Arts & Entertainment
Best of Gay D.C. XIII: People
Winners from the Blade’s readers poll
To see the winners of the Washington Blade’s Best of Gay D.C. readers poll in other categories, click here.
Best Singer or Band
Frankie & Betty
Runner-up: Wicked Jezabel
Frankie and Betty (Washington Blade photo by Michael Key)
Frankie & Betty are a queer acoustic rock duo comprised of Rachel Bauchman (vocals/bass/guitar) and Jessie Strick (lead guitar). Since forming in 2011, they’ve played numerous events, including Roanoke Pride, Phasefest several times and more. They have shows planned at Tree house Lounge on Monday night and the Rock and Roll Hotel on Thursday. Look them up on Facebook to stay current. (JD)
Local Heroine
Ruby Corado
Runner-up: Ashliana Rowe
Ruby Corado (Washington Blade photo by Michael Key)
Long-time LGBT advocate Ruby Corado is the visionary behind Casa Ruby, a local bilingual, multicultural LGBT organization that works to create “success life stories” among LGBT, gender queer and gender non-conforming residents in need. The recently wed Corado is a former Capital Pride Hero and has received many accolades for her work. (JD)
Casa Ruby
2822 Georgia Ave., N.W.
202-355-5155
Local Hero
Sgt. Matthew Mahl
Runner-up: Ed Bailey
Sgt. Matt Mahl (Washington Blade photo by Michael Key)
Sgt. Matthew Mahl, who oversees six officers as part of the Gay & Lesbian Liaison Unit of the D.C. Metro Police Department, says it’s “been a good year.”
“I don’t want to say crime is up, but we have been busier,” the 35-year-old Havana, Ohio, native says. “We have our hands in a lot of stuff.”
Mahl, a cop for 15 years and in Washington since 2001, joined the MPD in 2004 and the GLLU in 2012, having spent his entire previous career on patrol duty. He was forced out on the job during a 2007 incident in which his locker was vandalized but says that’s the only bad experience he’s ever had on the force.
Although initially hesitant to join the GLLU, he says overall it’s been a great experience and he enjoys helping his fellow officers learn “the sensitivities and needs of the LGBT community.” (JD)
Best Drag King
Avery Austin
Runner-up: Sebastian Katz
Avery Austin (Washington Blade photo by Michael Key)
Anna Wimpelberg works by day as an HIV researcher at Whitman-Walker Health but her drag alter ego Avery Austin was born about 11 years ago when the 36-year-old New Orleans native and lesbian saw a drag show in Boston, her then-home.
A veteran of various high school and college theater productions, she says she recognized “immediately that it was something I would love to do.” She continued during an eight-year stint in Austin, Texas, and joined the D.C. Kings when she came to Washington about three years ago. She calls herself “the theater nerd of the group” and guesses she performs with them at Phase 1 and occasional other venues about four or five times per year, often recreating songs she’s seen on “Glee!”
Find more information on the Kings at dckings.com. (JD)
Best Realtor
Mark Rutstein
Mark Rutstein (Washington Blade photo by Michael Key)
1606 17th St. N.W.
202-498-1198
Runner-up: Ray Gernhart
Best DJ
DJ Rosie
Runner-up: Shea Van Horn
DJ Rosie (Washington Blade photo by Blake Bergen)
DJ Rosie Hicks has been spinning for about 13 years and spins regularly at the Hippo in her hometown Baltimore and also at LURe at Cobalt, Phase 1 and other area events in addition to a day job teaching special education.
Known for a mix of hip-hop, R&B, pop and more, she says she just all-around loves music. She also won this award in 2012.
“I love making people happy out there,” the Baltimore native says. “The whole point of coming out to a bar or club to hear a DJ is to let go of worries and cares and enjoy it.”
Look her up on Facebook to stay current with her events. (JD)
Best Drag Queen
Ba’Naka
Runner-up: Heidi Glum
Ba’Naka (Washington Blade photo by Michael Key)
A flip-flop of last year’s results when Glum won, Ba’Naka (Dustin Michael Schaad) is on top again this year adding to her 2012, 2011 and 2010 prizes (a Blade record) in this category.
