Connect with us

Books

SPRING ARTS 2017: Books — Gays at home

New Atwood photography book one of many LGBT-themed spring tomes

Published

on

new books spring 2017, gay news, Washington Blade

Doug Spearman, left, and Marc Samuel at their home. The photo is from ‘Tom Atwood: Kings & Queens in Their Castles,’ a new coffeetable book that shows LGBT people in their homes. (Photo used with permission from Atwood)

Does a 15-year project of photographing 350 LGBT subjects sound overly ambitious? Not for Tom Atwood, who has done just that with his breathtaking photo series, “Tom Atwood: Kings & Queens In Their Castles” (Damiani, March 28). Atwood’s monumental project, which has been named the most comprehensive LGBT photo series ever conducted in the U.S., portrays the intimate moments of prominent figures ranging from Don Lemon to Alison Bechdel.

If you’re a poetry fan, “New American Best Friend” by Olivia Gatwood (Button Poetry, March 28), is a stunning celebration of contemporary womanhood, gender and sexuality by one of the most venerated young poets and queer writers in America. Gatwood effortlessly segues between themes of pleasure, violence, youth and adulthood, and ultimately transitions into a fearless ode to women and the messy journey faced in finding oneself.

If you’re crafty and creative, “Queer Threads: Crafting Identity and Community” by John Chaich and Todd Oldham (AMMO Books, April 1), is a delightful compilation of crochet, embroidery, quilting and sewing masterpieces by an international mix of 30 LGBT artists. To elaborate on how queerness has influenced their fiber and textile work, the artists are interviewed by renowned leaders in creative fields — many gay themselves.

As we still grieve his sudden passing, “George Michael: the Life: 1963-2016” by Emily Herbert  (Lesser Gods, April 4), will provide closure on the life and legacy of one of Pop’s most beloved and unapologetically gay icons. Herbert thoughtfully touches on George Michael’s early life, rise to fame, sex scandals, struggle with depression and addiction, and mysterious death, ultimately revealing that his legacy is as rooted in (often anonymous) charity as it is in music.

In “The Secrets of My Life” by Caitlyn Jenner (Grand Central Publishing, April 25), readers can dive much deeper into the remarkable story of the most famous transgender woman in the world, told in her own words. Jenner recounts intensely personal stories of her struggle to find self-acceptance in the  context of being an Olympic legend and global symbol of masculinity, as well as the patriarch of the ubiquitous Kardashian family.

In “No One Can Pronounce My Name: A Novel” (Picador, May 2), Lambda Literary Award-winning author Rakesh Satyal tells the multigenerational story of a community of Indian Americans living in a Cleveland suburb.  Harit, a lonely Indian immigrant in his 40s, finds himself dressing in a sari every night to pass off as his deceased sister for his grieving mother. He later befriends Ranjana, who writes paranormal stories to find escape during her husband’s suspected infidelity. Their unlikely friendship is a hilarious and touching account of navigating American society and the divide between Eastern and Western cultures.

After a generous profile in the New Yorker last year, “Nature Poem” by Tommy Pico (Tin House Books, May 9), is definitely one of this year’s most anticipated LGBT releases. In a book-length poem, Pico tells the story of Teebs, a young, queer, American-Indian poet who prefers city life and struggles to write about nature, the subject white people and wider American culture equate him with. Pico himself identifies as queer and grew up on the Viejas Reservation near San Diego, so “Nature Poem” is very much a meditation on his own life in Brooklyn and his American-Indian identity.

No matter your age, “It’s Not Like It’s A Secret” by Misa Sugiura (HarperTeen, May 9), is a young adult fiction novel about two girls of color falling in love that will touch even the least-high school nostalgic of readers. In this poignant coming-of-age story, 16-year old Sana moves to California, where she meets the beautiful and intelligent Jamie Ramirez. Jamie spurs Sana to finally spill some of her many secrets, the hardest to admit being that she wants to be more than friends with Jamie.

For more poetry, “How To Get Over” by T’ai Freedom Ford (Red Hen Press, May 9), is a spellbinding debut that fearlessly confronts the author’s past hardships, including those related to sexual identity, sexual assault and substance abuse. Ford grapples with themes of homophobia, bullying, anti-black racism and gentrification, incorporating important reminders of slavery’s legacy as well as directly addressing modern-day pop culture icons like Kanye West and Nicki Minaj.

“The Voice Book for Trans and Non-Binary People: A Practical Guide to Creating and Sustaining Authentic Voice and Communication” by Matthew Mills and Gillie Stoneham (Jessica Kingsley Publishers, May 18) is a comprehensive guide for trans and non-binary individuals interested in achieving a different voice that feels more authentic to their identities. Written by two language and specialist speech therapists, this book provides a thorough overview of the process to develop new vocal skills, and includes exercises on resonance, intonation and pitch.

