Arts & Entertainment
Best of Gay D.C. 2016: NIGHTLIFE
Blade readers voted for their nightlife favorites
Best Dance Party
Mixtape
Runner-up: BARE by LURe
DJs Shea Van Horn and Matt Bailer host Mixtape, an alternative dance party, on the second Saturday of each month. Locations vary. The fifth annual Mixtape Halloween party is on Monday, Oct. 31 at the Howard Theatre. It’s at the 9:30 Club on Saturday, Nov. 12.
Mixtape (Photo by Dave Claypool)
Best Bartender
Dito Sevilla, Dito’s Bar at Floriana
1602 17th St., N.W.
Runner-up: Dusty Martinez, Trade
Dito Sevilla (Washington Blade photo by Michael Key)
Best Burlesque Dancer
Bella La Blanc
Runner-up: GiGi Holliday
Bella La Blanc is a housewife and mother of three, but unlike most wives and mothers, she’s a showgirl who has found a way to play multiple roles in her life and not just on stage.
La Blanc, originally from Miami, says she was a theater kid who first fell in love with burlesque after watching “Gypsy.” She then watched “Funny Girl” and once she came of legal age decided she wanted to emulate Barbra Streisand’s Fanny Brice. Her journey led her to frequent fetish clubs, at the time the only place to find burlesque shows.
Now La Blanc regularly performs at the Bier Baron Tavern and has her own burlesque production company Glit-O-Rama Productions. She’s also become known for her cos-play of Regina Mills from “Once Upon a Time.”
La Blanc says her showgirl life is an open book for her kids who often see an evening gown and a vat of crystals strung out on the dining room table after dinner in her Northern Virginia home. Events like this make it all the more fitting that her tagline is “The Stepford Wife gone wild!”
For La Blanc, burlesque is all about pride in being who you are.
“As an exhibitionist I love being on stage and I love sparkly things,” La Blanc says. “But I find that self-empowerment, self-confidence is what burlesque is all about. I go on stage and I’m like, ‘Yeah, I’m a 30-something-year old woman. This body has popped out babies and I’m still going to wear next to nothing and shake my bacon.” (Mariah Cooper)
Bella La Blanc (Photo courtesy of La Blanc)
Best Cocktail
Lemon Squeeze
Duplex Diner
2004 18th St., N.W.
202-265-7828
(Second consecutive win in this category)
Runner-up: Watermelon Basil Slush, Logan Tavern
A bartender makes a Lemon Squeeze at Duplex Diner. (Washington Blade photo by Michael Key)
Best DJ
Matt Bailer
Peach Pit, Mixtape
(Second consecutive win in this category)
Runner-up: DJ Tezrah
DJ Matt Bailer (Washington Blade photo by Michael Key)
Best Drag King
Chris Jay
Runner-up: Sebastian Katz
Chris Jay — who identifies as gender non-conforming and goes by Chris Jennings in non-drag endeavors — started drag three-and-a-half years ago, led to the craft by photography.
Interested in finding some different subjects, he happened upon the D.C. Kings four years ago and started shooting as many of their performances as he could. About six months later, he started with the Kings and continues to this day.
“I’m a lover of R&B, so you’ll find me performing that mostly,” Jay says. “My drag persona is me at a thousand, so I’m kind of full of myself and way more outgoing.”
Now with Pretty Boi Drag (the Kings folded two years ago), Jay performs twice a month — the first Sunday of each at Acre 121 and the third Sunday of each month at the Bier Baron. Jay is 36, happily partnered and lives in Baltimore. (Joey DiGuglielmo)
Chris Jay (Photo courtesy of Chris Jay)
Best Drag Queen
Tatianna
Runner-up: Ba’Naka
While Tatianna has been a drag nightlife staple in D.C., for the rest of the nation she had dropped off the radar in between her appearance on the second season of “RuPaul’s Drag Race” and her reemergence in “RuPaul’s Drag Race All Stars 2.”
In her original season, Tatianna, who hails from Falls Church, Va., became a stand-out competitor when she won Snatch Game with her eerily on point imitation of Britney Spears circa 2005. Her taglines, “Thank you” and “Choices” also made her a fan favorite.
In “All Stars 2” Tatianna was booted from the show by fellow queen Alaska not once, but twice. However before leaving she yet again left an impression on the judges with her spoken word performance of “Same Parts,” an ode to men at parties who hit on her and don’t realize she also has the “same parts.”
The local queen also dressed up as T-Boz for her last runway challenge impressing both the judges and fans.
Tatianna can frequently be found performing at Town and has said her favorite celebrities to impersonate are Britney Spears, Ariana Grande and Miley Cyrus. Tatianna has mentioned on “RuPaul’s Drag Race” that she first began doing drag in middle school at age 14.
Since leaving the show, Tatianna is ready to continue working hard on her career.
