Arts & Entertainment
Oscars 2020 surprises with diversity, a queer opening
From Monae and Porter, Judy and Elton
The 92nd annual Academy Awards started off with a bang, with gender fluid, pansexual singer/actress Janelle Monae and the illustrious gay actor/singer Billy Porter killing it in their opening duet. Amid performers dressed as characters from snubbed films, she sang: “It’s time to come alive, because the Oscars is so white!”
Watching the extraordinary Monae perform, the influence of Prince on her music is evident. “I’m so proud to stand here as a black, queer artist, telling stories,” she noted.
Another highlight during the evening was the eloquent Joaquin Phoenix, accepting his award for Best Actor in “The Joker.”
“I’ve been thinking a lot about some of the distressing issues that we are facing, collectively, and I think at times we feel or are made the feel that we champion different causes,” he asserted. “But for me, I see commonality,”
Phoenix continued: “I think whether we’re talking about gender inequality, or racism or queer rights or indigenous rights or animal rights, we’re talking about the fight against injustice. We’re talking about the fight against the belief that one nation, one people, one race, one gender or one species has the right to dominate, control and use and exploit another with impunity.”
Renee Zellweger, who won Best Actress for her portrayal of Judy Garland in the film Judy, was circumspect in her acceptance about Judy’s iconic stature in the gay community, mentioning only that Judy was accepting of people. It was evident though she had intended a more full inclusion.
“Judy Garland did not receive this honor in her time,” the actress continued. “I am certain that this moment is an extension of the celebration of her legacy that began on our film set and is also representative of the fact that her legacy of unique exceptionalism and inclusivity and generosity of spirit, it transcends any one artistic achievement. Ms. Garland, you are certainly among the heroes who unite and define us and this is certainly for you. I am so grateful.”
GLAAD live-tweeted the awards
“@TaikaWaititi, who won adapted screenplay tonight at #Oscars, is next going into an adaptation of the documentary “Next Goal Wins” about the Samoan soccer team who made history. And then into “Thor: Love and Thunder” where Valkyrie will “find her queen.”
Elton John Wins!
Elton John was excited to win Best Song for “Rocketman,” the film that’s based on his life.
“This is for my partner of 53 years,” he said in the pressroom. “Without him, I wouldn’t be here. He starts the process. He gives me the lyrics, and then I go ahead. Without the lyrics, I’m nobody. This is the man who started the journey, and we are still together after 53 years. I have one of these already, but I so wanted to get one for everybody involved in the film.”
He added: This film has taken 12 years together. David, my husband, has been on and on about 12 years trying to get this made. In the end, we got it made the right way, the way we wanted to. I’m so thrilled for him, because I love him so much. And Taron Egerton especially — he should have been in the the nominated category, as one of the best actors. For me, his was the best performance this year.”
At Elton John’s annual AIDS fundraiser for his foundation, celebrity chef Wayne Elias, one-half of the team behind Crumble Catering and Rockwell Table & Stage in Los Feliz, was hard at work creating amazing, unique dishes for party attendees.
“We keep the menu current to healthy trends; I like to include Asian and French Cuisines and consider them classic meals that will also exist,” Chef Elias told Los Angeles Blade.
“In order to create a menu that encompasses every guest, I do not use any nuts in any of the dishes, in case of an allergy and source the best ingredients and produce from local farmers in California,” Elias said.
There were some fun items for the party menu, like zucchini fritters with tahini yogurt and espellette oil for starters, following with a parsnip and Granny Smith apple soup, a vegan option.
“We served a soup that is topped off with kale chips and lemon zest oil,”said Elias. “Guests could choose between a roasted branzino with cauliflower puree and watercress emulsion entree or short rib with caramelized yams, celery root mash, beech mushrooms and dijon shallot sauce.”
An arugula salad served with manchego cheese and citrus vinaigrette, while a pear raspberry tart with pear mousse, raspberry cream and matcha ice cream finishes off the dinner.
