Arts & Entertainment
Best of Gay D.C. XIII: People
Winners from the Blade’s readers poll
To see the winners of the Washington Blade’s Best of Gay D.C. readers poll in other categories, click here.
Best Singer or Band
Frankie & Betty
Runner-up: Wicked Jezabel
Frankie and Betty (Washington Blade photo by Michael Key)
Frankie & Betty are a queer acoustic rock duo comprised of Rachel Bauchman (vocals/bass/guitar) and Jessie Strick (lead guitar). Since forming in 2011, they’ve played numerous events, including Roanoke Pride, Phasefest several times and more. They have shows planned at Tree house Lounge on Monday night and the Rock and Roll Hotel on Thursday. Look them up on Facebook to stay current. (JD)
Local Heroine
Ruby Corado
Runner-up: Ashliana Rowe
Ruby Corado (Washington Blade photo by Michael Key)
Long-time LGBT advocate Ruby Corado is the visionary behind Casa Ruby, a local bilingual, multicultural LGBT organization that works to create “success life stories” among LGBT, gender queer and gender non-conforming residents in need. The recently wed Corado is a former Capital Pride Hero and has received many accolades for her work. (JD)
Casa Ruby
2822 Georgia Ave., N.W.
202-355-5155
Local Hero
Sgt. Matthew Mahl
Runner-up: Ed Bailey
Sgt. Matt Mahl (Washington Blade photo by Michael Key)
Sgt. Matthew Mahl, who oversees six officers as part of the Gay & Lesbian Liaison Unit of the D.C. Metro Police Department, says it’s “been a good year.”
“I don’t want to say crime is up, but we have been busier,” the 35-year-old Havana, Ohio, native says. “We have our hands in a lot of stuff.”
Mahl, a cop for 15 years and in Washington since 2001, joined the MPD in 2004 and the GLLU in 2012, having spent his entire previous career on patrol duty. He was forced out on the job during a 2007 incident in which his locker was vandalized but says that’s the only bad experience he’s ever had on the force.
Although initially hesitant to join the GLLU, he says overall it’s been a great experience and he enjoys helping his fellow officers learn “the sensitivities and needs of the LGBT community.” (JD)
Best Drag King
Avery Austin
Runner-up: Sebastian Katz
Avery Austin (Washington Blade photo by Michael Key)
Anna Wimpelberg works by day as an HIV researcher at Whitman-Walker Health but her drag alter ego Avery Austin was born about 11 years ago when the 36-year-old New Orleans native and lesbian saw a drag show in Boston, her then-home.
A veteran of various high school and college theater productions, she says she recognized “immediately that it was something I would love to do.” She continued during an eight-year stint in Austin, Texas, and joined the D.C. Kings when she came to Washington about three years ago. She calls herself “the theater nerd of the group” and guesses she performs with them at Phase 1 and occasional other venues about four or five times per year, often recreating songs she’s seen on “Glee!”
Find more information on the Kings at dckings.com. (JD)
Best Realtor
Mark Rutstein
Mark Rutstein (Washington Blade photo by Michael Key)
1606 17th St. N.W.
202-498-1198
Runner-up: Ray Gernhart
Best DJ
DJ Rosie
Runner-up: Shea Van Horn
DJ Rosie (Washington Blade photo by Blake Bergen)
DJ Rosie Hicks has been spinning for about 13 years and spins regularly at the Hippo in her hometown Baltimore and also at LURe at Cobalt, Phase 1 and other area events in addition to a day job teaching special education.
Known for a mix of hip-hop, R&B, pop and more, she says she just all-around loves music. She also won this award in 2012.
“I love making people happy out there,” the Baltimore native says. “The whole point of coming out to a bar or club to hear a DJ is to let go of worries and cares and enjoy it.”
Look her up on Facebook to stay current with her events. (JD)
Best Drag Queen
Ba’Naka
Runner-up: Heidi Glum
Ba’Naka (Washington Blade photo by Michael Key)
A flip-flop of last year’s results when Glum won, Ba’Naka (Dustin Michael Schaad) is on top again this year adding to her 2012, 2011 and 2010 prizes (a Blade record) in this category.