In her much-anticipated second memoir, “Surpassing Certainty: What My Twenties Taught Me” (Atria Books, June 13), Janet Mock details the existential growing pains she faced during her early 20s, many of which will feel relatable to readers despite her status as one of the most revered transgender rights and racial justice activists of her generation. “Surpassing Uncertainty” candidly unfolds with Mock’s uncomfortable failures and incremental successes in love and intimacy, career development and learning to advocate for herself as a transgender woman of color before advocating for her wider community.

This year, we’re blessed with not one but two memoirs written by bisexual writer Roxane Gay. In “Hunger: A Memoir of (My) Body” (Harper, June 13), the much-buzzed-about author explores her struggles with food, weight and body image with restorative vulnerability and honesty. Through her own journey, Gay provides invaluable lessons on self-care and self-love.

Other releases of note include:

• “Marilyn in Manhattan: Her Year of Joy” by Elizabeth Winder (Flatiron Books) is a beautiful love letter to one of the most celebrated icons of all time, specifically profiling her time in the Big Apple from 1954-1955: a year of independence, success and relief for Monroe. The book is $27.99 and releases March 14. The author will present the book at East City Bookshop (645 Pennsylvania Ave., SE) on Wednesday, March 15 at 7:30 p.m.

• “The Rules Do Not Apply: A Memoir” by Ariel Levy (Random House) is a sardonic reflection on the famed New Yorker writer’s life, telling the story of her traumatic loss of her unborn child in Mongolia through her signature queer feminist lens. The memoir is $16 and releases March 14.

• “The Tree of Healing of Love Love & Missed Opportunity” by Rev. Steven R. Fleming is an allegorical and evocative journey through seven symbolic gates that takes readers from pain and anger to acceptance and new possibilities via colorful, lyrical prose. It’s out now. Details at healingtreeoflostlove.com.

• “The War on Sex” (March, Duke University Press) explores the history of sex offender registries, criminalization of HIV and laws against sex work in a series of essays edited by David M. Halperin and Trevor Hoppe.

• “The Lotterys Plus One” (March 28, Levine) is the latest from lesbian bestselling author Emma Donoghue, her “middle-grade debut” (i.e. for grade school readers), which tells of family life when a grandfather with dementia comes to live with a family with young children.

• “The Spartacus International Gay Guide 2017” (Bruno Gmuender) is a must-have for gay and bisexual men who love to travel abroad. This year’s edition ($24.99) is out April 1, just in time for summer travel planning.

• “Making My Pitch: A Woman’s Baseball Odyssey,” by Ila Jane Borders and Jean Hastings Ardell (University of Nebraska Press), is the autobiography of Ila Jane Borders, the first woman to play men’s professional baseball in the modern era and, at the time, was a closeted gay athlete. It is $26.95 and is out April 1.

• “When I Grow Up I Want to Be a List of Further Possibilities,” by Chen Chen (BOA Editions Ltd.), is the author’s debut collection of poems that investigate love, family and identity from queer, Asian-American and immigrant perspectives. It’s $16 ($9.99 e-book) and releases April 11.

• “LGBT: San Francisco: the Daniel Nicoletta Photographs” (Reel Art Press) is an arresting compilation of the legendary photographer’s images of gay 1970s San Francisco, which include iconic photographs of Harvey Milk. The book is $60 and releases May 23.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Books

New book examines Trump cuts to LGBTQ healthcare

‘Aftershocks’ details impact of policy shifts on HIV response, broader public health

Published

on

(Book cover via Amazon)

As LGBTQ and HIV advocates continue to grapple with the Trump administration’s attacks on healthcare, a new book offers a timely look at what happens when public health systems — and the democratic institutions that sustain them — are pushed to their limits.

The book, “Aftershocks: Trump 2.0, Public Health, and Our Better Angels,” was written by Dr. José M. Zuniga, president/CEO of Fast-Track Health. Zuniga is a globally recognized public health leader with more than three decades of experience advancing responses to HIV, communicable and non-communicable diseases, and the health impacts of climate change. He is also editor-in-chief of the Journal of Fast-Track Health.

The book covers the first year of the second Trump administration. It chronicles the impact of federal policy shifts and budget cuts on the HIV response and public health more broadly, including for LGBTQ communities. Drawing from policy analysis, frontline insight, and lived experience, the author reveal how decades of hard-won progress became vulnerable through Project 2025 and DOGE, but also a paralysis in the HIV and public health communities following the outcome of the 2024 elections. 

