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SPRING ARTS 2018 BOOKS: Fact, fiction and beyond

Queer themes — especially trans memoirs — abound in spring book crop

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gay books spring 2018, gay news, Washington Blade

Out author Amber Dawn returns with her second novel ‘Sodom Road Exit’ on April. 3. (Photo courtesy Dawn)

In her much-anticipated memoir, “Tomorrow Will Be Different: Love, Loss and the Fight for Trans Equality” (Crown Archetype, March 6), Sarah McBride tells the story of how she went from closeted student body president at American University to the first transgender person to speak at a national political convention at the age of 26. One of the most prominent transgender activists of her time, McBride interweaves thoughtful analysis of contemporary political issues, such as bathroom access and trans health care, into her own triumphant journey. The book begins with a foreword by Joe Biden.

“Speak No Evil: A Novel” by Uzodinma Iweala (Harper, March 6) just might be the coming-out story of the year, and a Washingtonian one at that. Iweala’s heart-wrenching sophomore novel follows Niru, a seemingly charmed track star at an elite D.C. private school bound for Harvard. Only his best friend Meredith knows he is gay until his sexuality is discovered by his conservative Nigerian father. The repercussions are swift and violent, catastrophic for his relationship with his family and taxing in his friendship with Meredith. The novel is a visceral but compassionate portrait of what it means to be different within a family, let alone society at large.

In “The Affliction” (Four Way Books, March 6), award-winning poet C. Dale Young makes his fiction debut with a novel told in fantastical short stories, spanning the United States and Caribbean. Among the novel’s many memorable characters are a man who can disappear, a woman who can see the future and a man raised in a cult who believes he is doomed to die. Young is openly gay and of Latino and Asian descent. He is also very much left- and right-brained in that he is a full-time physician when not writing and teaching creative writing at Warren Wilson College.

“The Sparsholt Affair” by Alan Hollinghurst (Knopf, March 13) begins with a covert gay relationship at Oxford University in 1940 and spans three generations, masterfully unfolding the social and sexual revolutions that have taken place through present day. Instantly a bestseller in the U.K., the novel is anchored by David Sparsholt and Evert Dax, whose evening trysts at Oxford feel especially under the radar with the world at war. Hollinghurst, who won the Man Booker Prize in 2004, is an openly gay English author.

“Berlin 1936: Sixteen Days in August” by Oliver Hilmes (Brodley Head, March 27) is a fascinating historical account of the 1936 Olympic Games in Berlin. Hilmes, a gay German historian, paints an intoxicating picture of the city of Liza Minelli’s “Cabaret” where queer life flourished under the Weimar Republic — contrasted with the terrifying rise of Adolf Hitler. In addition to analyzing the events of the Olympic Games, namely Jesse Owens’ triumph, Hilmes also introduces us to the lives of ordinary (some queer) Berliners. The book is ultimately an ode to the city, which has since reestablished itself as one of the most dynamic creative queer capitals in the world.

Chelsey Johnson’s debut novel, “Stray City” (Custom House, March 20) is the queer anti-“Gilmore Girls” you didn’t know you needed. This warm, hysterical story follows 23-year-old Andrea Morales, who escaped her Midwestern Catholic childhood to create a life for herself in Portland’s vibrant lesbian community. One especially debauched evening, Andrea hooks up with a man and later finds herself pregnant. The novel jumps to a decade later, as Andrea’s precocious daughter Lucia starts asking questions about the father she’s never met.

“Written on the Body,” edited by Lexie Bean (Jessica Kingsley Publishers, March 21), is a collection of essays written by and for trans and non-binary survivors of sexual assault and domestic violence. With contributions from Dean Spade, Nyala Moon, Alex Valdes, Sawyer DeVuyst and Ieshai Bailey, this book offers support, guidance and affirmation for trans survivors, whose stories are too often met with incredulousness and skepticism.

Amber Dawn, a Lambda Literary Award winner, returns with her second novel, “Sodom Road Exit” (Arsenal Pulp Press, April 3). This spellbinding paranormal thriller takes place in the summer of 1990 in Crystal Beach. Queer picaresque heroine, Starla Mia Martin, drops out of college and returns to find her lakeside village a ghost town after its beloved amusement park shuts down. Starla soon discovers an unnerving energy in the air — strange sounds, phantasmagoric sightings — and instead of hopping off the rollercoaster, she confronts every twist and turn head-on.

