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Fringe Festival rich with LGBT themes
A male pop star, Galactica and more on this year’s slate
Growing up in the suburbs of Pittsburgh, Bryce Sulecki admired the likes of Britney Spears, Lady Gaga and Madonna. While their support of the gay community comforted him, he couldn’t help but feel that there was an absence.
“There was this voice missing,” says Sulecki, who graduated from American University’s prestigious musical theater program in 2015. “From a gay male pop star.”
Sulecki longed to hear a performer directly singing about gay relationships, struggles and even everyday life with the same type of choreography, costumes and theatrics that had inspired him as a child.
Sulecki decided to take matters into his own hands and create the gay pop star he’d been searching for, but he needed an outlet, which he found in the D.C. Capital Fringe Festival.
The Capital Fringe Festival, which just opened and runs through July 31, is a nonprofit organization founded in 2005 by Julianne Brienza and Damien Sinclair. Capital Fringe focuses on bolstering opportunities for audiences to view independent, off-the-beaten-path theater, music, dance and other forms of performance and visual art.
Fringe festivals began in 1947 as an alternative to the Edinburgh International Festival in Edinburgh, Scotland. The festival has since expanded its presence all over the world to countries such as Australia, Canada, the United Kingdom and the United States.
Capital Fringe has become the second largest Fringe Festival in the United States. As of 2015, it had generated $1.7 million for artists, featured more than 600 new productions and generated 886 paid jobs. Roughly 130 shows are featured in the Capital Fringe festival each year.
A spot in Fringe is determined on a first-come, first-served basis by submitting proposals for shows online. Capital Fringe provides the venue for accepted plays and handles the main marketing to promote the shows. The playwright is in charge of all other fees, including costumes, payment to cast, crew and the director and any other costs.
The festival prides itself on its focus of the performing arts community as a whole, rather than just promoting the work of an individual.
With this mission, it’s no wonder that in its 11th year Capital Fringe 2016 will feature a diverse range of LGBT productions, including Sulecki’s interactive-pop-concert- extravaganza, “Bryce: Hydrogen Blonde,” in which he is the producer, co-writer and star.
“I think that [the] most meaningful part of the experience is seeing my own work in front of an audience,” Sulecki says. “I keep getting chills just thinking about it.”
Themes this year touch on a variety of LGBT issues.
Kevin West, an out playwright and director of “The DOMA Diaries,” wants to reveal the struggles and obstacles that the Defense of Marriage Act created in the lives of LGBT couples. While the play is a work of fiction, it is based on real-life experiences.
The play also includes a fictional adaptation of West’s own struggle being part of a bi-national couple. West constantly feared that his then-partner (now husband) would be forced to return to his country of origin, as West could not sponsor him for a green card under DOMA’s restrictions.
“There’s a funny scene in which a gay couple goes to a Mailboxes Etcetera to have their domestic partnership documents notarized, and they treat the event like a mini-wedding,” West says. “Since gay marriage isn’t yet legal, and may never be, they realize that this mundane event is the closest they will ever come to a wedding ceremony.”
One of the stars of the play, Nell Quinn-Gibney, a 20-year-old senior at the University of Maryland, Baltimore County, who was raised by a lesbian couple and was present outside the Supreme Court when the DOMA decision was announced, says she never fully understood the impact of the act until she began working on the show.
“Reading the script for me the first time I got [it], I honestly started crying half-way through because the whole time I was thinking about what my relationship and what my sister’s relationship growing up with our parents was like and how grateful I was to them,” says Quinn-Gibney, a Bethesda, Md., native. “It wasn’t until I got older that I realized that there was anything different, abnormal or unusual about our family.”

The cast of ‘DOMA Diaries’ featuring Nell Quinn-Gibney, third from left. (Photo courtesy Kevin West)
Other shows to look out for at Capital Fringe include seasoned performer Jeffrey Johnson’s multimedia-drag-production, “A Romp Around Uranus with Special Agent Galactica.”
Johnson, who was the artistic director of the now-defunct, LGBT theater company Ganymede Arts in Washington, is the creator, writer, director and lead performer in the play. Galactica, a lip sync character, was born out of his work with Ganymede.
She became a success and generated a large local following. Johnson has performed as Galactica at almost every gay bar in town.
“A Romp” also features three original songs written by Johnson. Galactica’s spaceship is played by award-winning musician and B-52’s frontman, Fred Schneider.
“This is taking drag performance to a totally different place,” Johnson says. “It’s taking on drag done live, it has clever humor, but, you know, low-brow comedy as well.”
Johnson emphasizes that his production is not a drag show, but a theater piece that uses the elements of drag to enhance the show.
In 2010, Johnson took Galactica from a lip-sync character to a live music songstress and how he says he’s ready for the next chapter in her short, yet eventful life.
“Now, I’m taking her from being just a live cabaret or music show to actually being a theater piece,” Johnson says. “It’s always fun to challenge myself and rethink the presentation of this character and take her into new areas that she hasn’t gone before.”
Another pioneering piece comes from writer, director and professional home and office organizer, Brett Steven Abelman.
Abelman’s play, which he created and directs, is “Play Cupid,” his fourth production at Capital Fringe. The play features five characters that the audience can send on a date. There are two men, two women and one character that identifies as gender-queer.
“Anyone can be paired up with anyone,” says Abelman, a Washington-area native. He likes the component of audience choice in theater, which he says is not common.
Abelman hopes his show can “open little corners” within his audience’s mind by having them go through the process of meeting the characters, getting to know them and pairing them up.
The audience, director and actors will not know, on any given night, who will get sent on a date and who will not. So, as Abelman says, flexibility for everyone involved in “Play Cupid” is important.
“I am thrilled that I found these five collaborators, plus my assistant director and producer,” Abelman says. “The No. 1 thing is getting along with each other and we share stories about dating and romance and all that kind of stuff to help build the show.”
Niusha Nawab, one of the male actors in “Play Cupid,” who graduated from American University in 2015 with a degree in theater arts and audio production, describes the play as “modern” in terms of its LGBT content.
“On the one hand, it’s somewhat of an idealistic alternative reality where the sexuality of all the characters is mostly irrelevant to their lives within the play and isn’t a defining factor of who they are,” Nawab says. “On the other hand, when it does recognize and deal with their sexuality, it does so in specific and useful ways, like the fact that one character is pansexual, not bi, or that the only black character (in the show) has to deal with the intersectionality of being both black and queer in his love life.”
Nawab also emphasizes how gender-queerness plays a role in “Play Cupid.” He says it unfurls in “differing but challenging ways.”
“Our play is a high-scorer on the not-straight-white-cis-dude scale,” Nawab says.

