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No LGBTQ role or film winners at 75th Golden Globes, despite multiple nominations

But thanks to Oprah, #metoo movement soars

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Start of the 75th Golden Globes live from the Beverly Hilton Jan. 7, 2018.

The 75th anniversary Golden Globes featured Hollywood actors donning all-black gowns and suits, and wearing #TimesUp pins in support in of those who have spoken out about sexual harassment and to protest gender inequality. It was a hugely important night celebrating women and women’s stories.

But many in the LGBTQ community were left puzzled by the lack of representation among the acting, directing and screenwriting category nominees and winners, even though #TimesUp resonates against homophobia too.

Gay men Benji Pasek, Justin Paul won for Best Original Song, with “This Is Me” in “The Greatest Showman. (Photo courtesy Golden Globe Winners Stage)

While “Handmaid’s Tale” and “Lady Bird” (both LGBTQ-themed projects) picked up awards, and there was a big win for Benji Pasek for Best Original Song, with “This Is Me” in “The Greatest Showman,” the night was entirely bereft of awards for LGBT roles, themed films or out actors.

D.C.-based film critic and the founder of Cinema Siren, Leslie Combemale says the omission of out lesbian, gay and trans actors among the nominations is not unlike the traditional silencing of women in the industry that led to the current crisis.

“It’s just a group of underrepresented people in the entertainment world that Hollywood doesn’t believe is capable of performing on that level… which is crazy,” Combemale told the Los Angeles Blade.

“Look at the film, ‘Fantastic Woman,’” she says. “Here’s an example of a great transgender actor [Daniela Vega] with an amazing performance who wasn’t even nominated.”

Combemale went on to step to tread delicate waters, pointing out that many in Hollywood have remained closeted and that they are at fault here.

“Until more gay roles become available to openly gay actors, then that’s going to continue to be part of the problem — people not feeling confident about being their true selves in that environment,” she says.

John Paul King, Los Angeles Blade film critic says, “There were a lot of excellent and diverse films nominated this year, and of course all the winners deserved to take home their prizes. And I think the fact that both Best Picture winners were very muchdriven by a female perspective – even though “Three Billboards” was written and directed by a man – was very telling.”

Beyond LGBT issues, it was not an entirely challenged event on the diversity front, however.

In a historic moment, actor Sterling K. Brown, star of the TV series “This is Us,” won for Best Lead Actor in a TV Drama. He was the first Black actor to win in this category. Last year, he won Best Supporting Actor in a TV Drama for his role in “The People v. O. J. Simpson: American Crime Story.”

But it was Oprah Winfrey’s speech that was the highlight of the evening. The media mogul, actress, and producer, was honored with the Cecil B. DeMille award. She is the first black woman to win.

Doing what she does best — inspiring and empowering — Winfrey talked about her own inspiration remembering when Sydney Poitier become the first Black man to win an Oscar in 1964 for “Lilies of the Field.” And what it meant to her as a little girl.

“Up on the stage came the most elegant man I had ever seen,” she recalled. “I had never seen a black man recognized like that before. What a moment like that means to a little girl, a kid watching from the cheap seats, as my mom came through the door, bone-tired from cleaning other people’s houses,” Oprah said in her acceptance speech.

“There are some little girls watching as I become the first black woman to be given this award,” she went on.

Winfrey recalled the story of Recy Taylor, a black woman whose 1944 rape by six white men did not lead to any convictions. Taylor passed away last month at the age of 97.

“She lived — as we all have lived — in a culture broken by brutally powerful men,” Winfrey said. “For too long, women have not been heard or believed if they dared to speak their truth to the power of those men, but their time is up.”

But Oprah brought Hollywood to its feet when she talked about the future of women in a world without discrimination and harassment. She gave a full-throated clarion call for change that could resonate beyond Hollywood.

“I want all of the girls watching here now to know, that a new day is on the horizon. And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say, ‘me too’ again.”

There were several straight actors nominated for playing gay roles, but none took home the gold.

Armie Hammer, Actor in a Supporting Role, for “Call Me by Your Name,” [Sam Rockwell won for “Three Billboards Outside Ebbing, Missouri”] and Timothée Chalamet, Actor in a Motion Picture, Drama, also for “Call Me by Your Name” [Gary Oldman, won for “Darkest Hour”]. Emma Stone, Actress in a Motion Picture, Comedy, for her role as Billie Jean King in “Battle of the Sexes,” [Saoirse Ronan, won for “Lady Bird”]. In television, Eric McCormack nabbed a nomination for his role as Will in NBC’s revived “Will & Grace,” [Aziz Ansari “Master of None”].

“When someone who’s gay comes out as gay, everyone’s like ‘oh my God, I can’t believe it.’ But, when a straight actor plays gay, everyone says, ‘oh, he or she is so brave.’ That’s ridiculous. It does piss me off. Just like when a Jewish character is played by a Greek,” standup comedian, actress, Emmy award winning television writer, and producer Judy Gold told the Los Angeles Blade.

Combemale says the Globes missed the boat on a quiet a few films with LGBTQ actors and creative.

She says “Mudbound,” Dee Reese, the director and half of the screenwriting team, who is Black and a lesbian. “She’s a star. Eventually it will happen. It’s a great movie and that’s a big miss,” Combemale says.

Also, she cites writer-Director Angela Robinson for “Professor Marston and the Wonder Women” who seemed to disappear from the radar.

“And ‘BPM (beats per minute)’ a French film was a huge miss. Internationally, it might be that gay and lesbian actors are playing gay characters and not in the U.S.,” she says.

Combemale says she believes there were several options for lesbian actresses who could have played the Billie Jean Smith role in “Battle of the Sexes,” outside of Emma Smith. “I don’t believe the movie wouldn’t have gotten films without her.”

Although “Call Me by Your Name” was nominated for Best Motion Picture Drama, it has a gay director, Luca Guadagnino, and screenwriter James Ivory, neither of whom were nominated. Many were rooting for the film as it has several queer producers, including Guadagnino and Ivory, who would take home gold if the film won. “Three Billboards Outside Ebbing, Missouri” won the award.

“It’s important for the LGBTQ community to continue to speak up, especially in the current cultural and political climate, about being included. That doesn’t mean we’re less than one-hundred percent supportive of the women’s movement, but we must make sure our voices are heard, too,” says Los Angeles Blade’s King. “Movies are a big part of how people’s attitudes change, and when Hollywood send the message that we matter, too, it’s a huge step forward in our struggle to be recognized as equal’”

We can only hope that the new culture Oprah says has been ushered in will be one in which gay and lesbian actors can be considered for gay or lesbian roles and where there is no penalty for being out.

Times up for all that, too.

For the complete list of winners go here.

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‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

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Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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