If you’re a poetry fan, “Nepantla: An Anthology Dedicated to Queer Poets of Color” (Nightboat Books, May 1), edited by Christopher Soto, is a stunning celebration of the diversity of the queer poetry community, as varied in style and form as it is in the experiences held by each contributor. Soto launched Nepantla with the Lambda Literary Foundation as an online journal to share the work of queer and trans poets of color. This is its first time in print, featuring canonical pieces by legends like Audre Lorde and James Baldwin alongside their contemporaries, such as Natalie Diaz, Tommy Pico and Chen Chen.

Celebrated novelist Alexander Chee makes his nonfiction debut with “How to Write an Autobiographical Novel” (Mariner Books, April 17). This revealing collection of essays is Chee’s manifesto on what it means to be a contemporary writer and gay man, Korean American, artist, activist, lover and friend. While tracing the most decisive moments of his own life, Chee also examines some of the nation’s biggest historical turning points, from the AIDS crisis to the election of Donald Trump.

“Little Fish” (Arsenal Pulp Press, May 1) is the debut novel from Lambda Literary Award-winning short story writer Casey Plett. The protagonist, Wendy Reimer, is a 30-year-old trans woman who discovers that her late grandfather, a pious Mennonite farmer, was likely transgender as well. In distracting herself from the problems in her own life and those of her friends — from alcoholism, to sex work to suicide — Wendy finds herself fully consumed by this familial mystery and the need to uncover the truth.

“SELF-ish: a Transgender Awakening” (Red Hen Press, May 4), a memoir by Chloe Schwenke, tells of her life and adventures living in five countries and working on projects in more than 40, mostly in Africa and the Middle East. This former Obama Administration appointee, has committed her life to assisting marginalized groups in some of the world’s most challenging countries.

If you haven’t gotten a chance to see it live, snag the paperback of legendary playwright Tony Kushner’s “The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures” (Theatre Communications Group, May 8). The play opens with Gus Marcantonio, a retired longshoreman, who has gathered his family together to discuss his decision to commit suicide. Kushner, who wrote “Angels in America” and has won a Pulitzer and two Tony Awards, uses his signature wit in telling a story of revolution, family and challenging the systemic constructs we consider inherent to our society. It will be interesting to see how it translates to the page; Theater J’s D.C. production a few years ago felt like three hours of overlapping screaming.

Out playwright Tony Kushner has adapted his play ’The Intelligent Homosexual’s Guide …’ to the written page. (Photo courtesy Berkeley Rep)

Other releases of note include:

“The Routledge History of Queer America” (Routledge Histories), edited by Don Romesburg, offers one of the most comprehensive overviews of LGBT U.S. history, featuring nearly 30 chapters spanning the colonial era to present day. The book is $210 and releases March 14.

“Post-Borderlandia: Chicana Literature and Gender Variant Critique”(Rutgers University Press) by Jackie T. Cuevas synthesizes Chicana/o studies with queer theory and transgender studies, exploring gender identity and expression using the Chicana feminist canon and contemporary thinkers and artists. The book is $26.96 and releases March 28. 

“Transforming: the Bible & the Lives of Transgender Christians” (Westminster John Knox Press) by Austen Hartke challenges the way readers conceptualize faith and the transgender experience, analyzing Biblical figures and providing representation to modern-day trans Christians. The book is $16 and out April 7.

“Picture Us in the Light” by Kelly Loy Gilbert (Disney-Hyperion) is a poignant gay YA novel about Danny Cheng, a young artist bound for college who finds himself inexplicably panicked that he’ll be moving far from his best friend, Harry Wong. He’s also shaken by a disturbing discovery in his father’s closet. The book is $17.99 and releases April 10.

“Not Here” (Coffee House Press) is the latest from critically acclaimed queer Vietnamese-American poet Hieu Minh Nguyen. Nguyen uses a wide variety of styles to provocatively confront whiteness, evoke both pleasure and pain, and find a sense of home in deep loneliness. The book is $16.95 and out April 10.

“The Bride Was a Boy” by Chii (Seven Seas, May 1) is a delightful autobiographical manga novel about a transgender love story, drawn in the style of diary comics. Chii, who was assigned male at birth, begins with her childhood and continues through her latest adventure: marrying the man of her dreams. The book is $12.59 and available May 1.

“Now the Night Begins” (Semiotext(e)/Native Agents) is gay French filmmaker Alain Guiraudie’s first foray into literature, translated by Jeffrey Zuckerman. Adopting his signature film themes, the novel is driven by disconcerting, overpowering sexual desire, centered on 40-year old protagonist Gilles Heurtebise’s all-encompassing obsession with a 90-year old man in his neighborhood. It costs $24.95 and is out May 11.

