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Queer pop culture fans find solidarity, passion at ClexaCon
Conference unites fans to discuss troubling queer representation in film, TV
LAS VEGAS — In-depth fan discussions about pop culture often happen online but last weekend in Las Vegas, the discussions were held face to face.
ClexaCon, modeled after Comic Con, Dragon Con, etc., was held March 3-5 at Bally’s and was billed as the first entertainment and media convention organized for queer women by queer women. The convention’s name comes from the popular lesbian couple Clexa, comprised of Clarke and Lexa, from the CW show “The 100.” Show runners killed off Lexa, in an episode fans only refer to ominously as “307” because it’s the exact episode number when Lexa’s death occurs, that initiated a movement from enraged fans.
More than 2,000 attendees came for the weekend including “Grey’s Anatomy” star Sara Ramirez who made a low-key appearance and quietly sat in on panels.
On day one of the convention, the line wrapped around the hallway with people itching to get inside to kickstart their weekend of panels, workshops and a film festival screening lesbian-centric films.
“Lexa’s Legacy,” one of the first panels of the weekend, filled up quickly. Lexa was just one of the more recent casualties of the “Bury Your Gays” trope, the entertainment industry’s pattern of killing off gay characters in TV and film. While her story is a common one for gay characters, the panel’s popularity proved her death affected many.
Another panel, Transgender Representation in the Media, included three panelists, all transgender women. The panelists discussed how “Transparent” both failed the transgender community and, in their opinion, got it right, too. Later, they discussed their desire for stories about transgender individuals that weren’t just about their trans identities but explored them joining a basketball team or wanting to start a family.
These conversations are likely rare outside a transgender forum online.
Jamie Broadnax, founder and managing editor of blackgirlsnerds.com, says she applauds ClexaCon for its diversity.
But that doesn’t mean ClexaCon isn’t problematic.
“This con is called ClexaCon and focuses on the death of a white, queer character,” Broadnax told the Washington Blade. “Meanwhile Poussey from ‘Orange is the New Black’ was the queer death of a black character that didn’t get as much of a response. So there still needs to be that intersectionality within marginalized communities.”
Broadnax says she and the Black Geeks, a community for African Americans to discuss nerdy pop culture, are planning their own fan convention for women, people of color and the LGBT community. The convention will take place in Baltimore April 26-29, 2018.
ClexaCon did make an effort to be inclusive of diverse voices by including a panel called Queer Women of Color: Media Representation, which had a packed audience. The panel went past its allotted 50 minutes.
The most popular events at ClexaCon were the reunion of popular onscreen lesbian couples from various shows. D.C. native Gabrielle Christian and Mandy Musgrave, known for playing Spencer and Ashley on the teen drama “South of Nowhere,” appeared together to chat about their time on the show. Known by fans as “Spashley,” the young lesbian couple made a huge impact in the lives of many queer women viewers.
Many fans took the mic to tell Christian and Musgrave how the show was the first time they saw themselves represented on screen. They also shared how the show helped them come to terms with their own sexual orientation.
Christian and Musgrave also appeared on the lesbian web series “Girltrash!” and its prequel film “Girltrash: All Night Long.” Musgrave told the crowd that while playing queer roles had caused her to sometimes be typecast as bisexual, it had given her the best fanbase of lesbian supporters.
Other reunions included “WayHaught” from “Wynonna Earp,” “Shoot” from “Person of Interest,” “BAM” from “All My Children” and “Hollstein” from “Carmilla.”
The lines for the reunion panels were long and excited cheers could be heard exploding from the rooms during each one.
The convention wouldn’t have been a true fan gathering without cos-play (i.e. dressing up). A competition was held to showcase the best cos-players at the end of day two. The top three included Holtz from “Ghostbusters” and a couple dressed as Clexa.
However, the first place winner went to a little girl dressed as Lexa. Affectionally called “Little Lexa” throughout the convention, the crowd screamed and cheered uplifting the youngest attendee.
A recurring theme was that change is needed regarding lesbian representation in the media. Attorney Mindy Gulati hosted her panel “How Implicit Bias Affects the LGBTG community in the Media,” and spotlighted one of the major issues with queer representation.
“Whether for good, bad or reasons we don’t understand, people do have a lot of unconscious biases toward the gay community,” Gulati says. “Even those who work in film and TV and feel like they’re a step ahead of people and progressive, a lot of the time they don’t understand how deep-seated these biases can be.”
One way to eliminate these biases is to have queer women creating their own content. Several speakers encouraged, and often pleaded, for attendees to get creative and tell their own stories.
During a panel celebrating LGBT actresses in film and television, which included Sarah Paulson’s younger sister Rachel Paulson, actress Jasika Nicole (“Fringe”) discussed her new dark comedy film “Suicide Kale.”
Nicole explained how she and her queer friends simply decided to get together and make a movie one day. Panel moderator Dana Piccoli knowingly eyed the audience and said the people in attendance should get together to make their own film that could possibly premiere at ClexaCon next year.
The urge to be creative and tell stories that represent marginalized groups was rampant. Actress and producer Elizabeth Keener (“The L Word,” “Skirtchasers”) spoke with the Washington Blade and said she was blown away to see women getting together to learn and grow.
“Women have a yearning first to learn from other women, but also to find a place where they can have the freedom to talk about sexual orientation or even make things or create things that have to do with that but don’t even put that in the forefront. It just is,” Keener says.
She hopes ClexaCon could one day be on the same playing field as Comic Con and happen more than once a year in different cities.
As ClexaCon wound down, exclamations of, “I’m so glad I came” and “Why haven’t I been to things like this more often?” could be heard in the hall.
Lexa’s death may have been hurtful for many, but the character’s untimely “bury-your-gays” end lit a spark in queer fans.

From left are Jasika Nicole, Ali Liebert, Elizabeth Kenner and Rachel Paulson at a ClexaCon panel called LGBTQ Actresses in Film and Television. (Washington Blade photo by Mariah Cooper)
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

