a&e features
k.d. lang revisits her ‘Ingenue’ days in advance of Strathmore concert
Singer weighs in on coming out, her famous Vanity Fair shoot with Cindy Crawford and more

k.d. lang says she enjoyed revisiting her classic album ‘Ingenue’ on tour in Australia last year. (Photo by Matt Duboff)
k.d. lang
With the Grigoryan Brothers
“Ingenue Redux: 25th Anniversary Concert”
Sunday, March 25
Music Center at Strathmore
5301 Tuckerman Lane
North Bethesda, Md.
Tickets: $48-98
VIP meet-and-greet packages available
k.d. lang does not waste words. She’s delightful. Pleasant. She balks or hems at no question put to her.
Yet her economy of language is a bit startling.
So, of course, as any regular reader of celebrity profiles realizes, almost never is a Q&A a verbatim transcript of the conversation exactly as it went down. Quite often, in fact, we have to add a disclaimer that says so-and-so’s comments have been “slightly edited for length and clarity.”
But not with Miss lang. Aside from a few lines of opening pleasantries, this is the full chat. Verbatim.
She’s touring behind the 25th anniversary edition of her breakthrough album “Ingenue.” She plays the Strathmore on Sunday, March 25.
WASHINGTON BLADE: Where are you right now?
lang: Calgary, Alberta.
BLADE: I read you had moved to Portland a few years back. Do you still live there?
lang: Portland and Calgary. Back and forth.
BLADE: So “Ingenue” was such a change of pace for you musically. How much label convincing did that radical a change take? “Shadowlands” had done quite well I understand, so were they pushing for “Shadowlands part two” as they so often do or not?
lang: Yeah, uh, no, I was really successful at the time I switched because “Absolute Torch and Twang” won the Grammy Award for best country female vocalist and “Shadowland” I was the highest selling country album of that year and then I made “Ingenue. Um, I don’t remember them having an issue with it. I think they trusted me. I was signed to Sire Records, which was, you know, Madonna, Talking Heads, the Ramones, Chrissie Hynde. I was kind of from an alternative rock/punk label and I don’t think they had an issue with it. They trusted me and supported me. The issue was me coming out, really.
BLADE: Yeah, we’ll get to that. The only bonus material on the 25th anniversary edition for “Ingenue” is just your MTV Unplugged special. Why didn’t you put some b-sides if there were any, alternate vocals, demos, stuff like that on it?
lang: I didn’t really have any.
BLADE: Did you have the master tapes or were they sitting in some label warehouse somewhere all these years?
lang: Yeah, the label has them. But I didn’t even think about that and I don’t think we have any alternate takes because we just — I don’t think we have any. We just kept working on it until it was the finished deal.
BLADE: Was it a given that “Constant Craving” was going to be the first single? Did you and the label feel it had the most radio potential?
lang: Yeah, it was obvious to everyone that it was really the only one on the album that had any chance (chuckles).
BLADE: You’re credited with playing harp on “All You Can Eat” and “Watershed.” Is that like the big concert harp and how did you learn it?
lang: (chuckles again) I just make noise on the harp and it’s a tiny little one.
BLADE: So you never, like, studied the harp or took lessons or anything.
lang: No, no, no.
BLADE: Correct me if I’m wrong, but it seems like you did a ton of stuff for the LGBT groups in the ‘90s, like GLAAD, HRC but not so much in recent years. Do you get a lot of requests to make appearances from those kinds of groups anymore?
lang: I certainly did a lot back in the day, but no. I kind of, well obviously there’s a lot more people available to do the work now and I think I made my contribution and now I’m really just trying to walk the walk. I think I also wanted after years of being the spokesperson, you know, the poster “dykon,” I wanted the music to kind of come to the forefront again.
BLADE: Is it true your manager and label didn’t know you were going to do the Advocate interview when you came out? What was their immediate reaction?
lang: Well, they knew I was going to do the interview, but they didn’t know I was going to come out. Obviously people gave me their opinions but they knew I had to follow my heart and do whatever I felt was the right thing. They certainly supported me either way whether I came out or not. I think the obvious concern was that it would affect my career and it did, but in a very positive way.