“50 Queer Music Icons Who Changed the World” (Hardie Grant, May 15), written by Will Larnach-Jones and illustrated by Michele Rosenthal, is a beautiful tribute to the LGBT musicians who have been pushing boundaries since the 1920s, featuring everyone from Little Richard to Frank Ocean. It’s $14.99 and available May 15.

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Books

New book offers observations on race, beauty, love

‘How to Live Free in a Dangerous World’ is a journey of discovery

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(Book cover image courtesy of Tiny Reparations Books)

‘How to Live Free in a Dangerous World: A Decolonial Memoir’
By Shayla Lawson
c.2024, Tiny Reparations Books
$29/320 pages

Do you really need three pairs of shoes?

The answer is probably yes: you can’t dance in hikers, you can’t shop in stilettos, you can’t hike in clogs. So what else do you overpack on this long-awaited trip? Extra shorts, extra tees, you can’t have enough things to wear. And in the new book “How to Live Free in a Dangerous World” by Shayla Lawson, you’ll need to bring your curiosity.

Minneapolis has always been one of their favorite cities, perhaps because Shayla Lawson was at one of Prince’s first concerts. They weren’t born yet; they were there in their mother’s womb and it was the first of many concerts.

In all their travels, Lawson has noticed that “being a Black American” has its benefits. People in other countries seem to hold Black Americans in higher esteem than do people in America. Still, there’s racism – for instance, their husband’s family celebrates Christmas in blackface.

Yes, Lawson was married to a Dutch man they met in Harlem. “Not Haarlem,” Lawson is quick to point out, and after the wedding, they became a housewife, learned the language of their husband, and fell in love with his grandmother. Alas, he cheated on them and the marriage didn’t last. He gave them a dog, which loved them more than the man ever did.

They’ve been to Spain, and saw a tagline in which a dark-skinned Earth Mother was created. Said Lawson, “I find it ironic, to be ordained a deity when it’s been a … journey to be treated like a person.”

They’ve fallen in love with “middle-American drag: it’s the glitteriest because our mothers are the prettiest.” They changed their pronouns after a struggle “to define my identity,” pointing out that in many languages, pronouns are “genderless.” They looked upon Frida Kahlo in Mexico, and thought about their own disability. And they wish you a good trip, wherever you’re going.

“No matter where you are,” says Lawson, “may you always be certain who you are. And when you are, get everything you deserve.”

Crack open the front cover of “How to Live Free in a Dangerous World” and you might wonder what the heck you just got yourself into. The first chapter is artsy, painted with watercolors, and difficult to peg. Stick around, though. It gets better.

Past that opening, author Shayna Lawson takes readers on a not-so-little trip, both world-wide and with observant eyes – although it seems, at times, that the former is secondary to that which Lawson sees. Readers won’t mind that so much; the observations on race, beauty, love, the attitudes of others toward America, and finding one’s best life are really what takes the wheel in this memoir anyhow. Reading this book, therefore, is not so much a vacation as it is a journey of discovery and joy.

Just be willing to keep reading, that’s all you need to know to get the most out of this book. Stick around and “How to Live Free in a Dangerous World” is what to pack.

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Story of paralysis and survival features queer characters

‘Unswerving: A Novel’ opens your eyes and makes you think

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(Book cover image courtesy of University of Wisconsin Press)

‘Unswerving: A Novel’ 
By Barbara Ridley
c.2024, University of Wisconsin Press
$19.95 / 227 pages

It happened in a heartbeat.

A split-second, a half a breath, that’s all it took. It was so quick, so sharp-edged that you can almost draw a line between before and after, between then and now. Will anything ever be the same again? Perhaps, but maybe not. As in the new book “Unswerving” by Barbara Ridley, things change, and so might you.

She could remember lines, hypnotizing yellow ones spaced on a road, and her partner, Les, asleep in the seat beside her. It was all so hazy. Everything Tave Greenwich could recall before she woke up in a hospital bed felt like a dream.

It was as though she’d lost a month of her life.

“Life,” if you even wanted to call it that, which she didn’t. Tave’s hands resembled claws bent at the wrist. Before the accident, she was a talented softball catcher but now she could barely get her arms to raise above her shoulders. She could hear her stomach gurgle, but she couldn’t feel it. Paralyzed from the chest down, Tave had to have help with even the most basic care.