“In other words, we were caught flat-footed when our opposition had a detailed plan to create chaos and disruption,” Zuniga says. “Thus, the book also offers Horizons 2028 as an antidote to Project 2025 as a starting point for a wide-ranging conversation about how we will build back better given the baseline pre-Trump 2.0 was already imperfect.”

Below is an excerpt from the book.

What Could Not Be Left Unsaid

Let me begin with a simple truth: I did not set out to write this book. Like many in the public health community, I set out daily to do the work of scaling prevention, expanding access to care, strengthening health systems, and ensuring that dignity, equity, and justice are operational realities. Writing, for me, has always been in service of action: policy briefs to shape decisions, editorials to provoke accountability, reports to document progress or failure, and books to synthesize experience into insight that can guide public health action. But Aftershocks is something different; it is not merely an analysis. Instead, it is a record of rupture, of response, and of what it means to continue when the ground beneath your work begins to shift.

This book was written because something changed, and that change came into sharp relief during the beginning days of the second Trump administration, including the erosion of norms, the weaponization of rhetoric, and the recalibration of governance itself. The change was not limited to policy reversals or budget cuts, though there were many. Moreover, it was not confined to rhetoric, though language played a central role. The change was structural and moral: a redefinition of how power understood its obligations to people, to evidence, and to truth itself. And for those of us working in public health, the effects were immediate and personal. We experienced a purposeful disruption of the public health ecosystem and a direct repudiation of the “health for all” principle that guides our work….

Writing this book was, unexpectedly, an act of catharsis. Not because it resolved anything, but because it created space to process what would otherwise have been overwhelming… Amid what many in the public health community experienced as both individual and collective trauma, documenting itself was stabilizing, allowing reflection without detachment and critique without disengagement. But catharsis alone is insufficient. This book is not an exercise in lament; it is also a response. If the period it chronicles is defined by disruption, then its purpose is to offer direction. Where Project 2025 represented a blueprint for ideological capture of institutions, language, and governance, this book offers a counterpoint: Horizons 2028… 

Horizons 2028 is grounded in a simple premise: that the future of public health – and of democratic governance more broadly – depends on rebuilding systems that are resilient to political volatility. That means strengthening not only federal capacity, but subnational leadership. It means embedding community-led accountability into data systems. It means aligning health outcomes with social determinants and recognizing that equity is not an endpoint but a continuous process of adjustment and correction. It means treating global engagement not as optional, but as essential to national well-being. In other words, it is a roadmap not for returning to what was, but for building what is required…

I write as an Independent. Not in the sense of detachment, but in the sense of accountability to evidence, to outcomes, and to the people whose lives depend on both… Independence does not mean neutrality in the face of harm; it means refusing to filter reality through partisan allegiance. Importantly, it also means being guided by a consistent commitment to equity, dignity, and justice. These are not abstract values… They are tested in moments of crisis, when the gap between principle and practice becomes most apparent. They demand accountability not only for what is said, but for what is done – and for what is allowed to persist unchallenged. And they require the courage to name harm clearly, even when doing so is inconvenient or politically unwelcome.

That commitment shapes the analysis that follows, but it is also what makes the writing difficult. Because to document harm is to confront it. To trace its origins is to name decisions and their consequences. And to do so honestly is to risk being read as partisan in a landscape where truth itself has become politicized. But the alternative – silence, or false equivalence – is not acceptable. Not when the stakes are as high as they are. There is, however, a thread that runs through this book that resists cynicism, is not optimism, at least not in the conventional sense, but is something quieter and more durable: a belief that even in moments of rupture, there remains a capacity – within institutions, within communities, within individuals – to reorient toward something better. 

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Books

Exploring Renée Richards’s life through lens of a trans author

Surprises await in new book about pioneering tennis star

Published

on

(Book cover image courtesy of HarperOne)

‘Finding Renée Richards’
By Julie Kliegman
c.2026, HarperOne
$28.99/272 pages

Come on in, the water’s fine.

Wade into it up to your ankles, your calves, your waist, you’ll be OK. You’ll adjust to the waves that swirl around you so come on, dive in, it’s all good. As in the new book “Finding Renée Richards” by Julie Kliegman, that goes for swimming, and for controversy.

Assigned to do a story on books written by trans tennis great Renée Richards, Julie Kleigman read the books and became “transfixed by a woman who had fought so hard to simply live as who she had long known she was….”. Their editor had figured that, as a nonbinary and trans individual, Kleigman would have “something incisive to say…” in an article. Instead, once they met and began interviewing Richards, Kliegman was left frustrated.

