Arts & Entertainment
Rare piece of LGBTQ history turns up on Google
Researchers at Baltimore’s Johns Hopkins University found themselves the beneficiaries of a lucky twist of fate when a simple Google search led them to a rare document credited with helping to lay the foundation for the gay rights movement.
Written in 1873 by English poet and historian John Addington Symonds, “A Problem in Greek Ethics” was an essay questioning why Western culture, which had modeled itself on that of classical Greece, did not embrace and accept homosexuality as the ancient Greeks had done. Fearing that a work promoting the morality of same-sex relations – which were deemed a criminal offense in 19th century England – might potentially lead to his imprisonment, Symonds had only 10 copies printed in an effort to keep it from falling into the wrong hands. Of these, five had been thought to have survived, now in the collections of libraries in the UK and US.
According to the Baltimore Sun, that assumption was abruptly proven wrong when Gabrielle Dean, a curator at Johns Hopkins, was doing research for an upcoming exhibit called “Queer Connections: The Library of John Addington Symonds.”
“I was trying to verify the authenticity of Symonds’ handwriting by comparing the example we had to samples of his handwriting in other books,” she said. “I Googled ‘John Addington Symonds’ handwriting’ and one of the hits was a brand-new listing for ‘A Problem in Greek Ethics’ from a rare book dealer.”
She shared the information with Shane Butler, director of the university’s Classics Research Lab, and the two obtained approval to purchase the book for an undisclosed price.
Butler said, “I was blown away when Gabrielle showed me the listing… The odds of coming across something so incredibly rare are practically zero.”
The find had a personal significance for Butler, who has interested in Symonds since he found a reprint of “A Problem in Greek Ethics” in a used bookstore as an undergraduate at Duke University in the early 1990s.
“I was a young gay man who was just out of the closet and I was a classics major,” he said. “Here was a book about how homosexuality was celebrated in ancient Greece and Rome. I had to have it.”
Symonds was himself attracted to men, but like most gay men of his era lived a closeted life, with a wife and four children – though his sexual orientation was, at least late in his life, something of an “open secret.” Though his name is mostly familiar today only with literary scholars, he was well-known in his time, counting such literary figures as Walt Whitman and Robert Louis Stevenson in his circle of acquaintances, and his writings in “A Problem in Greek Ethics” seem to have influenced Oscar Wilde in his defense while on trial for “gross indecency.”
Butler says, “Even if Symonds was forgotten after he died, his essay wasn’t. Pirated copies were passed hand to hand and read throughout the 20th century. The essay has been enormously influential in the struggle for gay rights.”
“There’s something sacred about a book like this,” he adds, “especially for queer students and gay faculty like myself. Just knowing that it’s there and being able to hold it and turn its pages is incredibly moving.”
The newly-discovered copy was originally given by Symonds to British scholar and explorer Sir Richard Burton; it then spent more than a century traveling between private collections before Dean’s fortuitous find, and is now on public display for the first time as the centerpiece of the “Queer Connections” exhibit at Johns Hopkins’ Eisenhower Library, which continues through March 13.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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