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Queer identity paramount to Frenchie Davis’ identity

‘Idol,’ ‘Voice’ and Broadway alum to perform at Blade Gala

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Frenchie Davis, gay news, Washington Blade
Frenchie Davis says she’s been honored to work with many out performers on the Great White Way. (Washington Blade file photo by Michael Key))

Frenchie Davis is not only a bisexual singer, actress and activist, she’s also an avid fan of the 1980s television series, “The Golden Girls.”

“You know, Bea Arthur didn’t get her first television job until she was almost 50 years old,” Davis says during a Blade interview. “You have to blaze your own trail. So, don’t try to follow my footsteps because I don’t even know where the hell they lead yet because I’m still walking them.” 

Davis’ professional journey began when she left California to study theater at Howard University by day and sing in D.C.’s drag clubs at night. She performs Friday night at the Blade’s 50th Anniversary Gala.

“I sang at the Edge, at Tracks, at all the old clubs,” Davis, 40, says. “Because we tip our performers. Those tips bought groceries and paid for books.”

She credits those early experiences with helping her grow not only as a performer but as a person, and says “they were my aunts, uncles and surrogate parents.”

While still a student, Davis traveled to Germany as a “Little Shop of Horrors” cast member before returning to audition for “American Idol.” The community came through again and helped pay her way to New York.

“Every dollar raised for me to go was from someone who believed in me, so I was like, ‘Damn, now I have to see this shit through.’”

Davis delivered performances notable for both her talent and controversy. She points out she grew from that experience, which led to several Broadway and other stage performances.

“I knew Frenchie from ‘Rent,’” says bisexual writer, producer and actor J.C. Gonzalez. “As I was the first understudy to the original ‘Angel.’ She joined the cast after I had left, but everyone knows everyone on Broadway.” 

Davis also marveled at all of the notable actors she came to know and work with over the years, including Billy Porter, who this year became the first openly gay black man to win an Emmy award for outstanding leading actor for his work in “Pose.” Davis and Porter worked together on “Dreamgirls” in 2004.

“Just being able to share the stage with talented people who are members of this community and opening doors for other people,” Davis says. “That’s really powerful and I feel really proud to be a part of that.”

In 2017 she received the Jose Esteban Munoz award from the Center for LGBTQ Studies (CLAGS) at the Graduate Center, CUNY for her portrayal as the butch bartender “Henri” in “The View UpStairs.”

The UpStairs Lounge was a New Orleans’ gay bar that was the target of an arson attack in 1973. It was the deadliest gay club massacre in the U.S. prior to the 2016 Pulse shooting. 

“The reason we don’t know much about it is because it was the early ’70s,” Davis says. “And the few who survived the fire were so afraid of being outed that nobody ever talked about it.”

Davis and other cast members pored over police photos while preparing for the production. She recalls being moved by the burned body of a young man who failed to escape out a window. 

“There was a straight club across the street,” she says. “And nobody there tried to help. Someone even said, ‘At least it burned their dresses off.’ That broke me.”

The experience and the award reaffirmed Davis’ connection to the community. But that connection hasn’t been an easy one. 

“We have to acknowledge that there are racists in our community. I’ve heard white gay people use the (n-word),” Davis says, feeling an inconsistency between how people of color are treated for homophobia compared to how LGBT people are treated for racism. 

“And don’t get me started on bi-phobia,” she says. “We all know of a (lesbian) who got pregnant for having sex with a guy. We all know one. So, it’s not as cut and dry as our community often places pressure on people to make it.”

Davis says life is complex and she’s even open to a polyamorous situation because of her demanding work schedule, which was a source of frustration in her previous relationship. 

“It was hard because I traveled a lot. … If I’m singing on a cruise ship, I’m in the middle of the ocean, I might not be able to call you.”

For now, Davis is looking to upcoming holiday concerts in San Diego and Palm Springs as well as dropping a couple of indie mixtapes of covers called “Blunts and Alkaline Water” and “Coffee and Cocktails.” The first merges her love of acoustic cabaret and her love of hip hop. The second is a collection of her favorite jazz standards and Broadway hits.

“People love me for staying in this business for so long while maintaining my authentic self,” she says. “Others may make a lot of money but may not know who they are looking at in the mirror. I feel immense gratitude for being able to be real-life happy and enjoying the journey.” 

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PHOTOS: Equality Prince William Pride

Fourth annual event held in Old Town Manassas

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Muffy Blake Stephyns performs at 2025 Prince William Equality Pride. (Washington Blade photo by Michael Key)

The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.

(Washington Blade photos by Michael Key)

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PHOTOS: Blade Summer Kickoff Party

Gov. Meyer speaks at annual Rehoboth event

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Delaware Gov. Matt Meyer speaks at the Washington Blade's 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. (Washington Blade photo by Daniel Truitt)

The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting. 

(Washington Blade photos by Daniel Truitt)

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Dining

Lucky Pollo stretches its wings at 14th and U

Come for the chicken, stay for the cock

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Lucky Pollo opened its doors last week above District Eagle.

In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”

Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.

Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.

Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.

“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.

Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”

Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.

Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.

Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.

Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.

Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.

Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”

The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.

Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.

“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.

On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”

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