Elias knows he must serve Elton John’s very favorite dishes . “Top of the list is the beloved Grilled Cheese, a favorite throughout the years. It’s what I call an Adult Grilled Cheese, as it’s prepared on raisin bread and served with mascarpone cheese, crumble blue cheese and Asian pears. Simply rich and delicious!”
On The Carpet
Gay celebrity stylist Michael O’Connor talked with Los Angeles Blade about all the Oscar red carpet excitement. “I am loving the richness of color; the jewel tones are always the most flattering to skin tones and striking to see. Examples of this are in Sigourney Weaver wearing emerald green, America Ferrera in garnet and Idina Menzel in fuchsia. Christy Metz also looked incredible in ruby red.”
O’Connor loved how glamorous the red carpet was. “I loved Salma Hayek with her Grecian Goddess inspired look, complete with a bejeweled laurel hair ornament. Rebel Wilson looked SO exquisite. I really enjoyed her swept over hair with jeweled clip. Jason Woo gown and Vintage Pomellato jewelry.”
Many of the male celebrities at the Oscars were a fantastic sight to see too. “I thought Spike Lee looked great wearing his amethyst and golden tux. We are starting to see more jewelry on men, lapel pins being a very popular trend on the red carpet. Antonio Banderas is wearing a really nice ‘man brooch,’ O’Connor enthused.
The veteran stylist is thrilled that Hollywood in embracing more jewelry. “I love the bling; it adds so much glamor and completes a look. We are also seeing a lot more necklaces, which I really like. Julia Louis Dreyfus is wearing a lovely statement necklace. And Janelle Monae was so amazingly sparkly with her bejeweled dress and choker necklace. I LOVED the look!”
Still, O’Connor did see a few fashion faux pas. “I have to say, that as a gay man, Billy Porter’s outfit is so over the top that it makes me nervous. I realize that the pendulum sometimes needs to be pushed hard to get it into a right place, but I feel that his golden bird feather top and patterned skirt is just too contrived and over the top.
“I know that men’s fashion needs a push, but don’t push it off the cliff!” O’Connor quipped.
Gift Bags
Distinctive Assets indulged the major Oscar® nominees with the annual “Everyone Wins” Nominee Gift Bags, which have become the most buzzed about swag in history. This year’s gift bonanza features Soma’s Sensuous Silk Kimono Robes along with SOMAINNOFIT™ smart-fit bra; a one-of-a-kind private in-home cannabis-infused chocolate culinary experience by Coda Signature; gold and silver signature Moon bead bracelets from Officina Bernardi; health, nutrition and longevity programs from ProLon; and a discovery voyage aboard the ultra-luxury Scenic Eclipse expedition yacht.
“One of the greatest joys in life is to do something you love,” said Lash Fary, the company’s gay owner. “I have been so fortunate to do just that for 21 years now. In recent years, I have been able to use my access to talent and brand relationships to help organizations doing good in the world to amplify their messages.”
Fary loves to have gifts for celebrities that give back in meaningful ways. “I am able to publicize PETA’s incredible efforts to increase awareness about the connection between animal agriculture and climate change, through partnerships with DIFF Charitable Eyewear and Veestro Plant-Based Meals.”
So much detail goes into creating these gift bags, Fary said. “I often feel like a kid in my own candy store, as i go through the gift bags my team creates. I genuinely use and love so many of the items I share …like the ProLon fasting mimicking meal program, Instytutum Result Driven Skincare, Flora Farms field to table restaurant in Cabo, and Soma’s Sensuous Silk Kimono Robe.”
One of the exciting items in Fary’s gift bag is Origin Stretch Spa, which is owned by a gay couple, and are gifting a day of pampering.
“I’m excited to participate in the ‘Everyone Wins” Nominee Gift Bags because it gives me the opportunity to educate even more people about the benefits of IV Therapy,” said owner Garrett BellRios.
