David Lean film is based on Noël Coward’s “Still Life,” one of many plays the gay sophisticate wrote and performed with longtime pal Gertrude Lawrence. It follows the short-lived romance of two married people who meet cute at a train station when Alec, a handsome doctor, removes a cinder from housewife Laura’s eye. The pair begin meeting weekly, mostly in the station tearoom or restaurants, and though their feelings are intense, their relationship remains chaste, never going beyond a kiss. And while the inevitable return to their respective respectable lives and practical mates happens as expected, it’s still a painful outcome. Rice’s adaptation draws from the film and the play.

The action kicks off in the Lansburgh lobby with a zippy string quartet of cast members dressed as ‘40s movie theater ushers performing a selection of vintage tunes. Inside, the stage’s usual curtain has been swapped out for one that’s brighter and redder, reminiscent of those found in old movie palaces. There’s a big movie screen that plays black-and-white footage, a nod to the source film and an exploration of the protagonists’ experience. When not on stage, Alec (Jim Sturgeon) and Laura (Hannah Yelland in her Tony-nominated role from when the show ran on Broadway in 2010) can sometimes be found seated amongst the audience; after all, their first date was a trip to the cinema. They also may slip through a slit in the movie screen only to reappear as bigger-than-life projections.

While meeting in public, the pair is reserved. Their muted passion is represented by film of fast moving clouds and raging tides. As the romantic tension mounts, Laura begins to grapple with doing the right thing. It’s she who suggests they part ways.

Director Emma Rice’s precise and inventive staging is wondrous, the cast is superb and her team’s spectacular technical, multi-media design is top notch. Neil Murray’s set is ingeniously serviceable and his period costumes are impeccably drawn. As the besotted but staid lovers, Yelland and Sturgeon play it straight, never mocking the necessarily formal dialogue. But the supporting ensemble has no such restraints. They’re free to camp it up and play for laughs, and they do, expertly. It’s an effective balance.

The tearoom’s other regulars are its manager Myrtle (Annette McLauglin), an amusingly genteel type whose breaks are spent trysting with the amorous station manager Fred (Joe Alessi); and Beryl (Dorothy Atkinson), a cheeky waitress who is dating the cute young station snack seller, Stanley (Damon Daunno). The cast play multiple parts and along with Dave Brown and James Gow, they also sing and play instruments. Songs include Coward’s “Mad About the Boy,” “A Room with a View,” and melodic original music.

The music is put to especially good effect with another Coward song, “Go Slow, Johnny” sung poignantly by Daunno during a key scene in which the Alec and Laura are alone drying off after having fallen out of a rowboat.

Most of the play takes place in the train station. Not surprisingly, there’s a moment when it seems that Laura might throw herself on the tracks and end it all. But no, she’s too sensible for that. Instead, she returns home (two leather club chairs and a big radio) where her patient husband (Alessi, again) and young son and daughter (a pair of life-sized puppets) are waiting.

“Brief Encounter” is part of the really terrific STC Presentation whose mission is to present world class international productions to D.C. audiences. This memorable production is a testament to both the vibrancy of theater and Coward’s enduring genius.

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Why Michelle Visage needs you to get ‘PrEP Wise’

‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign

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Michelle Visage (Photo by Santiago Felipe/Getty Images for MTV)

If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy. 

Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’ 

Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.

Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”

“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”

Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family. 

“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”

Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign. 

“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.” 

It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.

“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources. 

“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”

“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”

Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.

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Photos

PHOTOS: Hagerstown Pride

Maryland LGBTQ celebration held outside Hub City Brewery

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A scene from the 2026 Hagerstown Pride Festival. (Washington Blade photo by Landon Shackelford)

Hagerstown Hopes held the Hagerstown Pride Festival outside Hub City Brewery on Saturday, May 30.

(Washington Blade photos by Landon Shackelford)

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Books

Books for a pre-Pride celebration

‘LGBTQ Almanac’ explores 500 years of queer culture

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You’re all geared up.

You’ve got your best parade-walking shoes, your coolest tee, your most-comfortable shorts, and a rainbow flag to carry. You’re set for Pride, but before you go, try one of these great new books about LGBTQ life and history.

After the parade, where will you end up? A place to talk your experience over, to re-hash things for the next parade? Then you may need “The Lesbian Bar Chronicles: The Living History and Hopeful Future of Americas Dyke Dives and Sapphic Spaces” by Rachel Karp (Beacon Press, $29.95).

Lesbian bars, says Karp, are more than just places to drink. They’re also places to find community, and to organize. For many, she says, they are “sanctuaries,” as they have been for at least a century, and this book introduces you to some of the people who run the establishments, the things they do to support their patrons, and the 100-year-plus bravery that it took to own, run, and enter a lesbian bar.

If you had to name a gay icon, there are probably quite a few who come to mind. So read “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, $21.95) and add another name to your list.

This memoir, written by Canada’s first openly gay judge, takes readers from Brownstone’s childhood to his life as a lawyer, then to his work within the justice system in Ontario, and beyond, to his current career. This is a surprising, informative book that gives you an idea what gay life is like, north of our uppermost borders, then and now.

Pride is a celebration, an event, but it also demands a peek backwards, and in “The LGBTQ Almanac: 500 Years of Queer Culture in American History” by Deborah G. Felder (Visible Ink Press, $39.95), you’ll get a wide look at the pioneers, allies, policy, and gay life over the course of the last five centuries. Want to know more about religion in the gay community? It’s in here, along with celebrities, presidents, science, business, and more. This is the kind of book that settles bets. It’s one you want to have in any room of your home because it’s comprehensive and perfectly browse-able for all of its 600-plus pages.

And finally, here’s a book to read and think about: “No Fats No Fems: A Guide to Queer Empathy and Unpacking Prejudice” by Max Hovey (HarperOne, $19.99). How do you eliminate hateful, hurtful words, aimed at gay people – by gay people? What kind of stereotypes do we carry, unintentionally? This book takes those things out into the daylight by talking honestly and thoughtfully about them, as well as other issues. It’s a book to have when doubts creep in, when you need a new way of thinking or a different direction, or when you just want something different to read.

And if these great books aren’t enough, head to your favorite bookstore or library and ask for books that you can read before Pride or after. And happy Pride!

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