Ba’Naka, who now does drag full-time and has positioned herself as the go-to gal for everything from hosting local Family Feud nights to getting you ready (for a fee of course!) for Miss Adams Morgan two weeks ago, she is widely known in the community for her outspoken Facebook comments, elaborate Disney routines (her Ursula is legendary) and consistent A-game delivery. And although it hasn’t happened yet, she’s our best local hope for “RuPaul’s Drag Race.” (JD)
Hottest Stripper or Go-go Dancer
Steve Pena
Runner-up: Christian Lezzil
Steve Pena (Photo courtesy Steve Pena)
Steve Pena got into dancing through his husband, Brent Everett, with whom he also runs a popular porn site (brenteverett.com). He’s nonchalant about the work, which he does every Friday night at Town when he’s in Washington and monthly at Latin Night at Cobalt.
“It’s a way to have fun, stay in touch with friends and fans and meet future models for our website,” the San Diego-born, Texas-reared Pena says.
In the region for about a year and a half, Pena, in an e-mail from Amsterdam where he’s traveling, says he appreciates the support.
“I have the best and most loyal friends, fans and followers out there.” (JD)
Best Burlesque Dancer
Private Tails
Runner-up: Glam Gamz
Private Tails (Washington Blade photo by Michael Key)
Private Tails (aka Ashliana Rowe) has been performing burlesque since 2005 and has drawn influence from classic burlesque, hip-hop, Broadway and more for what she calls “the art of the tease.”
As producer of Private Tease Productions, a monthly variety show she uses as an outlet for young performers she mentors, she says she “enjoys the creative process of developing new numbers and looks forward to the opportunity to whip up a fresh new performance.”
Although she has several titles under her belt, this is a new category for Best Of and she’s the inaugural winner.
Her next performance is at Phase 1 on Halloween. Keep up with her on Facebook or at privatetails.com. (JD)
Best Business Person
DC Allen
Runner Up: Ray Gernhart
DC Allen (Washington Blade file photo by Pete Exis)
Businessman DC Allen has been credited with setting the pace for local gay-owned businesses to support the broader LGBT community.
Allen along with his husband Ken Flick owns the Crew Club, a D.C. health club and sauna that caters to gay men.
Last year Allen, 58, presented the D.C. Center for the LGBT Community with a $25,000 check to help the Center pay for renovation costs for its new space in the city’s Reeves Center municipal building at 14th and U streets, N.W.
“We decided it was important for the center to be there for all of us in the community,” Allen says.
Since opening the Crew Club at 1321 14th St., N.W., in the early 1990s, Allen has supported a number of local LGBT organizations and causes, including the Gay and Lesbian Activists Alliance, which presented Allen with its Distinguished Service Award in 1998.
Under Allen’s direction, the Crew Club has also supported Whitman-Walker Health and Us Helping Us, two local community health organizations that provide services to the LGBT community, including AIDS education and prevention services.
In addition to providing financial support for the two groups, Allen has arranged for staff members of the groups to provide HIV testing on the Crew Club’s premises. The Crew Club also serves as a major distribution point for HIV prevention literature and free condoms.
The Capital Area Gay and Lesbian Chamber of Commerce recently named Allen Business Leader of the Year. (LC)
Best Massage
Che Young
Runner-up: Eddie Weingart
Che Young (Photo by Chris Jay Photography)
Relax the stress away with a massage by Che Young. Young provides deep tissue, Swedish, clinical and massage therapy. The Alexandra-based pro can be reached at 703-627-9090 or visit massagetherapy.com. (MC)
Best Visual Artist
Denis Largeron
Denis Largeron (Photo by Denis Largeron)
1621 T St., N.W., Apt. 201
202-420-1030
Runner-up: Amy Martin
Best Personal Trainer
Gerard Burley
Runner-up: Bucky Mitchell
Gerard Burley (Photo by Scott Henrichsen)
Gerard Burley shares fitness tips via his biweekly column in the Blade. He also makes appearances on Fox 5 and is known for his SweatDC fitness party. Find him via Facebook for regular updates and inspirational fitness-related posts.
