Connect with us

a&e features

Nothing compares to Prince

Gender-bending genius left behind treasure trove of music

Published

on

Prince singer, gay news, Washington Blade
Prince singer, gay news, Washington Blade

Any decent artist has gems lurking beyond his or her hits, but the Prince catalogue is astounding in its scope and quality. (Photo by Chelsea Lauren, NPG Records)

Many of us are still trying to wrap our heads around the fact that Prince is gone.

Through the disbelief and mourning, many have started to look back and take stock of just what a peerless musical legacy Prince left behind. It’s stunning in its quality and quantity, its influence and diversity. Prince was rock’s most prolific artist, a studio wizard, songwriting genius and master musician.

We all know the massive hits, but dig deeper and there’s just as much to love.

I’ve chosen 25 of his best deep cuts — some of the best pieces of studio work he’s ever released, yet much of it will be new to you unless you’re a die-hard. For every “Kiss,” there are a dozen other tracks that you’ll love as much. These are presented chronologically.

1. “Gotta Broken Heart Again” (from “Dirty Mind,” 1980)

A combination of styles, the song’s a charmer that brings a little tenderness to the hard-edged “Dirty Mind.”

2. “Annie Christian” (from “Controversy,” 1981)

Prince creates the kind of new wave synthesized background you’d expect from a Berlin album, and layers it with squealing guitar effects, and a strident vocal in which he accuses Annie Christian of multiple high-profile murders. It’s a uniquely unsettling song that is one of the first examples of Prince’s ability to go far beyond the slick R&B/Pop sound of his first two albums and tackle more diverse subject matter.

3. “All The Critics Love U In New York” (from “1999,” 1982)

This track is hidden away on the double-album masterpiece “1999,” although an edited version did appear as the b-side to “Little Red Corvette.” The song is basically just a wicked groove, a funky beat and a popping bass over which Prince sing/speaks a set of sardonic lyrics. The hook sung during the repetition of the title brings in a sharp melody and flashes of keyboard.

4. “17 Days” (“When Doves Cry” b-side, 1984)

Although its partner b-side from “Let’s Go Crazy,” “Erotic City,” was unquestionably the most infamous and popular of the two, “17 Days” seems to rest in its shadow. It shouldn’t. “17 Days” has a wicked groove of its own, especially from that elastic bass, and a tense and effective vocal by Prince. With its vaguely trippy nature, “17 Days” is an obvious foreshadowing of the full-blown psychedelic to be heard soon on 1985’s “Around the World in a Day.”

5. “New Position” (from “Parade,” 1986)

This taut slice of kinetic funk is built largely by Prince as a solo recording. There’s not much to it, but there doesn’t need to be. Prince plays the frenetic percussion anchored by a clanging steel drum, between which coils a wildly gyrating bass line.

6. “Power Fantastic” (Recorded 1985, not released until “The Hits/The B-sides “1993”)

It required an unconventional recording set-up to get the right sound, but Prince managed to capture the elegant vibe he was seeking. It’s a one-take jaw-dropper with the Revolution recorded as a track for the possible follow-up “Parade,” presumably to be called “The Dream Factory,” but Prince disbanded the Revolution and the follow-up never materialized. Happily this dreamy, elegant ballad was finally made available when it was added to the “B-sides” disc to a 1993 combination.

7. “The Ballad of Dorothy Parker” (from “Sign ‘o’ the Times,” 1987)

A surreal slice of Princely quirkiness from arguably his finest album, “The Ballad of Dorothy Parker” has a stripped down vibe — basically just a few ornate lines of piano and pulses of keyboard all riding a dry and strangely off-kilter electronic pattern on the Linn Drum machine in lock step with a quivering bass.

8. “Anna Stesia” (from “Lovesexy,” 1988)

Widely considered by Prince fans as among his finest pieces of work, “Anna Stesia” is the emotional centerpiece of “Lovesexy.” It builds slowly from a stark piano intro to the stirring chorus at the end repeating, “Love is God, God is Love. Girls and boys love God above.” Both the vocal and musical arrangement are complex, and Prince delivers one of his most impassioned vocals.

9. “The Question of U” (from “Graffiti Bridge,” 1990)

Forget the movie — the soundtrack is high quality. “The Question of U” is basically one exquisite verse over a trippy groove, followed by Prince’s guitar histrionics, rhythmic clapping, soaring background vocals and exotic lines of keyboard. Beautiful.

10. “And God Created Woman” (from “Love Symbol,” 1992)

Prince turns the biblical story from Genesis into a gorgeous soul ballad with a touch of a Latin/jazz vibe. Prince’s nuanced vocal is beguiling and the vocal arrangement throughout the song is nothing short of magical.

11. “Pheromone” (from “Come,” 1994)

One of Prince’s darkest and most extreme dance tracks, “Pheromone” boasts a truly massive beat and a throbbing bass. Prince sings the lurid lyrics in a hard falsetto from the point of view of a highly aroused man surreptitiously peeping a couple in the process of enacting a violent sexual fantasy. It’s a stellar track, disturbing in its way but loaded with power and an unusually dangerous vibe for a Prince song.

12. “Shhh” (from “The Gold Experience,” 1995)

Prince scored a hit for young vocalist Tevin Campbell with “Round & Round” from “Graffiti Bridge” in 1990. Campbell’s next attempt to record a Prince tune, “Shhh,” wasn’t as successful. In exasperation, Prince transformed the song into a rock behemoth with some of the most stunning guitar the man ever recorded, plus some of the most devastating, come-hither, sexually charged vocals of his career.

