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SPRING ARTS 2018 TV: Small screen delights

‘Rise,’ ‘Roseanne’ reboot, ‘Handmaids’ return pepper TV season

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spring television, gay news, Washington Blade

The cast of the ‘Roseanne’ reboot. (Photo courtesy ABC)

The spring 2018 television season may lack some of the sparkle of last year’s schedule, but there are still some new offerings and returning favorites that LGBT TV fans may want to watch.

On March 27, the outspoken Roseanne Barr returns to network television in a continuation (season 10) of the ground-breaking show that bears her name. Most of the original cast will be back. John Goodman returns as Dan Connor (one of the show’s early promos made fun of his return from the dead). Lecy Goranson, Sara Gilbert and Michael Fishman return as the Conner children. In an interesting twist, Sarah Chalke, who briefly replaced Goranson as Becky, will return to the series as a middle-class woman who hires Becky to be her surrogate.

Many of the guest stars will also return, including Roseanne’s lesbian friend Nancy Bartlett (Sandra Bernhard), Roseanne’s African-American neighbors, Natalie West as Crystal and Johnny Galecki as David Healy. The new cast will also be rounded out by several grandchildren. It is not clear if Martin Mull and Fred Willard, whose characters were married on the show, will return.

Early reports from the set say that the series will address the support of both Roseanne Barr and Roseanne Conner for Donald Trump; the death of Becky’s husband Mark Healy — actor Glenn Quinn died in 2002; and that Roseanne’s youngest son Jerry Garcia Conner will not appear because he is “out on a fishing boat.”

“Rise” on NBC has caused controversy even before its premiere on March 13. The series is loosely based on the nonfiction book “Drama High” by Michael Sokolove which tells the true story of high school drama teacher Lou Volpe, who came as gay later in life. Some media outlets have accused producer Jeff Katims with “straight-washing” Sokolove’s book, but the Writers Guild of America has ruled that Katims should be listed as the creator of the television series, instead of saying he “developed” the show from Sokolove’s book.

The show does focus on the drama teacher, played by Jordan Roth, as a straight family man, but Katims adds several LGBT characters, including Michael (played by trans actor Ellie Desautels), a transgender student at the high school; Simon (Ted Sutherland), who is exploring his own sexuality after being cast as a gay character in the school’s production of “Spring Awakening;” and, Volpe’s married lesbian sister-in-law. The cast also includes Rosie Perez as a fellow teacher Volpe and Auli’I Cravalho (the voice of Moana) as a student.

Meanwhile on Paramount, “Heathers” will premiere on March 7. Based on the iconic 1988 movie starring Wynona Ryder, the “pitch-perfect black comedy anthology series” is set in the present day. The story still focuses on “good girl” Veronica Sawyer, along with her boyfriend JD and “the Heathers,” a vicious clique who ruthlessly control life at Westerburg High. This time, however, one of the Heathers is played by a man. Shannon Doherty, one of the cinematic Heathers, will make a guest appearance.

Veronica Sawyer (Grace Victoria Cox) and Heather Chandler (Melanie Field) in the small-screen version of ‘Heathers.’ (Photo courtesy Paramount)

On April 25, a year after the first episode of season one aired, season two of “The Handmaid’s Tale” will premiere on Hulu. The entire main cast will return, including Elisabeth Moss as June/Offred, Ann Dowd as the terrifying Aunt Lydia, openly lesbian actress Samira Wiley as June’s best friend Moira and Alexis Bledsel as the lesbian Handmaid Ofglen, who was formerly known as Emily. New cast members include Clea DuVall as Emily’s wife, openly lesbian actress Cherry Jones as June’s mother, Bradley Whitford as Commander Joseph Lawrence and Marisa Tomei.

Samira Wiley returns as Moira in season two of ‘The Handmaids Tale.’ (Photo courtesy Hulu)

Working closely with novelist Margaret Atwood, writer Bruce Miller has continued to expand the world of Gilead, a dystopian vision of the United States after a theocratic regime has taken power. Fertile women, known as Handmaidens, are forced to be surrogates for the Commanders and their infertile wives; women who resist are forced to clean up toxic waste dumps known as “the Colonies.” Details about season two are sparse, but it is known that there is a large state funeral and that some scenes are set in the horrific Colonies.

