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The arts in peril?

Slashing NEA funding could leave LGBT artists scrambling



National Endowment, gay news, Washington Blade

A scene from Cincinnati Opera’s world premiere production of ‘Fellow Travelers’ by Gregory Spears and Greg Pierce. From left are Devon Guthrie, Christian Pursell, Joseph Lattanzi, Aaron Blake, Talya Lieberman, Paul Scholten, Alexandra Schoeny and Vernon Hartman. (Photo by Philip Groshong; courtesy Cincinnati Opera)

Artists and art advocates are on pins and needles since the Hill newspaper reported Jan. 19 that President Donald Trump is considering privatizing the Corporation for Public Broadcasting and eliminating the National Endowment for the Arts (NEA) and National Endowment for the Humanities as part of a wider program of federal budget cuts.

While things are status quo for now — like most federal agencies, the NEA is operating under a continuing resolution for fiscal year 2017 that goes through April — many in the arts world are concerned.

“The grants and programs that the NEA administers are powerful examples of how the arts are a vital and valuable part of our everyday lives,” Victoria Hutter, assistant director for press/public affairs for the NEA, wrote in an e-mail to the Blade. “In communities across the nation, NEA-supported projects ensure that the arts are accessible to all Americans through arts education, healing arts and arts-based community development, as well as through projects that feature dance, music, visual arts, literature, folk and traditional arts and more.”

Established by Congress in 1965, the NEA is the independent federal agency that works to give Americans the opportunity to participate in and experience the arts. Its funding is project-based and goes to thousands of nonprofits each year, along with partnerships and special arts initiatives, research and other support that contribute to the “vitality of our neighborhoods, students and schools, workplace and culture.” The NEA is the only funder, public or private, that provides equal access to the arts in all 50 states, the District of Columbia and U.S. territories, supporting artistic endeavors of all kinds.

For fiscal year 2016, the NEA’s $147.9 million budget was about .004 percent of the federal budget. About 80 percent of that appropriation is distributed as grants and awards to organizations and individuals across the country. About 40 percent is awarded directly to states while about 60 percent goes to organizations and individuals directly. About 40 percent of NEA-supported activities occurred in high-poverty neighborhoods and 33 percent went to serve low-income audiences, the NEA says.

Republican administrations have previously been suspicious of the NEA. According to the New York Times, Ronald Regan planned to eliminate the NEA when he came into office in 1981 but changed his mind. Controversies such as “Immersion (Piss Christ),” a photo by Andres Serrano that shows a crucifix photographed in a cup of urine (it was a winner in an NEA-funded art competition) have resulted in NEA funding being down from where it was in the 1990s, the New York Times reports and today’s funding for the NEA and NEH combined are less than one-tenth of 1 percent of the annual federal budget.

But to some arts organizations, NEA money can be a huge boost. There’s no gay- or LGBT-specific category of NEA grant, but LGBT artists and artists who make art with LGBT themes have long benefited from the funding.

Last year, Cincinnati Opera received a $35,000 NEA grant to support the world premiere of “Fellow Travelers,” an opera by composer Gregory Spears and librettist Greg Pierce, adapted from the novel by Thomas Mallon, that depicts 1950s life for gays in the federal government who were forced to stay in the closet or lose their jobs. It enjoyed 10 nearly sold-out performances last June and garnered strong critical reviews.

“We were planning to do this whether or not we had the NEA grant, but it definitely helped,” says Ashley Tongret, director of public relations for Cincinnati Opera. “It wasn’t the largest source of funding or even the tipping point, but it was a wonderful piece of the elaborate puzzle of fundraising that we did.”

She says the work wasn’t chosen because of its gay theme, nor does the company have any initiative dedicated to LGBT themes.

“It was the art that called to us,” Tongret says. “Greg’s music is just beautiful and touching and Greg Pierce did a wonderful job at distilling a huge novel and telling the story in a really concise way. It really was the work itself. The subject matter was not the main reason, but it was part of the tapestry.”

She says the entire production cost in the neighborhood of about $430,000. Cincinnati Opera also benefits from sustainability funding channeled through the state of Ohio, which for the last five years has come out close to the top in terms of NEA grants among state arts agencies. NEA money makes up less than half of one present of Cincinnati Operas production and artistic budget.

Other recent NEA grants that have gone to LGBT-themed work include:

• $60,000 in 2017 to Washington National Opera, part of which will be used to support performances of “Champion” by Terence Blanchard and Michael Cristofer, a two-act, jazz opera about welterweight boxer Emile Griffith, who was bisexual.