(Editor’s note: Bucky Mitchell also writes a biweekly column in the Blade.)
Best TV Personality
Chuck Bell, NBC4
Runner-up: Wendy Rieger
Chuck Bell (Washington Blade photo by Jonathan Ellis)
Best Actor
Mickey Daniel DaGuiso
Runner-up: Will Gartshore
Mickey Daguiso, center (Photo courtesy The Landless Theatre Company)
Mickey Daniel DaGuiso grew up in the D.C. suburbs. He attended Bishop Ireton High School in Alexandria, mostly for the music program, and graduated from the University of Virginia where he majored in anthropology and philosophy.
Throughout school, he was involved in band (saxophone, piano) and chorus. It wasn’t until after college that DaGuiso started doing musicals. “It began as sort of a whim,” he says, “and then I was instantly hooked.”
Among the local companies where he’s worked, his favorites are Keegan Theatre (“Man of La Mancha” and “Rent”) and Landless Theatre where he played Kebab in “Perez Hilton Saves the Universe” and the lead in “Spidermusical,” a spoof of Broadway’s “Spiderman,” and many other roles. He has also served as musical director and accompanist for assorted Landless productions.
“Keegan is such a friendly, supportive community yet the creativity and work involved is just superior. Landless is the most enjoyable both on stage and backstage, efficient and creative with time and space, with vision and little ego.”
Currently DaGuiso is taking a year away from theater to travel the world. (He responded to these interview questions via email from India where he’s embarking on a six-month walkabout.) While traveling he’s trying his hand at playwriting.
“I’m keeping it very open-ended so just reading a lot, taking down inspiration whenever it comes and doing a daily writing practice. I do plan on continuing with acting in D.C. when I get back. But who knows what the future holds? I’m like the wind.” (PF)
Best Actress
MaryBeth Wise
Runner-up: Holly Twyford
MaryBeth Wise in ‘How to Write a New Book for the Bible.’ (Photo by Danisha Crosby)
MaryBeth Wise likens acting to a never-ending education. Currently she’s taking a class for experienced actors at Studio Theatre.
“I feel that it’s a good way to flex my muscles when I’m not working,” she says. “And I get to do scenes that I’ve always wanted to do by my favorite playwrights like Pinter, Beckett and Chekhov.
Wise advises young actors to see as much theater as possible. “The more you absorb, the better off you’ll be. The more you’ll have available in experience and imagination. After all, what else do we have?”
Typically cast as women of substance, Wise’s more memorable roles include Anne Sullivan in Olney Theatre’s “The Miracle Worker,” a New York psychiatrist in Studio Theatre’s “Frozen,” a newly out lesbian in “Body Awareness” at Theater J, and most recently the stalwart wife and mother married to Mitchell Hébert in Round House’s “How to Write a New Book for the Bible,” a part that called for her to age from 40 to 80 on a dime.
Offstage, Wise’s partner is local actor Sarah Marshall. The talented pair got to know each other while working on Woolly Mammoth’s production of Paula Vogel’s “The Mineola Twins” in 2003. “It was a great time,” Wise says. “And the show was a lot fun. I played a man in the first act and a woman in the second.”
Wise grew up in Miami. She started acting while an undergraduate at Barry University. Initially she came to Washington to attend Catholic University where she earned a master’s in acting.
“The D.C. theater scene is one of the best in the country,” Wise says. “We have a variety of theaters doing interesting, cutting-edge work. Our audiences can handle thought-provoking theater. And the actors are supportive. It’s great.” (PF)
Best Hill Staffer
Kat Skiles
Runner-up: Kenneth Dowling
Kat Skiles (Washington Blade photo by Michael Key)
As Hill staffers go, Kat Skiles has moved to the top. In July, she became digital director and senior adviser to House Minority Leader Nancy Pelosi (D-Calif.). It’s the Utah native’s second consecutive year winning this award. (CJ)
Best Straight Ally
Leigh Ann Hendricks
Runner-up: Brett Johnson
Leigh Ann Hendricks (Washington Blade photo by Michael Key)
Leigh Ann Hendricks made a big change five years ago to manage Level One (in the basement of Cobalt) after 17 years just down the street at Annie’s Paramount Steakhouse.