She was told that she could learn some skills again, if she worked hard. She was told that she’d leave rehab some day soon. What nobody told her was how Les, Leslie, her partner, girlfriend, love, was doing after the accident.

Physical therapist Beth Farringdon was reminded time and again not to get over-involved with her patients, but she saw something in Tave that she couldn’t ignore. Beth was on the board of directors of a group that sponsored sporting events for disabled athletes; she knew people who could serve as role models for Tave, and she knew that all this could ease Tave’s adjustment into her new life. It was probably not entirely in her job description, but Beth couldn’t stop thinking of ways to help Tave who, at 23, was practically a baby.

She could, for instance, take Tave on outings or help find Les – even though it made Beth’s own girlfriend, Katy, jealous.

So, here’s a little something to know before you start reading “Unswerving”: author Barbara Ridley is a former nurse-practitioner who used to care for patients with spinal cord injuries. That should give readers a comfortable sense of satisfaction, knowing that her experiences give this novel an authenticity that feels right and rings true, no faking.

But that’s not the only appeal of this book: while there are a few minor things that might have readers shaking their heads (HIPAA, anyone?), Ridley’s characters are mostly lifelike and mostly likable. Even the nasties are well done and the mysterious character that’s there-not-there boosts the appeal. Put everyone together, twist a little bit to the left, give them some plotlines that can’t ruined by early guessing, and you’ve got a quick-read novel that you can enjoy and feel good about sharing.

And share you will because this is a book that may also open a few eyes and make readers think. Start “Unswerving” and you’ll (heart) it.

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Examining importance of queer places in history of arts and culture

‘Nothing Ever Just Disappears’ shines with grace and lyrical prose

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(Book cover image courtesy of Pegasus Books)

‘Nothing Ever Just Disappears: Seven Hidden Queer Histories’ 
By Diarmuid Hester
c.2024, Pegasus Books
$29.95/358 pages

Go to your spot.

Where that is comes to mind immediately: a palatial home with soaring windows, or a humble cabin in a glen, a ramshackle treehouse, a window seat, a coffeehouse table, or just a bed with a special blanket. It’s the place where your mind unspools and creativity surges, where you relax, process, and think. It’s the spot where, as in the new book “Nothing Ever Just Disappears” by Diarmuid Hester, you belong.

Clinging “to a spit of land on the south-east coast of England” is Prospect Cottage, where artist and filmmaker Derek Jarman lived until he died of AIDS in 1994. It’s a simple four-room place, but it was important to him. Not long ago, Hester visited Prospect Cottage to “examine the importance of queer places in the history of arts and culture.”

So many “queer spaces” are disappearing. Still, we can talk about those that aren’t.

In his classic book, “Maurice,” writer E.M. Forster imagined the lives of two men who loved one another but could never be together, and their romantic meeting near a second-floor window. The novel, when finished, “proved too radical even for Forster himself.” He didn’t “allow” its publication until after he was dead.

“Patriarchal power,” says Hester, largely controlled who was able to occupy certain spots in London at the turn of the last century. Still, “queer suffragettes” there managed to leave their mark: women like Vera Holme, chauffeur to suffragette leader Emmeline Pankhurst; writer Virginia Woolf; newspaperwoman Edith Craig, and others who “made enormous contributions to the cause.”

Josephine Baker grew up in poverty, learning to dance to keep warm, but she had Paris, the city that “made her into a star.” Artist and “transgender icon” Claude Cahun loved Jersey, the place where she worked to “show just how much gender is masquerade.” Writer James Baldwin felt most at home in a small town in France. B-filmmaker Jack Smith embraced New York – and vice versa. And on a personal journey, Hester mourns his friend, artist Kevin Killian, who lived and died in his beloved San Francisco.

Juxtaposing place and person, “Nothing Ever Just Disappears” features an interesting way of presenting the idea that both are intertwined deeper than it may seem at first glance. The point is made with grace and lyrical prose, in a storyteller’s manner that offers back story and history as author Diarmuid Hester bemoans the loss of “queer spaces.” This is really a lovely, meaningful book – though readers may argue the points made as they pass through the places included here. Landscapes change with history all the time; don’t modern “queer spaces” count?

That’s a fair question to ask, one that could bring these “hidden” histories full-circle: We often preserve important monuments from history. In memorializing the actions of the queer artists who’ve worked for the future, the places that inspired them are worth enshrining, too.

Reading this book may be the most relaxing, soothing thing you’ll do this month. Try “Nothing Ever Just Disappears” because it really hits the spot.

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