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‘Comedy is the best medicine’

Ribald as ever, Griffin on Caitlyn, Gaga, the D-list and more

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Kathy Griffin, gay news, Washington Blade
Kathy Griffin, gay news, Washington Blade

Kathy Griffin says not to fear her show might be toned down just because it’s at the Kennedy Center. She plans to let it rip and give even buttoned-up Washingtonians a ‘belly laugh.’ (Photo courtesy PMK-BNC Entertainment)

Kathy Griffin

 

 

‘#LIKEABOSS’ tour

 

 

The Kennedy Center

 

 

2700 F St., N.W.

 

 

Saturday, June 20

 

8 p.m.

 

$49-99

 

Kathy Griffin’s no-holds-barred brand of comedy has catapulted her into stardom with everything from her former reality show “My Life on the D-list,” to her outrageous celebrity-skewering stand-up tours to briefly taking over Joan Rivers’ reign as host of “Fashion Police.”

The notorious comedian and outspoken LGBT rights activist, who opens her 80-city “#LIKEABOSS” tour at the Kennedy Center on Wednesday, declined to answer questions about her “Fashion Police” departure in March, having commented on it earlier this year on Twitter and to other outlets. She says that although she was told accommodations would be made for her brand of comedy, once she tried it, she felt uncomfortable critiquing the stars’ red carpet looks. She taped seven episodes and told “The View,” her departure was “no harm, no foul — it just wasn’t the right thing for me.”

But Griffin, 54, still had plenty to talk about. During a phone interview on the road, she discussed her upcoming stand-up show, Caitlyn Jenner and how talking to Lady Gaga in an elevator made her re-think her celebrity status. Her comments have been slightly edited for length.

 

WASHINGTON BLADE: You’re bringing “#LIKEABOSS” tour to D.C. at the Kennedy Center. What’s the show about?

KATHY GRIFFIN: Well, I named the tour because I realized after doing, and I’m in the “Guinness Book of World Records” for this, 23 stand-up comedy specials, more than any comedian male or female, living or dead, I didn’t want people to think, “Oh I’ve already seen her,” or, “I’ve seen her three years ago.” I want everyone to know it’s all new, new, new. I also want people to know I write all my material and I’m pointing that out because I frankly recently learned a lot of comics don’t even write their own act. Fuck that! Like a boss, I write all my stuff and why wouldn’t I? I mean what better time to come to the iconic Kennedy Center when we are on the verge of the decision coming down about the legalization of gay marriage. It’s all about Caitlyn or Catie as I call her. It’s all about Caitlyn, which is an ever-changing minute-by-minute story. I couldn’t be happier to be in D.C. at this time. The Republican race is getting down right hilarious. The D.C. audiences are notoriously smart and open-minded and that’s all I ask. You thought you knew me but I have some new things to talk about at the Kennedy Center.

 

BLADE: Why are LGBT rights such an important issue for you?

GRIFFIN: I always say gay audiences are the greatest audiences in the world because there’s nothing I can say that can shock them. There’s nothing I’m going to say out of my potty mouth or that’s too far across the line that a member of the LGBT community has not heard or dealt with. As a woman, I feel that we have a lot to learn from the LGBT community because women you know, we have a lot of ground to cover and a long distance to go as feminists. Frankly, I don’t feel we’re as effective as a women’s movement as the LGBT movement. The LGBTs fucking get together and legislate and march and protest and come together in a way I think is so effective and so moving in the right direction. As a woman, I am often telling my straight female friends, “Look at how the LGBTs are doing it. Come on ladies we need to learn from them.”

I think that’s why I’ve always been immersed in the community and we’ve always worked well together. When I started doing open mic nights, I honestly would prefer to do stand-up in a gay bar than a conventional comedy club. That is what the folks that have been coming to see me all these years they know. Leading up to the Kennedy Center I’m doing Roanoke and Charlottesville and those markets one may not expect them to be quite as liberal as D.C. but the folks coming to those cities know what they’re in for. They see a ticket that says “Kathy Griffin: Like a Boss” and they know I’m not going to be holding a pro-Sarah Palin rally.