Managing a staff of about 35 — 90-95 percent of whom, she estimates, are LGBT — she says was a logical change and one she made with no hard feelings toward Annie’s. Having grown up with a gay best friend, she says it simply never occurred to her to treat gay people any differently. She was also inspired by the example of Annie’s namesake, the late Annie Kaylor, whom she worked with for years.
“She was like our second mother,” Hendricks says. “Her attitude was, ‘They either like my gay friends or they don’t like me,’ and that’s been mine as well.” (JD)
Level One
1639 R St. N.W.
202-745-0025
Best Bartender
Dusty Martinez (Town Patio/Number 9)
Runner-up: Angela Lombardi (Phase 1)
Dusty Martinez (Washington Blade photo by Michael Key)
Baltimore native Dusty Martinez has been in the food and beverage industry for a decade and recently completed an in-house internship at the W Hotel. He recently moved from serving customers at Number 9 to operating the new Town Patio, and he is also the owner and director of D&D Cocktails, a private bartending company serving the D.C. area.
Dusty Martinez
202-765-7550
danddcocktails.squarespace.com
Best Rehoboth Bartender
Holly Lane, Café Azafran
Runner-up: Matt Urban, Blue Moon
Holly Lane (Washington Blade photo by Kevin Naff)
Holly Lane has lived in more places than most people have visited: Martinique, Greece, Bahamas, Paris, Chicago, Switzerland, the list goes on.
She’s a native Washingtonian who trained in dance at the Washington School of Ballet and later at a modern dance school in Bethesda. After school — and a stint in Chicago with her then-husband — Lane’s travels began in earnest. She left her husband and moved to the Bahamas at age 23 to dance at the Paradise Island resort. A Club Med gig led to more travel and finally a trip to Paris, where she auditioned for a dancing job and stayed for 15 years.
“It was nice to have a place to decorate,” says Lane, sipping a coffee on an unseasonably warm October day in Rehoboth Beach, Del. “I rented a furnished apartment and gradually replaced everything with my own finds at the Paris flea markets.”
After years of working as a professional dancer, it was in Paris at age 30 that Lane discovered she could also sing. She landed a job in a musical production and then at the Hollywood Savoy in the ‘80s, where the wait staff also served as the entertainment, singing and dancing for customers during dinner.
“It was a great place to learn,” she says.
Despite the excitement and adventure of living and working abroad, Lane said a voice kept telling her it was time to go home and so in 1995, she returned to D.C.
“I’m glad I did all the things I did when I did them,” she says. “I just found my passport and realized I haven’t been abroad since 2007.”
After the death of a boyfriend, Lane went to visit her parents at their home in Rehoboth Beach, which they’ve owned since 1977 and stayed. She’s lived full time in the popular beach resort town since 2000 and spent about 10 years in a jazz band performing around the state. Her parents, now 93, still live there. Lane says her father sold the family home in D.C. through a real estate ad in the Washington Blade a few years ago and relocated full-time to Rehoboth.
In summer of 2010, the owner of Café Azafran was opening a new location in Rehoboth and offered Lane a bartending job. She’s worked there since. You can find her tending bar Thursday-Sunday evenings but Thursday is the night when she’s joined by fellow Rehoboth entertainer John Flynn, who plays the keyboard while Lane sings into her wireless headset while making drinks.
“I enjoy multi-tasking,” she says.
Café Azafran attracts a mixed crowd and Lane treats customers like they are guests in her home rather than patrons at a bar. She always finds room at the large granite bar for another stool and makes sure to introduce newcomers to the rest of the crowd.