The cast of ‘Play Cupid’ in rehearsal. (Photo by Sonia Zamborsky)
Another LGBT-themed Fringe show is “HUNT: a Political Drama,” written and produced by Jean P. Bordewich and directed by Kristin Shoffner. The play is based on the true story of Sen. Lester Hunt, a Wyoming Democrat, who was blackmailed by Sen. Joe McCarthy’s allies in the Senate over homosexual allegations against his son.
Bordewich, who has spent her life in politics on Capitol Hill as a Senate and House staff member and in Red Hook, N.Y., as a town council member, and as a candidate for Congress and Senate district staffer, says she wanted to explore the dangers of political extremism, demagoguery and homophobia through the lens of the 1950s Cold War era.
“I had no idea when I wrote ‘HUNT,’” she says, “that the rise of a demagogue as a presidential candidate and the massacre at the Pulse nightclub in Orlando would make this history so tragically relevant today.”

Terry Loveman as Sen. Hunt in ‘HUNT: a Political Drama.’ (Photo courtesy Jean P. Bordewich)
Full details at capitalfringe.org
‘Bryce: Hydrogen Blonde’
Logan Fringe Arts Space: Trinidad Theatre (1358 Florida Ave., N.E.)
Friday, July 8 at 10:15 p.m.
Thursday, July 14 at 7:45 p.m.
Sunday, July 17 at 4:15 p.m.
Friday, July 22 at 9 p.m.
Sunday July 24 at 12:30 p.m.
Tickets are $17
‘The DOMA Diaries’
Flashpoint: Mead Theatre Lab (916 G St., N.W.)
Thursday, July 7 at 6:30 p.m.
Sunday, July 10 at 6:30 p.m.
Friday, July 15 at 8:30 p.m.
Thursday, July 21 at 8 p.m.
Saturday, July 23 at 12:45 p.m.
Tickets are $17
‘A Romp Around Uranus with Special Agent Galactica’
Logan Fringe Arts Space: Upstairs (1358 Florida Ave., N.E.)
Saturday, July 9 at 10 p.m.
Wednesday, July 13 at 8:30 p.m.
Sunday, July 17 at 10 p.m.
Tuesday, July 19 at 9 p.m.
Sunday, July 24 at 6 p.m.
Tickets are $17
‘Play Cupid’
Atlas Performing Arts Center: Lab II (1333 H St., N.E.)
Friday, July 8 at 8:15 p.m.
Sunday, July 10 at 7 p.m.
Friday, July 15 at 10:30 p.m.
Thursday, July 21 at 6 p.m.
Sunday, July 24 at 6:30 p.m.
Tickets are $17
‘HUNT: A Political Drama’
Flashpoint: Mead Theatre Lab (916 G St., N.W.)
Thursday, July 7 at 8:45 p.m.
Wednesday, July 13 at 6:45 p.m.
Saturday, July 16 at 2:30 p.m.
Tuesday, July 19 at 8:45 p.m.
Friday, July 22 at 6:45 p.m.
Sunday, July 24 at 2:15 p.m.
Tickets are $17
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
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‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show
Emotional January episode highlighted 40-year love affair with partner
Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”
In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home.
Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.
“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”
Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.
“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states.
“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.
Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?
Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”
Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?
Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’
And so, they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no idea.
Blade: What was your reaction when you saw the home renovation?
Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.
Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?
Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.
And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.
Blade: Did your appearance on the show change your life and your relationship with your sister?
Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.
And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.
Blade: Can you tell a little about when it came about and how you met your partner?
Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.
Blade: And when was that?
Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’ She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’
And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.
Blade: So, your partner’s name was Diane?
Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.
Blade: And how many years were you together?
Diggs: Forty. Forty years together
Blade: And where were you living with her most of the time?
Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.
Blade: Can you tell me a little about what you were doing career wise during those years?
Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.
Blade: Around when was this, in the 1980a or 1990s?
Diggs: Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.
Blade: When was it that she passed away?
Diggs: In 2020. I found her on the kitchen floor.
Blade: How did your family and your extended family react to your relationship with Diane?
Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter.
I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.
Blade: Can you tell a little about your family?
Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.
Blade: So then how did your family react to you and Jo being on “Queer Eye”?
Diggs: Most of my family really had no problem with it.
Blade: Were you out to them?
Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.
But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.
So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.
Blade: What are some of the things you like to do these days?
Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.
Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?
Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.
Blade: What are your thoughts on being on the last season of “Queer Eye?”
Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it.
Blade: Can you say how you and Jo appearing on the show impacted your life?
Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.

