a&e features
A milestone for 9:30 Club
Famed venue has welcomed gay acts throughout 35-year history
The 9:30 Club, celebrating its 35th anniversary this month, has been a gay-friendly spot since day one. Adam Lambert is among the out acts who have performed there. (Washington Blade photo by Michael Key)
The 9:30 Club is one of the nation’s most iconic venues and has hosted an enormous variety of artists since its founding in 1980. The club is currently celebrating its 35th anniversary with a new deluxe hardcover, “9:30 The Book,” which details the history of the hallowed venue and includes reflections from many of the countless artists who have performed there over the last three-and-a-half decades.
There has been no shortage of LGBT artists to play both at its original F Street location and its current location at 815 V St., N.W. The club was known for the roster of punk and hardcore heavyweights that regularly blew the doors off the place (Circle Jerks, Mission of Burma, Agent Orange, Minor Threat, Government Issue, Misfits, Black Flag, Killing Joke, Dead Kennedys and others). Seminal post-punk/goth pioneers Bauhaus played a show in early 1981, only a few months after the release of their debut album “In the Flat Field.” It wasn’t long, though, until a wider variety of artists made the 9:30 Club their tour stop in D.C., including LGBT artists of all genres.
Self-described queer artist Michael Stipe performed with R.E.M. at the venue multiple times, including in November 1982 in support of their “Chronic Town” EP, and a show on March 12, 1983, precisely one month before the band released its classic full-length debut “Murmur.” The main set opened with “Gardening at Night” and closed with “Radio Free Europe,” the two early songs that cracked open the door for their wider success. Minnesota-based Hüsker Dü, who would become one of the ‘80s most important alternative rock titans, played their first gig at the 9:30 Club on April 24, 1983. It was the start of a long and fruitful relationship between the club and Bob Mould, who’s gay, which continues to this day.
The first of multiple appearances by pop duo Erasure was on May 14, 1987 in support of their second album, “The Circus.” Gay singer Andy Bell shared his fond memories of that first 9:30 Club appearance: “The stage was so teeny and it was so crowded that I felt like Alice in Wonderland after she ate the cookie that turned her into a giant. It was an amazing gig, your head touched the ceiling and the audience would grab you by the ankles. Also it was very, very hot.”
Andy Bell, left, and Vince Clarke of Erasure. (Photo by Phil Sharpe; courtesy Mitch Schneider Organization)
The duo’s most recent stop was for two electrifying performances in September 2014 in support of their album “The Violet Flame.”
Rufus Wainwright, the acclaimed Canadian singer/songwriter who is gay, has played at the 9:30 Club numerous times, with the crowd growing with his popularity.
“The 9:30 Club has a stage that moves back depending on how many spectators are at the show, always making the room look well attended,” he says. “I cherish the experience of starting out there with a sliver to work with, then a rectangle, and finally a big fat square full of punters thanks to the backwards moving stage. Hope that stage don’t start moving forward.”
Rufus Wainwright (Photo by Sean James; courtesy Slate PR)
Melissa Etheridge, a rock legend who has been churning out great albums since her 1988 self-titled debut, played a highly publicized string of dates at the 9:30 Club in November 2014 in support of her album “This is M.E.”
Boy George, one of the all-time great pop figures of the last 30 years, appeared at the 9:30 Club on April 21, 2014 to support his excellent solo album, “This is What I Do.”
Gay icons The B-52’s have performed at the 9:30 Club in 2008 in support of their comeback album, “Funplex.”
Passion Pit, whose lead singer Michael Angelakos is gay, performed on June 3, 2010. Not long after, gay pop sensation Adam Lambert played on June 28, 2010, in support of his debut album “For Your Entertainment.”
Electric pop/rockers Neon Trees, whose lead singer Tyler Glenn is gay, performed at the club in July 2010, just as their single “Animals” was becoming a major hit.
In November 2012, Macklemore and Ryan Lewis performed their massive hit “Same Love” in support of same-sex marriage.
Visionary hip-hop artist Frank Ocean, who had recently revealed same-sex attraction and wrote about unrequited love for a man in the stunning track “Bad Religion,” performed at a show surrounded by buzz on July 23, 2012.
Critically acclaimed singer/songwriter John Grant, whose lyrics are sometimes startlingly confessional and self-deprecating, graced the 9:30 Club stage on May 11, 2014.
Atlas Sound, led by openly gay Bradford Cox, has appeared multiple times. Local D.C.-area genre-bending powerhouse Meshell Ndegeocello has also graced the 9:30 Club stage.
The flamboyant and always entertaining Scissor Sisters, featuring three gay members (Jake Shears, Babydaddy and Del Marquis) became a fixture at the club as they performed eight times between May 2004 and July 2012.
Kele Okereke, the talented frontman for Bloc Party, has appeared both with his band and as a solo artist.
Widely renowned lesbian duo Indigo Girls played at the club in March 2005.
The wonderfully outlandish and always memorable Canadian artist Peaches first appeared at the club in November 2006.
Against Me! first performanced at the 9:30 Club on Nov. 12, 2007. This was, of course, before Laura Jane Grace came out as a trans woman in 2012, as detailed in the band’s stunning 2012 album “Transgender Dysphoria Blues” (they’d play two dates in September 2014 after Grace’s transition).