Ba’Naka, who now does drag full-time and has positioned herself as the go-to gal for everything from hosting local Family Feud nights to getting you ready (for a fee of course!) for Miss Adams Morgan two weeks ago, she is widely known in the community for her outspoken Facebook comments, elaborate Disney routines (her Ursula is legendary) and consistent A-game delivery. And although it hasn’t happened yet, she’s our best local hope for “RuPaul’s Drag Race.” (JD)
Hottest Stripper or Go-go Dancer
Steve Pena
Runner-up: Christian Lezzil
Steve Pena (Photo courtesy Steve Pena)
Steve Pena got into dancing through his husband, Brent Everett, with whom he also runs a popular porn site (brenteverett.com). He’s nonchalant about the work, which he does every Friday night at Town when he’s in Washington and monthly at Latin Night at Cobalt.
“It’s a way to have fun, stay in touch with friends and fans and meet future models for our website,” the San Diego-born, Texas-reared Pena says.
In the region for about a year and a half, Pena, in an e-mail from Amsterdam where he’s traveling, says he appreciates the support.
“I have the best and most loyal friends, fans and followers out there.” (JD)
Best Burlesque Dancer
Private Tails
Runner-up: Glam Gamz
Private Tails (Washington Blade photo by Michael Key)
Private Tails (aka Ashliana Rowe) has been performing burlesque since 2005 and has drawn influence from classic burlesque, hip-hop, Broadway and more for what she calls “the art of the tease.”
As producer of Private Tease Productions, a monthly variety show she uses as an outlet for young performers she mentors, she says she “enjoys the creative process of developing new numbers and looks forward to the opportunity to whip up a fresh new performance.”
Although she has several titles under her belt, this is a new category for Best Of and she’s the inaugural winner.
Her next performance is at Phase 1 on Halloween. Keep up with her on Facebook or at privatetails.com. (JD)
Best Business Person
DC Allen
Runner Up: Ray Gernhart
DC Allen (Washington Blade file photo by Pete Exis)
Businessman DC Allen has been credited with setting the pace for local gay-owned businesses to support the broader LGBT community.
Allen along with his husband Ken Flick owns the Crew Club, a D.C. health club and sauna that caters to gay men.
Last year Allen, 58, presented the D.C. Center for the LGBT Community with a $25,000 check to help the Center pay for renovation costs for its new space in the city’s Reeves Center municipal building at 14th and U streets, N.W.
“We decided it was important for the center to be there for all of us in the community,” Allen says.
Since opening the Crew Club at 1321 14th St., N.W., in the early 1990s, Allen has supported a number of local LGBT organizations and causes, including the Gay and Lesbian Activists Alliance, which presented Allen with its Distinguished Service Award in 1998.
Under Allen’s direction, the Crew Club has also supported Whitman-Walker Health and Us Helping Us, two local community health organizations that provide services to the LGBT community, including AIDS education and prevention services.
In addition to providing financial support for the two groups, Allen has arranged for staff members of the groups to provide HIV testing on the Crew Club’s premises. The Crew Club also serves as a major distribution point for HIV prevention literature and free condoms.
The Capital Area Gay and Lesbian Chamber of Commerce recently named Allen Business Leader of the Year. (LC)
Best Massage
Che Young
Runner-up: Eddie Weingart
Che Young (Photo by Chris Jay Photography)
Relax the stress away with a massage by Che Young. Young provides deep tissue, Swedish, clinical and massage therapy. The Alexandra-based pro can be reached at 703-627-9090 or visit massagetherapy.com. (MC)
Best Visual Artist
Denis Largeron
Denis Largeron (Photo by Denis Largeron)
1621 T St., N.W., Apt. 201
202-420-1030
Runner-up: Amy Martin
Best Personal Trainer
Gerard Burley
Runner-up: Bucky Mitchell
Gerard Burley (Photo by Scott Henrichsen)
Gerard Burley shares fitness tips via his biweekly column in the Blade. He also makes appearances on Fox 5 and is known for his SweatDC fitness party. Find him via Facebook for regular updates and inspirational fitness-related posts.
(Editor’s note: Bucky Mitchell also writes a biweekly column in the Blade.)