I think that is what I have been building and that is what I have been seeing side by side with the community such progress and it’s thoughtful. Its not like the LGBT community has just been hoping for miracles. It’s fucking hard work and I think that’s why the community has been so good to me. I love doing it all and I feel that is another way I identify with the community is like this is a community that realizes they have to work harder and jump higher and that’s my story as well. So that’s why we’ve always been kindred spirits. And we love a good laugh, damn it!

 

BLADE: Your comedic style is known for being controversial and offensive. How do you feel about comedy and talking about sensitive issues like Caitlyn Jenner?

GRIFFIN: Well first of all what I loved about the then Bruce Jenner interview with Diane Sawyer is the first thing he said to Diane is, “Now Diane, before we start I think it’s important that we keep a sense of humor about this.” I, as a viewer, I was on the road somewhere, and I remember just cheering out loud and saying, “Yes that is essential.” As someone who has done stand-up comedy in AIDS hospices, in Iraq and Afghanistan, that is what I have heard my whole career. People who are in all kinds of situations whether they are having the greatest day of their life, the most challenging day of their life, changing their lives as Caitlyn has done. It’s so interesting, it’s always the first thing out of their mouths to me. They always say, “I want a joke, I want to keep this funny.” It’s so important to keep a sense of humor about everything. Comedy really is the best medicine. There’s always funny in everything.

I had a friend who was in the end stages of cancer and I went to visit her and I thought it was going to be this serious visit and she said, “Oh God, just make fun of me. Just make me laugh.” I know what that meant. It didn’t mean make light of the situation; it meant, I need a laugh. So I really loved that then Bruce Jenner said first out the gate we’ve got to keep our sense of humor. Within the community, I’ve met many, many transgender people that are not in the position of Caitlyn with a lot of money and a Vanity Fair cover. There are many colors to this rainbow. It’s all fair game and there are many, many ways to have a great sense of humor about Caitlyn’s journey and about the community. So I’ll do this the same way I make fun of everything and everybody.

 

BLADE: Washington is such a hotbed of political activity. It can be very serious and people can take themselves very seriously.

GRIFFIN: Let them even try! Let them even try the minute they walk into that Kennedy Center for the Kathy Griffin show. I would love nothing more than if like even two people walked in thinking they were seeing the symphony and then 20 minutes into my pussy jokes storm out. I’m not above a good walk out. I enjoy them. I’ve experienced several walk-outs, typically more in the red states. They’re not going to be allowed to take themselves seriously that night. I’m not having it.

 

BLADE: On the other side of that, do you ever find that your humor helps your agenda in support for LGBT rights?

GRIFFIN: Oh my gosh absolutely! My greatest contribution to the community is honestly bringing humor. I’m not saying I’m Larry Kramer, I never did. I’m just saying I’m here to make you laugh. That is my function in the community. That’s my profession, that’s what I do, I’m hard-wired to do that. Whether it’s a talk show or “My Life on the D-List” or hosting an awards show, that is the way that I am able to contribute. When I hold a rally or go canvassing, I’m putting on a little bit more of a different hat. It’s more of a serious hat. But frankly, the best way I can serve the community is to make them laugh. That’s really the message that I’ve heard over and over again from all kinds of people in all kinds of situations, in particular difficult situations. It’s, “Get me through this. Tell me a fucking joke. Tell me about going to see a Bette Midler concert the other night and Barbra Streisand was in the audience and what happened.” I really do believe laughter is a relief, it’s the best medicine and it gets you through things. I believe it. I live it. I’m from a crazy drunken Irish Catholic family and that’s kind of how we dealt with everything. But I also do believe that there is a true cathartic experience to showing up at the Kennedy Center knowing that you’re going to hear some things that are beyond the pale and then leaving with a belly laugh. That’s my job.

 

BLADE: Are you still “D-list”?

