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David Archuleta celebrates his ‘Freedom’
‘American Idol’ alum channeling George Michael with latest single
Even the rain couldn’t keep the crowds away as “American Idol” alum David Archuleta took the stage at The Abbey in West Hollywood, celebrating the release of his latest single “Freedom” — an homage to George Michael’s iconic anthem. “Freedom” comes on the heels of the 35th anniversary of the original song and it couldn’t be more timely as the LGBTQ community continues to face political persecution. The song celebrates Archuleta’s newfound freedom after coming out and dealing with a complicated relationship with his Mormon upbringing, while exploring his sexuality.
Archuleta happens to have been born the year Michael released “Freedom.” His music served as an inspiration in Archuleta’s coming out. Michael’s music took on new meaning for Archuleta, celebrating a freedom that he craved for himself growing up. Being able to pay homage to Michael is a testament to the personal growth Archuleta experienced since coming out in an Instagram post in 2021.
“I’m finally free from worrying about what is right. Does that look okay? Am I within the lines I’m supposed to? None of that really matters. Of course, we want to still be good, but the things I thought I needed to do, or the way I had to behave or act or say or think to be good, I now realize was a construct that someone else had. They were very black and white and the community that I was in created this safe little space that worked to an extent for certain people,” said Archuleta in an interview with the Los Angeles Blade.
“Now I realize that they didn’t have all the answers that they told me and convinced me that they had. Sexuality, especially when it comes to queerness, is not what they thought it was. I can go ahead and live my own life now and it’s okay to explore that sexuality and sensuality. I’m an adult. It’s the freedom to explore yourself and also create a new identity in yourself after trying to live someone else’s idea of what you’re supposed to be your whole life up until your 30s.”
Archuleta’s vocals are soulful and mature here. He pays homage to the original, but also makes it his own.
“I thought it was a great message to tap into. It is an iconic song with an iconic video and quite the story that he had. He was a pop star, a heartthrob, and didn’t choose to come out. He got outed and he just owned it. There could have been a lot of other ways to go about that and I feel like the way he did it was so powerful and made him even more legendary because he really tapped into his sensuality and continued to consistently be one of the greatest pop stars in the world,” said Archuleta.
“I tried to stay pretty true to his version. At first, we actually made a dance version of it but decided to backtrack from it and say, you know what? This is George’s legacy and it’d probably just be better to just stay true to his energy that he put into it. And also stay more true to my energy. I decided to stay true to an MTV unplugged version that he did with a choir. I have gospel roots. I still love gospel music even though I don’t believe in it and what it’s saying and the messaging like I did before,” he reflected.
“It used to be everything for me, the performance in the emotion and the way you connect in your core to singing. I thought it was a beautiful way to combine my two passions of moving forward and being free, but also loving the soul in music. I felt like there was some great soul energy in there. I was able to get really gritty, even get a lot of growling, something I haven’t done for quite a while, I feel like in my music,” he said.
“Freedom” comes at a time when everyday LGBTQ rights are being called into question. The timing is not lost on Archuleta.
“I think it’s unfortunate that the LGBTQ+ community always has to be targeted because of being a smaller group. Living our lives does not really enter fear with anyone else. But because fear-mongering works in the news, it works in politics, it works in rallying people behind someone to feel like they have to fight this cause. They are blaming the community for issues and fear-mongering and feeling like the queer community’s a threat to families and to religion. When a lot in the queer community are religious. They are actively participating and fully believing and are a part of families. They have children of their own. It’s just strange that politics click baits and instills fear to not take responsibility for the real issues that are actually impacting people. We were making great progress. It was so much easier for me to come out when I did versus when George Michael came out and now it’s back to a place where the fearmongering is getting people, especially the trans community.”
Archuleta’s personal journey continues to evolve. He has certainly thrown off the shackles of being branded as the innocent Mormon kind on American Idol.
“I don’t really know what my brand is anymore. I think as I release “Freedom,” it’s kind of like a rebranding. I’m still me, but I’m still also evolving. I feel like I’ve changed so much in the last two years. I’m having a fun time. I keep trying to push my boundaries and say yes to things that I wouldn’t have before. Even to the point where I’m writing songs and writers will be like, “David Archuleta can’t say that!” I’m like, well, I just did and I’m David Archuleta. But people sometimes feel weird and I guess it’s because I’ve always been squeaky clean. I’m not a Mormon anymore. I’m out and I don’t really have this religious ideology that I have to abide by. I am David, but I don’t have the same limits on me that I had before.”
Archuleta has more new music on the way and this summer, he will release his memoir. Writing his book was bittersweet, revisiting his past came with a few bumps along the way.
“I feel like it was traumatic. I had to take breaks. It’s like opening Pandora’s box going into your childhood because I feel like sometimes I’m too honest. You see some of the faulty programming that you still have wired in you and you kind of question like, why am I still abiding by that? If it happened so long ago, why am I still letting it affect me? Why is it still part of my belief? I’ve had to work through a lot and it’s been a more difficult process than I thought it would,” he said.
“I thought it’d be hard to write because I didn’t know what I was going to talk about. But that wasn’t the hard part. What’s hard is processing the emotions, the anger, the grief, the anxiety, the traumatic responses you have. But it’s been good. I’ve definitely processed a lot of my religious things. I’ve processed a lot of my internalized homophobia and just sexuality in general. It’s been interesting to reflect on the root of all of those things. And not just ideologies, but just realizing it’s not just a belief, it’s sometimes your genetics that make you the person you are. A lot of good self-reflection for sure,” he continued.
Archuleta’s fanbase continues to thrive along with each evolution the singer has gone through. He is grateful for his fans and his mission to remain true to himself is also for his fans. There is sincerity and truth at the heart of his music.
“To my fans, thank you for being here still and for enjoying what I’m doing, for cheering me on as I grow, as I fumble. I didn’t think fumbling and making mistakes was okay to do. I thought that for some reason if you make mistakes, you’re supposed to be unforgivable. And to see how forgiving of a following I have to let me learn and to experiment and to explore. That’s why I relate to George Michael’s “Freedom” because he had to explore in front of people. And of course, you want to keep parts of your life private, that’s what I prefer. But sometimes things just end up being people’s knowledge that you don’t even know, like processing religion and coming out, sexuality and dating and getting to know people and even learning how to be physical with someone,” he said.
“I’m going to continue trying to figure myself out. But for people to be excited and for me to finally have this part of time of my life is great. I just hope we continue having fun, unleashing more, and freely being ourselves and giving us the grace to figure that out even if it takes some time,” he concluded.
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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