Best TV Personality
Chuck Bell, NBC4
Runner-up: Wendy Rieger
Chuck Bell (Washington Blade photo by Jonathan Ellis)
Best Actor
Mickey Daniel DaGuiso
Runner-up: Will Gartshore
Mickey Daguiso, center (Photo courtesy The Landless Theatre Company)
Mickey Daniel DaGuiso grew up in the D.C. suburbs. He attended Bishop Ireton High School in Alexandria, mostly for the music program, and graduated from the University of Virginia where he majored in anthropology and philosophy.
Throughout school, he was involved in band (saxophone, piano) and chorus. It wasn’t until after college that DaGuiso started doing musicals. “It began as sort of a whim,” he says, “and then I was instantly hooked.”
Among the local companies where he’s worked, his favorites are Keegan Theatre (“Man of La Mancha” and “Rent”) and Landless Theatre where he played Kebab in “Perez Hilton Saves the Universe” and the lead in “Spidermusical,” a spoof of Broadway’s “Spiderman,” and many other roles. He has also served as musical director and accompanist for assorted Landless productions.
“Keegan is such a friendly, supportive community yet the creativity and work involved is just superior. Landless is the most enjoyable both on stage and backstage, efficient and creative with time and space, with vision and little ego.”
Currently DaGuiso is taking a year away from theater to travel the world. (He responded to these interview questions via email from India where he’s embarking on a six-month walkabout.) While traveling he’s trying his hand at playwriting.
“I’m keeping it very open-ended so just reading a lot, taking down inspiration whenever it comes and doing a daily writing practice. I do plan on continuing with acting in D.C. when I get back. But who knows what the future holds? I’m like the wind.” (PF)
Best Actress
MaryBeth Wise
Runner-up: Holly Twyford
MaryBeth Wise in ‘How to Write a New Book for the Bible.’ (Photo by Danisha Crosby)
MaryBeth Wise likens acting to a never-ending education. Currently she’s taking a class for experienced actors at Studio Theatre.
“I feel that it’s a good way to flex my muscles when I’m not working,” she says. “And I get to do scenes that I’ve always wanted to do by my favorite playwrights like Pinter, Beckett and Chekhov.
Wise advises young actors to see as much theater as possible. “The more you absorb, the better off you’ll be. The more you’ll have available in experience and imagination. After all, what else do we have?”
Typically cast as women of substance, Wise’s more memorable roles include Anne Sullivan in Olney Theatre’s “The Miracle Worker,” a New York psychiatrist in Studio Theatre’s “Frozen,” a newly out lesbian in “Body Awareness” at Theater J, and most recently the stalwart wife and mother married to Mitchell Hébert in Round House’s “How to Write a New Book for the Bible,” a part that called for her to age from 40 to 80 on a dime.
Offstage, Wise’s partner is local actor Sarah Marshall. The talented pair got to know each other while working on Woolly Mammoth’s production of Paula Vogel’s “The Mineola Twins” in 2003. “It was a great time,” Wise says. “And the show was a lot fun. I played a man in the first act and a woman in the second.”
Wise grew up in Miami. She started acting while an undergraduate at Barry University. Initially she came to Washington to attend Catholic University where she earned a master’s in acting.
“The D.C. theater scene is one of the best in the country,” Wise says. “We have a variety of theaters doing interesting, cutting-edge work. Our audiences can handle thought-provoking theater. And the actors are supportive. It’s great.” (PF)
Best Hill Staffer
Kat Skiles
Runner-up: Kenneth Dowling
Kat Skiles (Washington Blade photo by Michael Key)
As Hill staffers go, Kat Skiles has moved to the top. In July, she became digital director and senior adviser to House Minority Leader Nancy Pelosi (D-Calif.). It’s the Utah native’s second consecutive year winning this award. (CJ)
Best Straight Ally
Leigh Ann Hendricks
Runner-up: Brett Johnson
Leigh Ann Hendricks (Washington Blade photo by Michael Key)
Leigh Ann Hendricks made a big change five years ago to manage Level One (in the basement of Cobalt) after 17 years just down the street at Annie’s Paramount Steakhouse.
Managing a staff of about 35 — 90-95 percent of whom, she estimates, are LGBT — she says was a logical change and one she made with no hard feelings toward Annie’s. Having grown up with a gay best friend, she says it simply never occurred to her to treat gay people any differently. She was also inspired by the example of Annie’s namesake, the late Annie Kaylor, whom she worked with for years.
