a&e features
Ross Mathews shares ‘rossipes,’ cocktails, celeb gossip and more
New book ‘Name Drop’ is collection of his favorite happy hour tales

Ross Mathews ‘Name Drop’ Tour
Sunday, Feb. 9
7:30 p.m.
Miracle Theatre
535 8th St., S.E.
GA: $35
VIP (w/M&G): $100
Ross Mathews got his start on “The Tonight Show with Jay Leno” where he was known as “Ross the intern.”
The fabulously out gay guru has since been seen on many shows such as “Celebrity Fit Club,” “The Insider,” “Celebrity Big Brother” and, of course, “RuPaul’s Drag Race” where he’s been a staple at the judge’s table since season seven in 2015.
He launched his book tour for “Name Drop: the Really Good Celebrity Stories I Usually Only Tell at Happy Hour” (out Feb. 4) this week in New York and plays Washington Sunday night. Mathews, 40, dished on all that and more while driving to his second home (he lives mostly in Los Angeles) in Palm Springs last week.
WASHINGTON BLADE: How are things?
ROSS MATHEWS: Good. I feel like everyone has this sense of optimism this year that has been lacking the last couple years. People were like, “Ugh, God — this year can’t end soon enough,” but now, I don’t know, everyone I’ve talked to feels great about 2020 and so far so good. Also I’m driving to my place in Palm Springs, so I’m like in heaven.
BLADE: How were your holidays?
MATHEWS: It was really nice. I got to be with my family in Washington state and it was super nice, then I got to be back here in California and I went to Puerto Vallarta, which is another one of my happy places.
BLADE: Tell us about your book. How did it come about?
MATHEWS: The idea came to me in the shower. I was just like, “Oh my gosh, I wish I could tell everybody the stories I tell my friends at happy hour,” but then I thought, “But that’s so name-droppy.” Then I thought, “Screw it, just lean in — those are the stories people want to hear.” So “Name Drop” really is filled with celeb stories I usually only tell at happy hour and since it’s all about happy hour and I do cook every day, I thought why don’t I include some of my original rossipes in there so people can actually have happy hour while they’re reading the book, ‘cause that’s what the book feels like. It feels like you’re sitting down with me, ordering a drink and a bite and we’re just gushing over celebrities.
BLADE: So it’s cocktail and food recipes?
MATHEWS: Yes, there’s cocktails and rossipes for every single one and I pair them up with a chapter so for instance, I give Celine Dion “My Artichoke Heart Will Go On.” For Faye Dunaway, I give you my rossipe for “Endamame Dearest,” and it goes on from there.
BLADE: You had an encounter with Faye? Is she as scary as I fear she might be?
MATHEWS: I was too scared to ask her what I really wanted to ask her, but I thought it was so fascinating that I got to meet her, so I included it in the book. You know, some of these stories are when I had my dreams come true from people I’d loved forever, and some of these stories are about people who really disappointed me when I met them but I always say no celebrities were harmed in the making of this book. I tell the reader exactly what happened but I’m not out to hurt anybody.
BLADE: And these are all your own creations?
MATHEWS: Yes
BLADE: How did you get into that?
MATHEWS: So the cocktails are all sort of like my spin on cocktails that already exist and I make them original to me. The rossipes are all things I actually make. I’ve always loved cooking. I learned from my mom and I loved watching her. I love going to a restaurant and trying something and thinking, “Oh, I’d do it this way,” and then going home and cooking. I do that with Food Network too. I watch and go, “Huh — I would make it with this,” then I try it. Cooking is art — just another way to create.
BLADE: Do you have a favorite?
MATHEWS: Oh my gosh, I love them all. I make “Baked Ziti with a Z” for the Liza Minnelli story and that one’s really delicious.
BLADE: Please tell me there’s a chapter on Omarosa (she and Mathews were on “Celebrity Big Brother” together in 2018).
MATHEWS: Absolutely! We do an Omarosa Mimosa and then just a TV dinner because that chapter’s all about reality TV. Which by the way, an Omarosa Mimosa is made with blood orange juice.
