a&e features
Ross Mathews shares ‘rossipes,’ cocktails, celeb gossip and more
New book ‘Name Drop’ is collection of his favorite happy hour tales

Ross Mathews ‘Name Drop’ Tour
Sunday, Feb. 9
7:30 p.m.
Miracle Theatre
535 8th St., S.E.
GA: $35
VIP (w/M&G): $100
Ross Mathews got his start on “The Tonight Show with Jay Leno” where he was known as “Ross the intern.”
The fabulously out gay guru has since been seen on many shows such as “Celebrity Fit Club,” “The Insider,” “Celebrity Big Brother” and, of course, “RuPaul’s Drag Race” where he’s been a staple at the judge’s table since season seven in 2015.
He launched his book tour for “Name Drop: the Really Good Celebrity Stories I Usually Only Tell at Happy Hour” (out Feb. 4) this week in New York and plays Washington Sunday night. Mathews, 40, dished on all that and more while driving to his second home (he lives mostly in Los Angeles) in Palm Springs last week.
WASHINGTON BLADE: How are things?
ROSS MATHEWS: Good. I feel like everyone has this sense of optimism this year that has been lacking the last couple years. People were like, “Ugh, God — this year can’t end soon enough,” but now, I don’t know, everyone I’ve talked to feels great about 2020 and so far so good. Also I’m driving to my place in Palm Springs, so I’m like in heaven.
BLADE: How were your holidays?
MATHEWS: It was really nice. I got to be with my family in Washington state and it was super nice, then I got to be back here in California and I went to Puerto Vallarta, which is another one of my happy places.
BLADE: Tell us about your book. How did it come about?
MATHEWS: The idea came to me in the shower. I was just like, “Oh my gosh, I wish I could tell everybody the stories I tell my friends at happy hour,” but then I thought, “But that’s so name-droppy.” Then I thought, “Screw it, just lean in — those are the stories people want to hear.” So “Name Drop” really is filled with celeb stories I usually only tell at happy hour and since it’s all about happy hour and I do cook every day, I thought why don’t I include some of my original rossipes in there so people can actually have happy hour while they’re reading the book, ‘cause that’s what the book feels like. It feels like you’re sitting down with me, ordering a drink and a bite and we’re just gushing over celebrities.
BLADE: So it’s cocktail and food recipes?
MATHEWS: Yes, there’s cocktails and rossipes for every single one and I pair them up with a chapter so for instance, I give Celine Dion “My Artichoke Heart Will Go On.” For Faye Dunaway, I give you my rossipe for “Endamame Dearest,” and it goes on from there.
BLADE: You had an encounter with Faye? Is she as scary as I fear she might be?
MATHEWS: I was too scared to ask her what I really wanted to ask her, but I thought it was so fascinating that I got to meet her, so I included it in the book. You know, some of these stories are when I had my dreams come true from people I’d loved forever, and some of these stories are about people who really disappointed me when I met them but I always say no celebrities were harmed in the making of this book. I tell the reader exactly what happened but I’m not out to hurt anybody.
BLADE: And these are all your own creations?
MATHEWS: Yes
BLADE: How did you get into that?
MATHEWS: So the cocktails are all sort of like my spin on cocktails that already exist and I make them original to me. The rossipes are all things I actually make. I’ve always loved cooking. I learned from my mom and I loved watching her. I love going to a restaurant and trying something and thinking, “Oh, I’d do it this way,” and then going home and cooking. I do that with Food Network too. I watch and go, “Huh — I would make it with this,” then I try it. Cooking is art — just another way to create.
BLADE: Do you have a favorite?
MATHEWS: Oh my gosh, I love them all. I make “Baked Ziti with a Z” for the Liza Minnelli story and that one’s really delicious.
BLADE: Please tell me there’s a chapter on Omarosa (she and Mathews were on “Celebrity Big Brother” together in 2018).