“She was like our second mother,” Hendricks says. “Her attitude was, ‘They either like my gay friends or they don’t like me,’ and that’s been mine as well.” (JD)
Level One
1639 R St. N.W.
202-745-0025
Best Bartender
Dusty Martinez (Town Patio/Number 9)
Runner-up: Angela Lombardi (Phase 1)
Dusty Martinez (Washington Blade photo by Michael Key)
Baltimore native Dusty Martinez has been in the food and beverage industry for a decade and recently completed an in-house internship at the W Hotel. He recently moved from serving customers at Number 9 to operating the new Town Patio, and he is also the owner and director of D&D Cocktails, a private bartending company serving the D.C. area.
Dusty Martinez
202-765-7550
danddcocktails.squarespace.com
Best Rehoboth Bartender
Holly Lane, Café Azafran
Runner-up: Matt Urban, Blue Moon
Holly Lane (Washington Blade photo by Kevin Naff)
Holly Lane has lived in more places than most people have visited: Martinique, Greece, Bahamas, Paris, Chicago, Switzerland, the list goes on.
She’s a native Washingtonian who trained in dance at the Washington School of Ballet and later at a modern dance school in Bethesda. After school — and a stint in Chicago with her then-husband — Lane’s travels began in earnest. She left her husband and moved to the Bahamas at age 23 to dance at the Paradise Island resort. A Club Med gig led to more travel and finally a trip to Paris, where she auditioned for a dancing job and stayed for 15 years.
“It was nice to have a place to decorate,” says Lane, sipping a coffee on an unseasonably warm October day in Rehoboth Beach, Del. “I rented a furnished apartment and gradually replaced everything with my own finds at the Paris flea markets.”
After years of working as a professional dancer, it was in Paris at age 30 that Lane discovered she could also sing. She landed a job in a musical production and then at the Hollywood Savoy in the ‘80s, where the wait staff also served as the entertainment, singing and dancing for customers during dinner.
“It was a great place to learn,” she says.
Despite the excitement and adventure of living and working abroad, Lane said a voice kept telling her it was time to go home and so in 1995, she returned to D.C.
“I’m glad I did all the things I did when I did them,” she says. “I just found my passport and realized I haven’t been abroad since 2007.”
After the death of a boyfriend, Lane went to visit her parents at their home in Rehoboth Beach, which they’ve owned since 1977 and stayed. She’s lived full time in the popular beach resort town since 2000 and spent about 10 years in a jazz band performing around the state. Her parents, now 93, still live there. Lane says her father sold the family home in D.C. through a real estate ad in the Washington Blade a few years ago and relocated full-time to Rehoboth.
In summer of 2010, the owner of Café Azafran was opening a new location in Rehoboth and offered Lane a bartending job. She’s worked there since. You can find her tending bar Thursday-Sunday evenings but Thursday is the night when she’s joined by fellow Rehoboth entertainer John Flynn, who plays the keyboard while Lane sings into her wireless headset while making drinks.
“I enjoy multi-tasking,” she says.
Café Azafran attracts a mixed crowd and Lane treats customers like they are guests in her home rather than patrons at a bar. She always finds room at the large granite bar for another stool and makes sure to introduce newcomers to the rest of the crowd.
Lane, 62, is “happily single” and lives with her dog JuJuBee, a “cheagle,” a Chihuahua and Beagle mix. In addition to her duties at Azafran, Lane sings at private parties and functions. (KN)
Café Azafran
18 Baltimore Ave.
302-227-8100
Most Committed Activist
David Mariner
Runner-up: Josh Deese
David Mariner (Washington Blade file photo by Michael Key)
In Washington since 1997, David Mariner, a Corning, N.Y., native, started volunteering at the DC Center in 2008 and became its first full-time executive director a year later.
Under his leadership, the once-fledgling Center has begun to flourish and now has a broad activity schedule and is a hub for LGBT-themed events such as the OutWrite LGBT Book Festival, Reel Affirmations and much more.