BLADE: What was going through your head in real time when she was telling you all that stuff during your little tete-a-tete on “Big Brother”?
MATHEWS: Listen, I write all about that in the book. It was so surreal being locked away from the outside world for 30 days with cameras following us 24-7 and then Omarosa walks in and this was right after she had left the White House. I was fascinated by her and knew we had to talk about it or people wouldn’t think we were being real in that house. It’s impossible not to be real when they’re filming you 24 hours a day. So that conversation, to sit there and ask her those questions and what I was thinking and also what happened afterwards, which nobody knows about, that’s all in the book.
BLADE: Do you get a clothing allowance on “Drag Race”?
MATHEWS: No. I have to get my own wardrobe and of course, you have to step it up because you’re sitting next to RuPaul. I partner with Mr. Turk and I’m sucking up to friends who are designers. I’ve worked with Mr. Turk and Trina Turk for a long time and I’ve worn Tallia Orange before, so I try to find people who can partner with me so I’m not spending mazillions of dollars on these clothes.
BLADE: Is the stuff you wear on “Drag Race” the kind of stuff you wear in your private life or do you glam it up for the show?
MATHEWS: Well you have to wear something noticeable on that set. What am I going to do? Show up in corduroy or khakis? In real life, I love clothes but I’m not always in a suit. Usually I’m in like a jacket with a leopard scarf and a Gucci slide. When I go to Palm Springs, it’s elastic head to toe (laughs).
BLADE: Do you do your own shopping?
MATHEWS: I’ve had stylists in the past. My partner all those years, Salvador (Camerna), was my stylist but lately I’m not using a stylist. It’s just me partnering with various designers and trying to express myself however I feel that day. The other day I had on ripped jeans and boots and I was feeling all butch, like green Army Surplus jacket and right now I’m wearing Gucci fur slides and a leopard scarf, so I’m feeling more Nellie today. It’s fun to express fashion, always a joy.
BLADE: Was there ever a “Drag Race” contestant you thought went home too early?
MATHEWS: Yes. I’ve never disagreed with the winner, but I have opinions on who should stay and who should go. That’s part of my job, I get to argue my point to Ru who makes the ultimate decision. So I have of course thought somebody should have stayed who went home at a certain point, but the cream always rises to the top and I agree with every winner who’s been chosen.
BLADE: Did you ever feel somebody who sashayed away should have won the lip sync?
MATHEWS: (long pause) Yes (laughs). But I don’t want to give specific cases. Ru is the Supreme Court and I defer to Ru all the time. But there’ve been a couple times when someone won and I go, “Huh — I didn’t see that one coming.” But that’s not my job to decide that. I’m just there to give my two cents.
BLADE: Do you hang out with Michelle (Visage) and Carson (Kressley) outside the show?
MATHEWS: Absolutely. Michelle and I just went to lunch in Calabasas the other day. She got gluten-free grilled cheese. She’s like a sister to me and Carson’s like a brother. I love them all. And we really just make each other laugh all day long.
BLADE: You’re all so chummy now but Michelle had a rather prickly relationship with (former judge) Santino (Rice). Does a little tension there help the show?
MATHEWS: Well, I can’t really speak to her relationship with Santino, but Michelle and I are like brother and sister. If we disagree, we’re not gonna keep it in. I’ll tell her she’s nuts, but we laugh about it later. We have absolutely had strong disagreements where we each draw a line in the sand and we’ll never agree on something but then we go to lunch afterwards. I’m not afraid of her.
BLADE: Who’s been your all-time favorite “Drag Race” guest judge?
MATHEWS: Oh my gosh, there are so many. I can’t believe the people we get to sit next to. I’ll come home and say, “I just sat next to Lady Gaga for like 12 hours,” or Miley Cyrus. I have to be careful not to say some of the names coming up ‘cause they’ll blow you away, but I’ll get in so much trouble. It’s one of the greatest gifts of the show the artists that Ru and World of Wonder allow me access to. It blows me away.