Lane, 62, is “happily single” and lives with her dog JuJuBee, a “cheagle,” a Chihuahua and Beagle mix. In addition to her duties at Azafran, Lane sings at private parties and functions. (KN)
Café Azafran
18 Baltimore Ave.
302-227-8100
Most Committed Activist
David Mariner
Runner-up: Josh Deese
David Mariner (Washington Blade file photo by Michael Key)
In Washington since 1997, David Mariner, a Corning, N.Y., native, started volunteering at the DC Center in 2008 and became its first full-time executive director a year later.
Under his leadership, the once-fledgling Center has begun to flourish and now has a broad activity schedule and is a hub for LGBT-themed events such as the OutWrite LGBT Book Festival, Reel Affirmations and much more.
“Working at the DC LGBT Center has been one of the most rewarding experiences of my life,” Mariner says. “I am so proud of the work we do in the community and am profoundly grateful to the staff and the many volunteers and supporters who make this work possible.” (JD)
The DC Center
2000 14th St., N.W. No. 105
202-682-2245
Best Gay Politician
David Catania
David Catania (Washington Blade file photo by Michael Key)
Runner-up: Tammy Baldwin
Best Trans Advocate
Thomas Coughlin (see Queery)
Runner-up: Ruby Corado
Thomas Coughlin (Washington Blade photo by Michael Key)
Best Amateur Athlete
Matt Simeon
Runner-up: Eddie Valentine
Matt Simeon (Washington Blade photo by Michael Key)
Matt Simeon, who currently plays for the Washington Generals, has been a member of the D.C. Gay Flag Football League since 2010. Simeon was also named most valuable player of the league for the 2014 spring season. (MC)
Best Stylist
Michael Hodges
Runner-up: Barry Smythers
Michael Hodges (Washington Blade photo by Michael Key)
Michael Hodges has been sharpening his techniques in the Washington area for 25 years and is the owner and master Stylist of Logan 14. With a keen eye for current trends in men’s hair cuts and women’s styling, Michael and his team are making a powerful impact in the Logan Circle area. (SMH)
Michael Hodges
1314 B 14th St., N.W
202-506-6868
Best Clergy
Rev. David Lett
Rev. David Lett (Washington Blade file photo by Michael Key)
This is Father Lett’s second consecutive win in this category. He also won the best drag queen prize as Lena Lett in 2001 and 2002. (JD)
Runner-up: Rev. Kirsten Blom-Westbrook
Best Republican Advocate
Ted Olson
Ted Olson (Washington Blade photo by Michael Key)
Runner-up: Sen. Susan Collins
Best First Responder
Justin Markiewicz
Runner-up: Kate Fitzgerald
Justin Markiewicz (Washington Blade photo by Michael Key)
Officer Justin Markiewicz has been serving as a part-time member of the Washington D.C. Metropolitan Police Department’s Gay and Lesbian Liaison Unit since 2010. Markiewicz hails from Delaware and came to the District to attend Catholic University. After graduation he attended the police academy and was assigned to the 6th District. (MC)
Movies
Intense doc offers transcendent treatment of queer fetish pioneer
‘A Body to Live In’ a fascinating trip into a transgressive culture
Once upon a time in the 1940s, a teenager named Roland Loomis, who lived with his devout Lutheran parents in Aberdeen, S.D., received a hand-me-down camera from his uncle. It was a gift that would change his life.
Small and effeminate, he didn’t exactly fit with the “in” crowd of his small rural town; but he had an inner life more thrilling than anything they had to offer, anyway, and that camera became the key with which it could finally be unlocked. Waiting patiently for those precious hours when he was alone in the house, he used it to capture images of himself that expressed an identity he had only begun to explore, through furtive experiments in body manipulation that incorporated exotic costuming, erotic nudity, gender ambiguity, and what many of us might call (though he would not) self-mutilation, including the piercing of his skin and other extreme forms of physical modification.
Young Roland would go on to become famous (or perhaps, notorious) in the decades to come, but it would be under a different name: Fakir Musafar, the focal figure of filmmaker Angelo Madsen’s documentary “A Body to Live In,” which opened in Los Angeles on Feb. 27 and expands to New York this weekend.