GRIFFIN: I consider myself someone who moves through many lists. I think that honestly everybody does and that’s what I love about the whole concept of A-list, B-list, C-list, D-list. And that’s why I say it with a complete giant tongue in my cheek. I don’t know what list I’m on because it changes minute by minute. When I’m in an elevator, as I was two nights ago, with Lady Gaga and Tony Bennett? Fucking A-list right? If I’m driving through Mississippi and I stop at the Waffle House and someone says, “Aren’t you the lady from the TV?” then I go alright maybe that’s not an A-list moment. But I am at the fucking Waffle House what do I fucking expect? That’s why it meant so much to me to win the Emmys and the Grammys because it’s all about the longevity and having fun with it. I didn’t want to stay on the D-list forever. I don’t expect to be on the A-list forever and I’m going to always live somewhere in between.

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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In stressful times, escape to Rehoboth Beach

Here’s what’s new in D.C.’s favorite beach town for 2025

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Rehoboth Beach is ready to welcome visitors for the 2025 season. (Washington Blade photo by Daniel Truitt)

At last, after an uncharacteristically cold and snowy winter, another Rehoboth Beach season is upon us. I have been going to Rehoboth Beach since 1984, and it was the first place I went where people only knew me as a gay man. It was the year I came out. It was a summer community back then. Today it really is an exciting year-round community. But it’s still the summer season when Rehoboth shines, and when the businesses make most of their money. 

The summer brings out tens of thousands of tourists, from day-trippers, to those with second homes at the beach. Everyone comes to the beach for the sun and sand, food, and drink. Some like to relax, others to party, and you can do both in Rehoboth Beach, Del. 

Stop by CAMP Rehoboth, the LGBTQ community center on Baltimore Avenue, to get the latest updates on what is happening. CAMP sponsors Sunfestival each Labor Day weekend, and a huge block party on Baltimore Avenue in October. They train the Rehoboth Beach police on how to work with the LGBTQ community, and have all kinds of special and regularly scheduled events. Pick up a copy of their publication, Letters, which is distributed around town. 

I asked Kim Leisey, CAMP’s executive director, for her thoughts, and she said, CAMP Rehoboth looks forward to welcoming our friends and visitors to Rehoboth Beach. We are a safe space for our community and will be sponsoring social opportunities, art receptions, concerts, and art exhibits, throughout the summer. If you are planning a wedding, shower, reception, or business meeting, our beautiful atrium is available for rental. We look forward to a summer of solidarity and fun.”  While at CAMP stop in the courtyard at a favorite place of mine, Loris Oy Vey! Café, and tryher famous chicken salad.

There’s something for everyone at the beach, from walking the boardwalk and eating Thrashers fries, to visiting Funland, or playing a game of miniature golf. Or head to some of the world-class restaurants like Drift, Eden, Blue Moon, or Back Porch.  

Some random bits on the summer 2025 season. Prices are going up like everywhere else. Your parking meter will cost you $4 an hour. Meters are in effect May 15-Sept. 15. Parking permits for all the non-metered spaces in town are also expensive. Transferable permits are $365,non-transferable $295, or after Aug. 1 if you only come for the end of summer, it’s $165. Detailed information is available on the town’s website.

Rehoboth lost one of its best restaurant this off-season, JAM, but Freddie’s Beach Bar and Restaurant is open for its fourth season. Owner Freddie Lutz told the Blade, “We are looking forward to a fabulous season. Freddie’s has a dance floor and is the only music video bar in town.” There is also live entertainment, karaoke, and Freddie’s Follies drag show Friday nights. 

Magnolia Applebottom performs at Freddie’s Beach Bar in Rehoboth Beach, Del. on May 12. (Washington Blade photo by Daniel Truitt)

My favorite happy hour bar is Aqua Grill, which has reopened for the season. I recommend taking advantage of their great Tuesday Taco night, and Thursday burger night. Then there is The Pines and Top of the Pines. Bob Suppies of Second Block Hospitality told me, “Come, relax, and play. We are ready! I have been spending summers here since the mid-90’s, and Rehoboth Beach seems to age like a fine wine. Between the new, and favorite restaurants opening back up, the shops bursting with incredible finds, and all the great LGBTQ+ bars to entertain everyone, nowhere beats the Delaware beaches this summer.” 

