Arts & Entertainment
‘Pose’ scores six history-making Emmy nominations
‘RuPaul’s Drag Race,’ Schitt’s Creek’ also land noms
“Pose” landed six Emmy nominations, including Outstanding Drama Series and a Best Actor nomination for Billy Porter, marking a historic milestone for the first television series to feature the largest cast of LGBTQ actors.
Porter, who portrays Pray Tell on “Pose,” is the first openly gay black man to be nominated for an Emmy.
“I just haven’t been breathing for the past day,” Porter told Deadline about his nomination. “So today, I was able to breathe — that was my first reaction!”
Other LGBTQ nominations include “RuPaul’s Drag Race” for Outstanding Competition Program and “RuPaul’s Drag Race: Untucked” for Outstanding Unstructured Reality Program. RuPaul also was nominated for Outstanding Host for a Reality or Competition Program up against Ellen DeGeneres for “Ellen’s Game of Games.”
Laverne Cox is nominated for Outstanding Guest Actress in a Drama Series for “Orange is the New Black” and Jane Lynch is nominated for Outstanding Guest Actress in a Comedy Series for “The Marvelous Mrs. Maisel.”
Kate McKinnon was nominated for Outstanding Supporting Actress in a Comedy Series for “Saturday Night Live” and Ben Whishaw is nominated for Outstanding Supporting Actor in a Limited Series or Movie for “A Very English Scandal.”
“Schitt’s Creek,” which stars out actor Dan Levy, was nominated for Outstanding Comedy Series. “Queer Eye” was also nominated for Outstanding Structured Reality Program.
Outstanding Short Form Variety Series is full of gay nominees including “Billy on the Street,” “Gay of Thrones” and “The Randy Rainbow Show.”
“Game of Thrones” also made history with a total of 32 nominations, the most nominations received by a television series in one year.
The Emmys air on Sunday, Sept. 22 at 8 p.m. on FOX.
Check out more of the nominees below and the complete list here.
Outstanding Drama Series
“Better Call Saul”
“Bodyguard”
“Game of Thrones”
“Killing Eve”
“Ozark”
“Pose”
“Succession”
“This Is Us”
Outstanding Comedy Series
“Barry”
“Fleabag”
“Russian Doll”
“Schitt’s Creek”
“The Good Place”
“The Marvelous Mrs. Maisel”
“Veep”
Outstanding Limited Series
“Chernobyl”
“Escape at Dannemora”
“Fosse/Verdon”
“Sharp Objects”
“When They See Us”
Outstanding Drama Actor
Bob Odenkirk (“Better Call Saul”)
Kit Harington (“Game of Thrones”)
Jason Bateman (“Ozark”)
Sterling K. Brown (“This Is Us”)
Milo Ventimiglia (“This Is Us”)
Billy Porter (“Pose”)
Outstanding Drama Actress
Emilia Clarke (“Game of Thrones”)
Robin Wright (“House of Cards”)
Viola Davis (“How To Get Away With Murder”)
Sandra Oh (“Killing Eve”)
Jodie Comer (“Killing Eve”)
Mandy Moore (“This Is Us”)
Laura Linney (“Ozark”)
Outstanding Supporting Actor in a Drama Series
Jonathan Banks (“Better Call Saul”)
Giancarlo Esposito (“Better Call Saul”)
Alfie Allen (“Game of Thrones”)
Nikolaj Coster-Waldau (“Game of Thrones”)
Peter Dinklage (“Game of Thrones”)
Michael Kelly (“House of Cards”)
Chris Sullivan (“This Is Us”)
Outstanding Supporting Actress in a Drama Series
Lena Headey (“Game of Thrones”)
Gwendoline Christine (“Game of Thrones”)
Sophie Turner (“Game of Thrones”)
Maisie Williams (“Game of Thrones”)
Fiona Shaw (“Killing Eve”)
Julia Garner (“Ozark”)
Outstanding Guest Actor in a Drama Series
Michael McKean (“Better Call Saul”)
Glynn Turman (“How To Get Away With Murder)”
Kumail Nanjiani (“The Twilight Zone”)
Bradley Whitford (“The Handmaid’s Tale”)
Michael Angarano (“This Is Us”)
Ron Cephas Jones (“This Is Us”)
Outstanding Guest Actress in a Drama Series
Jessica Lange (“American Horror Story: Apocalypse”)
Carice van Houten (“Game of Thrones”)
Laverne Cox (“Orange Is The New Black”)
Cicely Tyson (“How To Get Away With Murder”)
Cherry Jones (“The Handmaid’s Tale”)
Phylicia Rashad (“This Is Us”)