“Actors – much like athletes and performers – are always on the go and their systems get run down, BellRios noted. “They’re not getting enough sleep, working too much, always on airplanes and breathing recycled air. Through IV Therapy and vitamin injections, I can customize their protocol using European homeopathic remedies and treat their specific symptoms. So many of my clients now tell me, ‘I haven’t been sick in ages.’ And my treatment is mobile, can be done anywhere and they often feel better immediately.”
Oscar Gifting Lounges
Doris Bergman’s 12th Annual Valentine Oscar Luxury Lounge & Party was held at Weho hotspot, Fig & Olive. There were lots of great gifts to choose from BeautyStat Cosmetics, Precious Vodka, BuyWine.com, Pachamama, My Saint My Hero, Twisted Silver and Appletinis.
In the spirit of giving back, guests and sponsors made monetary donations and/or donated unwrapped gifts for young adults (ages 13-18) for a Gift Drive benefiting ‘Wednesday’s Child’ — a weekly segment airing on KTTV FOX 11 News with anchor Christine Devine. Bergman always invites beloved foster children to join in on the festivities and experience what it feels like to be treated as a VIP.
Shann Christen, celebrity stylist and owner of a hair loss clinic and full service salon and ColorBar on Westwood Blvd, gifted his biology based, dual shampoo system, BioMethod.
“It was exciting to meet all the celebrities at this years event. Any day is a good day when you get your photo taken with Richard Grieco! Miles Tagtmeyer never fails to be charming and it was fun to do ‘boomerangs with the Social Media Guru.”
Business and lifestyle influencer and ambassador in the LGBTQ space, Chad Brittian, was happy to meet all the vendors attending. “I was quite impressed with the diversity and overall inclusion of brands. There were quite a few companies that I could see myself aligning with on an influencer branding basis.”
True Gold Honey’s line of all/natural honey was delicious and packaged in a beautifully designed and well-branded wooden box, Brittian noted. “No attention to detail was missed which I can really appreciate from a branding and marketing perspective. I also received a warm welcome from Bio Method and can appreciate the time, energy and passion Shann has for his products. I am thoroughly looking forward to a collaboration with his brand in the future.”
At GBK Productions, Brittian met Dapper & Dashing custom clothing for men and women. “They had a beautifully designed area that was welcoming and really showcased their brand. I am hopeful to partner with them for future events and I definitely can see a lot if potential and look forward to seeing how this brand grows.”
Owned by a gay couple, John Kelly Chocolates also had a great time at the GBK gifting suite. “We have a fairly large celebrity clientele, being located in Hollywood, and it was nice to see some people who already know about us as well as make some new friends,” Kelly said.
At the suite, they gifted the 8-pc assortment box filled with their most popular flavors, inviting celebs to come visit them at their chocolate factory. “Our chocolate really is unique and has something special, and it was fun seeing celebrities have that visceral reaction when they tasted it.”
She Phillips, who owns Scenterprises, gifted numerous celebrities her unique perfumes. “Marcus Gay Harden chose a Woodsy and Spicy perfume and was excited by the combination of these lovely scents. I love this one as it has a hint of exotic spices.. soft…alluring and proactive”!
Movies
‘Pillion’ director on bikers, BDSM, and importance of being seen
‘We put a lot of thought and effort into how we depicted the community’
One of the highlights of last week’s Mid-Atlantic Leather Weekend came not on the dance floor, but in a movie theater. In a new partnership, the independent film studio A24 brought its leather-clad new film “Pillion” — not yet in wide release — to D.C. for special showings for the MAL crowd.
“Pillion,” a term for the motorcycle passenger seated behind the driver, delves into the complicated relationship between an introverted, quiet Londoner Colin (Harry Melling) who embarks on a journey finding himself while entering into a sub relationship with a new Dom named Ray (Alexander Skarsgård) he meets during Christmas.
It’s writer-director Harry Lighton’s feature-length debut, sharing Skarsgård’s impossibly toned physique with both Colin and audiences, and offering an eye into the BDSM community by an LGBTQ director for the general public. This from a studio that also just released a movie about ping-pong starring Timothée Chalamet.
