Arts & Entertainment

No LGBTQ role or film winners at 75th Golden Globes, despite multiple nominations

But thanks to Oprah, #metoo movement soars

Published

8 years ago

January 8, 2018

Rebekah Sager

Start of the 75th Golden Globes live from the Beverly Hilton Jan. 7, 2018.

The 75th anniversary Golden Globes featured Hollywood actors donning all-black gowns and suits, and wearing #TimesUp pins in support in of those who have spoken out about sexual harassment and to protest gender inequality. It was a hugely important night celebrating women and women’s stories.

But many in the LGBTQ community were left puzzled by the lack of representation among the acting, directing and screenwriting category nominees and winners, even though #TimesUp resonates against homophobia too.

Gay men Benji Pasek, Justin Paul won for Best Original Song, with “This Is Me” in “The Greatest Showman. (Photo courtesy Golden Globe Winners Stage)

While “Handmaid’s Tale” and “Lady Bird” (both LGBTQ-themed projects) picked up awards, and there was a big win for Benji Pasek for Best Original Song, with “This Is Me” in “The Greatest Showman,” the night was entirely bereft of awards for LGBT roles, themed films or out actors.

D.C.-based film critic and the founder of Cinema Siren, Leslie Combemale says the omission of out lesbian, gay and trans actors among the nominations is not unlike the traditional silencing of women in the industry that led to the current crisis.

“It’s just a group of underrepresented people in the entertainment world that Hollywood doesn’t believe is capable of performing on that level… which is crazy,” Combemale told the Los Angeles Blade.

“Look at the film, ‘Fantastic Woman,’” she says. “Here’s an example of a great transgender actor [Daniela Vega] with an amazing performance who wasn’t even nominated.”

Combemale went on to step to tread delicate waters, pointing out that many in Hollywood have remained closeted and that they are at fault here.

“Until more gay roles become available to openly gay actors, then that’s going to continue to be part of the problem — people not feeling confident about being their true selves in that environment,” she says.

John Paul King, Los Angeles Blade film critic says, “There were a lot of excellent and diverse films nominated this year, and of course all the winners deserved to take home their prizes. And I think the fact that both Best Picture winners were very muchdriven by a female perspective – even though “Three Billboards” was written and directed by a man – was very telling.”

Beyond LGBT issues, it was not an entirely challenged event on the diversity front, however.

In a historic moment, actor Sterling K. Brown, star of the TV series “This is Us,” won for Best Lead Actor in a TV Drama. He was the first Black actor to win in this category. Last year, he won Best Supporting Actor in a TV Drama for his role in “The People v. O. J. Simpson: American Crime Story.”

But it was Oprah Winfrey’s speech that was the highlight of the evening. The media mogul, actress, and producer, was honored with the Cecil B. DeMille award. She is the first black woman to win.

Doing what she does best — inspiring and empowering — Winfrey talked about her own inspiration remembering when Sydney Poitier become the first Black man to win an Oscar in 1964 for “Lilies of the Field.” And what it meant to her as a little girl.

“Up on the stage came the most elegant man I had ever seen,” she recalled. “I had never seen a black man recognized like that before. What a moment like that means to a little girl, a kid watching from the cheap seats, as my mom came through the door, bone-tired from cleaning other people’s houses,” Oprah said in her acceptance speech.

“There are some little girls watching as I become the first black woman to be given this award,” she went on.

Winfrey recalled the story of Recy Taylor, a black woman whose 1944 rape by six white men did not lead to any convictions. Taylor passed away last month at the age of 97.

“She lived — as we all have lived — in a culture broken by brutally powerful men,” Winfrey said. “For too long, women have not been heard or believed if they dared to speak their truth to the power of those men, but their time is up.”

But Oprah brought Hollywood to its feet when she talked about the future of women in a world without discrimination and harassment. She gave a full-throated clarion call for change that could resonate beyond Hollywood.

“I want all of the girls watching here now to know, that a new day is on the horizon. And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say, ‘me too’ again.”

There were several straight actors nominated for playing gay roles, but none took home the gold.

Armie Hammer, Actor in a Supporting Role, for “Call Me by Your Name,” [Sam Rockwell won for “Three Billboards Outside Ebbing, Missouri”] and Timothée Chalamet, Actor in a Motion Picture, Drama, also for “Call Me by Your Name” [Gary Oldman, won for “Darkest Hour”]. Emma Stone, Actress in a Motion Picture, Comedy, for her role as Billie Jean King in “Battle of the Sexes,” [Saoirse Ronan, won for “Lady Bird”]. In television, Eric McCormack nabbed a nomination for his role as Will in NBC’s revived “Will & Grace,” [Aziz Ansari “Master of None”].

