a&e features
Cunningham’s ‘Snow Queen’
Gay Pulitzer-winning author on new book, impact of fame

Author Michael Cunningham says he’s encountered very little homophobia during his career. (Photo by Anneli Salo; courtesy Wikimedia Commons)
Michael Cunningham, one of the most talented and renowned novelists of his generation, has been on a whirlwind book tour since the recent publication of his newest novel, “The Snow Queen.”
Cunningham, who was born in 1952 in Cincinnati and grew up in Pasadena, Calif., is the author of the novels “A Home at the End of the World,” “Flesh and Blood,” “The Hours,” “Specimen Days” and “By Nightfall” as well as the non-fiction book “Land’s End: A Walk in Provincetown.” In 1999, he was thrust into the spotlight when “The Hours” won the Pulitzer Prize and the PenFaulkner Award. His many other honors include fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2011, Cunningham was a Lambda Literary Foundation award finalist for “By Nightfall.”
“The Snow Queen,” a lyrical, evocative, moving novel loosely based on the Hans Christian Andersen fairy tale of the same name, takes place in a run-down Bushwick, Brooklyn neighborhood over three different days between November 2004 (just before president George W. Bush is elected to a second term) to November 2008 (as the election returns in the Obama/McCain campaign are being tallied). Its story is centered on two middle-aged brothers – Barrett and Tyler Meeks and Tyler’s fiancee Beth. Barrett, who works in a vintage clothing store, searches for meaning and love after his boyfriend breaks up with him in a text message. Beth is gravely ill with cancer. Tyler, a musician, struggles to write music, kick his cocaine addiction and to care for Beth. One evening in Central Park, Barrett looks up at the sky and sees a celestial light. Though he’s not religious, Barrett feels that the “pale, translucent light” regards him in a godlike way.
In a wide-ranging e-mail interview with the Blade, Cunningham discussed the impact of fame, how music influences his writing, the political shift in his work and other topics.
Washington Blade: You’ve said that, as a teenager, you read “Mrs. Dalloway” [by Virginia Woolf] and that it reminded you of listening to Jimi Hendrix. Music, in a different way, runs through “The Snow Queen.” Would you talk about that?
Michael Cunningham: All of my books are related to music in a fairly literal way. When I get to my studio in the mornings I put on music, just for a little while, to get the dormant molecules of the air agitated again, after their night’s sleep. I just use the music as a starter-upper … But I do find that, with each new novel, I’m drawn to specific kinds of music. “The Hours” was pretty much entirely the Brahms requiem, and a lot of Schubert. “Snow Queen” was almost entirely Laurie Anderson, Steve Reich and John Cale. Oh, and some Clash.
Blade: In “The Snow Queen,” Barrett sees this spiritual, mystical “celestial” light. Some of your readers might be skeptical. How have readers reacted to the “celestial light?”
Cunningham: So far, no one has scoffed at Barrett’s vision or his subsequent search for some kind of spiritual life. I suspect that’s partly due to the fact that a lot of people are looking for some sort of spiritual life, if only a life that extends beyond working, shopping and eating. And frankly I was careful to avoid anything too specific in Barrett’s vision. I didn’t want … the Blessed Virgin Mary tap dancing in the sky for him. Or anything else that would have required dogmatic beliefs on the part of readers.
Blade: You won a Pulitzer Prize for “The Hours.” How did winning the Pulitzer affect your life?
Cunningham: Winning the prize was a strange experience. I was at first shocked. Then I was happy for about two days. And then, depressed for about six months. Depressed (this remains slightly mysterious to me) because I felt like it was probably all downhill from there, that no one will let me write any other kind of book, ever again (I’ll never, ever escape it). And partly – this is perverse, I know – some surprising reluctance about recognition. I’d always thought I’d wanted it. And was taken aback when I found it a little hard to tolerate.
But the depression passed, and I got back to work. Which is what a writer does, right? Sometimes the news is good, sometimes the news is bad, but either way, you get through it, and start on the next book.
Blade: Your novels delve into the inner mysteries of human personality. Not to get all Freudian, but do you ever feel, figuratively, like a psychoanalyst?
Cunningham: As opposed to what – novels that don’t delve into the inner mysteries of the human personality? I mean, isn’t that the point of novels? But yes, and it’s funny – I lived for years with a psychoanalyst, and we used to joke that we were essentially doing the same work, he with actual people and me with invented ones.
Blade: “The Snow Queen” seems more political than most of your work. Has there been some kind of a shift in your work toward being more political?
Cunningham: There has been a bit of a shift, in that I’m becoming increasingly aware of how apolitical much American fiction is. Most South American writers, most Eastern European writers, wouldn’t think of writing novels that didn’t incorporate the system in which their characters operated … American fiction tends to take place on some kind of blank field, as if it made no difference who the President is, how various corporations are manipulating us, etc.
For quite a while, including the AIDS epidemic in my fiction seemed liked politics enough. The AIDS epidemic is, of course, far from over. But I’m not on its front lines anymore. And so, no to other concerns.
Blade: You’re gay. Have you encountered homophobia in relation to your work?
Cunningham: Honestly, I’m amazed at how little homophobia I’ve encountered in my writing career. I suspect it’s mainly because the ludicrous, clueless, mean-spirited people who are homophobic don’t read novels at all.
Kathi Wolfe, a writer and poet, is a regular contributor to the Blade.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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