“Working at the DC LGBT Center has been one of the most rewarding experiences of my life,” Mariner says. “I am so proud of the work we do in the community and am profoundly grateful to the staff and the many volunteers and supporters who make this work possible.” (JD)
The DC Center
2000 14th St., N.W. No. 105
202-682-2245
Best Gay Politician
David Catania
David Catania (Washington Blade file photo by Michael Key)
Runner-up: Tammy Baldwin
Best Trans Advocate
Thomas Coughlin (see Queery)
Runner-up: Ruby Corado
Thomas Coughlin (Washington Blade photo by Michael Key)
Best Amateur Athlete
Matt Simeon
Runner-up: Eddie Valentine
Matt Simeon (Washington Blade photo by Michael Key)
Matt Simeon, who currently plays for the Washington Generals, has been a member of the D.C. Gay Flag Football League since 2010. Simeon was also named most valuable player of the league for the 2014 spring season. (MC)
Best Stylist
Michael Hodges
Runner-up: Barry Smythers
Michael Hodges (Washington Blade photo by Michael Key)
Michael Hodges has been sharpening his techniques in the Washington area for 25 years and is the owner and master Stylist of Logan 14. With a keen eye for current trends in men’s hair cuts and women’s styling, Michael and his team are making a powerful impact in the Logan Circle area. (SMH)
Michael Hodges
1314 B 14th St., N.W
202-506-6868
Best Clergy
Rev. David Lett
Rev. David Lett (Washington Blade file photo by Michael Key)
This is Father Lett’s second consecutive win in this category. He also won the best drag queen prize as Lena Lett in 2001 and 2002. (JD)
Runner-up: Rev. Kirsten Blom-Westbrook
Best Republican Advocate
Ted Olson
Ted Olson (Washington Blade photo by Michael Key)
Runner-up: Sen. Susan Collins
Best First Responder
Justin Markiewicz
Runner-up: Kate Fitzgerald
Justin Markiewicz (Washington Blade photo by Michael Key)
Officer Justin Markiewicz has been serving as a part-time member of the Washington D.C. Metropolitan Police Department’s Gay and Lesbian Liaison Unit since 2010. Markiewicz hails from Delaware and came to the District to attend Catholic University. After graduation he attended the police academy and was assigned to the 6th District. (MC)
Movies
After 25 years, a forgotten queer classic reemerges in 4K glory
Screwball rom-com ‘I Think I Do’ finds new appreciation
In 2024, with queer-themed entertainment available on demand via any number of streaming services, it’s sometimes easy to forget that such content was once very hard to find.
It wasn’t all that long ago, really. Even in the post-Stonewall ‘70s and ‘80s, movies or shows – especially those in the mainstream – that dared to feature queer characters, much less tell their stories, were branded from the outset as “controversial.” It has been a difficult, winding road to bring on-screen queer storytelling into the light of day – despite the outrage and protest from bigots that, depressingly, still continues to rear its ugly head against any effort to normalize queer existence in the wider culture.
There’s still a long way to go, of course, but it’s important to acknowledge how far we’ve come – and to recognize the efforts of those who have fought against the tide to pave the way. After all, progress doesn’t happen in a vacuum, and if not for the queer artists who have hustled to bring their projects to fruition over the years, we would still be getting queer-coded characters as comedy relief or tragic victims from an industry bent on protecting its bottom line by playing to the middle, instead of the (mostly) authentic queer-friendly narratives that grace our screens today.
The list of such queer storytellers includes names that have become familiar over the years, pioneers of the “Queer New Wave” of the ‘90s like Todd Haynes, Gus Van Sant, Gregg Araki, or Bruce LaBruce, whose work at various levels of the indie and “underground” queer cinema movement attracted enough attention – and, inevitably, notoriety – to make at least their names familiar to most audiences within the community today.
But for every “Poison” or “The Living End” or “Hustler White,” there are dozens of other queer films from the era; mostly screened at LGBTQ film festivals like LA’s Outfest or San Francisco’s Frameline, they might have experienced a flurry of interest and the occasional accolade, or even a brief commercial release on a handful of screens, before slipping away into fading memory. In the days before streaming, the options were limited for such titles; home video distribution was a costly proposition, especially when there was no guarantee of a built-in audience, so most of them disappeared into a kind of cinematic limbo – from which, thankfully, they are beginning to be rediscovered.