BLADE: But did your manager say, like, “Gee, could you have at least given us a heads up?” or anything like that?
lang: No, no. They knew I was doing the interview and then as soon as I did, I let everyone know that I did, in fact, come out.
BLADE: So there was a chance you might have done an Advocate interview and not come out?
lang: Yeah, there was that chance but I pretty much knew that was the right place to do it.
BLADE: What’s it been like on this tour singing “Ingenue” straight through. It’s such a restrained album and you’ve talked about it almost requiring a classical-type approach. So often records sound great at home on the stereo but making that work live in a room is a whole other thing, especially an album like this I would imagine.
lang: Yes, you’re absolutely right and I feel like it’s really my energy and presence and focus that translates to the audience so if I’m bored with it or if I’m doubting myself, I think people pick up on that so it’s really up to me and the musicians to deliver it with absolute truth and integrity. I try to do that anyway, but especially, like you said, when you’re doing a record in sequence, you know, it’s a lot for an audience to digest. But I also think the fact that the audience has had 25 years to develop their own relationship with the record, it creates a space anyway and I never try to superimpose my relationship or my emotions on the song to supersede that of the listeners. I really try to deliver it in a way that everyone can relieve their experiences with the record.
BLADE: How did it go when you were touring it in Australia and Canada last fall?
lang: Very, very well. It was really for me, a beautiful musical experience. Really wonderful interplay with the band and with the audience and, you know, it’s a pretty quiet, pretty introspective show. It’s not in-your-face entertainment, stars show 101. But it’s pretty musical.
BLADE: Besides “Constant Craving,” had you done many of the other “Ingenue” songs much live over the years?
lang: Yeah, yeah, I’ve, you know, done “Save Me,” “Mind of Love,” “Wash Me Clean,” “Miss Chatelaine.” There’s always been a handful of songs in the rotation on any tour that I do from “Ingenue.”
BLADE: You originally toured that album over a year. How are the live arrangements different, or are they, from how you performed them back in ’92-’93?
lang: It’s a mix. Some are straight ahead exactly like the record which it’s also fun to kind of shadow the record, but some are very different so it’s a mix.
BLADE: How much of the vocal stuff you do live is improvised in the moment, like holding a certain phrase or using a different inflection on a lyric, or are some those little things the same each night?
lang: (pauses) Well, I definitely approach things different vocally. It depends how I feel, how my throat feels, how the hall sounds and how the audience is. If they’re rambunctious, I sing slightly different than if they’re very quiet. How the band is, what they’re throwing at me harmonically, so there’s a lot of variables. But I also get sort of attached to certain little phrases that I like to do every night, so I would say it’s a mix.
BLADE: How long did it take to shoot the famous Vanity Fair cover with Cindy Crawford? Was that an all-day thing or more like snap-snap-snap and you were done in an hour?
lang: Uh, no, it was probably like a full day’s work.
BLADE: Was it a fun process?
lang: Yeah, because we were all friends. I was really close to Herb (Ritts) at the time and Cindy was really close to Herb and I knew Cindy through Herb so it was just, you know, like we were just hanging out taking pictures. It was work, it was very professional, but it was also very easy.
BLADE: How did you like Tony Bennett’s album with Lady Gaga?
lang: I haven’t heard a lot of it but, um, I don’t — you know, it’s great, it’s awesome. I love those kinds of collaborations.
BLADE: I just find it interesting that you and Lady Gaga are the only female artists Tony Bennett has ever made full albums with.
lang: (chuckles) Yeah, we’re just different choices.
BLADE: It feels like there was this ‘90s wave of out women singers with you, Melissa Etheridge, the Indigo Girls, then it felt like there was this long, barren stretch before we got to, say, Tegan and Sara. Do you think maybe there was a backlash for a while and maybe female singers were a bit more skittish about coming out after that initial wave?
lang: (pauses) I’m afraid I can’t enlighten you on that one at all. I don’t know.
BLADE: Are you with anyone now?
lang: Yeah, I’m with somebody. I have a very nice home life.
BLADE: How long has this relationship been and does she ever tour with you?
lang: About four years and yeah, she comes out once in a while.
BLADE: OK great, thanks.
lang: Thank you, take care.

k.d. lang says several factors affect her vocal delivery on any given night. (Photo by Matt Duboff)
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