• $10,000 in 2017 to the Chicago Sinfonietta to support a concert program featuring works that explore issues of gender, sexuality and identity. Under the direction of Michael Morgan, David Conte’s work “Elegy for Matthew,” written in memory of hate crime victim Matthew Shepard, will be performed.

• $15,000 in 2016-2017 to Fresh Meat Productions, a San Francisco-based outfit, that plans a national tour of “The Missing Generation,” a dance work by choreographer Sean Dorsey that will “give voice to the early survivors of the AIDS epidemic.”

John Moletress, a multi-disciplinary D.C.-based gay actor/artist and founder of force/collision, has benefited from NEA grants indirectly. Organizations such as the D.C. Commission on the Arts and Humanities fund local artists with help from the NEA in a “trickle-down” way. He says even if Trump closes the NEA spigot, queer artists will always continue.

“Queer art making has a history of marginalization which in turn has sparked a revolution of do-it-yourself rigor,” he says. “Ignite us, piss us off, turn us away and we only become individually and communally stronger.”

National Endowment of the Arts, gay news, Washington Blade

A scene from ‘Fellow Travelers.’ (Photo by Philip Groshong; courtesy Cincinnati Opera)

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1 Comment

1 Comment

  1. Frank Ch. Eigler

    February 5, 2017 at 1:59 pm

    “NEA is the independent federal agency that works to give Americans the opportunity to participate in and experience the arts”

    Everyone already has the opportunity to participate in and experience the arts. They can do so on their own budgets instead of on those of all their neighbours.

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a&e features

Rodriquez scores historic win at otherwise irrelevant Golden Globes

Award represents a major milestone for trans visibility



Michaela Jaé Rodriguez, on right, and Billy Porter in 'Pose.' (Photo courtesy of FX)

HOLLYWOOD – Despite its continuing status as something of a pariah organization in Hollywood, the Hollywood Foreign Press Association has managed to cling to relevance in the wake of last night’s behind-closed-doors presentation of its 79th Annual Golden Globe Awards by sole virtue of having bestowed the prize for “Best Leading Actress in a Television Series – Drama” on Michaela Jaé Rodriguez for her work in the final season of “Pose” – making her the first transgender performer to win a Golden Globe.

The ceremony took place as a private, no-press-or-audience event in which winners were revealed via a series of tweets from the Golden Globes Twitter account. No celebrities were present (not even the nominees or winners), although actress Jamie Lee Curtis participated by appearing in a video in which she pronounced her continuing loyalty to the HFPA – without mention of the  longstanding issues around diversity and ethical practices, revealed early in 2021 by a bombshell Los Angeles Times report, that have led to an nearly industry-wide boycott of the organization and its awards as well as the cancellation of the annual Golden Globes broadcast by NBC for the foreseeable future.

While the Golden Globes may have lost their luster for the time being, the award for Rodriquez represents a major milestone for trans visibility and inclusion in the traditionally transphobic entertainment industry, and for her part, the actress responded to news of her win with characteristic grace and good will.

Posting on her Instagram account, the 31-year old actress said: 

“OMG OMGGG!!!! @goldenglobes Wow! You talking about sickening birthday present! Thank you!

“This is the door that is going to Open the door for many more young talented individuals. They will see that it is more than possible. They will see that a young Black Latina girl from Newark New Jersey who had a dream, to change the minds others would WITH LOVE. LOVE WINS.

“To my young LGBTQAI babies WE ARE HERE the door is now open now reach the stars!!!!!”

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a&e features

As You Are Bar and the importance of queer gathering spaces

New bar/restaurant poised to open in 2022



As You Are Bar had a pop-up venue at Capital Pride's "Colorful Fest" block party in October. (Washington Blade photo by Michael Key)

More than just a watering hole: As You Are Bar is set to be the city’s newest queer gathering place where patrons can spill tea over late-morning cappuccinos as easily as they can over late-night vodka-sodas.

Co-owners and founders Jo McDaniel and Rachel Pike built on their extensive experience in the hospitality industry – including stints at several gay bars – to sign a lease for their new concept in Barracks Row, replacing what was previously District Soul Food and Banana Café. In a prime corner spot, they are seeking to bring together the disparate colors of the LGBTQ rainbow – but first must navigate the approval process (more on that later).