Like Musafar himself, who died of lung cancer at 87 in 2018, it’s a documentary that doesn’t quite follow the expected rules. Eschewing “talking head” commentators and traditional narration, Madsen spins his movie from his subject’s extensive archives and allows the information to come through the voices of those who were close to him: collaborator and life partner Cléo Dubois, performance artists Ron Athey and Annie Sprinkle, and underground publisher V. Vale are among the many who contribute their memories and impressions of him, while evocative photos and film footage create a hazy “slide show” effect to provide a guided tour of his life, his art, and his legacy. Less a biography than a chronicle of profoundly unorthodox self-discovery, it details his development from those early days of clandestine self-photography through a continual evolution that would see him become a performance artist, a central figure in the burgeoning BDSM culture, a seeker who espoused eroticism as a spiritual practice, the founder of a “Radical Faeries” offshoot for the kink/fetish community, and ultimately an elder and mentor for a new generation for whom his once-taboo ideas and explorations had essentially become mainstream – thanks in no small part to his own pioneering efforts.
It’s a fascinating, hypnotic trip into a culture which might feel disturbingly transgressive to those who have never been a part of it – yet will almost certainly feel like being “seen” to those who have. It opens a window into a lifestyle where leather, kink, BDSM, gender play, and non-monogamous “situationships” are not just accepted but viewed as natural variations on the spectrum of human sexuality; and in the middle of it all is Musafar, on a deeply personal quest to connect with the deepest part of his essence through the intense and ritualistic pursuit of an inner drive that keeps pushing him further. As one reminiscing cohort remarks during the film, it’s as if he is “trying to find an answer to a question that” he “cannot form.”
Indeed, it might be said that Madsen’s movie is an exercise in forming that question; bringing his own “transness” into the mix as he examines the various aspects of Musafar’s ever-evolving relationship with self, identity, and presentation, he evokes a timely resonance in which the imperative to make physical form match psychic self-perception becomes an irresistible force, and draws a direct line between his subject’s fluid ambiguity and the plight faced by modern trans people over the bigotry of those who think gender is strictly about genitalia. Perhaps the question has to do with whether we are defined by our identities or by our physical form – or if both are malleable, adaptable, and in a constant state of flux.
In any case, with regard to Musafar, “A Body to Live In” is unquestionably a film about transformation, not just of physical manifestation but of consciousness itself. In his journey from being little Roland, the outcast schoolboy with a secret fetish, to Fakir, the spiritual psychonaut for whom sex and gender are only walls that separate us from a true and eternal essence, he is embodied by Madsen’s reverent documentary as a being in the process of breaking free from the restrictions of physical existence, of transcending all such distinctions by letting go of life itself – something underscored not only by the section of the movie dealing with the impact of the AIDS epidemic on Musafar’s deeply-bonded community, but by his own words, spoken in a deathbed interview that serves as a connecting thread throughout the film. We are kept unavoidably aware of the mortality which – for Musafar at least – seems little more than a prison that keeps us from the unfettered joy of our true nature.
But while Madsen honors his subject as a pillar – and an under-sung hero – of contemporary queer culture, he also addresses the aspects that made him a “problematic” figure; in his life, he drew criticism over perceived cultural appropriation from the indigenous American tribes whose sacred rituals inspired the kink-flavored practices which facilitated his own spiritual odyssey, and which he popularized among his own acolytes to give rise to the still-controversial “Modern Primitive” movement that has been criticized by some for turning meaningful cultural traditions into an excuse for trendy fashion accessories. Even Musafar’s survivors, whose love for him exudes palpably from the stories and memories they share of him throughout the film, make observations that point to his flaws; yet at the same time, Madsen’s documentary makes clear that Musafar himself never saw himself as perfect, either – just as someone willing to endure the kind of suffering that most of us might find unbearable in order to get closer to perfection.
