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Tony Awards 2019: ‘Boys in the Band,’ ‘The Cher Show’ pick up wins

‘Hadestown’ leads with triumphs for eight categories

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The cast of ‘The Boys in the Band’ at the 2019 Tony Awards. (Screenshot via YouTube)

“The Boys in the Band” received the award for Best Revival of a Play at the 73rd Annual Tony Awards at Radio City Music Hall on Sunday making 83-year-old playwright Mart Crowley the oldest playwright to win the award.

The play tells the story of a group of gay friends who gather together to celebrate a friend’s birthday in pre-Stonewall New York City. It opened off-Broadway in 1968. For the play’s 50th anniversary, the production was revived in 2018 with co-producer Ryan Murphy and director Joe Mantello.

The openly gay revival cast included Matt Bomer, Jim Parsons, Zachary Quinto, Andrew Rannells, Charlie Carver, Robin de Jesús, Brian Hutchison, Tuc Watkins and Michael Benjamin Washington.

Murphy is also planning a film adaptation for Netflix featuring the Broadway cast.

Crowley dedicated the award to the original cast in his acceptance speech.

“I’d like to dedicate the award to the original cast of nine brave men, who did not listen to their agents when they were told that their careers would be finished if they did this play,” Crowley said. “They did it, and here I am.”

“Hadestown” was the big winner of the evening, which was hosted by James Corden, coming in with eight wins.

Bisexual actress Ali Stoker, also known for her work on “The Glee Project,” won Best Featured Actress in a Musical for portraying Ado Annie in the “Oklahoma!” revival.

Stephanie J. Block won Best Actress in a Musical for playing Cher in “The Cher Show.” Legendary costume designer Bob Mackie and longtime Cher collaborator also won Best Costume Design in a Musical for “The Cher Show.” Cher celebrated the multiple wins with an emotional tweet.

Gay winners continued to dominate the night with Robert Horn winning Best Book of a Musical for “Tootsie,” Sergio Trujillo winning Best Choreography for The Temptations musical “Ain’t Too Proud” and André DeShields winning Best Featured Actor in a Musical for Broadway hit “Hadestown.”

The Tonys included some starring looks including Billy Porter who rocked the rainbow-backdropped red carpet, which honored World Pride, with a Celestino Couture created from the velvet curtains of “Kinky Boots.” Porter won a Tony Award for starring in the musical in 2013. The outfit is reportedly meant to resemble women’s reproductive organs in a stand for abortion rights.

“The Prom” cast also performed and included the kiss that made history at the Macy’s Thanksgiving Day Parade for being the first same-sex kiss to air on the televised parade.

Check out the list of winners below.

Best Play
“Choir Boy”
“Gary: A Sequel to Titus Andronicus”
“Ink”
“The Ferryman”
“What the Constitution Means to Me”

Best Musical
“Ain’t Too Proud”
“Beetlejuice”
“Hadestown”
“The Prom”
“Tootsie”

Best Revival of a Play
“All My Sons”
“Burn This”
“The Boys in the Band”
“The Waverly Gallery”
“Torch Song”

Best Revival of a Musical
Kiss Me, Kate
“Oklahoma!”

Best Book of a Musical
“Ain’t Too Proud” by Dominique Morisseau
“Beetlejuice” by Scott Brown and Anthony King
“Hadestown” by Anaïs Mitchell
“The Prom” by Bob Martin and Chad Beguelin
“Tootsie” by Robert Horn

Best Original Score (Music and/or Lyrics) Written for the Theatre
“Be More Chill” by Joe Iconis
“Beetlejuice” by Eddie Perfect
“Hadestown” by Anaïs Mitchell
“The Prom” by Matthew Sklar and Chad Beguelin
“To Kill a Mockingbird” by Adam Guettel
“Tootsie” by David Yazbek

Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, “The Ferryman”
Bryan Cranston, “Network”
Jeff Daniels, “To Kill a Mockingbird”
Adam Driver, “Burn This”
Jeremy Pope, “Choir Boy”

Best Performance by an Actress in a Leading Role in a Play
Annette Bening, “All My Sons”
Laura Donnelly, “The Ferryman”
Elaine May, “The Waverly Gallery”
Laurie Metcalf, “Hillary and Clinton”
Janet McTeer, “Bernhardt/Hamlet”
Heidi Schreck, “What the Constitution Means to Me”

Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, “The Prom”
Derrick Baskin, “Ain’t Too Proud”
Alex Brightman, “Beetlejuice”
Damon Daunno, “Oklahoma!”
Santino Fontana, “Tootsie”

Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, “The Cher Show”
Caitlin Kinnunen, “The Prom”
Beth Leavel, “The Prom”
Eva Noblezada, “Hadestown”
Kelli O’Hara, “Kiss Me, Kate”

Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, “Ink”
Robin De Jesús, “The Boys in the Band”
Gideon Glick, “To Kill a Mockingbird”
Brandon Uranowitz, “Burn This”
Benjamin Walker, “All My Sons”

Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, “The Ferryman”
Celia Keenan-Bolger, “To Kill a Mockingbird”
Kristine Nielsen, “Gary: A Sequel to Titus Andronicus”
Julie White, “Gary: A Sequel to Titus Andronicus”
Ruth Wilson, “King Lear”

Best Performance by an Actor in a Featured Role in a Musical
André De Shields, “Hadestown”
Andy Grotelueschen, “Tootsie”
Patrick Page, “Hadestown”
Jeremy Pope, “Ain’t Too Proud”
Ephraim Sykes, “Ain’t Too Proud”

Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, “Tootsie”
Amber Gray, “Hadestown”
Sarah Stiles, “Tootsie”
Ali Stroker, “Oklahoma!”
Mary Testa, “Oklahoma!”

Best Scenic Design of a Play
Miriam Buether, “To Kill a Mockingbird”
Bunny Christie, “Ink”
Rob Howell, “The Ferryman”
Santo Loquasto, “Gary: A Sequel to Titus Andronicus”
Jan Versweyveld, “Network”

Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, “Ain’t Too Proud”
Peter England, “King Kong”
Rachel Hauck, “Hadestown”
Laura Jellinek, “Oklahoma!”
David Korins, “Beetlejuice”

Best Costume Design of a Play
Rob Howell, “The Ferryman”
Toni-Leslie James, “Bernhardt/Hamlet”
Clint Ramos, “Torch Song”
Ann Roth, “Gary: A Sequel to Titus Andronicus”
Ann Roth, “To Kill a Mockingbird”

Best Costume Design of a Musical
Michael Krass, “Hadestown”
William Ivey Long, “Beetlejuice”
William Ivey Long, “Tootsie”
Bob Mackie, “The Cher Show”
Paul Tazewell, “Ain’t Too Proud”

Best Lighting Design of a Play
Neil Austin, “Ink”
Jules Fisher + Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus”
Peter Mumford, “The Ferryman”
Jennifer Tipton, “To Kill a Mockingbird”
Jan Versweyveld and Tal Yarden, “Network”

Best Lighting Design of a Musical
Kevin Adams, “The Cher Show”
Howell Binkley, “Ain’t Too Proud”
Bradley King, “Hadestown”
Peter Mumford, “King Kong”
Kenneth Posner and Peter Nigrini, “Beetlejuice”

Best Sound Design of a Play
Adam Cork, “Ink”
Scott Lehrer, “To Kill a Mockingbird”
Fitz Patton, “Choir Boy”
Nick Powell, “The Ferryman”
Eric Sleichim, “Network”

Best Sound Design of a Musical
Peter Hylenski, “Beetlejuice”
Peter Hylenski, “King Kong”
Steve Canyon Kennedy, “Ain’t Too Proud”
Drew Levy, “Oklahoma!”
Nevin Steinberg and Jessica Paz, “Hadestown”

Best Direction of a Play
Rupert Goold, “Ink”
Sam Mendes, “The Ferryman”
Bartlett Sher, “To Kill a Mockingbird”
Ivo van Hove, “Network”
George C. Wolfe, “Gary: A Sequel to Titus Andronicus”

Best Direction of a Musical
Rachel Chavkin, “Hadestown”
Scott Ellis, “Tootsie”
Daniel Fish, “Oklahoma!”
Des McAnuff, “Ain’t Too Proud”
Casey Nicholaw, “The Prom”

Best Choreography
Camille A. Brown, “Choir Boy”
Warren Carlyle, “Kiss Me, Kate”
Denis Jones, “Tootsie”
David Neumann, “Hadestown”
Sergio Trujillo, “Ain’t Too Proud”

Best Orchestrations
Michael Chorney and Todd Sickafoose, “Hadestown”
Simon Hale, “Tootsie”
Larry Hochman, “Kiss Me, Kate”
Daniel Kluger, “Oklahoma!”
Harold Wheeler, “Ain’t Too Proud”

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Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

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(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban transgender women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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