The duo decided on this Southeast neighborhood locale to increase accessibility for “the marginalized parts of our community,” they say, “bringing out the intersectionality inherent in the queer space.”

Northwest D.C., they explain, not only already has many gay bar options, but is also more difficult to get to for those who don’t live within walking distance. The Barracks Row location is right by a Metro stop, “reducing pay walls.” Plus, there, “we are able to find a neighborhood to bring in a queer presence that doesn’t exist today.”

McDaniel points out that the area has a deep queer bar history. Western bar Remington’s was once located in the area, and it’s a mere block from the former Phase 1, the longest-running lesbian bar, which was open from 1971-2015.

McDaniel and Pike hope that As You Are Bar will be an inclusive space that “welcomes anyone of any walk of life that will support, love, and celebrate the mission of queer culture. We want people of all ages, gender, sexual identity, as well as drinkers and non-drinkers, to have space.”

McDaniel (she/her) began her career at Apex in 2005 and was most recently the opening manager of ALOHO. Pike (she/they) was behind the bar and worked as security at ALOHO, where the two met.

Since leaving ALOHO earlier this year, they have pursued the As You Are Bar project, first by hosting virtual events during the pandemic, and now in this brick-and-mortar space. They expressed concern that receiving the Alcoholic Beverage Regulation Administration (ABRA) liquor license approval and the local Advisory Neighborhood Commission, or ANC, approval will be a long and expensive process.

They have already received notice that some neighbors intend to protest As You Are Bar’s application for the “tavern” liquor license that ABRA grants to serve alcohol and allow for live entertainment (e.g. drag shows). They applied for the license on Nov. 12, and have no anticipated opening date, estimating at least six months. If ABRA and the city’s Alcoholic Beverage Control Board give final approval, the local ANC 6B and nearby residents can no longer protest the license until the license comes up for renewal.

Until approval is given, they continue physical buildout (including soundproofing) and planning their offerings. If the license is approved, ABRA and the ABC Board can take action against As You Are Bar, like any bar, at any time if they violate the terms of the license or create a neighborhood disturbance that violates city laws such as the local noise ordinance.  In the kitchen, the duo snagged Chef Nina Love to develop the menu. Love will oversee café-style fare; look out for breakfast sandwiches making an appearance all the way until close. They will also have baked goods during the day.

McDaniel and Pike themselves will craft the bar menu. Importantly, they note, the coffee bar will also serve until close. There will be a full bar as well as a list of zero-proof cocktails. As with their sourcing, they hope to work with queer-, minority-, and women-owned businesses for everything not made in-house.

Flexible conceptually, they seek to grow with their customer base, allowing patrons to create the culture that they seek.

Their goal is to move the queer space away from a focus on alcohol consumption. From book clubs, to letter-writing, to shared workspaces, to dance parties, they seek an all-day, morning-to-night rhythm of youth, families, and adults to find a niche. “We want to shift the narrative of a furtive, secretive, dark gay space and hold it up to the light,” they say. “It’s a little like The Planet from the original L Word show,” they joke.

Pike notes that they plan on working closely with SMYAL, for example, to promote programming for youth. Weekend potential activities include lunch-and-learn sessions on Saturdays and festive Sunday brunches.

The café space, to be located on the first floor, will have coffeehouse-style sofas as well as workstations. A slim patio on 8th Street will hold about six tables.

Even as other queer bars have closed, they reinforce that the need is still present. “Yes, we can visit a café or bar, but we always need to have a place where we are 100 percent certain that we are safe, and that our security is paramount. Even as queer acceptance continues to grow, a dedicated queer space will always be necessary,” they say.

To get there, they continue to rally support of friends, neighbors, and leaders in ANC6B district; the ANC6B officials butted heads with District Soul Food, the previous restaurant in the space, over late-night noise and other complaints. McDaniel and Pike hope that once nearby residents and businesses understand the important contribution that As You Are Bar can make to the neighborhood, they will extend their support and allow the bar to open.

AYA, gay news, Washington Blade
Rachel Pike and Jo McDaniel signed a lease for their new concept in Barracks Row. (Photo courtesy Pike and McDaniel)
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a&e features

Need a list-minute gift idea?

Books, non-profit donations make thoughtful choices



‘Yes, Daddy’ by Jonathan Parks-Ramage is the story of a young man with dying dreams of fame and fortune, who schemes to meet an older man.

You knew this was coming.

