Arts & Entertainment
Gay Teen Vogue editor defends mag’s anal sex guide
the controversial article has angered conservative parents

(Photo via Teen Vogue.)
Teen Vogue’s “Anal Sex: What You Need to Know” guide is facing plenty of backlash but one editor is standing up for the magazine’s decision to include the informative piece.
The guide, written by sex expert Gigi Engel, covers all the bases of anal sex for those with prostates and without. The overall goal is for everyone to be educated on their sexual health.
“When it comes to your body, it’s important that you have the facts. Being in the dark is not doing your sexual health or self-understanding any favors,” Engel writes.
“It’s important that we talk about all kinds of sex because not everyone is having, or wants to have, ‘penis in the vagina’ sex. If you do have ‘penis in the vagina’ sex and are curious about something else, or are finding that that type of sex is not for you and you’d just like to explore other options, it’s helpful to know the facts,” Engel continues.
The article also acknowledges that anal sex may not be for everyone.
“If you’re not comfortable reading about anal sex, that’s perfectly OK, too. We have plenty of other articles around a variety of issues and wellness,” the article reads.
The guide has angered some who feel it is encouraging anal sex. One mother, known as The Activist Mommy, even posted a video on Facebook of herself burning the magazine. She condemns the magazine for including articles on how to masturbate, gender fluidity and anal sex for its target 11-17 year old audience.
Teen Vogue Digital Editorial Director Phillip Picardi took to Twitter to blast those criticizing the magazine’s sexual health article and to explain from a personal view why articles like this are important for teens to read.
If it’s ok with you guys, I’m gonna TALK ABOUT ANAL SEX FOR A WEE LIL THREAD.
— Phillip Picardi (@pfpicardi) July 14, 2017
We published a 411 on Anal Sex story on @TeenVogue as a continued part of our sex education coverage.
— Phillip Picardi (@pfpicardi) July 14, 2017
I monitor the webmaster email and have been inundated with hate mail saying we promote sodomy and want teens to get AIDS.
— Phillip Picardi (@pfpicardi) July 14, 2017
It’s funny, because I went to Catholic high school and had 0 sex education. I also had a teacher tell me gay sex was a sin in God’s eyes.
— Phillip Picardi (@pfpicardi) July 14, 2017
Fast forward to frosh year of NYU, me crying at Callen-Lorde Community Health Center, bc I’d just slept w someone who I found out was HIV+.
— Phillip Picardi (@pfpicardi) July 14, 2017
The kind folks at Callen-Lorde taught me about HIV/AIDS, what it is, and how it’s contracted. They also told me to get tested regularly.
— Phillip Picardi (@pfpicardi) July 14, 2017
They also explained the concept of HIV stigma, and that HIV and AIDS are two different things. And that HIV is not a death sentence.
— Phillip Picardi (@pfpicardi) July 14, 2017
Then they taught me the importance of safer sex, and what I needed to know in particular as a gay man.
— Phillip Picardi (@pfpicardi) July 14, 2017
I left a 40-minute doctor’s appointment with more life-saving information than I ever received in all my years of private school education.
— Phillip Picardi (@pfpicardi) July 14, 2017
You see, my Catholic school was guilty of endangering all of us by sheer omission of FACTS. EDUCATION doesn’t equal ENCOURAGEMENT.
— Phillip Picardi (@pfpicardi) July 14, 2017
Multiple studies have shown abstinence-only sex-ed is linked to higher rates of STIs and teen pregnancies.
— Phillip Picardi (@pfpicardi) July 14, 2017
TBH, it is IRRESPONSIBLE. How can you possibly expect teenagers to practice safe sex if they don’t know what’s at risk?
— Phillip Picardi (@pfpicardi) July 14, 2017
How can you expect young women to not get pregnant without access to reproductive health care?
— Phillip Picardi (@pfpicardi) July 14, 2017
The backlash to this article is rooted in homophobia. It’s also laced in arcane delusion about what it means to be a young person today.
— Phillip Picardi (@pfpicardi) July 14, 2017
If I had today’s @TeenVogue and @VeraPapisova when I was a teen, I would have been so much safer and better off.
— Phillip Picardi (@pfpicardi) July 14, 2017
Instead, I made mistakes that consisted of quite a few doctor’s appointments! But I’m ok!!
— Phillip Picardi (@pfpicardi) July 14, 2017
But until queer sex, love, and families are included in education, we’re doing a dangerous and potentially lethal disservice…
— Phillip Picardi (@pfpicardi) July 14, 2017
to a growing population. Gen Z will be our queerest and most fearless generation yet.
— Phillip Picardi (@pfpicardi) July 14, 2017
In conclusion, here’s my only reply I’ll be giving to any of the messages. ? pic.twitter.com/KiFjVqLlH3
— Phillip Picardi (@pfpicardi) July 14, 2017
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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