The Washington Blade was able to catch a screening at Regal Gallery Place on Jan. 18, hosted by MAL and Gary Wasdin, executive director, Leather Archives & Museum. The Blade also had a chance to interview Lighton about the experience.
Blade: How did you get involved in this film, especially as this is your directorial debut?
Lighton: I was sent “Box Hill,” the novel on which “Pillion” is based, by Eva Yates (the head of film at the BBC). I’d spent years working on a sumo film set in Japan, and then suddenly that became impossible due to the pandemic so I was miserable. And then I read this book that I found bracing, funny, moving. All the good things.
Blade: Are you involved with the leather community? Did you draw on any personal experiences or make connections with the community?
Lighton: I’m involved in the wrestling scene but not the leather community. So I spent lots of time with people who are [in the community] during the writing process, and then ended up casting a bunch of them as bikers and pillions in the film. They were incredibly generous to myself, Harry, and Alex with their knowledge and experiences. We have them to thank for lending credibility to the world on screen.
Blade: What kind of reception have you received at film festivals and with the LGBTQ community? Was it what you imagined?
Lighton: Obviously not everyone’s going to like the film — for some people it’ll be too explicit, for some not explicit enough; some people will feel seen, some won’t. But the general reaction’s been extremely positive so far. If I’m honest I thought it would divide opinion more.
Blade: How was it working with the actors?
Lighton: I had a lot of respect for both of them going in, and wondered if that might make me a bit too deferential, a bit too Colin-coded. But besides being extremely talented, they’re both lovely. And committed. And fun! With my shorts I always felt a bit out of my depth working with actors, but here I discovered a real love for it.
Blade: Turning to the plot, the parents are pretty supportive, especially Colin’s dad. How did you decide to draw his parents? What does it mean to show parents with nuanced viewpoints?
Lighton: I wanted to reverse the typical parent-child dynamic in queer film, where parents go from rejecting to accepting their queer kid. We meet Colin’s parents actively pushing him toward a gay relationship. But when the relationship he lands on doesn’t meet her definition of healthy, his mum withdraws her acceptance. I wanted to ask: Are they projecting their romantic model onto their son, or do they have a legitimate concern for his wellbeing with Ray?
Blade: How did you decide to place the setting?
Lighton: Practically, we needed somewhere within reach of London. But I liked the idea that Colin, who lives life on the periphery, grew up on the edge of the capital. One of our producers, Lee Groombridge, grew up in and around Bromley and showed me all the spots. I loved the atmosphere on the high street, the markets, and the contrast between the high street and the idyllic park. And I thought it would be a funny place for Alexander Skarsgård to have settled.
Blade: What do you hope audiences take away from the film?
Lighton: There’s no one message. Different people will take different things from it. Personally, Colin inspires me to jump off cliffs, to push beyond my comfort zone because that’s where life begins. From Ray I get the courage to be ugly, to fly in the face of social convention if it doesn’t make you happy or it’s not built for you.
Blade: Talk about the soundtrack — especially the Tiffany “I Think We’re Alone Now” song.
Lighton: Skarsgård’s Ray has the surface masc-ness that comes with looking like a Viking. I wanted to combine that with details that indicate he’s been a part of gay culture and “I Think We’re Alone Now” is nothing if not a camp classic.
Blade: What does it mean to you to show the film at MAL?
Lighton: When I told the bikers from the film I was coming to MAL they practically wet themselves with excitement. We put a lot of thought and effort into how we depicted the community in the film and there’s so much variety, no two Masters or subs are the same, but seeing a theater full of men in leather laugh, cry, and clap for the film meant the world.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” and “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
The LGBTQ youth services organization SMYAL held its annual fundraiser, ‘SMYAL for the New Year,’ at Shakiki (2012 9th Street, N.W.) on Thursday, Jan. 22.
(Washington Blade photos by Michael Key)
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