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Grammys 2017: Adele sweeps awards; David Bowie posthumously wins big

George Michael, Prince given tributes

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(Screenshot via Twitter.)

(Screenshot via Twitter.)

Adele collected all five of her nominated categories at the 59th annual Grammy Awards on Sunday but when she won Album of the Year, for “25,” she was more disappointed because her big win meant something else.

Beyoncé hadn’t won for her visual album “Lemonade.”

Adele used her time on stage to explain just how important Beyoncé’s “Lemonade” was to her.

“I can’t possibly accept this award, and I’m very humble and very grateful and gracious, but my artist of my life is Beyoncé,” Adele says. “And this album for me, the ‘Lemonade’ album, was just so monumental and so well-thought-out and so beautiful and soul-baring.”

Beyoncé looked on tearfully from the audience mouthing “Thank you” to Adele’s praise.

“The way you make me and my friends feel, the way you make my black friends feel is empowering,” Adele continued. “And they stand up for themselves. And I love you and I always have and I always will.”

Adele also won Record of the Year, Song of the Year, Best Pop Solo Performance and Best Pop Vocal Album. She opened the show with a performance of her hit song “Hello.” She later gave a tribute to the late George Michael, which she requested to restart on stage, after beginning the performance on a flat note.

Beyoncé took home awards for Best Urban Contemporary Album and Best Music Video for “Formation.” She gave her first post-pregnancy performance with artistic renditions of “Love Drought” and “Sandcastles.”

Chance the Rapper, whose brother Taylor Bennett came out as bisexual last month, won Best New Artist and Best Rap Album for “Coloring Book.”

David Bowie posthumously won five awards, tying Adele for the most wins of the night, for his last project “Blackstar,” including Best Alternative Music Album.

Laverne Cox introduced a Lady Gaga and Metalica rock duet but before the performance began she drew attention to transgender high school student Gavin Grimm’s legal battle to use the boys’ restroom.

“Everyone, please Google ‘Gavin Grimm,'” Cox told the crowd. “He’s going to the Supreme Court in March. #StandWithGavin.”

Lady Gaga, who gave a tribute to Bowie at last year’s Grammys ceremony, rocked out with Metallica in a performance that had some technical difficulties when frontman James Hetfeld’s microphone went out.

The ceremony also included another tribute, this time in honor of Prince. Morris Day and the Time performed “Jungle Love” and “The Bird” before Bruno Mars came out to sing “Let’s Go Crazy” donning Prince’s trademark white ruffle shirt and sparkly purple suit.

For a complete list of winners, visit here. 

 

 

 

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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Books

New book explores homosexuality in ancient cultures

‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome

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(Book cover image courtesy of Bloomsbury)

‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages

Nobody likes you very much.

That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.

When he was a teenager, Harry Tanner says that he thought he “was going to hell.”

For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”

Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”

Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.

In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”

Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”

Says Tanner, “all is not what it seems.”

So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.

Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.

While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.

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