Outstanding Directing for a Drama Series
Game of Thrones “The Last Of The Starks”
Game of Thrones “The Long Night”
Game of Thrones “The Iron Throne”
Killing Eve “Desperate Times”
Ozark “Reparations”
Succession “Celebration”
The Handmaid’s Tale “Holly”
Outstanding Writing for a Drama Series
Better Call Saul “Winner”
Bodyguard “Episode 1”
Game of Thrones “The Iron Throne”
Killing Eve “Nice And Neat”
Succession “Nobody Is Ever Missing”
The Handmaid’s Tale “Holly”
Outstanding Comedy Actor
Bill Hader (“Barry”)
Don Cheadle (“Black Monday”)
Anthony Anderson (“Black-ish”)
Eugene Levy (“Schitt’s Creek”)
Ted Danson (“The Good Place”)
Michael Douglas (“The Kominsky Method”)
Outstanding Comedy Actress
Christina Applegate (“Dead to Me”)
Phoebe Waller-Bridge (“Fleabag”)
Catherine O’Hara (“Schitt’s Creek”)
Natasha Lyonne (“Russian Doll”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Julia Louis-Dreyfus (“Veep)
Outstanding Supporting Actor in a Comedy Series
Henry Winkler (“Barry”)
Anthony Carrigan (“Barry”)
Stephen Root (“Barry”)
Tony Hale (“Veep”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)
Alan Arkin (“The Kominsky Method”)
Outstanding Supporting Actress in a Comedy Series
Sarah Goldberg (“Barry”)
Sian Clifford (“Fleabag”)
Olivia Colman (“Fleabag”)
Betty Gilpin (“GLOW”)
Marin Hinkle (“The Marvelous Mrs. Maisel”)
Kate McKinnon (“Saturday Night Live”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Anna Chlumsky (“Veep”)
Outstanding Guest Actor in a Comedy Series
Robert De Niro (“Saturday Night Live”)
John Mulaney (“Saturday Night Live”)
Adam Sandler (“Saturday Night Live”)
Matt Damon (“Saturday Night Live”)
Luke Kirby (“The Marvelous Mrs. Maisel”)
Rufus Sewell (“The Marvelous Mrs. Maisel”)
Peter MacNicol (“Veep”)
Outstanding Guest Actress in a Comedy Series
Fiona Shaw (“Fleabag”)
Kristin Scott Thomas (“Fleabag”)
Emma Thompson (“Saturday Night Live”)
Sandra Oh (“Saturday Night Live”)
Maya Rudolph (“The Good Place”)
Jane Lynch (“The Marvelous Mrs. Maisel”)
Outstanding Directing for a Comedy Series
“Barry” (“The Audition”)
“Barry” (“ronny/lily”)
“Fleabag” (“Episode 1”)
“The Big Bang Theory” (“Stockholm Syndrome”)
“The Marvelous Mrs. Maisel” (“All Alone”)
“The Marvelous Mrs. Maisel” (“We’re Going To The Catskills!”)
Outstanding Writing for a Comedy Series
“Barry” (“ronny/lily”)
“Fleabag” (“Episode 1”)
“PEN15” (“Anna Ishii-Peters”)
“Russian Doll” (“Nothing In This World Is Easy”)
“Russian Doll” (“A Warm Body”)
“The Good Place” (“Janet(s)”)
“Veep” (“Veep”)
Outstanding Lead Actor in a Limited Series
Mahershala Ali (“True Detective”)
Hugh Grant (“A Very English Scandal”)
Benicio del Toro (“Escape At Dannemora”)
Sam Rockwell (“Fosse/Verdon”)
Jared Harris (“Chernobyl”)
Jharrel Jerome (“When They See Us”)
Outstanding Lead Actress in a Limited Series
Amy Adams (“Sharp Objects”)
Patricia Arquette (“Escape At Dannemora”)
Michelle Williams (“Fosse/Verdon”)
Joey King (“The Act”)
Aunjanue Ellis (“When They See Us”)
Niecy Nash (“When They See Us”)
Outstanding Supporting Actor in a Limited Series
Ben Whishaw (“A Very English Scandal”)
Stellan Skarsgard (“Chernobyl”)
Paul Dano (“Escape at Dannemora”)
John Leguizamo (“When They See Us”)
Michael K. Williams (“When They See Us”)
Asante Black (“When They See Us”)
Outstanding Supporting Actress in a Limited Series
Emily Watson (“Chernobyl”)
Patricia Clarkson (“Sharp Objects”)
Marsha Stephanie Blake (“When They See Us”)
Vera Farmiga (“When They See Us”)
Patricia Arquette (“The Act”)
Margaret Qualley (“Fosse/Verdon”)
Outstanding Television Movie
“Bandersnatch (Black Mirror)”
“Brexit”
” King Lear”
“My Dinner with Hervé”
Outstanding Short Form Variety Series
“Billy On The Street”
“Carpool Karaoke: The Series”
“Gay Of Thrones”
“Honest Trailers”
“The Randy Rainbow Show”
Outstanding Competition Program
“American Ninja Warrior”
“RuPaul’s Drag Race”
“Nailed It!”
