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Brit writer Jeanette Winterson is clever and funny in new novel ‘Frankissstein’

Breezy tale tells two stories and updates legend of classic ‘Frankenstein’ novel

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Frankissstein book review, gay news, Washington Blade
(Image courtesy Grove Press)

‘Frankissstein: A Love Story’
By Jeanette Winterson
Grove Press
$27
340 pages

Sex dolls for Jesus! Mary Shelley’s nipples! Disembodied hands! Monsters!   

These are among the many tricks and treats to be found in Jeanette Winterson’s playful new novel “Frankissstein: A Love Story.” If you’re looking for a sexy, queer, thought-provoking read this Halloween season, “Frankissstein” will hit your sweet spot.

Winterson’s work is known for its inventiveness with language and gender fluidity. Most of us would be intimidated if we met William Shakespeare or Virginia Woolf at a dinner party, but Winterson could give either a run for their money.

Winterson, who is 60 and queer, was born in Manchester, U.K. She was adopted by Pentecostal Christian parents. “The trouble with a book is that you never know what’s in it till it’s too late,” Winterson’s mother told her.

Today, Winterson, an Officer of the Order of the British Empire and Professor of New Writing at the University of Manchester, is married to author Susie Orbach.

Winterson’s 1985 Whitbread Prize-winning debut novel “Oranges Are Not the Only Fruit” was life-changing for many. When lesbians were rarely portrayed positively in fiction, “Oranges” featured a lesbian coming to terms with her sexuality.

“Frankissstein” isn’t as groundbreaking as “Oranges” and some of Winterson’s other novels, yet, it doesn’t disappoint: it’s timely and queer in all senses of the word — from eccentric to gender-bending.

As you’d expect from Winterson, “Frankissstein,” which was longlisted for this year’s Booker Prize, is an eclectic work. Through historical fiction and speculative fiction, it intertwines two stories.

The first tale in “Frankissstein” is about Marry Shelley. It’s 1816. Shelley, 18, is hanging out in the Alps with her husband the poet Percy B. Shelley, the poet Lord Byron and some of their friends and relations. Mary, Percy and Byron compete to see who can write the best horror story. Mary wins the contest with her novel “Frankenstein; or, The Modern Prometheus” (published in 1818).

No, Frankenstein isn’t the monster. In “Frankenstein,” Victor Frankenstein, a scientist, becomes obsessed with the idea of creating a being that will come to life. Unfortunately, the creature comes to life with tragic results. In Winterson’s telling, Shelley has become obsessed, even in love with Victor, her creation.

Few novels have had more of an impact on pop culture than “Frankenstein” — from the 1931 film of the novel starring Boris Karloff, directed by queer filmmaker James Whale, to “The Rocky Horror Picture Show.”

“Frankissstein” spices up the pop culture mix.  

“My nipples are like the teats of a rain god,” Mary Shelley says after walking naked outside in a storm.

She stands up to sexism when Byron claims that the “life-spark is male.”

If the only professions open to you were being a nurse or governess, Mary asks Byron, would you be a “life-spark?”

Besides, she adds, “no living man has yet given birth to anything living.”

The second story in “Frankissstein” is set in the present in the United Kingdom and Memphis, Tenn.  There’s Ry, a trans doctor, who identifies as a “hybrid.” Ry’s preferred pronoun is “they.” They are in love with Victor Stein.

Stein is a renowned cryogenics expert (he gives Ted Talks). He wants to find a way of becoming post human, of getting us out of our decaying and dead bodies. How will this happen? By animating our deadened brains in digital form. Ry, who collects body parts for him, feels at times, like a “body-snatcher.” The things we do for love!

There’s a queer-quotient in Stein’s thinking. Once we’ve become post human, he thinks, there’ll be no more binaries, no more labels. “The gods appeared in human form and animal form,” Stein says, “and they changed others into trees or birds. Those were stories about the future.”

This may sound too macabre or overly didactic. “Frankissstein” is a novel of ideas. A few scenes are weighed down by metaphysical forays.

But don’t be put off. The novel is replete with spot-on satire, from the stinginess and egotism of Lord Byron to “XX-bot” maker Ron Lord who loves his mum to Claire, an evangelical Christian who’s into sex dolls for Jesus. Even as you laugh out loud, you care about these characters and their worlds. 

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Books

Celebrate Pride month by reading these books

History, pop culture, and more

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(Photo courtesy of Terri Schlichenmeyer)

You’ve done your share of marching.

You’re determined to wring every rainbow-hued thing out of this month. The last of the parties hasn’t arrived yet, neither have the biggest celebrations and you’re primed but – OK, you need a minute. So pull up a chair, take a deep breath, and read these great books on gay history, movies, and more.

You probably don’t need to be told that harassment and discrimination was a daily occurrence for gay people in the past (as now!), but “American Scare: Florida’s Hidden Cold War on Black and Queer Lives” by Robert W. Fieseler (Dutton, $34) tells a story that runs deeper than you may know. Here, you’ll read a historical expose with documented, newly released evidence of a systemic effort to ruin the lives of two groups of people that were perceived as a threat to a legislature full of white men.

Prepared to be shocked, that’s all you need to know.