Born in the late summer of 1934, Richard Henry Raskind seemed to have arrived with a tennis racket in his hand. His mother was a psychiatrist; his father was an orthopedic surgeon who hoped “Dick” would follow his footsteps but Raskind was drawn instead to ophthalmology and tennis. He was also irresistibly drawn to wearing women’s clothing.

His sister knew of this pull and Raskind eventually came out to both parents, but few others on the tennis circuit were aware. When Raskind visited his hometown of New York City, however, he enjoyed furtively going out in women’s clothing but he also tried to squash the desire; in the meantime, he fell in love, married, fathered a son, and eventually learned that it was possible to become the woman he knew he really was.

To continue playing tennis professionally was a bonus.

And right there were the disagreements Kleigman had with Richards.

Richards, “To this day… [makes] a point of describing herself as a woman, period,” says Kleigman, but she firmly acknowledged Richard, almost as a separate individual, insisting that Kleigman use “him/his” pronouns when describing her earlier life.

And as for tennis and trans women’s participation in the sport, Richards had something even more frustrating to say.

Take that as a fair warning: you might be equally surprised at what author Julie Kliegman uncovered in “Finding Renée Richards,” and you may be truly gobsmacked by reading opinions from other women about the topic of trans women in sports.

That’s the main, huge point of interest in this fascinating book; the other is Richards’s life as seen through the lens of a trans individual. Kleigman’s wrestling with the 90-year-old Richards’ firmly dug-in heels is, in itself, worth your time as a study of highly varying viewpoints. That Kleigman and Richards have both lived at least a part of trans history is somewhat of a key to understanding how this book unfolds, as Kleigman offers up Richards’s tale. Readers who are able to read between the lines will be riveted.

If you’re a sports fan and you have opinions, you must read this book – and that goes double if it’s tennis you love. Also check out “Finding Renée Richards” if you just want a raucously good and very fine read.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Books

Bros + romance + fantasy = ‘Bromantasy.’

New book a romp full of humor, dragons, kings, and adventure

Published

on

(Book cover image courtesy of G.P. Putnam's Sons)

‘Bromantasy’
By Maire Roche
c.2026, G.P. Putnam’s Sons
$20/339 pages

“Danger” just happens to be your middle name.

Any fray, any tussle, anytime anybody needs help, they count on you to step in and save the day. You’re brave, smart and strategic, kind to old people, children, and small animals and, as in the new book “Bromantasy” by Maire Roche, dragons.

Of all the things there were to do – preserving food, keeping house for himself and his best friend Morningthall “Mo” Elmthorn, advanced skincare, and drinking at the local tavern down the road – the one thing Juniper O’Reilly couldn’t resist was a good brawl. It happened so often that Juniper honestly looked forward to it, though Mo wasn’t a fan.

Mo was more grown-up, calm, thoughtful, able, and Juniper loved him for it. He loved Mo, in fact, since they were little boys. He loved Mo in ways that they didn’t talk about, so they kept a wall between their bedrooms in their cottage.

Except for that one time.

They didn’t talk about that, either.

Instead, as they did often, on a warm fall night, Juniper and Mo went to the tavern, where mead was served and they could learn about the king’s weekly quests. There, Juniper could also find a good brawl, which is how he and Mo accidentally got into trouble: Juniper trounced one of the king’s men and was forced into a quest.

He didn’t want to fight dragons and he felt bad that Mo had been dragged along. He felt even worse leaving their farm, sleeping on the ground, wearing the same clothes every day, and not having enough skincare product along. A campfire added to the problem. A roving, lying prince, also in search of dragons, didn’t help. And though a quest was no place for a child, Juniper and Mo found a frightened little girl they had no choice but to protect.

A child with strange eyes, sharp teeth, and fire on her breath.

“And just like that, Juniper and Mo had a dragon.”

Bros + romance + fantasy = “Bromantasy.” It also could equal one of two other things: a romp full of humor, dragons, kings, princes, and adventure.

Or it could equal a whole lot of eye-rolling.

It’s a fact that this book is funny, in the way that a 1980s high school comedy movie is funny – meaning that it’s dippy, giddy, and very caricaturish but you’ll laugh quite often. The story contains everything you want in a fantasy romance (a “romantasy”), including human-like alternate species, a life-changing journey, and plenty of nudge-nudge-wink skirting around the attraction the two main characters have for one another. It’s a decent story, convoluted in just the right way. Purely, it’s an escape.

So why wouldn’t you want to read it? See above, and depending on your favorite reading genre. High-brow literature, this ain’t.

For the right reader, “Bromantasy” is a decent-enough vacation read, something not too taxing or hard on the brain. It’s for novel lovers, dragon hunters, king’s questers, princes, and romantics. For everyone else, this tale is just middling.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Popular