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Local rocker unveils live album

Tsaggaris celebrates release with 9:30 Club engagement

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Laura Tsaggaris, gay news, Washington Blade
Laura Tsaggaris, gay news, Washington Blade

Laura Tsaggaris felt the muses calling despite pursuing a more sensible-sounding career in law. (Photo courtesy Tsaggaris)

CD release party

 

Laura Tsaggaris vs. Justin Jones and the B-Sides

 

Wednesday

 

$20

 

Doors at 7 p.m.

 

930.com

 

Many dream of spinning hobbies into careers but those who manage to do it successfully are uncommon.

D.C.-based singer/songwriter Laura Tsaggaris may not be a household name, but with a co-headlining date slated for next week at the 9:30 Club, which will double as a release party for her fourth album, things are progressing nicely.

“Live from the Atlas” is her first live album and is different from anything she has worked on before. The process was much more hands on than she was used to and required her to step back from trying to make everything sound immaculate.

“Sometimes when you’re in the studio you have the tendency to want to be able to make things perfect because you can,” Tsaggaris says. “So with this it was like, ‘No, we’re going to rehearse and we’re going to be ready and we’re going to see what the audience brings and how the music is inspired and we’re going to go with that.’”

Tsaggaris, a lesbian, had to invest a lot of time and effort into the live album more so than her previous works. She raised the money, found musicians and the venue, looked for corporate sponsors and more to make this album possible. It was work she felt was well worth the effort at this time in her music career.

“I’ve been doing this for a little over 10 years and some of the artists like, Ani DiFranco, that I really admire had a really great live record in their catalogue, maybe even a couple of them. So it felt like it was a real challenge I could undertake.”

Tsaggaris is no stranger to a challenge. She began teaching herself to play guitar at her home in Pittsburgh when she was 15. Her life consisted mostly of playing sports, so in her spare time she would sit down with her guitar and play music. She continued to play during her off-time playing sports at the College of William and Mary.

“It was really good me time playing music and playing guitar,” Tsaggaris says.

After graduating, Tsaggaris took a job outside of New York City. Feeling unhappy with her job and location, she decided to make the move to D.C. in 2000. D.C. was a place she had felt a connection to during her days at the College of William and Mary.

“I had some friends that went to George Washington University. And every time I would come up I just really liked D.C. I just felt really comfortable here,” she says.

Tsaggaris moved to D.C. and began working at a law firm as a legal assistant with plans to go to law school. After a couple years, she began to realize she wanted something different and began to focus on her music part time.

“Right after I moved to D.C. I challenged myself to go out to open mics. I had terrible stage fright. Once I did that I kind of got the bug to just keep writing.”

From fearful open mics to playing the 9:30 Club with Justin Jones and the B Sides, Tsaggaris is well aware of how far she’s come.

“I’ve seen a couple shows there that were really awesome. I’ve seen Coldplay there and I saw Justin Timberlake there. So I’m totally psyched to play there. ‘Live at the Atlas’ has a lot of acoustic bass so it has a chill and mellow vibe. But also we’re going to do a lot of rock arrangements which will be really fun and in this venue it’s just going to be really great.”

Fellow singer-songwriter Victoria Vox believes Tsaggaris is set apart from other musicians by her drive and commitment.

“Laura Tsaggaris is a true artist, the real deal,” Vox says. “Her vocals are spot-on, backed by her strong and tight guitar playing, and she’s never afraid to be emotionally invested in her songs.”

Songwriting led Tsaggaris to record three studio albums: “Proof,” “Keep Talking” and “Everyman.” The third album helped her to open herself back up creatively.

Tsaggaris took to recording songs on her iPhone voice memo app when she was struck by inspiration during the creation of “Everyman.” If a person had inspired the song, she would send it to him or her. Reactions to her music in that way made her realize why she had started making music all along.

“I felt like I needed to go back to the positive part of music and the positive reasons why I’m doing it,” Tsaggaris says. “I was feeling really beaten down by trying to get press and trying to get XYZ. This got me back to, ‘Oh this is how I connect with people.’ Their reaction really instilled in me the desire to keep doing it.”

That connection with people is also what makes Tsaggaris feel that she has a responsibility to the LGBT community. Even if her songs are not explicitly about her sexuality, she feels it still plays an integral part in her music.

“I think one of the reasons why I had so much stage fright at the beginning was I felt that all of that is a part of me. That’s something that is part of my core. By putting myself out there, it is putting that out there for people to judge or consume or reject. But it only made me stronger.”

Tsaggaris, who has been married since 2012 and has a year-and-a-half-year-old son, feels her experiences should be shared with the LGBT community.

She contributes her desire to showcase her life as a possible example for other members of the LGBT community to how little she knew what could be possible for her when she was looking at LGBT life when she was younger.

“When I was growing up there wasn’t really any protocol. You didn’t really know that people could get married and that they could have kids and do these kinds of things. It really helps to see that it can happen now and that people are really happy.”

Ultimately, though, she hopes for broader appeal.

“It’s a tug because I also want to be just like my straight friends who have kids or like my straight musician friends who have songs. It’s like you want to obviously relate to people who are like you in certain ways and in ways that people are different from you,” Tsaggaris says.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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