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Remembering Judy — is her Stonewall connection reality or myth?
Riots, uprising started the day of her televised funeral in June 1969

June 2019 marks not only the 50th anniversary of the Stonewall Riots, but also the 50th anniversary of the death of queer icon Judy Garland, as well as the anniversary of her birth in 1922.
In the early stories about the insurrection, there was a direct connection between the two events. Garland died in London on June 22, just 12 days after her 47th birthday. On June 26, her remains were flown to Manhattan; thousands of devastated fans came to pay their respects and the funeral parlor had to remain open all night long to accommodate overflow crowds.
Her televised funeral service the next day, including a moving eulogy by her “A Star Is Born” co-star James Mason, was watched by millions.
That night, according to contemporary news reports and early historical accounts, queer fans gathered to mourn her death, including some of the patrons at the Stonewall Inn, a Mafia-owned gay bar in Greenwich Village. Shortly after 1 a.m. on June 28, police raided the bar, but this time, fueled by a potent mix of sorrow and rage, the patrons fought back.
In the intervening years, narratives about how the riots started have shifted, and historians such as David Carter now deny that there was any link between Garland’s death (deemed an accidental overdose of barbiturates) and the riots, despite the testimony of Sylvia Rivera herself.
Nonetheless, the identification of Judy Garland as the patron saint of the Stonewall Riots is still strong in the queer imagination. For example, RuPaul recently said, “Now it has been 50 years since Judy passed and on the night of her funeral, in June 1969, the Stonewall Riots occurred. Fed up with police harassment, the patrons of the Stonewall used their grief over Judy’s death to rise up and fight; and the gay liberation movement was born.”

RuPaul paid tribute to Garland in the episode of “RuPaul’s Drag Race All Stars” that aired Feb. 1. The drag superstar used the show to educate the contestants and the audience about the amazing legacy of the woman described as “one of the greatest stars that Hollywood ever produced.” RuPaul also explained that the phrase “friend of Dorothy,” referring to Garland’s legendary performance as Dorothy Gale in “The Wizard of Oz,” was used as a gay secret code pre-Stonewall.
Writer, performer and raconteur Justin Sayre, an expert on all things Garland, emphasizes her importance in the overall narrative of queer resistance.
“The Judy component still means something to me,” Sayre says. “Here was a community reeling from the death of an icon of that community. Whether or not it led to the first brick being thrown, it informed the narrative. The invocation of Judy is sometimes seen as something flippant rather than a powerful moment of grief that we turned into something righteous. To me, that is much more of a queer narrative than one individual did one thing. I think queerness is about community and how we build things together.”
To honor Garland’s memory and the spirit of Stonewall, Sayre is the creator and host of “Night of a Thousand Judys,” an annual benefit for the Ali Forney Center, which houses homeless LGBT youth in New York City.
“It’s a wonderful fit,” Sayre says. “None of us get over the rainbow unless we all do.”
Renowned queer film historian Steven Cohan offers some additional reasons why Garland still remains a popular queer icon. Cohan is the Dean’s Distinguished Professor Emeritus in the Department of English at Syracuse University. Two of his books, “Incongruous Entertainment: Camp, Cultural Value and the MGM Musical” and “Hollywood By Hollywood,” include fascinating examinations of Garland’s “A Star Is Born.”
Citing critic Richard Dyer, Cohan identifies three features that continue to make Garland’s work so compelling to gay audiences: her androgyny (she frequently performed in male clothing), her camp sensibility (she had a sharp sense of humor and her screen persona was shaped by gay studio executives at MGM) and her identification with the girl next door who was never as ordinary as she seemed. In addition, Cohan emphasizes her extraordinary resilience.
“She always came back,” Cohan notes, pointing to the record-breaking concert at the Palace Theatre in 1951, the 1954 movie “A Star Is Born” and the legendary concert at Carnegie Hall in 1961.
Cohan also notes that “her iconic status in gay culture is more historical than continually active.” Like her career, her legend has its ups and downs.
The current upswing may have started with the release of the latest remake of “A Star Is Born.” Queer icon and artist Lady Gaga took on Garland’s iconic role and scored a personal triumph.
This year, musicians across the country are offering birthday concerts for Judy. Here in Washington, the National Symphony Orchestra is hosting “50 Years Over the Rainbow: A Judy Garland Celebration” on June 28-29 at the Kennedy Center. Under the direction of out Maestro Steven Reineke, the NSO will celebrate Garland’s life and work with singers Laura Osnes, Carpathia Jenkins and Jimmie Herrod.

In September, Renee Zellweger will star in “Judy” about Garland’s 1968 return to London for a series of cabaret performances.
Finally, some viewers see the spirit of Judy Garland inhabiting Armistead Maupin’s “Tales of the City” novels, which are now being revisited in a Netflix limited series. After all, as the saga starts, Mary Ann Singleton flees the drab Midwest for the Emerald (and very grassy) City of San Francisco and gathers a fabulous found family around herself.
And as the new series starts, Maupin’s Dorothy figure returns to San Francisco, perhaps answering one of the lingering questions about Judy Garland’s iconic character: Why does she go back to Kansas after her adventures in Oz? Mary Ann’s journey offers an alternative ending where Dorothy returns to Oz to live with her family of choice, the latest generation of rebels, visionaries and brick throwers.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
