Arts & Entertainment
Tony Awards 2019: ‘Boys in the Band,’ ‘The Cher Show’ pick up wins
‘Hadestown’ leads with triumphs for eight categories

“The Boys in the Band” received the award for Best Revival of a Play at the 73rd Annual Tony Awards at Radio City Music Hall on Sunday making 83-year-old playwright Mart Crowley the oldest playwright to win the award.
The play tells the story of a group of gay friends who gather together to celebrate a friend’s birthday in pre-Stonewall New York City. It opened off-Broadway in 1968. For the play’s 50th anniversary, the production was revived in 2018 with co-producer Ryan Murphy and director Joe Mantello.
The openly gay revival cast included Matt Bomer, Jim Parsons, Zachary Quinto, Andrew Rannells, Charlie Carver, Robin de Jesús, Brian Hutchison, Tuc Watkins and Michael Benjamin Washington.
Murphy is also planning a film adaptation for Netflix featuring the Broadway cast.
Crowley dedicated the award to the original cast in his acceptance speech.
“I’d like to dedicate the award to the original cast of nine brave men, who did not listen to their agents when they were told that their careers would be finished if they did this play,” Crowley said. “They did it, and here I am.”
“Hadestown” was the big winner of the evening, which was hosted by James Corden, coming in with eight wins.
Bisexual actress Ali Stoker, also known for her work on “The Glee Project,” won Best Featured Actress in a Musical for portraying Ado Annie in the “Oklahoma!” revival.
Stephanie J. Block won Best Actress in a Musical for playing Cher in “The Cher Show.” Legendary costume designer Bob Mackie and longtime Cher collaborator also won Best Costume Design in a Musical for “The Cher Show.” Cher celebrated the multiple wins with an emotional tweet.
I CANNOT STOP JUMPING, CRYING,LAUGHING,….I FEEL LIKE I WON AN AWARD‼️
— Cher (@cher) June 10, 2019
NOT EVEN SURE IF I CAN USE EMOJIS.
STEPHANIE,BESIDES ME…YOU
ARE THE“ BEST ME”?
BOB I LOVED YOU THE MOMENT I SAW YOU❤️
BEST ACTRESS IN MUSICAL =
STEPHANIE J BLOCK
BEST COSTUME DESIGN
BOB MACKIE pic.twitter.com/Lsha8FhKQX
Gay winners continued to dominate the night with Robert Horn winning Best Book of a Musical for “Tootsie,” Sergio Trujillo winning Best Choreography for The Temptations musical “Ain’t Too Proud” and André DeShields winning Best Featured Actor in a Musical for Broadway hit “Hadestown.”
The Tonys included some starring looks including Billy Porter who rocked the rainbow-backdropped red carpet, which honored World Pride, with a Celestino Couture created from the velvet curtains of “Kinky Boots.” Porter won a Tony Award for starring in the musical in 2013. The outfit is reportedly meant to resemble women’s reproductive organs in a stand for abortion rights.
“The Prom” cast also performed and included the kiss that made history at the Macy’s Thanksgiving Day Parade for being the first same-sex kiss to air on the televised parade.
Check out the list of winners below.
Best Play
“Choir Boy”
“Gary: A Sequel to Titus Andronicus”
“Ink”
“The Ferryman”
“What the Constitution Means to Me”
Best Musical
“Ain’t Too Proud”
“Beetlejuice”
“Hadestown”
“The Prom”
“Tootsie”
Best Revival of a Play
“All My Sons”
“Burn This”
“The Boys in the Band”
“The Waverly Gallery”
“Torch Song”
Best Revival of a Musical
Kiss Me, Kate
“Oklahoma!”
Best Book of a Musical
“Ain’t Too Proud” by Dominique Morisseau
“Beetlejuice” by Scott Brown and Anthony King
“Hadestown” by Anaïs Mitchell
“The Prom” by Bob Martin and Chad Beguelin
“Tootsie” by Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre
“Be More Chill” by Joe Iconis
“Beetlejuice” by Eddie Perfect
“Hadestown” by Anaïs Mitchell
“The Prom” by Matthew Sklar and Chad Beguelin
“To Kill a Mockingbird” by Adam Guettel
“Tootsie” by David Yazbek
Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, “The Ferryman”
Bryan Cranston, “Network”
Jeff Daniels, “To Kill a Mockingbird”
Adam Driver, “Burn This”
Jeremy Pope, “Choir Boy”
Best Performance by an Actress in a Leading Role in a Play
Annette Bening, “All My Sons”
Laura Donnelly, “The Ferryman”
Elaine May, “The Waverly Gallery”
Laurie Metcalf, “Hillary and Clinton”
Janet McTeer, “Bernhardt/Hamlet”
Heidi Schreck, “What the Constitution Means to Me”
Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, “The Prom”
Derrick Baskin, “Ain’t Too Proud”
Alex Brightman, “Beetlejuice”
Damon Daunno, “Oklahoma!”
Santino Fontana, “Tootsie”
Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, “The Cher Show”
Caitlin Kinnunen, “The Prom”
Beth Leavel, “The Prom”
Eva Noblezada, “Hadestown”
Kelli O’Hara, “Kiss Me, Kate”
Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, “Ink”
Robin De Jesús, “The Boys in the Band”
Gideon Glick, “To Kill a Mockingbird”
Brandon Uranowitz, “Burn This”
Benjamin Walker, “All My Sons”
Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, “The Ferryman”
Celia Keenan-Bolger, “To Kill a Mockingbird”
Kristine Nielsen, “Gary: A Sequel to Titus Andronicus”
Julie White, “Gary: A Sequel to Titus Andronicus”
Ruth Wilson, “King Lear”
Best Performance by an Actor in a Featured Role in a Musical
André De Shields, “Hadestown”
Andy Grotelueschen, “Tootsie”
Patrick Page, “Hadestown”
Jeremy Pope, “Ain’t Too Proud”
Ephraim Sykes, “Ain’t Too Proud”
Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, “Tootsie”
Amber Gray, “Hadestown”
Sarah Stiles, “Tootsie”
Ali Stroker, “Oklahoma!”