Head down the block on Baltimore Avenue and you get to La Fable restaurant. Go all the way to the beach and you will see the new lifeguard station, which is slated to open later this month. Also, demolition of the old hotel and north boardwalk Grotto Pizza has happened. The site will become a new four-story, 60-room hotel, with ground level retail space. 

Then join me at my favorite morning place at the beach, The Coffee Mill, in the mews between Rehoboth and Baltimore Avenues, open every morning at 7 a.m. Owners Mel and Bob also have the Mill Creamery, the ice cream parlor in the mews, and Brashhh! on 1st street, where Mel sells his own clothing line, called FEARLESS! Then there is the ever-popular Purple Parrot, celebrating its 26th year, now with new owners Tyler Townsend and Drew Mitchell, who welcome you to their iconic place. It has only gotten better. If you head farther down Rehoboth Avenue you will find the Summer House with its upscale Libation Room, and a nice garden looking out on Rehoboth Avenue. Also on Rehoboth Avenue is Gidgets Gadgets owned by the fabulous Steve Fallon. With the renewed interest in vinyl records you may want to stop in at Extended Play

Then there is the always busy and fun, Diegos Bar and Nightclub. Joe Zuber of Diego’s told the Blade, “Get ready for a great gay ole time in Rehoboth Beach. Plenty of entertainment, dancing and fun as we seem to be the next Stonewall generation with this newest administration. Each election brings its concerns about how our gay community will be affected. Come to Rehoboth Beach to escape this summer season!” 

If you are in town for Sunday happy hour, make sure to stop there to hear the talented Pamala Stanley who is celebrating her 20th season entertaining in Rehoboth.And on Mondays, Stanley plays Broadway and other classics on the piano at Diego’s.

If you are looking for culture Rehoboth has some of that as well. There is the Clear Space Theatre on Baltimore Avenue. Rumors abound that Clear Space will move out of town. But I can’t believe the commissioners and mayor would be dumb enough to let that happen. This year’s shows include “Spring Awakening,” “Buyer + Cellar,” “Hairspray,” “Beautiful: The Carole King Musical,” and “RENT.”Tickets sell fast so I suggest you book early and they are available online. Then mark your calendars for Saturday, July 19 for Rehoboth Beach Pride 2025 at the Rehoboth Beach Convention Center.

I would be remiss if I didn’t mention some of the other fine restaurants and clubs in town. Just a reminder, during season you often need dinner reservations. Come to the beach often enough, and you can try them all: Café Azafran, Dos Locos, Goolee’s Grille, Rigby’s, Frank and Louie’s, Above the Dunes, Mariachi, and Henlopen City Oyster House, and Red, White & Basil. And take a short drive to Dewey for breakfast or lunch at the Starboard; popular bartender Doug Moore (winner of the Blade’s Best Rehoboth-Area Bartender 2024 award) holds court at one of the inside bars, which has become a de facto gay bar on Saturdays. 

One major development in the local dining scene last summer was the purchase of the Big Fish Restaurant Group by Baltimore-based Atlas Restaurant Group. Nearly a year later, not much has changed at the many Big Fish restaurants, although many locals are hoping for a renovation of Obie’s along with a gay night at the ocean-front bar/restaurant. 

These are only a few of the fantastic places to eat and drink at the beach. Remember, book your reservations for hotels and restaurants, early. Rehoboth is a happening place and gets very busy. 

We are living in stressful times. A visit to Rehoboth is a nice way to escape them for a while. Take the time to destress, enjoy the sun and sand. Take a stroll on the boardwalk and listen to the sound of the ocean, and people having fun. Enjoy good times, good food, good friends, and remember that life can still be good. Recharge your batteries for the rest of the year, by enjoying some summer fun in Rehoboth Beach. 

(Washington Blade photo by Daniel Truitt)
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