Of course, it probably helped that he enjoyed that so-called “suffering,” but that’s perhaps too glib an observation in the face of a film that so clearly makes a case for the deep and sincere commitment he held for his quest for transcendence; but it’s also a helpful reminder that his practices – which might seem macabre and twisted to the uninitiated – were also an experience of joy, an exercise in rising above pain and making it a vehicle toward enlightenment, and in achieving a deeper understanding of one’s own place in this confusing place we call the universe.
Full disclosure: “A Body to Live In” is an intense experience, replete with candid sexual conversation, frequent nudity, and graphic scenes of extreme fetish practices – like suspension by metal hooks through the skin – which might be hard to handle for those who are unprepared to be confronted by them. Even so, as dark and menacing as it might be for the squeamish outsider, the world revealed in Madsen’s eloquent portrait is full of treasures and steeped in dark beauty, and it’s hard to imagine a more fitting way than that to portray a queer pioneer like the former Roland Loomis.
Nightlife
In D.C. comedy, be sure to shop local
A thriving patchwork of queer-friendly stages in Washington, Baltimore
Most people know stand-up comedy from Netflix specials or late-night sets on Comedy Central. The reality is far different for local working comics like me. A few times a month, I might get paid $50 for a 10-minute set and my photo on a bar flyer to show off to the ladies in my scrapbooking club.
Still, it’s a joy sharing laughs about my well-worn Washington career arc — from conservative reporter to openly trans organic grocery store worker and nightclub comedian. Or, as I like to say onstage, from Fox to foxy.
Stand-up is hard. Offstage, it’s even harder. It took more than a year and nearly 80 open mics to land my first paid set. Since then, I’ve performed in coffee shops, bars, restaurants and even on a city sidewalk. I once performed in the Catskills, which felt like a big deal — even if it was a bigger deal in the 1950s.
As an older trans comic in Washington, I’ve found it nearly impossible to get stage time — or even the courtesy of a returned email — at the big, corporate-owned comedy clubs. Fortunately, there’s a thriving patchwork of queer-friendly producers in Washington and Baltimore creating shows that reflect the diversity of our communities, instead of straight male-dominated lineups that look like the cast of “Ice Road Truckers.”
“There are so many kinds of funny people, but a lot of barriers exist for women and queer people because it’s a very masculine culture,” said Dana Fleitman, who runs the Just Kidding Comedy Collective and is helping produce the Woke Mob Comedy Festival in April, featuring many women and queer comics.
Full disclosure: I’m not performing in the festival. But I am proud to be one of more than 50 women and nonbinary comics Fleitman and her colleagues have helped “train up” through an incubator program she first ran through Grassroots Comedy and now through Just Kidding Comedy Collective.
Another trans comic, Charlie Girard, who splits time between New York and Washington, runs an incubator program called Queers Can’t Take a Joke. He has trained more than 100 comics in Washington.
Girard has one rule: no punching down.
“The best comics speak truth to power,” Girard said. “Making fun of marginalized communities is simple lazy writing based on tired, old stereotypes.”
Ultimately, Girard wants to prepare students not just for queer rooms, but to find their voice and expand into all kinds of spaces.
Comics trained by Girard and Fleitman have gone on to produce or help run shows like Clocked Comedy, Backbone Comedy, the Crackin’ Up open mic and Funny Side Up. Several have found a home on Barracks Row at As You Are — one of my favorite places to perform. In Washington, comic Jenny Cavallero’s show Seltzer is a sober comedy night frequently featuring local queer comics.
In Washington, performer and producer Arzoo Malhotra, who runs Zoo Animal Productions, said it’s a critical moment to support community-based comedy producers, often the first hit by worsening economic conditions.
“We’re losing spaces faster than we’re creating them,” Malhotra said. “We are in the use-it-or-lose-it stage. If there’s a restaurant you like or a performer you want to keep seeing, patronize them now — because they’re going away.”
I’m also grateful for producers in Baltimore, which has a thriving queer comedy scene. Comic Hannah Alden Jeffrey’s monthly “The Really Cool Open Mic,” created for women and trans performers but open to all, regularly draws up to 100 people.
