Arts & Entertainment
Queer identity paramount to Frenchie Davis’ identity
‘Idol,’ ‘Voice’ and Broadway alum to perform at Blade Gala

Frenchie Davis is not only a bisexual singer, actress and activist, she’s also an avid fan of the 1980s television series, “The Golden Girls.”
“You know, Bea Arthur didn’t get her first television job until she was almost 50 years old,” Davis says during a Blade interview. “You have to blaze your own trail. So, don’t try to follow my footsteps because I don’t even know where the hell they lead yet because I’m still walking them.”
Davis’ professional journey began when she left California to study theater at Howard University by day and sing in D.C.’s drag clubs at night. She performs Friday night at the Blade’s 50th Anniversary Gala.
“I sang at the Edge, at Tracks, at all the old clubs,” Davis, 40, says. “Because we tip our performers. Those tips bought groceries and paid for books.”
She credits those early experiences with helping her grow not only as a performer but as a person, and says “they were my aunts, uncles and surrogate parents.”
While still a student, Davis traveled to Germany as a “Little Shop of Horrors” cast member before returning to audition for “American Idol.” The community came through again and helped pay her way to New York.
“Every dollar raised for me to go was from someone who believed in me, so I was like, ‘Damn, now I have to see this shit through.’”
Davis delivered performances notable for both her talent and controversy. She points out she grew from that experience, which led to several Broadway and other stage performances.
“I knew Frenchie from ‘Rent,’” says bisexual writer, producer and actor J.C. Gonzalez. “As I was the first understudy to the original ‘Angel.’ She joined the cast after I had left, but everyone knows everyone on Broadway.”
Davis also marveled at all of the notable actors she came to know and work with over the years, including Billy Porter, who this year became the first openly gay black man to win an Emmy award for outstanding leading actor for his work in “Pose.” Davis and Porter worked together on “Dreamgirls” in 2004.
“Just being able to share the stage with talented people who are members of this community and opening doors for other people,” Davis says. “That’s really powerful and I feel really proud to be a part of that.”
In 2017 she received the Jose Esteban Munoz award from the Center for LGBTQ Studies (CLAGS) at the Graduate Center, CUNY for her portrayal as the butch bartender “Henri” in “The View UpStairs.”
The UpStairs Lounge was a New Orleans’ gay bar that was the target of an arson attack in 1973. It was the deadliest gay club massacre in the U.S. prior to the 2016 Pulse shooting.
“The reason we don’t know much about it is because it was the early ’70s,” Davis says. “And the few who survived the fire were so afraid of being outed that nobody ever talked about it.”
Davis and other cast members pored over police photos while preparing for the production. She recalls being moved by the burned body of a young man who failed to escape out a window.
“There was a straight club across the street,” she says. “And nobody there tried to help. Someone even said, ‘At least it burned their dresses off.’ That broke me.”
The experience and the award reaffirmed Davis’ connection to the community. But that connection hasn’t been an easy one.
“We have to acknowledge that there are racists in our community. I’ve heard white gay people use the (n-word),” Davis says, feeling an inconsistency between how people of color are treated for homophobia compared to how LGBT people are treated for racism.
“And don’t get me started on bi-phobia,” she says. “We all know of a (lesbian) who got pregnant for having sex with a guy. We all know one. So, it’s not as cut and dry as our community often places pressure on people to make it.”
Davis says life is complex and she’s even open to a polyamorous situation because of her demanding work schedule, which was a source of frustration in her previous relationship.
“It was hard because I traveled a lot. … If I’m singing on a cruise ship, I’m in the middle of the ocean, I might not be able to call you.”
For now, Davis is looking to upcoming holiday concerts in San Diego and Palm Springs as well as dropping a couple of indie mixtapes of covers called “Blunts and Alkaline Water” and “Coffee and Cocktails.” The first merges her love of acoustic cabaret and her love of hip hop. The second is a collection of her favorite jazz standards and Broadway hits.
“People love me for staying in this business for so long while maintaining my authentic self,” she says. “Others may make a lot of money but may not know who they are looking at in the mirror. I feel immense gratitude for being able to be real-life happy and enjoying the journey.”
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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