Consider, for instance, “I Think I Do,” the 1998 screwball romantic comedy by writer/director Brian Sloan that was screened – in a newly restored 4K print undertaken by Strand Releasing – in Brooklyn as the Closing Night Selection of NewFest’s “Queering the Canon” series. It’s a film that features the late trans actor and activist Alexis Arquette in a starring, pre-transition role, as well as now-mature gay heartthrob Tuc Watkins and out queer actor Guillermo Diaz in supporting turns, but for over two decades has been considered as little more than a footnote in the filmographies of these and the other performers in its ensemble cast. It deserves to be seen as much more than that, and thanks to a resurgence of interest in the queer cinema renaissance from younger film buffs in the community, it’s finally getting that chance.
Set among a circle of friends and classmates at Washington, D.C.’s George Washington University, it’s a comedic – yet heartfelt and nuanced – story of love left unrequited and unresolved between two roommates, openly gay Bob (Arquette) and seemingly straight Brendan (Christian Maelen), whose relationship in college comes to an ugly and humiliating end at a Valentine’s Day party before graduation. A few years later, the gang is reunited for the wedding of Carol (Luna Lauren Vélez) and Matt (Jamie Harrold), who have been a couple since the old days. Bob, now a TV writer engaged to a handsome soap opera star (Watkins) is the “maid” of honor, while old gal pals Beth (Maddie Corman) and Sarah (Marianne Hagan), show up to fill out the bridal party and pursue their own romantic interests. When another old friend, Eric (Diaz), shows up with Brendan unexpectedly in tow, it sparks a behind-the-scenes scenario for the events of the wedding, in which Bob is once again thrust into his old crush’s orbit and confronted with lingering feelings that might put his current romance into question – especially since the years between appear to have led Brendan to a new understanding about his own sexuality.
In many ways, it’s a film with the unmistakable stamp of its time and provenance, a low-budget affair shot at least partly under borderline “guerilla filmmaking” conditions and marked by a certain “collegiate” sensibility that results in more than a few instances of overly clever dialogue and a storytelling agenda that is perhaps a bit too heavily packed. Yet at the same time, these rough edges give it a raw, DIY quality that not only makes any perceived sloppiness forgivable, but provides a kind of “outsider” vibe that it wears like a badge of honor. Add to this a collection of likable performances – including Arquette, in a winning turn that gets us easily invested in the story, and Maelen, whose DeNiro-ish looks and barely concealed sensitivity make him swoon-worthy while cementing the palpable chemistry between them – and Sloan’s 25-year-old blend of classic Hollywood rom-com and raunchy ‘90s sex farce reveals itself to be a charming, wiser-than-expected piece of entertainment, with an admirable amount of compassion and empathy for even its most stereotypical characters – like Watkins’ soap star, a walking trope of vainglorious celebrity made more fully human than appearances would suggest by the actor’s sensitive, emotionally intelligent performance – that leaves no doubt its heart is in the right place.
Sloan, remarking about it today, confirms that his intention was always to make a movie that was more than just frothy fluff. “While the film seems like a glossy rom-com, I always intended an underlying message about the gay couple being seen as equals to the straight couple getting married,” he says. “ And the movie is also set in Washington to underline the point.”
He also feels a sense of gratitude for what he calls an “increased interest from millennials and Gen Z in these [classic queer indie] films, many of which they are surprised to hear about from that time especially the comedies.” Indeed, it was a pair of screenings with Queer Cinema Archive that “garnered a lot of interest from their followers,” and “helped to convince my distributor to bring the film back” after being unavailable for almost 10 years.
Mostly, however, he says “I feel very lucky that I got to make this film at that time and be a part of that movement, which signaled a sea change in the way LGBTQ characters were portrayed on screen.”
Now, thanks to Strand’s new 4K restoration, which will be available for VOD streaming on Amazon and Apple starting April 19, his film is about to be accessible to perhaps a larger audience than ever before.
Hopefully, it will open the door for the reappearance of other iconic-but-obscure classics of its era and help make it possible for a whole new generation to discover them.
The new LGBTQ venue Crush held a party for friends, family and close supporters on Tuesday. For more information on future events at Crush, go to their Instagram page @crushbardc.
