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After apology, Azealia Banks doubles down on homophobia

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Image via Instagram

In what might be described as a social media whirlwind over the last few days, controversial rapper Azealia Banks has apologized for one homophobic rant, before sending out a new one in a post that teased her retirement from music altogether.

It all started in October, when the 28-year-old Banks posted a video on Instagram in which she called out queer singer Frank Ocean a “dumbass n****” for launching a club event called “PrEP+” and implied that gay men use the drug as an excuse for promiscuous behavior.

In an expletive-laced rant, she said, “Clearly I have a lot of gay male friends. Do not take that PrEP shit, okay? There’s no reason for you to need to have a fucking pill so you can just fuck whoever you want to fuck and just be all fucking nasty out there on the streets acting a fucking fool.”

After suggesting that Ocean was “getting paid by some white gay corporation to do this shit,” she went on too add, ““Y’all stay off that fucking PrEP. You don’t need to have everybody running up in your fucking asshole all day. If you got a sex addiction like that, that you need a fucking pill so you can go fuck and suck and do all that, then you need to go see a fucking psychiatrist.”

At the time, Banks was heavily criticized for the video by LGBTQ and straight social media commenters alike. Then last week, just before Thanksgiving, the rapper made another Instagram post saying she was sorry for her previous outburst.

“Hey guys, So…. a few weeks ago I went on a rant about Pre-exposure prophylaxis meds and I am just doubling back to say…… I’m sorry,” she posted. “It’s not my place. It was extremely insensitive. Who cares if I meant well, that wasn’t the way. I’m really really sorry.”

Her change of heart was short-lived, however. Over the weekend, Banks doubled down on her homophobia in another Instagram story in which she also made a dig at fellow rapper Iggy Azalea – with whom she has a long-standing feud – and seemed to be announcing her departure from music altogether.

The post read:

“Lol, I love the gays and love how much y’all love me but I really have to eject. I think you guys are into a lot of shit/people I just don’t find value in. I find myself acknowledging/looking at shit I’m leagues above and it really is such a set back lol… I really, truly, honestly could not give a fuck about any of the people y’all suggest for me to collab with/acknowledge and I only do in efforts to humor y’all.

 “When so many of you are on here begging me to collab and acknowledge random people/artists it’s too distracting and I cannot keep going thru my art/journey with y’all in my face 24/7…

 “I really can’t allow y’all to keep throwing me in the bucket with Iggys/Tinashes/random drag queens just because I’m female and you guys play Barbie dream house with the names and create this culture of shared data.

“And it’s true… even though I’m DEFINITELY better than all these little trash bitches y’all stans try to collaging in with me…paying attention to any of it even for a second, is another second spent away from what I NEED TO BE DOING.

“So gays…… I bid you adieu…. These last 8 years were fun…. But I have to pull a Shia LaBeouf and delete this thing. It’s clear that so many of these girls feed off my art, But when I’m doubling back to snatch crumbs out their mouths it stops my journey forward.

“I’m like a giant baking pies and eating cakes trying to fault mice for collecting crumbs. Gotta leave the crumbs on the floor and let the eco-system do what it does. Azealia Banks is leaving the forest so you tree ass bitches can fall in silence.

“Happy Holidays and Happy New Year. It’s been real.”

Though she has previously identified as bisexual, Banks has a long history of homophobic comments. A Google search for “Azealia Banks + homophobia” yields a list of incidents dating back several years.

She has also announced her retirement before. In June, she claimed to be stepping away from music in a post that said, “[I]T DOESNT MATTER HOW GOOD MY MUSIC IS I KNOW YOU GUYS DONT DESERVE IT. YOU WILL NEVER GET ANOTHER BODY OF AZEALIA BANKS WORK AGAIN. HEAR ME!?!,” two months before releasing a new project titled “YUNG RAPUNXEL PT II.”

In a similar display of consistency, the rapper posted yet another Instagram story on December 2, this time saying, “Now I’m going back to LA to finish some music and just finish some videos. Prepare you bitches for another year of not being able to take Azealia Banks.”

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Theater

‘Hadestown’ comes to the Kennedy Center

Levi Kreis discusses return to live theater

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Levi Kreis is an out actor who plays Hermes in the national tour of ‘Hadestown’ soon opening at the Kennedy Center. (Photo courtesy of Levi Kreis)

Hadestown
Through Oct. 31
The Kennedy Center
$45.00 – $175.00
Kennedy-center.org
For Covid-19 safety regulations go to Kennedy-center.org/visit/covid-safety/

Early in September at New York’s Walter Kerr Theatre, out singer/actor Levi Kreis was in the audience for the long-awaited Broadway reopening of “Hadestown,” Anaïs Mitchell’s rousing musical reimagining of the Orpheus myth in which the legendary Greek hero descends into the underworld to rescue his lover Eurydice. 