13. “The Same December” (from “Chaos & Disorder,” 1996)

Prince handed Warner Bros. two albums of “older” material in 1996 for them to put out as they chose to complete his contract — “Chaos & Disorder” and “The Vault.” “The Same December” is a buoyant guitar rocker that would have soared into the Top 20 had it been released a decade earlier.

14. “When the Lights Go Down” (from “The Vault — Old Friends for Sale,” 1999)

A long, R&B/jazz flavored slow-jam with booming bass and some jaw-dropping instrumentation, it’s clear that Prince didn’t have it in him to turn in subpar material even for contract filler. Prince nails his sweet falsetto, which doesn’t come in until after two minutes of sublime Latin-groove instrumental introduction.

15. “The Love You Make” (from “Emancipation,” 1995)

This powerful gospel-flavored rock ballad ratchets up the intensity as it approaches a breathtaking climax. Often a stunner in live performance, “The Love You Make” sounds entirely more authentic than almost anything else on “Emancipation.”

16. “Comeback” (from “The Truth,” 1997)

“The Truth” is an all-acoustic album included with the “Crystal Ball” box set of previously unreleased material. Because of its hard-to-acquire status, “The Truth” has not been widely heard. The highlight is the short but exquisitely beautiful “Comeback,” a song presumably written by Prince for his late son. Not often does Prince allow something so nakedly personal to be heard by his audience and the song is worthy of its stature as a touching goodbye.

17. “Wasted Kisses” (from “New Power Soul,” 1998)

This track is indeed a hidden gem — you have to scroll through the CD to track 49 to find it, but it’s well worth the extra clicks. It’s about as bitter a Prince song as you’ll ever hear. We hear gunshots, an ambulance, medical personnel and a flatline all the while Prince is singing, “Why did I waste my kiss on you, baby?/Why did I waste my kisses on you now.” It’s as strange and as chilling a song as Prince has ever released.

18. “I Love U, But I Don’t Trust U Anymore” (from “Rave un2 The Joy Fantastic,” 1999)

Prince’s performance here is emotionally authentic and shows a naked vulnerability we’re not used to hearing from him.

19. “She Loves Me 4 Me” (from “The Rainbow Children,” 2001)

“The Rainbow Children” seems to be Prince’s version of a concept album inspired by the teachings of his new religion. It seems nobody really understood any of it but Prince himself, but that hardly matters. “She Loves Me 4 M” is a classic mid-tempo Prince pop tune built on the lovely interplay between a glistening order and Prince’s guitar. It stands along with anything he has done.

20. “Reflection” (from “Musicology,” 2004)

The final track from Prince’s 2004 comeback “Musicology” — a year in which Prince launched his first major U.S. tour in ages and also saw him steal the show at the Rock and Roll Hall of Fame, “Reflection” may be the musical highlight — a charming piece of nostalgia set to gentle acoustic guitar, like a photograph faded with time.

21. “Love” (from “3121,” 2006)

“3121” earned Prince his first No. 1 album in America since the ‘80s, and it’s easy to understand why. It’s a super-slick and modern collection of first-rate pop and R&B, and “Love” is one of the album’s highlights. Although it was never a single, the song has an irrepressible groove, jittery keyboard, a strong melodic hook and Prince sounds his confident best.

22. “All the Midnights in the World” (from “Planet Earth,” 2007)

Prince’s 2007 album “Planet Earth” was the first to prominently feature old Revolution mates Lisa Coleman and Wendy Melvoin substantially in 30 years. It’s a gentle song that doesn’t fit with much of what Prince has been doing in recent years, which is no doubt part of its luminous charm.

23. “Future Soul Song” (from “20ten,” 2010)

“20ten” is generally not regarded as one of Prince’s finest efforts, but it’s not nearly as bad as some would have you believe. There are indeed gems, like the electronic powerhouse “Beginning Endlessly,” the lithe and funky “Sticky Like Glue,” and especially the gorgeous ballad “Future Soul Song,” with an old school groove, sumptuous keyboards and with Prince shifting from his soulful slower register during the versions to his most feathery falsetto for the chorus.

24. “Way Back Home” (from “Art Official Age,” 2014)

“Most people in this world were born dead, but I was born alive.” It’s a line impossible to forget and impossible to argue. “Way Back Home” is Prince’s transcendent ballad from his triumphant 2014 release “Art Official Age,” a smart collection of fresh pop and R&B. The vocal harmonies and the sincerity in Prince’s voice make “Way Back Home” the standout. It’s sheer beauty and heart on an album loaded with terrific songs.

25. “Revelation” (from “HITNRUN Phase 2,” 2015)

The final Prince album during his life was released in December 2015, “HITNRUN Phase 2.” Happily, it’s an album worthy of his catalogue. “Revelation” is the type of stripped-down ballad that Prince can crunch out by the dozen, but they’re all different and usually worthy of attention. He is careful to keep the song melodically interesting — he’s not trying to create a boring Top 40 hit. He delivers a superb falsetto and a blistering guitar solo. On the strongest track from his last album, Prince could still bring it at the highest quality.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

Published

on

Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

Continue Reading

a&e features

James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

Published

on

(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

Continue Reading

a&e features

Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

Published

on

Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
Continue Reading

Popular