Hannah’s mic and Kenny Rooster’s “Dramedy” open stage have provided safety and opportunity when other stages felt out of reach. Comedians Michael Furr and Jake Leizear also produce shows regularly featuring queer comics.
“We started the REALLY COOL Open Mic because every other mic in town catered toward straight dudes that dominated the Baltimore scene,” Alden Jeffrey said. “Contrary to the lineups of many shows today, people don’t want to see a show of eight guys being bigots. Go figure.”
One of the most important moments for me came when I attended a free showcase at a well-known Adams Morgan club. Like other big venues, it hadn’t responded to emails from a new comic looking for a shot. I sat in the back row thinking maybe these comics were just way funnier than I am.
Then a straight male comedian — with hair even more gorgeous than mine — launched into a long joke comparing eating pizza to performing oral sex on a woman.
At that moment, I walked out feeling better about myself. I remember thinking: nope. I absolutely deserve to be on that stage, too.
Lots of us do.
Jamie Mack is a stand up comedian, speaker and writer. Follow them on Instagram at @jamiemack_blt or email [email protected].
Celebrity News
Liza Minnelli makes surprise appearance at GLAAD Media Awards
Laverne Cox’s fiery speech earned standing ovation
Last night’s GLAAD Media Awards had a few pleasant surprises in store.
Throughout the evening, which was hosted by “Mean Girls” star Jonathan Bennett on Thursday at the Beverly Hilton in Los Angeles, the audience was clued into the fact that a mystery guest would make an appearance. By the end of the night, it was revealed to be none other than “Cabaret” star and queer icon Liza Minnelli, who was in attendance to accept the newly-created Liza Minnelli Storyteller Award.
An emotional Minnelli told the crowd of queer attendees and creatives, “You make me so proud because you’re so strong, and you stand up for what you believe in. You really do, and it’s so nice to be here. I feel like a five-year-old!” Everyone then joined in a happy birthday celebration for Minnelli’s upcoming birthday on March 12, and the release of her upcoming memoir, “Kids, Wait Till You Hear This!”
Another moment that got the audience standing and cheering was when “Orange Is the New Black” star Laverne Cox took to the stage to call out how “what is going on right now in the United States of America is not right.”
She said, “Identify, I said this earlier, and I’m going to say it again, what dehumanizing language and images are. Call it out and don’t buy into it! So much of my struggle over the past several years [has been] trying to figure out how to combat this assault on my community, rhetorically. I do not want to have the conversation about my life and my humanity on the oppressor’s terms.”
That message was echoed by Bowen Yang and Matt Rogers when accepting the Stephen F. Kolzak Award for their “Las Culturistas” podcast and pledging to donate $10,000 to Equality Kansas after the state revoked transgender people’s driver’s licenses. “We cannot accept this award without condemning the rampant active transphobia from this administration,” Rogers said. “We are also here to let them know in advance that they are fighting a losing battle. When we gather in rooms like this, we are always going to have each other’s backs.”
Among the big winners last night were “Heated Rivalry” for outstanding new TV series, “The Traitors” for outstanding reality competition program, “Stranger Things” for outstanding drama series, “Palm Royale” (which was just cancelled after two seasons) for outstanding comedy series, “Come See Me in the Good Light” for outstanding documentary, “Kiss of the Spider Woman” for outstanding wide theatrical release film and a tie between “A Nice Indian Boy” and “Plainclothes” for outstanding limited theatrical release film.
Quinta Brunson received the Vanguard Award for her hit TV series “Abbott Elementary,” which features Jacob, an openly queer character played by Chris Perfetti. Brunson said, “Queer people have been a part of my life since birth. I have to shout out my uncle … who was the first example of representation in my life of queer people, who allowed me to be free. There are so many people in the room who changed my life.”
On the music side, Young Miko won for outstanding music artist, and KATSEYE won for outstanding breakthrough music artist. Demi Lovato even opened the show with a steamy performance of her single “Kiss.”
The GLAAD Media Awards will officially air Saturday, March 21 on Hulu.
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