(Washington Blade photos by Michael Key)
a&e features
What to expect at the 2024 National Cannabis Festival
Wu-Tang Clan to perform; policy discussions also planned
(Editor’s note: Tickets are still available for the National Cannabis Festival, with prices starting at $55 for one-day general admission on Friday through $190 for a two-day pass with early-entry access. The Washington Blade, one of the event’s sponsors, will host a LGBTQIA+ Lounge and moderate a panel discussion on Saturday with the Mayor’s Office of LGBTQ Affairs.)
With two full days of events and programs along with performances by Wu-Tang Clan, Redman, and Thundercat, the 2024 National Cannabis Festival will be bigger than ever this year.
Leading up to the festivities on Friday and Saturday at Washington, D.C.’s RFK Stadium are plenty of can’t-miss experiences planned for 420 Week, including the National Cannabis Policy Summit and an LGBTQ happy hour hosted by the District’s Black-owned queer bar, Thurst Lounge (both happening on Wednesday).
On Tuesday, the Blade caught up with NCF Founder and Executive Producer Caroline Phillips, principal at The High Street PR & Events, for a discussion about the event’s history and the pivotal political moment for cannabis legalization and drug policy reform both locally and nationally. Phillips also shared her thoughts about the role of LGBTQ activists in these movements and the through-line connecting issues of freedom and bodily autonomy.
After D.C. residents voted to approve Initiative 71 in the fall of 2014, she said, adults were permitted to share cannabis and grow the plant at home, while possession was decriminalized with the hope and expectation that fewer people would be incarcerated.
“When that happened, there was also an influx of really high-priced conferences that promised to connect people to big business opportunities so they could make millions in what they were calling the ‘green rush,'” Phillips said.
“At the time, I was working for Human Rights First,” a nonprofit that was, and is, engaged in “a lot of issues to do with world refugees and immigration in the United States” — so, “it was really interesting to me to see the overlap between drug policy reform and some of these other issues that I was working on,” Phillips said.
“And then it rubbed me a little bit the wrong way to hear about the ‘green rush’ before we’d heard about criminal justice reform around cannabis and before we’d heard about people being let out of jail for cannabis offenses.”
“As my interests grew, I realized that there was really a need for this conversation to happen in a larger way that allowed the larger community, the broader community, to learn about not just cannabis legalization, but to understand how it connects to our criminal justice system, to understand how it can really stimulate and benefit our economy, and to understand how it can become a wellness tool for so many people,” Phillips said.
“On top of all of that, as a minority in the cannabis space, it was important to me that this event and my work in the cannabis industry really amplified how we could create space for Black and Brown people to be stakeholders in this economy in a meaningful way.”
“Since I was already working in event production, I decided to use those skills and apply them to creating a cannabis event,” she said. “And in order to create an event that I thought could really give back to our community with ticket prices low enough for people to actually be able to attend, I thought a large-scale event would be good — and thus was born the cannabis festival.”
D.C. to see more regulated cannabis businesses ‘very soon’
Phillips said she believes decriminalization in D.C. has decreased the number of cannabis-related arrests in the city, but she noted arrests have, nevertheless, continued to disproportionately impact Black and Brown people.
“We’re at a really interesting crossroads for our city and for our cannabis community,” she said. In the eight years since Initiative 71 was passed, “We’ve had our licensed regulated cannabis dispensaries and cultivators who’ve been existing in a very red tape-heavy environment, a very tax heavy environment, and then we have the unregulated cannabis cultivators and cannabis dispensaries in the city” who operate via a “loophole” in the law “that allows the sharing of cannabis between adults who are over the age of 21.”
Many of the purveyors in the latter group, Phillips said, “are looking at trying to get into the legal space; so they’re trying to become regulated businesses in Washington, D.C.”
She noted the city will be “releasing 30 or so licenses in the next couple of weeks, and those stores should be coming online very soon” which will mean “you’ll be seeing a lot more of the regulated stores popping up in neighborhoods and hopefully a lot more opportunity for folks that are interested in leaving the unregulated space to be able to join the regulated marketplace.”
National push for de-scheduling cannabis
Signaling the political momentum for reforming cannabis and criminal justice laws, Wednesday’s Policy Summit will feature U.S. Sens. Raphael Warnock (D-Ga.), Jeff Merkley (D-Ore.), Elizabeth Warren (D-Mass.), and Chuck Schumer (D-N.Y.), the Senate majority leader.