“When someone who’s gay comes out as gay, everyone’s like ‘oh my God, I can’t believe it.’ But, when a straight actor plays gay, everyone says, ‘oh, he or she is so brave.’ That’s ridiculous. It does piss me off. Just like when a Jewish character is played by a Greek,” standup comedian, actress, Emmy award winning television writer, and producer Judy Gold told the Los Angeles Blade.

Combemale says the Globes missed the boat on a quiet a few films with LGBTQ actors and creative.

She says “Mudbound,” Dee Reese, the director and half of the screenwriting team, who is Black and a lesbian. “She’s a star. Eventually it will happen. It’s a great movie and that’s a big miss,” Combemale says.

Also, she cites writer-Director Angela Robinson for “Professor Marston and the Wonder Women” who seemed to disappear from the radar.

“And ‘BPM (beats per minute)’ a French film was a huge miss. Internationally, it might be that gay and lesbian actors are playing gay characters and not in the U.S.,” she says.

Combemale says she believes there were several options for lesbian actresses who could have played the Billie Jean Smith role in “Battle of the Sexes,” outside of Emma Smith. “I don’t believe the movie wouldn’t have gotten films without her.”

Although “Call Me by Your Name” was nominated for Best Motion Picture Drama, it has a gay director, Luca Guadagnino, and screenwriter James Ivory, neither of whom were nominated. Many were rooting for the film as it has several queer producers, including Guadagnino and Ivory, who would take home gold if the film won. “Three Billboards Outside Ebbing, Missouri” won the award.

“It’s important for the LGBTQ community to continue to speak up, especially in the current cultural and political climate, about being included. That doesn’t mean we’re less than one-hundred percent supportive of the women’s movement, but we must make sure our voices are heard, too,” says Los Angeles Blade’s King. “Movies are a big part of how people’s attitudes change, and when Hollywood send the message that we matter, too, it’s a huge step forward in our struggle to be recognized as equal’”

We can only hope that the new culture Oprah says has been ushered in will be one in which gay and lesbian actors can be considered for gay or lesbian roles and where there is no penalty for being out.

Times up for all that, too.

For the complete list of winners go here.

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FUND LGBTQ JOURNALISM

Nightlife

In D.C. comedy, be sure to shop local

A thriving patchwork of queer-friendly stages in Washington, Baltimore

Published

16 hours ago

March 7, 2026

Jamie Mack

(Photo courtesy of Jamie Mack)

Most people know stand-up comedy from Netflix specials or late-night sets on Comedy Central. The reality is far different for local working comics like me. A few times a month, I might get paid $50 for a 10-minute set and my photo on a bar flyer to show off to the ladies in my scrapbooking club.

Still, it’s a joy sharing laughs about my well-worn Washington career arc — from conservative reporter to openly trans organic grocery store worker and nightclub comedian. Or, as I like to say onstage, from Fox to foxy.

Stand-up is hard. Offstage, it’s even harder. It took more than a year and nearly 80 open mics to land my first paid set. Since then, I’ve performed in coffee shops, bars, restaurants and even on a city sidewalk. I once performed in the Catskills, which felt like a big deal — even if it was a bigger deal in the 1950s.

As an older trans comic in Washington, I’ve found it nearly impossible to get stage time — or even the courtesy of a returned email — at the big, corporate-owned comedy clubs. Fortunately, there’s a thriving patchwork of queer-friendly producers in Washington and Baltimore creating shows that reflect the diversity of our communities, instead of straight male-dominated lineups that look like the cast of “Ice Road Truckers.”

“There are so many kinds of funny people, but a lot of barriers exist for women and queer people because it’s a very masculine culture,” said Dana Fleitman, who runs the Just Kidding Comedy Collective and is helping produce the Woke Mob Comedy Festival in April, featuring many women and queer comics.

Full disclosure: I’m not performing in the festival. But I am proud to be one of more than 50 women and nonbinary comics Fleitman and her colleagues have helped “train up” through an incubator program she first ran through Grassroots Comedy and now through Just Kidding Comedy Collective.

Another trans comic, Charlie Girard, who splits time between New York and Washington, runs an incubator program called Queers Can’t Take a Joke. He has trained more than 100 comics in Washington.

Girard has one rule: no punching down.

“The best comics speak truth to power,” Girard said. “Making fun of marginalized communities is simple lazy writing based on tired, old stereotypes.”

Ultimately, Girard wants to prepare students not just for queer rooms, but to find their voice and expand into all kinds of spaces.

Comics trained by Girard and Fleitman have gone on to produce or help run shows like Clocked Comedy, Backbone Comedy, the Crackin’ Up open mic and Funny Side Up. Several have found a home on Barracks Row at As You Are — one of my favorite places to perform. In Washington, comic Jenny Cavallero’s show Seltzer is a sober comedy night frequently featuring local queer comics.