You’ll also want to read the story inside “The Many Passions of Michael Hardwick: Sex and the Supreme Court in the Age of AIDS” by Martin Padgett (W.W. Norton & Company, $31.99), which sounds like a novel, but it’s not. It’s the story of one man’s fight for a basic right as the AIDS crisis swirls in and out of American gay life and law. Hint: this book isn’t just old history, and it’s not just for gay men.

Maybe you’re ready for some fun and who doesn’t like a movie? You know you do, so you’ll want “Sick and Dirty: Hollywood’s Gay Golden Age and the Making of Modern Queerness” by Michael Koresky (Bloomsbury, $29.99). It’s a great look at the Hays Code and what it allowed audiences to see, but it’s also about the classics that sneaked beneath the code. There are actors, of course, in here, but also directors, writers, and other Hollywood characters you may recognize. Grab the popcorn and settle in.

If you have kids in your life, they’ll want to know more about Pride and you’ll want to look for “Pride: Celebrations & Festivals” by Eric Huang, illustrated by Amy Phelps (Quarto, $14.99), a story of inclusion that ends in a nice fat section of history and explanation, great for kids ages seven-to-fourteen. Also find “Are You a Friend of Dorothy? The True Story of an Imaginary Woman and the Real People She Helped Shape” by Kyle Lukoff, illustrated by Levi Hastings (Simon & Schuster, $19.99), a lively book about a not-often-told secret for kids ages six-to-ten; and “Papa’s Coming Home” by Chasten Buttigieg, illustrated by Dan Taylor (Philomel, $19.99), a sweet family tale for kids ages three-to-five.

Finally, here’s a tween book that you can enjoy, too: “Queer Heroes” by Arabelle Sicardi, illustrated by Sarah Tanat-Jones (Wide Eyed, $14.99), a series of quick-to-read biographies of people you should know about.

Want more Pride books? Then ask your favorite bookseller or librarian for more, because there are so many more things to read. Really, the possibilities are almost endless, so march on in.

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Books

I’m a lesbian and LGBTQ books would have changed my life

Misguided parents pushing Montgomery County court case

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(Photo by gOrlica/Bigstock)

As a child born in Maryland in the 80’s, I had very few LGBTQ+ role models other than Elton John and Ellen DeGeneres. In high school, I went through the motions of going out on Friday nights with boyfriends and dancing with them at prom, but I felt nothing. I desperately wanted to fit in, and it took me until my senior year of high school to finally admit to myself that I was different – and that it hurt too much to hide it anymore. 

When I think back on those years, I feel the heartache and pain all over again. I used to lay awake at night begging God not to make me gay. When a boy on my Cross Country team accused me and my friends of being lesbians, I scoffed and said, “You wish.” I hid my true self in cheap wine coolers while my hate for myself festered. 

I found healing in books, my creative writing class, and my school’s literary magazine. Writing allowed me to hold up a mirror to myself and see that I could be many things: a loving daughter and sister, a supportive friend, a dedicated member of the Cross Country team, and also a girl who wanted a girlfriend. In my love poems, I evolved from ambiguous pronouns to distinctly feminine ones. When I felt ready to tell my best friend, I showed her one of my poems. To my surprise, the world did not end. She smiled and said, “It’s a good poem. Are you ready to go to the mall?” 

I’m one of the lucky ones. When I finally did come out to my parents, they told me they would always love me and want me to be happy. That’s not the case for more than 40% of LGBTQ+ youth, who are kicked out of their homes after they find the courage to tell their family who they truly are. We are facing a mental health epidemic among LGBTQ+ youth, with 41% seriously considered attempting suicide in the past year, the vast majority living in homes that aren’t accepting. 

Some of the dissenting parents in Mahmoud vs. Taylor argue that inclusive books aren’t appropriate for elementary school kids. To clarify, these books are simply available in schools – they aren’t required reading for anyone. There is nothing sexual or provocative about stories like “Uncle Bobby’s Wedding” or “Jacob’s Room to Choose” that send a very simple, non-political message: We all are different, and we all deserve to be treated with respect. Opting out of books that show diversity, out of fear that it might “make kids gay” fails to recognize a fundamental truth: art, pop culture, even vegan food cannot make someone gay. I was born this way. There were times I wished that I wasn’t, and that was because I didn’t have books like these telling me it was OK to be who I am. 

I wonder how many parents opting out of these books will end up having a LGBTQ+ child. It is both horrible and true that these parents have two choices: love and accept your LGBTQ+ child, or risk losing them. Now that I’m a parent myself, I feel more than ever that our one aim in parenthood is to love our kids for exactly who they are, not who we want them to be. 

For several years, a grocery store in Silver Spring, Md., displayed a poem I wrote for my mother in my school’s literary magazine. I wrote about how she taught me that red and blue popples can play together, and that Barbie doesn’t need Ken to be happy. I imagine that maybe, a girl passing through the store read that poem and saw a glimpse of herself inside. That spark of recognition – of I’m not the only one – is all I wanted as a child. I was able to find my happiness and my community, and I want every LGBTQ+ child to be able to do the same. 


Joanna Hoffman was born and raised in Silver Spring, Md. She is the author of the poetry collection ‘Running for Trap Doors’ (Sibling Rivalry Press) and is the communications director for LPAC, the nation’s only organization dedicated to advancing the political representation of LGBTQ+ women and nonbinary candidates. 

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Books

A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

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(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

The Blade may receive commissions from qualifying purchases made via this post.

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