Also representing Capitol Hill at the Summit will be U.S. Congresswoman Eleanor Holmes Norton (D-D.C.) and U.S. Reps. Earl Blumenauer (D-Ore.) and Barbara Lee (D-Calif.) — who will be receiving the Supernova Women Cannabis Champion Lifetime Achievement Award — along with an aide to U.S. Rep. David Joyce (R-Ohio).
Nationally, Phillips said much of the conversation around cannabis concerns de-scheduling. Even though 40 states and D.C. have legalized the drug for recreational and/or medical use, marijuana has been classified as a Schedule I substance since the Controlled Substances Act was passed in 1971, which means it carries the heftiest restrictions on, and penalties for, its possession, sale, distribution, and cultivation.
The U.S. Department of Health and Human Services formally requested the drug be reclassified as a Schedule III substance in August, which inaugurated an ongoing review, and in January a group of 12 Senate Democrats sent a letter to the Biden-Harris administration’s Drug Enforcement Administration urging the agency to de-schedule cannabis altogether.
Along with the Summit, Phillips noted that “a large contingent of advocates will be coming to Washington, D.C. this week to host a vigil at the White House and to be at the festival educating people” about these issues. She said NCF is working with the 420 Unity Coalition to push Congress and the Biden-Harris administration to “move straight to de-scheduling cannabis.”
“This would allow folks who have been locked up for cannabis offenses the chance to be released,” she said. “It would also allow medical patients greater access. It would also allow business owners the chance to exist without the specter of the federal government coming in and telling them what they’re doing is wrong and that they’re criminals.”
Phillips added, however, that de-scheduling cannabis will not “suddenly erase” the “generations and generations of systemic racism” in America’s financial institutions, business marketplace, and criminal justice system, nor the consequences that has wrought on Black and Brown communities.
An example of the work that remains, she said, is making sure “that all people are treated fairly by financial institutions so that they can get the funding for their businesses” to, hopefully, create not just another industry, but “really a better industry” that from the outset is focused on “equity” and “access.”
Policy wonks should be sure to visit the festival, too. “We have a really terrific lineup in our policy pavilion,” Phillips said. “A lot of our heavy hitters from our advocacy committee will be presenting programming.”
“On Saturday there is a really strong federal marijuana reform panel that is being led by Maritza Perez Medina from the Drug Policy Alliance,” she said. “So that’s going to be a terrific discussion” that will also feature “representation from the Veterans Cannabis Coalition.”
“We also have a really interesting talk being led by the Law Enforcement Action Partnership about conservatives, cops, and cannabis,” Phillips added.
Cannabis and the LGBTQ community
“I think what’s so interesting about LGBTQIA+ culture and the cannabis community are the parallels that we’ve seen in the movements towards legalization,” Phillips said.
The fight for LGBTQ rights over the years has often involved centering personal stories and personal experiences, she said. “And that really, I think, began to resonate, the more that we talked about it openly in society; the more it was something that we started to see on television; the more it became a topic in youth development and making sure that we’re raising healthy children.”
Likewise, Phillips said, “we’ve seen cannabis become more of a conversation in mainstream culture. We’ve heard the stories of people who’ve had veterans in their families that have used cannabis instead of pharmaceuticals, the friends or family members who’ve had cancer that have turned to CBD or THC so they could sleep, so they could eat so they could get some level of relief.”
Stories about cannabis have also included accounts of folks who were “arrested when they were young” or “the family member who’s still locked up,” she said, just as stories about LGBTQ people have often involved unjust and unnecessary suffering.
Not only are there similarities in the socio-political struggles, Phillips said, but LGBTQ people have played a central role pushing for cannabis legalization and, in fact, in ushering in the movement by “advocating for HIV patients in California to be able to access cannabis’s medicine.”
As a result of the queer community’s involvement, she said, “the foundation of cannabis legalization is truly patient access and criminal justice reform.”
“LGBTQIA+ advocates and cannabis advocates have managed to rein in support of the majority of Americans for the issues that they find important,” Phillips said, even if, unfortunately, other movements for bodily autonomy like those concerning issues of reproductive justice “don’t see that same support.”
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