“You can expect to see me everywhere because I’m traveling the world, dropping new music and saying ‘Yes!’ to any and all projects,” Tatianna told the Huffington Post following her exit from the show. (Mariah Cooper)
Tatianna (Washington Blade photo by Hugh Clarke)
Best Drag Show
Ladies of Town
Fridays and Saturdays at 10:30 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Pretty Boi Drag
Ladies of Town (Washington Blade photo by Michael Key)
Best Gay-Friendly Straight Bar
Dacha Beer Garden
1600 7th St., N.W.
202-524-8790
(Second consecutive win in this category)
Runner-up: Black Cat
Dacha Beer Garden (Washington Blade photo by Michael Key)
Best Go-Go Dancer/Stripper
Dylan Knight
Runner-up: Christian Lezzil
Dylan Knight (Photo by David Claypool; courtesy Knight)
Tatianna isn’t the only star to launch from Town Danceboutique. Dylan Knight started gyrating lasciviously about 2010 after seeing other go-go dancers there.
He’s a weekly regular at Town and performs there and elsewhere, never taking himself too seriously.
“I just try to be entertaining and cute,” the 25-year-old D.C. resident says.
He’s also honored to win — “It feels good, I didn’t think I would.”
Knight dances nude sometimes and has shot more than 100 gay porn scenes since 2012 (favorite co-star? Colby Jansen).
He got his famous shamrock tattoo at Ocean City at age 18 when he was there for his senior trip. “My boyfriend and I got matching tattoos,” he says. “I’m Irish and pretty lucky, so it fits.” (Joey DiGuglielmo)
Best Happy Hour
D.C. Bear Crüe Bear Happy Hour
Every Friday at 6 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Number Nine
D.C. Bear Crüe Bear Happy Hour (Washington Blade photo by Hugh Clarke)
Hottest Bar Staff
Nellie’s
900 U St., N.W.
Runner-up: Town Patio
Nellie’s Sports Bar (Washington Blade photo by Hugh Clarke)
Best Live Music
9:30 Club
815 V St., N.W.
(A perennial favorite in this category)
Runner-up: Black Cat
Troye Sivan performs at the 9:30 Club (Photo by Katherine Gaines)
Best Neighborhood Bar
JR.’s Bar & Grill
1519 17th St., N.W.
(A perennial favorite in this category)
Runner-up: Uproar
JR.’s (Washington Blade photo by Pete Exis)
Best Outside-the-District Bar
Freddie’s Beach Bar
555 S. 23rd St.
Arlington, Va.
(A winner of this award many times previously)
Runner-up: Grand Central (Baltimore)
Freddie’s Beach Bar and Grill (Washington Blade photo by Hugh Clarke)
Best Outdoor Drinking
Town Patio
Town Danceboutique
2009 8th St., N.W.
(Second consecutive win in this category)
Runner-up: Dacha Beer Garden
Town Patio (Washington Blade photo by Michael Key)
Best Place for Guys Night Out
Ziegfeld’s/Secrets
1824 Half St., S.W.
(Second consecutive win in this category)
Runner-up: D.C. Bear Crüe Bear Happy Hour
Ziegfeld’s-Secrets (Washington Blade file photo by Michael Key)
Best Place for Girls Night Out
BARE by LURe
Every third Saturday of the month at Cobalt
1639 R St., N.W.
(Second consecutive win in this category)
Runner-up: WhiskHER
BARE by LURe (Washington Blade photo by Damien Salas)
Best Rehoboth Bar
Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
(Second consecutive win in this category)
Runner-up: Aqua
Blue Moon (Washington Blade photo by Michael Key)
Best Rehoboth Bartender
Matt Urban, Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
Runner-up: Jamie Romano, Purple Parrot
Matt Urban has been behind the bar at the venerable Blue Moon for 14 years. His friendly, reserved demeanor keeps the customers coming back year after year. He says the best part of the job is “meeting so many different people and catching up with friends.” Originally from Wilmington, he lives in Rehoboth with his wife.
Matt Urban (Photo courtesy Urban)
Best Rooftop
Uproar Lounge & Restaurant
639 Florida Ave., N.W.
Runner-up: Nellie’s
UpRoar rooftop (Washington Blade photo by Hugh Clarke)
Best Singer or Band
Frankie & Betty
(Second consecutive win in this category)
Runner-up: Wicked Jezabel
Frankie & Betty (Washington Blade photo by Michael Key)
Best Transgender Performer
Gigi Paris Couture
Runner-up: Lady Dane
Gigi Paris Couture started performing 20 years ago. She was just hanging out in drag one night at a bar and one of the performers was a no-show.
“They asked me to perform and I liked it,” Couture, a veteran of Ziegfeld’s, Town, Freddie’s, Cobalt, Perry’s and many others, says.
She performs weekly and works by day as a stylist at the Cosset Aveda in Crystal City, Va., near where she resides in Alexandria.
Couture, who’s single, says many trans performers work right alongside drag queens. She acknowledges there is “occasional tension, but nothing major.”