And, on April 13, Netflix will reboot a classic sci-fi series, but without an iconic character generally assumed to be gay. In the original “Lost In Space,” Dr. Zachary Smith was played by Jonathan Harris with a delicious campy flair. In a fascinating gender swap, Parker Posey take over the role of the nefarious stowaway. In another interesting casting move, Ignacio Serricchio will claim the role of Major Don West created by Mark Goddard.

In addition, several returning or continuing shows continue to include LGBT characters, although generally in supporting roles.

Season two of “Jessica Jones” returns to Netflix on March 8 (International Women’s Day). Part of the Marvel Comic Universe, the series is grounded in a feminist sensibility with strong women on both sides of the camera. The series stars Krysten Ritter, who was nominated for a Dorian Award from the LGBT critic’s group GALECA, and Carrie Anne Moss as Jones’ lesbian boss Jeri Hogarth.

‘Jessica Jones’ returns to Netflix. (Photo courtesy Netflix)

“Black Lightning,” which premiered on the CW in January, is based on the DC comic about a family of African-American superheroes. Cress Williams plays the title character and Nafessa Williams plays his daughter Anissa Pierce, a crime-fighter who is developing her superpowers under the name of Thunder.

Fox’s airline comedy “LA to Vegas” debuted in January to weak reviews and strong ratings, but it has made a star of Nathan Lee Graham who plays gay flight attendant Bernard. The openly gay actor played Miss Understanding in the original Broadway cast of “Priscilla, Queen of the Desert” and was recently presented with the Jose Esteban Munoz Award from CLAGS: the Center for LGBTQ Studies at the Graduate Center, CUNY. The award is given to an LGBT activist who promotes queer studies outside of academia.

Some of the other shows that continue to feature members of the LGBT community include “Dynasty” with Nicollette Sheridan joining the cast as Alexis; Tig Nataro on Amazon’s “One Mississippi”; the rebooted “Queer Eye for the Straight Guy”; “The Bold and The Beautiful” where Kayla Mosley heats up the set as transgender woman Maya Avant; “Supergirl”; Lena Waithe’s “Chi”; the popular ABC comedy “Modern Family” which was recently renewed for a 10th and final season (although there are talks of a spinoff); and “Grown-ish,” a spin-off of ABC’s “Black-ish.”

There’s also “Call the Midwife” (PBS), “Valor” (the CW), “Madam Secretary” (CBS), “The Fosters” (Freeform), “Riverdale” (the CW), “Portlandia” (IFC), “Grey’s Anatomy” (ABC), “How To Get Away With Murder” (ABC), “Arrow” (the CW) “One Day At A Time” (Netflix) and “Jane the Virgin” (the CW).

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Books

New book examines Trump cuts to LGBTQ healthcare

‘Aftershocks’ details impact of policy shifts on HIV response, broader public health

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(Book cover via Amazon)

As LGBTQ and HIV advocates continue to grapple with the Trump administration’s attacks on healthcare, a new book offers a timely look at what happens when public health systems — and the democratic institutions that sustain them — are pushed to their limits.

The book, “Aftershocks: Trump 2.0, Public Health, and Our Better Angels,” was written by Dr. José M. Zuniga, president/CEO of Fast-Track Health. Zuniga is a globally recognized public health leader with more than three decades of experience advancing responses to HIV, communicable and non-communicable diseases, and the health impacts of climate change. He is also editor-in-chief of the Journal of Fast-Track Health.

The book covers the first year of the second Trump administration. It chronicles the impact of federal policy shifts and budget cuts on the HIV response and public health more broadly, including for LGBTQ communities. Drawing from policy analysis, frontline insight, and lived experience, the author reveal how decades of hard-won progress became vulnerable through Project 2025 and DOGE, but also a paralysis in the HIV and public health communities following the outcome of the 2024 elections. 

“In other words, we were caught flat-footed when our opposition had a detailed plan to create chaos and disruption,” Zuniga says. “Thus, the book also offers Horizons 2028 as an antidote to Project 2025 as a starting point for a wide-ranging conversation about how we will build back better given the baseline pre-Trump 2.0 was already imperfect.”

Below is an excerpt from the book.

What Could Not Be Left Unsaid

Let me begin with a simple truth: I did not set out to write this book. Like many in the public health community, I set out daily to do the work of scaling prevention, expanding access to care, strengthening health systems, and ensuring that dignity, equity, and justice are operational realities. Writing, for me, has always been in service of action: policy briefs to shape decisions, editorials to provoke accountability, reports to document progress or failure, and books to synthesize experience into insight that can guide public health action. But Aftershocks is something different; it is not merely an analysis. Instead, it is a record of rupture, of response, and of what it means to continue when the ground beneath your work begins to shift.