After almost 18 months of pandemic-induced closure, the Tony Award-winning folk opera was back and the house was full. In a recent phone interview, Kreis describes the evening as “love-filled, and electrifying and emotional after such a difficult time.” Now, Kreis is onstage in the national tour of “Hadestown,” currently launching at the Kennedy Center. As Hermes, the shape-shifting god of oratory, Kreis is both narrator and chaperone to the story’s young lovers. 

A Tennessee native, Kreis, 39, has triumphantly survived turbulent times including a harrowingly prolonged coming out experience that included six years of conversion therapy, education disruptions, and music contract losses. He officially came out through his acclaimed album “One of the Ones” (2006), which features a collection of piano vocals about past boyfriends. And four years later, he splendidly won a Tony Award for originating the role of rock and roll wild man Jerry Lee Lewis in the rockabilly musical “Million Dollar Quartet.” 

Throughout much of the pandemic, Kreis leaned into his own music and found ways to reconnect with his largely gay fan base. But he’s happy to now be touring, noting that all the “Hadestown” cast have been hungering to perform before a real live audience.

When not on the road, he’s based in New York City with his husband, classical-crossover recording artist Jason Antone. 

WASHINGTON BLADE: Hermes is the same role for which André De Shields—the brilliant African American actor, also gay, and some decades your elder won a Tony and has resumed playing on Broadway, right?

LEVI KREIS: That’s right. It’s really a testament to the creative team. Rather than laying us over what Broadway created. They’re creating a tour that’s uniquely different; still true to the beauty of the story but with a different flavor. 

BLADE: What attracted you to the part?

KREIS: First, I fell in love with the show. My own musical sensibilities understand the origins of where this music comes from. It’s very bluesy and gospel. Southern and rootsy. And that’s everything I’ve created in my career as a singer/songwriter.

BLADE: With your life experience, do you feel called to mentor?

KREIS: The biggest effort I’ve given to this narrative is being a pioneer of the out-music movement starting in 2005 which was a moment when gay artists were not signed to major labels. I want through eight major labels—when they found out I was gay things always went south. 

It’s been amazing to be a voice in LGBTQ media when no one was speaking about these things. It’s popular now, but back when it mattered it was a lot harder to start my career as an openly gay artist and speak about these issues rather than keep quiet, cash in, and only then come out. 

BLADE: Where did that nerve come from?

KREIS: Less about nerve and more about being beaten down. How many things have to happen before you give up and decide to be honest?  

BLADE: For many theatergoers, “Hadestown” will be their return to live theater. Other than it being visionary and remarkably entertaining, why would you recommend it? 

KREIS: We need encouragement right now. But we also need art that facilitates a lot of important conversation about what’s happening in the world. This has both elements.  

“Hadestown” is not a piece of art that you easily forget. You’re going to walk out of the theater with a story that sticks with you. You’ll realized that your own voice matters. There’s a part in the show, Orpheus’ song, when the gods encourage him to get the balance of the world back again by telling him that his voice matters. 

BLADE: Is it timely?

KREIS: Art is here to change the world. And this piece of art hits the nail right on the head. I’m a purist when it comes to art and song. There’s a reason why we do it. people are listening now in a way they haven’t listened before. To miss that is to miss the role of society, I think. 

BLADE: And going forward? 

KREIS: It’s going to be interesting. We could double down on super commercialized theater or we may decide to really go the other direction and reclaim innovation. That remains to be seen. 

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Books

Book details fight to repeal ‘Don’t Ask, Don’t Tell’

Clinton-era policy was horrific for LGB servicemembers

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‘Mission Possible: The Story of Repealing Don’t Ask, Don’t Tell’
By C. Dixon Osburn
c.2021, self-published $35 hardcover, paperback $25, Kindle $12.99 / 450 pages

When Senior Airman Brandi Grijalva was stationed at Tyndall Air Force Base, she talked with a chaplain’s assistant about some problems she had at home. The chaplain’s assistant said what she told him would be confidential. But when she revealed that she was a lesbian, the chaplain’s assistant no longer kept her conversation with him confidential. Grijalva, after being investigated was discharged.

Craig Haack was a corporal in the Marines serving in Okinawa, Japan. Haack, who had made it through boot camp, felt confident. Until investigators barged into his barracks. Looking for evidence “of homosexual conduct,” they ransacked everything from his computers to his platform shoes. Haack was too stunned to respond when asked if he was gay.

