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Late Broadway legend Elaine Stritch celebrated in new bio

‘Still Here’ rife with funny, frank tales of gay icon

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Elaine Stritch, gay news, Washington Blade
Elaine Stritch (Photo courtesy Farrar, Straus and Giroux)

‘Still Here: The Madcap, Nervy, Singular Life of Elaine Stritch’

By Alexandra Jacobs

Farrar, Straus and Giroux

$28

352 pages

Fuck! This is a fab read!

Don’t be put off! Long before everyone used the profanity, Elaine Stritch, the queer icon, actress and singer, known as “Broadway’s enduring dame,” embraced the f-word. With her gender-bending white men’s shirts and black tights, it was part of her inimitable style.  

Everyone from Noel Coward to Elton John adored Stritch, who died at age 89 in 2014. She won a Tony Award for her 2001 one-woman show “Elaine Stritch At Liberty” and  an Emmy for her work on “Law and Order.” Her iconic interpretation of Stephen Sondheim’s song “The Ladies Who Lunch” in the 1970 musical “Company” earned her lasting acclaim. Stritch aficionados loved it when she appeared as the mother of Jack Donaghy (Alec Baldwin) on NBC’s “30 Rock.”  

Yet, she had a drinking problem and could be difficult to work with. Many, including Harold Prince, thought Stritch was an “employment risk” and a “pain in the ass.”

“How do you solve a problem like Elaine Stritch?” Nathan Lane asked at her memorial service. “How do you hold a fucking moonbeam in your hand?”

Fasten your seatbelts! “Still Here,” a new bio by Alexandra Jacobs, will take you on a fast-moving ride through Stritch’s glamorous, funny, sad, fascinating, lonely life. Along the way, you’ll encounter celebs from Marlon Brando to Rock Hudson to Bea Arthur.

Stritch was born to an upper-middle-class Catholic family in Detroit.  

“The Stritches were committed but not strict Catholics,” Jacobs writes.

Yet, her family “put the convent in conventional.”

Stritch went to a convent school and Cardinal Samuel Stritch was her cousin. Years later, the columnist Earl Wilson erroneously reported that Stritch was the Cardinal’s daughter.  

One day, “she went to meet the holy man in person,” Jacobs writes. “Ushered in by a nun, she sat down on a red-backed seat with a stool under it. ‘Elaine, that’s my chair,’ he told her.”

From childhood on, Stritch wanted to be in show business. At age 5, she fell in love with Fred Astaire and Ginger Rogers when an uncle took her to see “The Band Wagon” in New York.  

As a child playing on the porch one day, “Elaine fatally swatted enough flies to spell out her name,” Jacobs writes. “‘It was her way of supposing her name in lights,’ according to her friend Julie Keyes. ‘And that’s what billing is about,’ Elaine told her.”

When she was 18, Stritch left the convent school and suburban Detroit behind to make it in the theater in New York. Moving there in 1943 “as a young woman in pursuit of fun, music, nightclubs and theater with all the trimmings was fantastically auspicious,” Jacobs writes.

In the middle of World War II, It was the year when “Oklahoma!” (the “Hamilton” of its time) opened on Broadway and the first American Fashion Week was held. Elaine’s impatient personality was a perfect match, Jacobs writes, for the atmosphere of New York, which was “one of urgency and carpe diem in the face of an uncertain future.”

Some of the best writing in “Still Here” is Jacobs’ evocation of this period. Stritch is so excited when she goes to try-out for the road company of “Oklahoma!” that she forgets to put her skirt on. She goes on a date with Marlon Brando, one of her classmates in the Dramatic Workshop at the New School. They had a wild night: he read to her from “Wuthering Heights.”

Stritch dated many men from producer Jed Harris to actors Gig Young and Ben Gazzara. She had a crush on Rock Hudson. Later in life, she married actor John Bay.

Because of her “low voice; her style of dress and hair, which increasingly tended toward the masculine; her delay of marriage; her many gay friends,” Jacobs writes, people have wondered if Stritch was queer.

Though gender-bending in her style, Stritch wasn’t a lesbian, Jacobs says. Yet, she writes, Stritch was “without prejudice” toward homosexuality. “Live and let live,” Stritch would say. 

“Look into their eyes/And you’ll see what they know/Everybody dies,” Stritch sang in “The Ladies Who Lunch.”

Reading “Still Here” will make you feel as if Stritch, brought back to life, is looking into your eyes and singing just for you.

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Books

In ‘The Lost Brontë,’ a complicated lie can lead to danger

New book features sweetly romantic girl-meets-girl twist

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(Book cover image courtesy of Bywater Books)

‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages

Mom always said to tell the truth.

One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.

She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.

It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.

Uncle always did say she was headstrong.

But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?

Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!

The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?

This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.

If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.

If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.

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Books

Eliot Glazer’s new book an engaging collection of essays

From growing up gay to turning down ‘Queer Eye’

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(Book cover image courtesy of Gallery Books)

“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages

You try and you try.

Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.

He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.

Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.

Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.

The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.

As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…

So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.

Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.

Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.

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Books

Curl up with a good book this fall

New releases include mysteries, biographies, religion, and more

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(Book cover image courtesy Amazon)

The fall books season offers lots of options so curl up and get ready to read.

FICTION

For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?

If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.

Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a  young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.

So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.

NONFICTION

So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.

If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.

For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.

Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.

And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.

Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!

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