MATHEWS: Absolutely! We do an Omarosa Mimosa and then just a TV dinner because that chapter’s all about reality TV. Which by the way, an Omarosa Mimosa is made with blood orange juice.
BLADE: What was going through your head in real time when she was telling you all that stuff during your little tete-a-tete on “Big Brother”?
MATHEWS: Listen, I write all about that in the book. It was so surreal being locked away from the outside world for 30 days with cameras following us 24-7 and then Omarosa walks in and this was right after she had left the White House. I was fascinated by her and knew we had to talk about it or people wouldn’t think we were being real in that house. It’s impossible not to be real when they’re filming you 24 hours a day. So that conversation, to sit there and ask her those questions and what I was thinking and also what happened afterwards, which nobody knows about, that’s all in the book.
BLADE: Do you get a clothing allowance on “Drag Race”?
MATHEWS: No. I have to get my own wardrobe and of course, you have to step it up because you’re sitting next to RuPaul. I partner with Mr. Turk and I’m sucking up to friends who are designers. I’ve worked with Mr. Turk and Trina Turk for a long time and I’ve worn Tallia Orange before, so I try to find people who can partner with me so I’m not spending mazillions of dollars on these clothes.
BLADE: Is the stuff you wear on “Drag Race” the kind of stuff you wear in your private life or do you glam it up for the show?
MATHEWS: Well you have to wear something noticeable on that set. What am I going to do? Show up in corduroy or khakis? In real life, I love clothes but I’m not always in a suit. Usually I’m in like a jacket with a leopard scarf and a Gucci slide. When I go to Palm Springs, it’s elastic head to toe (laughs).
BLADE: Do you do your own shopping?
MATHEWS: I’ve had stylists in the past. My partner all those years, Salvador (Camerna), was my stylist but lately I’m not using a stylist. It’s just me partnering with various designers and trying to express myself however I feel that day. The other day I had on ripped jeans and boots and I was feeling all butch, like green Army Surplus jacket and right now I’m wearing Gucci fur slides and a leopard scarf, so I’m feeling more Nellie today. It’s fun to express fashion, always a joy.
BLADE: Was there ever a “Drag Race” contestant you thought went home too early?
MATHEWS: Yes. I’ve never disagreed with the winner, but I have opinions on who should stay and who should go. That’s part of my job, I get to argue my point to Ru who makes the ultimate decision. So I have of course thought somebody should have stayed who went home at a certain point, but the cream always rises to the top and I agree with every winner who’s been chosen.
BLADE: Did you ever feel somebody who sashayed away should have won the lip sync?
MATHEWS: (long pause) Yes (laughs). But I don’t want to give specific cases. Ru is the Supreme Court and I defer to Ru all the time. But there’ve been a couple times when someone won and I go, “Huh — I didn’t see that one coming.” But that’s not my job to decide that. I’m just there to give my two cents.
BLADE: Do you hang out with Michelle (Visage) and Carson (Kressley) outside the show?
MATHEWS: Absolutely. Michelle and I just went to lunch in Calabasas the other day. She got gluten-free grilled cheese. She’s like a sister to me and Carson’s like a brother. I love them all. And we really just make each other laugh all day long.
BLADE: You’re all so chummy now but Michelle had a rather prickly relationship with (former judge) Santino (Rice). Does a little tension there help the show?
MATHEWS: Well, I can’t really speak to her relationship with Santino, but Michelle and I are like brother and sister. If we disagree, we’re not gonna keep it in. I’ll tell her she’s nuts, but we laugh about it later. We have absolutely had strong disagreements where we each draw a line in the sand and we’ll never agree on something but then we go to lunch afterwards. I’m not afraid of her.
BLADE: Who’s been your all-time favorite “Drag Race” guest judge?
MATHEWS: Oh my gosh, there are so many. I can’t believe the people we get to sit next to. I’ll come home and say, “I just sat next to Lady Gaga for like 12 hours,” or Miley Cyrus. I have to be careful not to say some of the names coming up ‘cause they’ll blow you away, but I’ll get in so much trouble. It’s one of the greatest gifts of the show the artists that Ru and World of Wonder allow me access to. It blows me away.