In 1996, Lt. Col. Steve Loomis’ house was burned down by an Army private. The Army discharged the private who torched Loomis’ house. You’d think the Army would have supported Loomis. But you’d be wrong. The army discharged Loomis for conduct unbecoming an officer because a fire marshal found a homemade sex tape in the ashes.

These are just a few of the enraging, poignant, at times absurd (platform shoes?), all-too-true stories told in “Mission Possible: The Story of Repealing Don’t Ask, Don’t Tell” by C. Dixon Osburn.

As a rule, I don’t review self-published books. But “Mission Possible” is the stunning exception that proves that rules, on occasion, are made to be broken.

“Don’t Ask, Don’t Tell” (DADT) was the official U.S. policy on gay, lesbian and bisexual people serving in the military. Former President Bill Clinton announced the policy on July 19, 1993. It took effect on Feb. 28, 1994.

Sexual orientation was covered by DADT. Gender identity was covered by separate Department of Defense regulations.

Congress voted to repeal DADT in December 2010 (the House on Dec. 15, 2010, and the Senate on Dec. 18, 2010). On Dec. 22, 2010, Former President Barack Obama signed the repeal into law. 

DADT banned gay, lesbian and bisexual people who were out from serving in the U.S. military. Under DADT, it was not permitted to ask if servicemembers were LGB. But, LGB servicemembers couldn’t be out. They couldn’t talk about their partners, carry photos of their girlfriends or boyfriends or list their same-sex partner as their emergency contract.

It took nearly a year for the repeal of “Don’t Ask, Don’t Tell” to go into effect. On Sept. 20, 2011, Obama, Secretary of Defense Robert Gates and Adm. Mike Mullen, chairman of the Joint Chiefs of Staff “certified to Congress that implementing repeal of the policy {DADT} would have no effect on military readiness, military effectiveness, unit cohesion or recruiting and retention,” Osburn writes.

Before DADT, out LGBT people weren’t permitted to serve in the military. “Don’t Ask, Don’t Tell” was intended to be a compromise—a policy that would be less onerous on LGB people, but that would pass muster with people who believed that gay servicemembers would destroy military readiness, morale and unit cohesion.

Like many in the queer community, I knew that DADT was a horror-show from the get-go. Over the 17 years that DADT was in effect, an estimated 14,000 LGB servicemembers were discharged because of their sexual orientation, according to the Veterans Administration.

But, I had no idea how horrific “Don’t Ask, Don’t Tell” was until I read “Mission Possible.”              

In “Mission Possible,” Osburn, who with Michelle Benecke, co-founded the Servicemembers Legal Defense Network (SLDN), pulls off a nearly impossible hat trick.

In a clear, vivid, often spellbinding narrative, Osburn tells the complex history of the DADT-repeal effort as well as the stories of servicemembers who were pelted with gay slurs, assaulted and murdered under DADT.

Hats off to SLDN, now known as the Modern Military Association of America, for its heroic work to repeal DADT! (Other LGBTQ+ organizations worked on the repeal effort, but SLDN did the lion’s share of the work.)

You wouldn’t think a 450-pager about repealing a policy would keep you up all night reading. But, “Mission Possible” will keep you wide-awake. You won’t need the espresso.

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Arts & Entertainment

NSYNC star Lance Bass & husband Michael Turchin welcome twins

Singer, husband, and popular West Hollywood nightclub owner, now adds the job of ‘Dad’ to his resume

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Lance Bass and Michael Turchin via Instagram

WEST HOLLYWOOD – Former boy-band NSYNC star and co-owner of the popular LGBTQ+ nightspot Rocco’s, Lance Bass, announced that he and husband Michael Turchin are the proud parents of twins, Violet Betty and Alexander James.

In his announcement on Instagram, Bass wrote; ‘The baby dragons have arrived!! ❤️❤️❤️❤️❤️ I can not express how much love I feel right now. Thank you for all the kind wishes. It meant a lot. Now, how do you change a diaper??! Ahhhhhhhh!”

The babies were carried via surrogate, the singer noted saying that Alexander, born one minute before his sister on Wednesday, weighed 4 lbs., 14 oz. Violet weighed 4 lbs., 11 oz. Bass said in his Instagram post.

His husband also announced the news on his Instagram account. “Introducing the newest members of the Turchin-Bass household: Violet Betty and Alexander James!!!! They’re pure perfection and yes that includes the dozens of poops we’ve already dealt with. Our hearts our full!!! Thank you everyone for the well wishes 🥰🥰🥰”

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