I am beginning this travelogue from the Kiev airport. Notably, the capital of Ukraine is pronounced KEEV by Ukrainians and KI-EV by Russians. No doubt this is one of many cultural distinctions we will encounter for the next week here. We are approaching our 20th hour of travel to get to Ukraine, so I’m writing this a bit bleary-eyed.
Before we even boarded the plane, we had learned that the Ukrainian political activist and captive in Russian prison, Nadia Savchenko, was just released back to Ukraine after two years. The “Joan of Ark” of Ukraine has been a symbol of national unity and anti-Russia sentiment since her capture. This impressed upon us the seriousness with which human rights and freedom are part of the dialogue in the country we’re about to visit.
Our first travel stop was Munich, an airport apocalyptically empty and sparkling clean in the morning hours. It also seems big enough to have it’s own zip code. We found lounge chairs to sleep/read in for a couple of hours until the next flight. For this trip, I am re-reading the “Autobiography of Benjamin Franklin” — an innovator and diplomat who spoke and wrote about individual freedom, equality, and political autonomy his entire life. Seems fitting considering the circumstances.
After a two or so hour plane ride from Munich to Kiev, we find ourselves in a bare bones but clean airport for the second layover of our travel. The Kiev airport has a colorful piano available to the public for playing (which reminds me of the Sing for Hope pianos in NYC.) Naturally our first thought was, “if Ukraine encourages public performance, we came to the right place.” So we had our first pop-up performance right there in the airport.
Our final destination today is Lviv — one of the most beautiful cities in Eastern Europe. When we finally get in around 10 p.m. tonight, we will have a cultural and security briefing with the U.S. Embassy.
Speaking of security — what is unique about this tour for GMCW is that we are doing very little public promotion ahead of time. This is a stark contract from Cuba, for which we hired a publicist in the U.S. and were on the radio every other day leading up to the tour. Additionally, for this tour we are highlighting the name Potomac Fever more than Gay Men’s Chorus. In recent months and years there has been violence in Ukraine against LGBTQ people during public event and rallies, so this nuanced messaging is understandably for our safety.
You’ll even notice that the publishing of this blog, including any concert location info, won’t occur until after events have taken place. In a way, it harkens back to the early days of GMCW when we sometimes used the name Federal City Performing Arts Association in an attempt to shield supporters and singers from unnecessary questioning and harassment in the early 80s.
Returning to this approach is strange considering the post-marriage equality experience we enjoy back home. But it is important to first meet people where they are if we want to establish any kind of trust or connection. It also underscores the need for this type of diplomacy at home in places where discrimination is still alive and well. That’s why GMCW will be traveling to North Carolina this summer, as another extension of our Beyond the Beltway program.
Chase Maggiano is the executive director of the Gay Men’s Chorus of Washington. He is posting periodic posts from Ukraine on his blog ChasingTheArt that he is allowing the Washington Blade to repost.