Mika, the uber-creative openly gay British pop experimentalist, played on June 12, 2007.
Mika (Washington Blade file photo by Michael Key)
Hercules and Love Affair, whose breakthrough hit “Blind” is about coming out as gay and then losing yourself in a world of endless hedonism, performed in November, 2008.
The lesbian country/folk/rock singer/songwriter Brandi Carlile, who released the stunning album “The Firewatcher’s Daughter” last year, played the club in October 2009, the same night at the electrifying new wave revivalists Gossip, led by the amazing Beth Ditto who has referred to herself as a “fat, feminist lesbian from Arkansas.”
Other notable appearances by LGBT artists include Ani DiFranco (who’s identifies as bisexual), who first performed at the club in 1990 and has made many stops since, the most recent being in November 2013 and with another show coming up on Jan. 26.
A month and a half after the release of their breakthrough album “Dookie,” Rock and Roll Hall of Fame Inductees Green Day (led by openly bisexual frontman Billie Joe Armstrong), played their first 9:30 Club gig on March 15, 1994.
British alt-rockers Placebo (vocalist Brian Molko is bisexual, guitarist/bassist Steven Olsdal is openly gay) performed at the club in December 1998 in support of their classic album “Without You I’m Nothing.” Skunk Anansie, led by the dynamic bisexual vocalist Skin, played in September 1999.
Indie darlings Sleater-Kinney, featuring bisexual vocalists Corin Tucker and Carrie Brownstein (who once dated), played the 9:30 Club in May 2000 and then again in September. A month later, openly gay leather-clad metal icon Rob Halford of Judas Priest fame rocked the club with his band Halford.
Critically lauded Icelandic band Sigur Rós, whose amazing lead singer Jónsi is openly gay, first performed at the club in September 2001. Jónsi would play a couple solo dates in 2010. The 9:30 Club hosted synthpop legends Soft Cell, featuring pioneering gay artist Marc Almond, in 2002 when they toured in support of their final album “Cruelty Without Beauty.”
Tegan and Sara, the openly gay duo of Canadian twin sisters, first appeared at the club in October 2002.
The 9:30 Club has also hosted other events, including “RuPaul’s Drag Race: Battles of the Seasons” in March 2015. The club frequently has gay-themed dance parties in conjunction with Capital Pride every year.
And of course, getting back to Bob Mould, the alternative rock titan teamed up with DJ/producer/musician extraordinaire Rich Morel — who at last count has an astonishing 25 No. 1 singles on the Billboard Dance Chart to his credit — for the Blowoff dance party, which started small in the club’s back bar and turned into a mega event that eventually traveled to other cities. Morel cites the 9:30 Club as essential to Blowoff’s success.
Blowoff (Washington Blade file photo by Pete Exis)
“The 930 club was Blowoff’s home base,” he says. “When Blowoff expanded and started doing shows around the country the vibe and mood we had built at the 930 was what we brought with us. The staff was so great and the space made for many memorable nights.”
He also fondly recounted for us the time a certain Lady Gaga came to see Blowoff in all its glory.
“I had first met Lady Gaga when I was touring with Cyndi Lauper,” Morel says. “Gaga opened a show we were playing in San Francisco. Gaga was just starting out and we chatted a bit and exchanged info. Fast forward a couple years and she’s the biggest thing on the planet. I got a text message from her PR guy that she was in D.C. and wanted to come down to Blowoff. It was a crazy night. She arrived with a security crew all dressed in Armani. We were hanging backstage and she burned a CDR of her new song, which was not released yet. She said the song was delicious and asked if I would debut it. It was “Bad Romance.” I played it during my set while she stood and waved at the crowd from the balcony. It was a surreal pop moment that I was delighted to be a part of.”
There is no question that if the 9:30 Club walls could talk, the stories they could tell would fill volumes. So many of the biggest artists in rock history have performed at the club that it’s hard to keep track, and that includes many LGBT artists as well. It’s been an impressive 35-year run for the club, with lots of rock ‘n’ roll memories made along the way.
Blade, 9:30 neighbors at former location
For a few years in the 1980s, the Washington Blade was a neighbor to the 9:30 Club at its original F Street location.
Although the Blade staff — especially on production night deadlines — sometimes worked late, long-time employees say the two entities had no major issues.
“We would of course work later hours back then,” says Phil Rockstroh, a long-time Blade staffer. “Everything was typeset and done by hand without computers and fax machines so getting through deadlines was much more time consuming.”
He says the noise wasn’t a problem.
“It wasn’t too bad as older buildings were constructed more solidly,” Rockstroh says. “There was only one entrance to the building and you entered so far to the elevator that went up to the other floors and then continued down the hall to the entrance to the 9:30 Club. Frequently at night if I was coming or going, there were people spilling out the doors.”
Despite the proximity, Rockstroh says he only remembers going to a concert there once to see a punk showcase with a former co-worker, the late Lyn Frizzell.
“The Blade has always had a friendly relationship with the 9:30 Club,” he says.
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MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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