Mary Testa, “Oklahoma!”
Best Scenic Design of a Play
Miriam Buether, “To Kill a Mockingbird”
Bunny Christie, “Ink”
Rob Howell, “The Ferryman”
Santo Loquasto, “Gary: A Sequel to Titus Andronicus”
Jan Versweyveld, “Network”
Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, “Ain’t Too Proud”
Peter England, “King Kong”
Rachel Hauck, “Hadestown”
Laura Jellinek, “Oklahoma!”
David Korins, “Beetlejuice”
Best Costume Design of a Play
Rob Howell, “The Ferryman”
Toni-Leslie James, “Bernhardt/Hamlet”
Clint Ramos, “Torch Song”
Ann Roth, “Gary: A Sequel to Titus Andronicus”
Ann Roth, “To Kill a Mockingbird”
Best Costume Design of a Musical
Michael Krass, “Hadestown”
William Ivey Long, “Beetlejuice”
William Ivey Long, “Tootsie”
Bob Mackie, “The Cher Show”
Paul Tazewell, “Ain’t Too Proud”
Best Lighting Design of a Play
Neil Austin, “Ink”
Jules Fisher + Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus”
Peter Mumford, “The Ferryman”
Jennifer Tipton, “To Kill a Mockingbird”
Jan Versweyveld and Tal Yarden, “Network”
Best Lighting Design of a Musical
Kevin Adams, “The Cher Show”
Howell Binkley, “Ain’t Too Proud”
Bradley King, “Hadestown”
Peter Mumford, “King Kong”
Kenneth Posner and Peter Nigrini, “Beetlejuice”
Best Sound Design of a Play
Adam Cork, “Ink”
Scott Lehrer, “To Kill a Mockingbird”
Fitz Patton, “Choir Boy”
Nick Powell, “The Ferryman”
Eric Sleichim, “Network”
Best Sound Design of a Musical
Peter Hylenski, “Beetlejuice”
Peter Hylenski, “King Kong”
Steve Canyon Kennedy, “Ain’t Too Proud”
Drew Levy, “Oklahoma!”
Nevin Steinberg and Jessica Paz, “Hadestown”
Best Direction of a Play
Rupert Goold, “Ink”
Sam Mendes, “The Ferryman”
Bartlett Sher, “To Kill a Mockingbird”
Ivo van Hove, “Network”
George C. Wolfe, “Gary: A Sequel to Titus Andronicus”
Best Direction of a Musical
Rachel Chavkin, “Hadestown”
Scott Ellis, “Tootsie”
Daniel Fish, “Oklahoma!”
Des McAnuff, “Ain’t Too Proud”
Casey Nicholaw, “The Prom”
Best Choreography
Camille A. Brown, “Choir Boy”
Warren Carlyle, “Kiss Me, Kate”
Denis Jones, “Tootsie”
David Neumann, “Hadestown”
Sergio Trujillo, “Ain’t Too Proud”
Best Orchestrations
Michael Chorney and Todd Sickafoose, “Hadestown”
Simon Hale, “Tootsie”
Larry Hochman, “Kiss Me, Kate”
Daniel Kluger, “Oklahoma!”
Harold Wheeler, “Ain’t Too Proud”
The DC LGBTQ+ Community Center is marking a milestone year in its new home with a vibrant birthday celebration, inviting the community, allies, and media to join the festivities on Saturday, April 25 at 1 p.m.
Since opening its doors in Shaw, The DC LGBTQ+ Community Center has become a hub of support, advocacy, and celebration for LGBTQ+ residents across the District.
The birthday bash promises a day of programming including Yoga (Center Wellness), Micro Bouquet Making (Center Social), Zine Making (Center Arts), and so much more. Guests can also enjoy tours of the Center’s expanded facilities, showcasing spaces for programs, services, and community events.
Since relocating, the Center has expanded its programs, providing critical services. The birthday bash underscores the DC LGBTQ+ Community Center’s commitment to creating an inclusive space where everyone regardless of identity, age, or background can find community and empowerment.
For more details, contact Paul Marengo at 202-705-2890.
Friday, April 24
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Lesbian Visibility Week will be at 7 p.m. at the DC Center for the LGBT Community. There will be a special screening of “Ahead of the Curve.” Enjoy an evening of film, conversation, and community, with cocktails and beverages available throughout the night For more details, visit the DC Center’s website.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, April 25
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, April 26
Nellie’s Sports Bar will host “Nellie’s DC Drag Brunch” at 12 p.m. Join Sapphire Blue, Deja Diamond and their team of drag performers for the most fun you’ll have all weekend. Tickets start at $58.51 and are available on Eventbrite.
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, April 27
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, April 28
The DC Center for the LGBT Community will host “Candlelight Vigil” at 6:30 p.m. This is a vigil centered on reflection, support, and collective care. Attendees are encouraged to gather at 6:30 p.m., with the program beginning promptly at 7 p.m. and concluding by 8 p.m. The event will take place on the closed-off Wiltberger Street, providing a dedicated and intimate space for remembrance. Electronic candle lights will be available to participants. For those seeking additional support or who have questions ahead of the event, please contact [email protected].
Wednesday, April 29
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC Center for the LGBT Community will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, April 30
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
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