“There’s always something funny at every show,” Couture says. “That’s the nature of the business. A pastie can come off, duct tape might fall off or a piece of jewelry might fall on someone’s eggs during brunch. Little funny things that make people laugh.”
She’s happy to win this new category, a Washington Blade Best of Gay D.C. first.
“It’s an honor to be acknowledged for something I have enjoyed doing for so long.” (Joey DiGuglielmo)
Gigi Paris Couture (Photo courtesy of Couture)
To see winners in other categories in the Washington Blade’s Best of Gay D.C. 2016 Awards, click here.
The Bonnet Ball was held at JR.’s Bar (1519 17th St., N.W.) on Sunday.
(Washington Blade photos and video by Michael Key)
Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.
On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
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Theater
Iconic Eddie Izzard takes on 23 characters in ‘Hamlet’
Energized take on role offers accessible way to enjoy Shakespeare
‘The Tragedy of Hamlet’
Through April 11
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Tickets start at $90
Shakespearetheatre.org
Eddie Izzard is an icon.
Best known for her innovative standup and film roles, the famed British performer is also a queer activist who over the years has good-naturedly shared details from her decades long trans journey. What’s more, Izzard has remarkably run 43 marathons in 51 days for charity.
And now, Izzard finds a towering new challenge with the worldwide tour of “The Tragedy of Hamlet” (at Shakespeare Theatre Company’s Klein Theatre through April 11), in which she plays 23 characters (Hamlet, King Claudius, Queen Gertrude, the ghost, etc.) in a solo performance running just over two hours.
At a recent performance, Izzard, before slipping into character, appeared on the unadorned stage to say that though infused with comedy, “Hamlet” is definitely a tragedy, a story of a family and country both tearing themselves apart. She also warns that there’ll be a lot of breaking the fourth wall. After all, it didn’t exist in 1600 around the time when “Hamlet” was written.
The play unfolds in flurry of movement and scandal as the Danish prince begins to plot revenge after learning that his father, the old king was conspired against and murdered.
While some of Izzard’s character shifts are shown only by a subtle change in stance or modulation of voice, others are more obviously displayed like court sycophant Polonius walking with a stiff leg and mimed cane, or his ill-fated daughter Ophelia trotting girlishly across the upstage platform.
Delivered downstage at the intimate Klein venue, Izzard’s Hamlet soliloquies are performed with striking clarity. The one actor play is adapted and edited by Mark Izzard (the star’s older brother) and directed by Selina Cadell who successfully fosters the visceral connection between the actor and the house. Directly addressing an audience is something Izzard does exceedingly well. You feel as if she’s looking at/speaking to only you.
Cuts and choices are made that might not please traditionalists. The stabbing of eavesdropping Polonius might prove disappointingly underplayed to some. Whereas, the subsequent satisfying dual/death scene is long and precisely choreographed. Fear not, Izzard doesn’t flag a bit, not even when battling a cough (as was the case on the night of No Kings Day).
Not surprisingly, Izzard leans into the comedy. Her deliciously placed pauses, lines read ironically, and double takes, all gifts of comedy sharpened to perfection over a long career that kicked off as a street performer in the early eighties in London’s Covent Garden.
The play within a play scene finds Hamlet slyly rattling the conscience of King Claudius. As played by Izzard, it’s wickedly delightful and especially good. And the back and forth between the grave diggers done as a clever Cockney and his green assistant is a master class in how to play a Shakespearean clown.
Kitted out in a black peplum jacket over leather leggings and boots, Izzard gives gender fluid shades of contemporary diehard scenester and a Renaissance courtier. (Design and styling by Tom Piper and Libby DaCosta)
Attention has been paid to the blonde high ponytail, crimson lips and matching lacquered nails. The hands are important. Whether balled into fists or fingers fluttering, they’re in use, especially when playing Hamlet’s ex-friends Rosencrantz and Guildenstern (a clever surprise that can’t be spoiled).
Tom Piper’s set is wonderfully minimal. It’s an empty white walled space with three narrow windows that appear cut deeply into stone like those of a castle. These white flats serve as the ideal canvas for lighting designer Tyler Elich’s looming shadows, ghostly green light, and other unexpected flourishes of drama.
Izzard fills the stage. Her presence is huge, and her acting first-rate. At times, you forget it’s a one-person show.
I’d like to say, prior knowledge of the Bard’s best tragedy isn’t necessary to enjoy this fast-paced production. Despite a halved runtime and obscure words replaced with modern equivalents (“tedious old git” Hamlet says of Polonius), familiarity with the play is helpful.
With “The Tragedy of Hamlet,” Izzard secures a place among fellow queer Brits like Miriam Margolyes (“Dickens’ Women”), Sir Ian Mckellan (“Ian McKellen on Stage”), and more recently Andrew Scott (“Vanya”) in the solo players’ pantheon.
Izzard’s energized take on Hamlet is terrific. The way her powerful public persona bleeds into the work without taking over is exciting, and a uniquely accessible way to enjoy Shakespeare.
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