BLADE: Who would be your dream judges?
MATHEWS: Liza, Cher, Bette, Madonna — you know, the icons.
BLADE: Do you guys write all your own puns for the runway commentary or do you have help?
MATHEWS: No, we come up with it as it’s happening. As we see it, we say it.
BLADE: They’re pretty clever most of the time. I’ve always thought, “They must get some help with this.”
MATHEWS: No, we just try to make each other laugh. There’s no better feeling than making really funny people laugh. There are some stinkers from time to time and the editors help us out.
BLADE: About how long does it take to tape a full “Drag Race” season?
MATHEWS: Well, there’s a lot going on. I don’t want to ruin it for people but of course, it takes longer than just what you see. There are outfit changes and you have to stop for production and sometimes there’s a lighting cue that goes wrong you have to redo. There’s a lot that goes into a production of this size but as someone who loves showmanship, I don’t want to give too much away.
BLADE: What’s the biggest thing being behind the scenes on these kinds of shows that stands out to you that you’d never have thought about as a viewer at home?
MATHEWS: Well, like the first time I went to the Oscars, I was staring at all the stars on the red carpet then you turn to the left and see 12 portapotties. I was like, “Wow, I didn’t know those were there,” they cut those out of the shots for TV. Or being in the “Big Brother” house and hearing the camera operators in the wall saying, “I’ve got a close up on Ross’s face, he’s going to bed.” I was like, “Oh my god, I didn’t think about that.” Or there’s a microphone hanging over the toilet, the one toilet you share with 11 other celebrities. It’s not all glamorous but it’s all a piece of the puzzle.
BLADE: Have you seen Ru’s new Netflix show?
MATHEWS: I have! Michelle and I went to the premiere. We were basically wearing the same red suit, it’s on my Instagram. It’s so great, I’m so proud of Ru. You know, Ru refuses to be put in any box. You think you know what Ru can do, then Ru goes, “Oh, I can also do this.”
BLADE: When Ru was on the cover of Vanity Fair in December, the article suggested he’s only knowable to a point, down to earth and candid in some ways — I’m paraphrasing — but also with a bit of aloofness, like he only lets you get so close or never totally lets his hair down. Is that your impression?
MATHEWS: Um, I can’t really speak for other people’s impressions of Ru, but I can tell you what Ru has been for me. Ru has been so kind and so supportive and so welcoming and you know, there’s one quote on the cover of my book and it’s a quote from Ru and that’s on purpose because for this phase of my career, Ru’s been the one who has sort of given me a platform and said, “Hey, look at this guy, he’s really funny.” ‘Cause Ru could have picked anybody for that seat next to him and so for me, he’s a mentor and a friend.
BLADE: You’ve made self-deprecating cracks about your sex life on “Drag Race.” You gettin’ any these days? Or dating anyone?
MATHEWS: (laughs) I am dating a lot actually. I never did this before. I didn’t really date in my 20s because I was figuring out how to be a famous person and I felt like a clown a little bit, so I felt like I had to choose between being funny or sexual. Then I got in a relationship and we were together for 10 years and now I found myself out dating again and I’m really confident now in who I am and I’ve never been single and confident at the same time, so I’m having a really good time dating. I find people fascinating. I like meeting people and I like learning from people and I think if you’re inquisitive and confident, you’re a really good dater.
BLADE: Reality TV and media can be rather soul sapping. And Ru is always spouting great spiritual wisdom. How do you refuel spiritually yourself?
MATHEWS: Not to sound cheesy, but I’m really fueled by living my dream. I don’t need anything else.
BLADE: Good luck with your book and tour.
MATHEWS: Thanks! Please come out. It’s just an hour and a half where we shut the door on the world, ‘cause everything’s fucked right now …
BLADE: Yeah, especially in Washington!
MATHEWS: I know, right? We just shut all that out and have some laughs.

a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