“The Amazing Race”
“The Voice”
“Top Chef”
Outstanding Host for a Reality or Competition Program
Ellen DeGeneres (“Ellen’s Game of Games”)
RuPaul (“RuPaul’s Drag Race”)
Amy Poehler and Nick Offerman (“Making It”)
James Corden (“The World’s Best”)
Marie Kondo (“Tidying Up With Marie Kondo”)
Outstanding Structured Reality Program
“Antiques Roadshow”
“Diners, Drive-Ins, and Dives”
“Queer Eye”
“Shark Tank”
“Tidying Up With Marie Kondo”
“Who Do You Think You Are?”
Outstanding Unstructured Reality Program
“Born This Way”
“Deadliest Catch”
” Life Below Zero”
“RuPaul’s Drag Race: Untucked”
“Somebody Feed Phil”
“United Shades of America with W. Kamau Bell”
Out & About
Blade Foundation to host fundraiser in Rehoboth on Sept. 12
Mayor-elect Stewart, state Rep. Snyder-Hall to give remarks
The Washington Blade Foundation will host a fundraiser on Saturday, Sept. 12 in Rehoboth Beach featuring remarks from Rehoboth’s Mayor-elect Susan Stewart and Delaware state Rep. Claire Snyder-Hall.
The Foundation funds fellowships for aspiring queer journalists and enterprise journalism projects.
The event will be held at a private home in Rehoboth. Tickets are $100 and include open bar from Diego’s, catered appetizers from the Blue Moon, entertainment, guest speakers, and an auction. Tickets are available here.
Books
New book examines fashionista Audrey Smaltz’s fabulous life
‘Every Inch a Lady’ reveals finding true love with another woman
‘Every Inch a Lady’
By Audrey Smaltz with Alina Mitchell
c.2026, Amistad
$27.99/256 pages
Snaps, zippers, buttons, ties.
Toss that garment on, pull it up, wrap it around, you know what you like and how to wear it. The color is perfect for your skin tone, the fabric enhances your form. Yep, you always look your best and, as in the new book “Every Inch a Lady” by Audrey Smaltz (with Alina Mitchell), that best is fabulous.
”Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her, they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.
“That,” says Smaltz, “is not what ladies did.”
By the time she was a teenager, Smaltz was modeling for New York City designers. Shortly thereafter, she started working for a married man with whom she had an affair, and whom she loved very much. She broke up with him, attended college, worked a series of jobs that taught her about fashion and jobs that didn’t seem to fit her. An ill-fated marriage took her to Chicago where she ultimately landed a position that sent her to work in Ebony magazine’s New York office.
Working at Ebony was a career-changer, in a way. Smaltz was able to travel the world and learn more about fashion, but she didn’t exactly get along with her boss.
Finally, seizing an opportunity, Smaltz decided to launch her own company, Audrey Smaltz, Inc., a “fashion production business,” but she couldn’t get any designers to take a chance on her. Undaunted, she reorganized, re-branded, hit the streets, and knocked on doors until she finally found one client, which led to many others.
Through it all, her personal life was a whirlwind. She dated “more men than you can shake a book at,” settling down occasionally, briefly. Fashion had always been her first love, but she accidentally found real love, “the love of a woman,” at a leadership course.
There’s an old saying that writers need to add lots of “color” into their stories. Read a little of “Every Inch a Lady,” and you’ll notice immediately that author Audrey Smaltz (with Alina Mitchell) quite literally takes that to heart by mentioning nearly every color of the spectrum here. Hmm.
That oddity aside, Smaltz is a wonderfully lively storyteller, speaking with the energy of a woman much younger to the heart of anyone who loves fashion. That glee extends to collectors of vintage clothing, who will be delighted to read about the industry long ago and the way things worked then. Smaltz says she experienced racism, which is not unusual for pre-Civil Rights America, but doors were surprisingly closed for other reasons that will astound anyone who’s savvy about the fashion industry, even today.
