Arts & Entertainment
FALL ARTS 2016: TV
Queer representation soars on network, cable and streaming series

The cast of ‘Finding Prince Charming,’ the controversial new LOGO series. (Photo courtesy LOGO)
The latest report from GLAAD revealed that of the 881 regular characters that appeared on broadcast primetime programming in 2015, only 4 percent (35) were identified as gay, lesbian or bisexual. And an additional 35 or so LGBT characters were recurring.
The numbers are a bit more promising on cable and streaming services, and the success of these programs has led to better representation in the months ahead as the 2016-17 TV season gets underway.
Of course, we’ll have to wait until 2017 to see returning faves such as Cosima from “Orphan Black” and Lena and Stef from “The Fosters,” but the next few months offer plenty of new and returning characters coming to the boob tube (or computer screen).
The CW has never been shy about having LGBT characters as part of its main casts and that trend continues in 2016. Friday nights will feature the second season of “Crazy Ex Girlfriend” starting Oct. 21, which has a sweet love story developing between “White” Josh and Darryl. “DC’s Legends of Tomorrow” features the out superhero White Canary played by Caity Lotz every Thursday night at 8 p.m. Fellow superhero show, “Supergirl” will be introducing lesbian Maggie Sawyer when the show moves to the CW Monday nights beginning Oct. 10.
The popular AMC series, “The Walking Dead” returns to Sunday nights Oct. 23, and the show continues to have several gay characters among its living. Although there’s a chance that the popular Aaron (Ross Marquand) will meet his maker at the hands of Nagen and his bat Lucille in the series opener, characters such as Eric and Tara continue to be part of the zombie fight.
“Empire,” the Fox Wednesday night megahit, returns on Sept. 21, and continues to feature gay characters in major plotlines, including Jamal, played by out actor Jussie Smollett.
On the comedy front, ABC’s “The Real O’Neals” returns on Tuesday nights at 9:30 p.m., beginning Oct. 11. Although there were rumors of the show having its series order trimmed from 22 to 12 episodes following some controversial remarks by out star Noah Galvin, the sitcom will have a complete season and further follow the adventures of a family learning to live with their gay son.
Another sitcom back for its second year that provides plenty of laughs is “Superstore,” starring America Ferrera. One of the store’s employees, Mateo (played by Nico Santos), is gay. The show returns Thursdays at 8 p.m., on Sept. 22.
“Shameless” premieres on Showtime on Oct. 12 with the Gallagher clan again dealing with just about every problem under the sun. When last we tuned in, bi-polar Ian was getting serious with his HIV-positive boyfriend, Caleb, and this season promises to deal with their relationship a great deal.
On Thursday nights, “Finding Prince Charming” airs on Logo, and has already created quite the buzz. Hosted by Lance Bass, the show is a “Bachelor”-esque show for gay men, with 13 suitors competing for the heart of Robert Sepúlveda Jr.
Speaking of dating shows, former “Flavor of Love” standout Tiffany Pollard is shopping “The Ex,” a gay dating show where each week, two exes will vie for the attention of three contestants in the hopes of finding new love after heartache. The show is expected to have a cable network attached soon and starting to air this fall.
Married comedians Cameron Esposito and Rhea Butcher are best known for their podcast, “Put Your Hands Together,” and in August saw their new TV show, “Take My Wife” start a 12-week run on Seeso. The show follows the newlywed lesbian couple co-hosting a standup showcase.
MTV recently started airing “Mary + Jane” on Mondays at 10 p.m. The show follows two pot-trepreneurs (Jordan and Paige) on the East-side of Los Angeles, with Jordan (played by Jessica Rothe) described as “sexually fluid and fiercely independent and empowered.”

The cast of ‘Mary+Jane,’ a new MTV series about ‘pot-trepreneurs.’ (Photo courtesy MTV)
The second season of reality show, “I Am Jazz,” aired this summer and will continue showing reruns on Wednesdays at 10 p.m. on TLC. The show follows the life of transgender teen Jazz Jennings and her family through an 11-part series.
Amazon’s Emmy darling “Transparent” returns for a third season on Dec. 4, further following the adventures of Mort, a transgender played by Jeffrey Tambor.
Beginning Oct. 16, “Queer Ghost Hunters,” a docu-show about LGBT ghost hunters debuts online on YouTube, following the adventures of real people discovering stories of the queer past in places as diverse as the Ohio State Reformatory.
“Feral,” a TV show that follows a group of gay 20-somethings who learn about love, loss and friendship while living in the vibrant, artistic queer community of Memphis, will premiere on Dekkoo.com on Oct. 6.

‘Feral’ follows young gay lives in Memphis. (Photo courtesy Dekkoo)
After a four-year hiatus, “VH1 Divas” makes a triumphant return on Dec. 5, although the performers are still being kept under wraps.
One of the most anticipated specials of the year is a TV remake of “The Rocky Horror Picture Show” (starring Laverne Cox as Frank-N-Furter and Adam Lambert as Eddie), which will air on Fox on Oct. 20.
Another musical sure to excite is NBC’s live broadcast of “Hairspray,” with Harvey Fierstein recreating his Broadway role as Edna. Jennifer Hudson, Kristin Chenoweth and Martin Short also star.
Of course, many shows do have gay supporting characters that sometimes get storylines such as Clark from ABC’s “Dr. Ken,” airing Fridays at 8:30 p.m., beginning Sept. 23; or “Younger’s” Maggie (played by the brilliant Debbi Mazar, and airing on TV Land at 10 p.m., Wednesdays, beginning Sept. 28).
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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