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BETTY’s triumphant return

D.C. band gearing up for World AIDS Day show

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BETTY, gay news, Washington Blade
BETTY interview, gay news, Washington Blade

From left are Elizabeth Ziff, Amy Ziff and Alyson Palmer of BETTY. (Photo by Erin Schaff)

BETTY 

 

World AIDS concert

 

The Hamilton

 

600 14th St., N.W.

 

Tuesday, Dec. 1

 

Doors 6:30 p.m.

 

Show 7:30 p.m.

 

$20-30

 

For fans of “The L Word,” BETTY has been in your living room for years.

The band, originating in Washington, formed after performing at a party for the original owner of the 9:30 Club, Dodie Bowers. Since then, sisters Amy and Elizabeth Ziff and Alyson Palmer have performed at numerous LGBT rights, pro-choice and HIV/AIDS awareness events. With Amy on vocals and cello, Elizabeth on vocals and guitar and Palmer on vocals and bass, the trio, who now reside in New York City, are approaching their 30th anniversary and performing at the Hamilton for World AIDS Day on Tuesday, Dec. 1. A portion of the profits will benefit Whitman-Walker Health.

During a phone interview in the recording studio, Amy and Elizabeth discussed their new album, ties to D.C. and how they feel about being called a lesbian band.

 

WASHINGTON BLADE: What are you working on in the recording studio?

ELIZABETH: We’re working on our next album it should be out in springtime. Our next full album with the producer Mike Thorn.

 

BLADE: What’s the recording process been like so far?

ELIZABETH: It’s been good and interesting because Mike produced our first album in 1991, so it’s nice to be working with him again. We’ve done a couple of albums with him. It’s an interesting process to go back and look 20-something years ago and then to look now. I think it’s a little bit more open about change when you get to work with somebody that you’ve known a long time. You trust them a little bit more.

AMY: We’re looking at some songs that we’ve been performing and looking at them differently to record. It’s fun, it’s really opening them up.

 

BLADE: How did the band get started?

AMY: We started in Washington. We advertised on the radio for a bass player and I think Alyson was the third. Alyson called me at the job I had at the time and we talked for a really, really long time. She came over to audition and basically stayed almost all night.

ELIZABETH: Amy and I were actually still living at our parents’ house. We were little kids.

AMY: We laughed and starting working on songs and that was that. It was the beginning.

ELIZABETH: That was our first band together. Then Dodie Bowers from the original 9:30 Club asked us to sing at her Valentine’s Day party. She heard that we sing a cappella sometimes so we sang a cappella and then people loved it. So we decided to start BETTY. Coming up in 2016 this is going to be our 30th anniversary.

 

BLADE: You’re also very involved in LGBT rights and women’s equality. What made you decide to use your music this way? Was it always the plan to be so political?

AMY: I think we’ve always been political. We came of age in D.C. and it was a very political time. D.C. has always been political and I’m sure it still is, because the industry there is politics. So we were involved with feminist causes and LGBT stuff and AIDS work very early on. It was just a part of who we were. You went to Take Back the Night marches and you went to pro-choice stuff. When we started doing music we performed at them. It was sort of a synthesis of who we were as feminists and who we were as women at the time.

ELIZABETH: Also, AIDS started affecting a lot of our friends. As musicians, we tried to start singing or performing in any kind of way, on any scale, that would make us feel less helpless. Because our friends were getting sick and dying. I don’t know what comes first whether you’re an arts activist or an activist artist but they just seemed to happen at the same time.

AMY: Also, at the time we actually did some stuff for Whitman-Walker and early stuff for gay Pride. No one played at gay pride in the early days because people were afraid. It was back when it was hidden sort of behind P Street.

ELIZABETH: We were like, ‘Of course we’ll play for gay Pride,’ and we thanked our friends in the hospital and things like that. Whitman-Walker is such a great organization and has been around for so long and it’s in D.C. so it’s really fun to be back and to be able too give back a little to the community in D.C.

 

BLADE: The band has also provided the theme song for “The L Word.” How did that collaboration come about? Did you expect the show to be as popular as it became?

ELIZABETH: Ilene Chaiken asked four different bands to submit a theme song because she really wanted the theme song to reflect the actual song. So we submitted ours and three or four other bands did and the network chose the song, and they chose ours. We didn’t know the show was going to be such a seminal, groundbreaking show. It was really exciting to be a part of it. You have to understand that we had been together for 20 years already and then the show happened so it opened up a whole new thing for us. Especially in Europe and South America so that’s been really great and really fun.

 

BLADE: Since the band has been involved in things like “The L Word” and LGBT rights, how much of that is a part of your band’s identity?

ELIZABETH: As an identity, its female-identified. Now, we’ve never really labeled ourselves as a lesbian band because Alyson is straight. We’ve always played for gay rights and lesbian rights and trans rights. We’ve done a lot of pro-choice work, cancer and AIDS work. But our music hopefully transcends politics.

AMY: Our music isn’t really political. It’s fun and dance or folky or thoughtful. But we like to involve ourselves in causes that are important to us. But our music is pop music.

ELIZABETH: Other people can label us however they want. If they want us to be a lesbian band then right on. If they want us to be a gay band, fine. But we don’t really label ourselves because we don’t need to. I think labels hopefully are going away a little bit. Except for the label of being women and feminists.

 

BLADE: How do you find performing in D.C. different from your home base New York?

AMY: We are always really excited to go back to D.C. to perform. We actually did the soundscape for an exhibit at the Freer/Sackler museum right now. It’s called Peacock Room: Remix. It’s the re-do of Whistler’s Peacock Room. We were so excited to be a part of that and to be a part of Darren Waterston’s amazing piece. So we did some events in synthesis to promote that and to be a part of the Smithsonian. A lot of old friends came out and a lot of people that we hadn’t seen. When we did our off-Broadway show “BETTY Rules” we were excited that all of the references that we put in the show really came to life when we were performing in Washington. That’s when we started as a band. That was a really great time to perform our show there. It was so exciting.

ELIZABETH: We haven’t been back to play at a club in D.C. in a while. The last time was at the 9:30 Club and that was a few years ago. We heard the Hamilton was fun. What’s always been great about D.C. is that hopefully we get what we always get, which is a nice mix of race and gender and sexual identity as well.

AMY: People who knew us when we lived there can bring other people that don’t know about us or their kids or their parents.

ELIZABETH: People who know us from “The L Word” and are curious to see how we are live because we’re fun live.

 

BLADE: This show is also a holiday show. What can people expect? Will you be performing any of your new music?

AMY: I think a couple of our fresh new songs that we’ve never performed before will be there. And also some of our holiday songs that we’ve written. And some of our songs that aren’t holiday, but can be put in a holiday context. So you can expect to have a good time. Laugh a little bit, maybe feel a little bit. Move a little bit, cruise a little bit.

ELIZABETH: People will be cruising a lot.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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