There’s quite a bit of name-dropping in this book but most of it belongs in the anecdotes, so you likely won’t mind. If you’re a fashionista, too, find “Every Inch a Lady,” and snap it up.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
Actress takes on bisexual ‘Ma’ Rainey in new Round House production
Haskins relishes playing ‘impassioned Black woman who sticks to her guns’
‘Ma Rainey’s Black Bottom’
Sept. 9-Oct. 11
Round House Theatre
4545 East-West Highway
Bethesda, MD 20814
$50 and up
Roundhousetheatre.org
Among the Black blues women of the 1920s and 1930s, being “in the life” wasn’t uncommon. Self-supporting and often on the road, they followed the Great Northern Migration to places like Chicago and Harlem, where they lived independent lives, made music, enjoyed same-sex relationships, and partied with like-minded ladies.
Gertrude “Ma” Rainey, best known as the “mother of the blues,” fit the bill. A big star, Ma toured the country and sold hit records nationwide. She lived an openly bisexual life.
In 1925, hosting an “indecent” all-female party at a Chicago apartment, landed Ma in jail, but blues singer Bessie Smith, Ma’s protégée and erstwhile girlfriend, promptly bailed her out. Three years later, Ma released a popular track whose lyrics included “Went out last night with a crowd of my friends / They must’ve been women, ’cause I don’t like no men.”
She was also a woman who knew her value. Ma’s voice was a powerful passport.
Ma Rainey is the ultimate force of strength and resistance in August Wilson’s 1982 play, “Ma Rainey’s Black Bottom,” the first of the late playwright’s brilliant Century Cyle, a collection of mostly Pittsburgh-set plays that chronicle the 20th century African-American experience.
Poised to kick off a month-long run at Round House (Sept. 9-Oct. 11), the production (co-produced with Olney Theatre Center) is directed by Lili-Anne Brown and features out actor and powerhouse vocalist Nicole Michelle Haskins making her Round House debut as Ma Rainey.
Set in a Chicago recording studio in 1927, the drama follows Ma, her Black band members and white producers as they try to record a new album of her sons. Tensions over artistic control, racial exploitation, and personal ambitions come to the fore. Amid the difficulties and a fair bit of humor, arises a serious clash involving hotheaded young trumpet player Levee (Yao Dogbe) who wants to alter musical arrangements on the titular song.
Playing blues icon Ma Rainey wasn’t on Haskins’s radar. Because the bulk of her work is in musical theater, Haskins never foresaw being tapped to do a Wilson play.
“It’s kind of like Shakespeare. Not restrictive but respected; not everyone gets a ticket to the party. So, I figured that I just wouldn’t pursue that,” she says matter-of-factly.
However, fate would dictate differently. Haskins and director Brown are longtime friends and collaborators. They recently worked together on “The Color Purple” at Chicago’s prestigious Goodman Theatre where Haskins played Sofia, another powerful Black woman who, not unlike Ma, is navigating life in a patriarchal white world.
When the opportunity came up to play Ma at Round House, Brown encouraged Haskins to audition. She did and got the part. “I’m so grateful to be working with a wonderful director like Lili-Anne, especially during my introduction to Wilson’s work. He is a theater god, and I’m swept every day.”
And is it special to be queer and playing queer? “For me, it’s special to play any role where there is an impassioned Black woman who sticks to her guns and fights for the things she deserves. Her sexuality is the icing on the cake.”
The production adheres to Wilson’s text and the text describes a woman who is in a relationship with another woman. Though her sexuality is provocative, it’s not the only thing about her that’s compelling. She’s also portrayed as an artist, businesswoman, and a loving aunt.
Haskins, a New York-based actor who made her name on the Chicago theater scene, grew up in Detroit. At 12, she became involved with the Mosaic Youth Theatre of Detroit; after high school she went on to earn a BFA at Detroit’s Wayne State University. Detroit is also where Haskins learned storytelling: “It’s very natural for a Detroit native to greet people on the street. There’s an expectation to be open to someone else’s story and to share your own. I’ve done this many times.”
Queer characters are famously underrepresented in Wilson’s work. “I see that, but do we really know for sure? After the first day’s read through of the play, some of the actors, for different reasons, wondered if in addition to Ma, perhaps one or two of the other characters might be queer too. Now wouldn’t that be interesting? That’s something I’d like to see.”
Blade Foundation to host fundraiser in Rehoboth on Sept. 12
New book examines fashionista Audrey Smaltz’s fabulous life
Actress takes on bisexual ‘Ma’ Rainey in new Round House production
‘Here the Whole Time’ delivers queer coming-of-age comedy
Pentagon expands testosterone screening as trans troops face hormone therapy restrictions
Markey’s primary win deemed success for LGBTQ activists
The mastery of love
Enlarging the Supreme Court keeps making more sense
Gloria Steinem dies at 92