This book was written because something changed, and that change came into sharp relief during the beginning days of the second Trump administration, including the erosion of norms, the weaponization of rhetoric, and the recalibration of governance itself. The change was not limited to policy reversals or budget cuts, though there were many. Moreover, it was not confined to rhetoric, though language played a central role. The change was structural and moral: a redefinition of how power understood its obligations to people, to evidence, and to truth itself. And for those of us working in public health, the effects were immediate and personal. We experienced a purposeful disruption of the public health ecosystem and a direct repudiation of the “health for all” principle that guides our work….

Writing this book was, unexpectedly, an act of catharsis. Not because it resolved anything, but because it created space to process what would otherwise have been overwhelming… Amid what many in the public health community experienced as both individual and collective trauma, documenting itself was stabilizing, allowing reflection without detachment and critique without disengagement. But catharsis alone is insufficient. This book is not an exercise in lament; it is also a response. If the period it chronicles is defined by disruption, then its purpose is to offer direction. Where Project 2025 represented a blueprint for ideological capture of institutions, language, and governance, this book offers a counterpoint: Horizons 2028… 

Horizons 2028 is grounded in a simple premise: that the future of public health – and of democratic governance more broadly – depends on rebuilding systems that are resilient to political volatility. That means strengthening not only federal capacity, but subnational leadership. It means embedding community-led accountability into data systems. It means aligning health outcomes with social determinants and recognizing that equity is not an endpoint but a continuous process of adjustment and correction. It means treating global engagement not as optional, but as essential to national well-being. In other words, it is a roadmap not for returning to what was, but for building what is required…

I write as an Independent. Not in the sense of detachment, but in the sense of accountability to evidence, to outcomes, and to the people whose lives depend on both… Independence does not mean neutrality in the face of harm; it means refusing to filter reality through partisan allegiance. Importantly, it also means being guided by a consistent commitment to equity, dignity, and justice. These are not abstract values… They are tested in moments of crisis, when the gap between principle and practice becomes most apparent. They demand accountability not only for what is said, but for what is done – and for what is allowed to persist unchallenged. And they require the courage to name harm clearly, even when doing so is inconvenient or politically unwelcome.

That commitment shapes the analysis that follows, but it is also what makes the writing difficult. Because to document harm is to confront it. To trace its origins is to name decisions and their consequences. And to do so honestly is to risk being read as partisan in a landscape where truth itself has become politicized. But the alternative – silence, or false equivalence – is not acceptable. Not when the stakes are as high as they are. There is, however, a thread that runs through this book that resists cynicism, is not optimism, at least not in the conventional sense, but is something quieter and more durable: a belief that even in moments of rupture, there remains a capacity – within institutions, within communities, within individuals – to reorient toward something better. 

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Out & About

Archuleta to host book signing in Rehoboth Beach

Entertainer to meet with fans at Browseabout Books

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David Archuleta (Washington Blade file photo by Michael Key)

David Archuleta will chat with fans and sign his book “Devout: Losing My Faith to Find Myself” on Sunday, Sept. 6 at 2 p.m. at Browseabout Books in Rehoboth Beach.

The book is an inspirational account of his transformation from a closeted Mormon teen singer to a pop star who is comfortable with his queer identity. For additional information on this event, go to browseaboutbooks.com

Archuleta will also be in Rehoboth Beach to headline the “Night of Entertainment” on Saturday, Sept. 5 for CAMP Rehoboth’s SUNFESTIVAL weekend, which includes the Night of Dance Sept. 6. 

Visit camprehoboth.org for more information.

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Calendar

Calendar: August 28-September 3

LGBTQ events in the days to come

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Friday, August 28

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at DIK Bar.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected]

Saturday, August 29

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Sunday, August 30

“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets cost $58.51 and are available on Eventbrite

Monday, August 31

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, September 1

The DC LGBTQ+ Community Center will host a drop-in session to share resources, provide service navigation, connect with community, and gather feedback. For more details, visit the DC Center’s website

Wednesday, September 2

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the Center’s website

Thursday, September 3

The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit The DC LGBTQ+ Community Center’s website.  

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