In Washington, performer and producer Arzoo Malhotra, who runs Zoo Animal Productions, said it’s a critical moment to support community-based comedy producers, often the first hit by worsening economic conditions.

“We’re losing spaces faster than we’re creating them,” Malhotra said. “We are in the use-it-or-lose-it stage. If there’s a restaurant you like or a performer you want to keep seeing, patronize them now — because they’re going away.”

I’m also grateful for producers in Baltimore, which has a thriving queer comedy scene. Comic Hannah Alden Jeffrey’s monthly “The Really Cool Open Mic,” created for women and trans performers but open to all, regularly draws up to 100 people.

Hannah’s mic and Kenny Rooster’s “Dramedy” open stage have provided safety and opportunity when other stages felt out of reach. Comedians Michael Furr and Jake Leizear also produce shows regularly featuring queer comics.

“We started the REALLY COOL Open Mic because every other mic in town catered toward straight dudes that dominated the Baltimore scene,” Alden Jeffrey said. “Contrary to the lineups of many shows today, people don’t want to see a show of eight guys being bigots. Go figure.”

One of the most important moments for me came when I attended a free showcase at a well-known Adams Morgan club. Like other big venues, it hadn’t responded to emails from a new comic looking for a shot. I sat in the back row thinking maybe these comics were just way funnier than I am.

Then a straight male comedian — with hair even more gorgeous than mine — launched into a long joke comparing eating pizza to performing oral sex on a woman.

At that moment, I walked out feeling better about myself. I remember thinking: nope. I absolutely deserve to be on that stage, too.

Lots of us do.

Jamie Mack is a stand up comedian, speaker and writer. Follow them on Instagram at @jamiemack_blt or email [email protected].

Celebrity News

Liza Minnelli makes surprise appearance at GLAAD Media Awards

Laverne Cox’s fiery speech earned standing ovation

Published

1 day ago

March 6, 2026

Matt Minton

Liza Minnelli surprises at the GLAAD Media Awards (Photo courtesy of GLAAD)

Last night’s GLAAD Media Awards had a few pleasant surprises in store.

Throughout the evening, which was hosted by “Mean Girls” star Jonathan Bennett on Thursday at the Beverly Hilton in Los Angeles, the audience was clued into the fact that a mystery guest would make an appearance. By the end of the night, it was revealed to be none other than “Cabaret” star and queer icon Liza Minnelli, who was in attendance to accept the newly-created Liza Minnelli Storyteller Award.

An emotional Minnelli told the crowd of queer attendees and creatives, “You make me so proud because you’re so strong, and you stand up for what you believe in. You really do, and it’s so nice to be here. I feel like a five-year-old!” Everyone then joined in a happy birthday celebration for Minnelli’s upcoming birthday on March 12, and the release of her upcoming memoir, “Kids, Wait Till You Hear This!”

Another moment that got the audience standing and cheering was when “Orange Is the New Black” star Laverne Cox took to the stage to call out how “what is going on right now in the United States of America is not right.”

She said, “Identify, I said this earlier, and I’m going to say it again, what dehumanizing language and images are. Call it out and don’t buy into it! So much of my struggle over the past several years [has been] trying to figure out how to combat this assault on my community, rhetorically. I do not want to have the conversation about my life and my humanity on the oppressor’s terms.”

That message was echoed by Bowen Yang and Matt Rogers when accepting the Stephen F. Kolzak Award for their “Las Culturistas” podcast and pledging to donate $10,000 to Equality Kansas after the state revoked transgender people’s driver’s licenses. “We cannot accept this award without condemning the rampant active transphobia from this administration,” Rogers said. “We are also here to let them know in advance that they are fighting a losing battle. When we gather in rooms like this, we are always going to have each other’s backs.”

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Among the big winners last night were “Heated Rivalry” for outstanding new TV series, “The Traitors” for outstanding reality competition program, “Stranger Things” for outstanding drama series, “Palm Royale” (which was just cancelled after two seasons) for outstanding comedy series, “Come See Me in the Good Light” for outstanding documentary, “Kiss of the Spider Woman” for outstanding wide theatrical release film and a tie between “A Nice Indian Boy” and “Plainclothes” for outstanding limited theatrical release film.

Quinta Brunson received the Vanguard Award for her hit TV series “Abbott Elementary,” which features Jacob, an openly queer character played by Chris Perfetti. Brunson said, “Queer people have been a part of my life since birth. I have to shout out my uncle … who was the first example of representation in my life of queer people, who allowed me to be free. There are so many people in the room who changed my life.”

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On the music side, Young Miko won for outstanding music artist, and KATSEYE won for outstanding breakthrough music artist. Demi Lovato even opened the show with a steamy performance of her single “Kiss.”

The GLAAD Media Awards will officially air Saturday, March 21 on Hulu.