BLADE: Who would be your dream judges?
MATHEWS: Liza, Cher, Bette, Madonna — you know, the icons.
BLADE: Do you guys write all your own puns for the runway commentary or do you have help?
MATHEWS: No, we come up with it as it’s happening. As we see it, we say it.
BLADE: They’re pretty clever most of the time. I’ve always thought, “They must get some help with this.”
MATHEWS: No, we just try to make each other laugh. There’s no better feeling than making really funny people laugh. There are some stinkers from time to time and the editors help us out.
BLADE: About how long does it take to tape a full “Drag Race” season?
MATHEWS: Well, there’s a lot going on. I don’t want to ruin it for people but of course, it takes longer than just what you see. There are outfit changes and you have to stop for production and sometimes there’s a lighting cue that goes wrong you have to redo. There’s a lot that goes into a production of this size but as someone who loves showmanship, I don’t want to give too much away.
BLADE: What’s the biggest thing being behind the scenes on these kinds of shows that stands out to you that you’d never have thought about as a viewer at home?
MATHEWS: Well, like the first time I went to the Oscars, I was staring at all the stars on the red carpet then you turn to the left and see 12 portapotties. I was like, “Wow, I didn’t know those were there,” they cut those out of the shots for TV. Or being in the “Big Brother” house and hearing the camera operators in the wall saying, “I’ve got a close up on Ross’s face, he’s going to bed.” I was like, “Oh my god, I didn’t think about that.” Or there’s a microphone hanging over the toilet, the one toilet you share with 11 other celebrities. It’s not all glamorous but it’s all a piece of the puzzle.
BLADE: Have you seen Ru’s new Netflix show?
MATHEWS: I have! Michelle and I went to the premiere. We were basically wearing the same red suit, it’s on my Instagram. It’s so great, I’m so proud of Ru. You know, Ru refuses to be put in any box. You think you know what Ru can do, then Ru goes, “Oh, I can also do this.”
BLADE: When Ru was on the cover of Vanity Fair in December, the article suggested he’s only knowable to a point, down to earth and candid in some ways — I’m paraphrasing — but also with a bit of aloofness, like he only lets you get so close or never totally lets his hair down. Is that your impression?
MATHEWS: Um, I can’t really speak for other people’s impressions of Ru, but I can tell you what Ru has been for me. Ru has been so kind and so supportive and so welcoming and you know, there’s one quote on the cover of my book and it’s a quote from Ru and that’s on purpose because for this phase of my career, Ru’s been the one who has sort of given me a platform and said, “Hey, look at this guy, he’s really funny.” ‘Cause Ru could have picked anybody for that seat next to him and so for me, he’s a mentor and a friend.
BLADE: You’ve made self-deprecating cracks about your sex life on “Drag Race.” You gettin’ any these days? Or dating anyone?
MATHEWS: (laughs) I am dating a lot actually. I never did this before. I didn’t really date in my 20s because I was figuring out how to be a famous person and I felt like a clown a little bit, so I felt like I had to choose between being funny or sexual. Then I got in a relationship and we were together for 10 years and now I found myself out dating again and I’m really confident now in who I am and I’ve never been single and confident at the same time, so I’m having a really good time dating. I find people fascinating. I like meeting people and I like learning from people and I think if you’re inquisitive and confident, you’re a really good dater.
BLADE: Reality TV and media can be rather soul sapping. And Ru is always spouting great spiritual wisdom. How do you refuel spiritually yourself?
MATHEWS: Not to sound cheesy, but I’m really fueled by living my dream. I don’t need anything else.
BLADE: Good luck with your book and tour.
MATHEWS: Thanks! Please come out. It’s just an hour and a half where we shut the door on the world, ‘cause everything’s fucked right now …
BLADE: Yeah, especially in Washington!
MATHEWS: I know, right? We just shut all that out and have some laughs.

a&e features
Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
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