You knew that you were going to have to finish your holiday shopping soon but it snuck up on you, didn’t it? And even if you’re close to being done, there are always those three or five people who are impossible to buy for, right? Remember this, though: books are easy to wrap and easy to give, and they last a while, too. So why not head to the bookstore with your Christmas List and look for these gifts.

And if you still have people to shop for, why not make a donation to a local non-profit in their name? A list of D.C.-area suggestions follows.


If there’s about to be a new addition to your family, wrapping up “Queer Stepfamilies: The path to Social and Legal Recognition” by Katie L. Acosta would be a good thing. In this book, the author followed forty LGBTQ families to understand the joys, pitfalls, and legalities of forming a new union together. It can’t replace a lawyer, but it’s a good overview.

For the parent who wants to ensure that their child grows up with a lack of bias, “Raising LGBTQ Allies” by Chris Tompkins is a great book to give. It’s filled with methods to stop bullying in its tracks, to be proactive in having That Conversation, and how to be sure that the next generation you’re responsible for becomes responsible in turn. Wrap it up with “The Healing Otherness Handbook” by Stacee L. Reicherzer, Ph.D., a book that helps readers to deal with bullying by finding confidence and empowerment.

If there’s someone on your gift list who’s determined to get “fit” in the coming year, then give “The Secret to Superhuman Strength” by Alison Bechdel this holiday. Told in graphic-novel format (comics, basically), it’s the story of searching for self-improvement and finding it in a surprising place.

So why not give a little nostalgia this year by wrapping up “A Night at the Sweet Gum Head” by Martin Padgett? It’s the tale of disco, drag, and drugs in the 1970s (of course!) in Atlanta, with appearances by activists, politics, and people who were there at that fabulous time. Wrap it up with “After Francesco” by Brian Malloy, a novel set a little later – in the mid-1980s in New York City and Minneapolis at the beginning of the AIDS crisis.

The LGBTQ activist on your gift list will want to read “The Case for Gay Reparations” by Omar G. Encarnacion. It’s a book about acknowledgment, obligation on the part of cis citizens, and fixing the pain that homophobia and violence has caused. Wrap it up with “Trans Medicine: The Emergence and Practice of Treating Gender” by Stef M. Shuster, a look at trans history that may also make your giftee growl.


Young readers who have recently transitioned will enjoy reading “Both Sides Now” by Peyton Thomas. It’s a novel about a high school boy with gigantic dreams and the means to accomplish them all. Can he overcome the barriers that life gives him? It’s debatable… Pair it with “Can’t Take That Away” by Steven Salvatore, a book about two nonbinary students and the troubles they face as they fall in love.

The thriller fan on your list will be overjoyed to unwrap “Yes, Daddy” by Jonathan Parks-Ramage. It’s the story of a young man with dying dreams of fame and fortune, who schemes to meet an older, more accomplished man with the hopes of sparking his failing career. But the older man isn’t who the younger thinks he is, and that’s not good. Wrap it up with “Lies with Man” by Michael Nava, a book about a lawyer who agrees to be counsel for a group of activists. Good so far, right? Until one of them is accused of being involved in a deadly bombing.

For the fan of Southern fiction, you can’t go wrong when you wrap up “The Tender Grave” by Sheri Reynolds. It’s the tale of two sisters, one homophobic, the other lesbian, and how they learn to forgive and re-connect.


Like nonprofit organizations throughout the country, D.C.-area LGBTQ supportive nonprofit groups have told the Blade they continue to rebuild amid the coronavirus pandemic, which disrupted their fundraising efforts while increasing expenses, at least in part by prompting more people to come to them for help.

This holiday season, if you’re looking for a thoughtful gift, consider making a donation to one of our local LGBTQ non-profit organizations in someone else’s name. This list is by no means exhaustive, but a good place to start your research.

Contributions to the LGBTQ supportive nonprofit organizations can be made via the websites of these local organizations:

• Blade Foundation, which funds local scholarships and fellowships for queer student journalists,

• DC Center, our local community center that operates a wide range of programming,

Food & Friends, which delivers meals to homebound patients,

HIPS, which advances the health rights and dignity of those impacted by sex work and drugs,

• SMYAL, which advocates for queer youth,

Wanda Alston Foundation, which offers shelter and support for LGBTQ youth,

• Whitman-Walker Health, the city’s longtime LGBTQ-inclusive health care provider,

Casa Ruby, which provides shelter and services to youth in need,

• Us Helping Us, which helps improve the health of communities of color and works to reduce the impact of HIV/AIDS on the Black community,

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