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Oscars 2020 surprises with diversity, a queer opening

From Monae and Porter, Judy and Elton

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The 92nd annual Academy Awards started off with a bang, with gender fluid, pansexual singer/actress Janelle Monae and the illustrious gay actor/singer Billy Porter killing it in their opening duet. Amid performers dressed as characters from snubbed films, she sang: “It’s time to come alive, because the Oscars is so white!”

https://www.youtube.com/watch?v=VYyGHq_DgAs&feature=youtu.be

Watching the extraordinary Monae perform, the influence of Prince on her music is evident. “I’m so proud to stand here as a black, queer artist, telling stories,” she noted.

Another highlight during the evening was the eloquent Joaquin Phoenix, accepting his award for Best Actor in “The Joker.”

“I’ve been thinking a lot about some of the distressing issues that we are facing, collectively, and I think at times we feel or are made the feel that we champion different causes,” he asserted. “But for me, I see commonality,”

Phoenix continued: “I think whether we’re talking about gender inequality, or racism or queer rights or indigenous rights or animal rights, we’re talking about the fight against injustice. We’re talking about the fight against the belief that one nation, one people, one race, one gender or one species has the right to dominate, control and use and exploit another with impunity.”

Renee Zellweger, who won Best Actress for her portrayal of Judy Garland in the film Judy, was circumspect in her acceptance about Judy’s iconic stature in the gay community, mentioning only that Judy was accepting of people. It was evident though she had intended a more full inclusion.

“Judy Garland did not receive this honor in her time,” the actress continued. “I am certain that this moment is an extension of the celebration of her legacy that began on our film set and is also representative of the fact that her legacy of unique exceptionalism and inclusivity and generosity of spirit, it transcends any one artistic achievement. Ms. Garland, you are certainly among the heroes who unite and define us and this is certainly for you. I am so grateful.”

GLAAD live-tweeted the awards

“@TaikaWaititi, who won adapted screenplay tonight at #Oscars, is next going into an adaptation of the documentary “Next Goal Wins” about the Samoan soccer team who made history. And then into “Thor: Love and Thunder” where Valkyrie will “find her queen.”

Elton John Wins!

Elton John was excited to win Best Song for “Rocketman,” the film that’s based on his life.

“This is for my partner of 53 years,” he said in the pressroom. “Without him, I wouldn’t be here. He starts the process. He gives me the lyrics, and then I go ahead. Without the lyrics, I’m nobody. This is the man who started the journey, and we are still together after 53 years. I have one of these already, but I so wanted to get one for everybody involved in the film.”

He added: This film has taken 12 years together. David, my husband, has been on and on about 12 years trying to get this made. In the end, we got it made the right way, the way we wanted to. I’m so thrilled for him, because I love him so much. And Taron Egerton especially — he should have been in the the nominated category, as one of the best actors. For me, his was the best performance this year.”

At Elton John’s annual AIDS fundraiser for his foundation, celebrity chef Wayne Elias, one-half of the team behind Crumble Catering and Rockwell Table & Stage in Los Feliz, was hard at work creating amazing, unique dishes for party attendees.

“We keep the menu current to healthy trends; I like to include Asian and French Cuisines and consider them classic meals that will also exist,” Chef Elias told Los Angeles Blade.

“In order to create a menu that encompasses every guest, I do not use any nuts in any of the dishes, in case of an allergy and source the best ingredients and produce from local farmers in California,” Elias said.

There were some fun items for the party menu, like zucchini fritters with tahini yogurt and espellette oil for starters, following with a parsnip and Granny Smith apple soup, a vegan option.

“We served a soup that is topped off with kale chips and lemon zest oil,”said Elias. “Guests could choose between a roasted branzino with cauliflower puree and watercress emulsion entree or short rib with caramelized yams, celery root mash, beech mushrooms and dijon shallot sauce.”

An arugula salad served with manchego cheese and citrus vinaigrette, while a pear raspberry tart with pear mousse, raspberry cream and matcha ice cream finishes off the dinner.

Elias knows he must serve Elton John’s very favorite dishes . “Top of the list is the beloved Grilled Cheese, a favorite throughout the years. It’s what I call an Adult Grilled Cheese, as it’s prepared on raisin bread and served with mascarpone cheese, crumble blue cheese and Asian pears. Simply rich and delicious!”

On The Carpet

Gay celebrity stylist Michael O’Connor talked with Los Angeles Blade about all the Oscar red carpet excitement. “I am loving the richness of color; the jewel tones are always the most flattering to skin tones and striking to see. Examples of this are in Sigourney Weaver wearing emerald green, America Ferrera in garnet and Idina Menzel in fuchsia. Christy Metz also looked incredible in ruby red.”

O’Connor loved how glamorous the red carpet was. “I loved Salma Hayek with her Grecian Goddess inspired look, complete with a bejeweled laurel hair ornament. Rebel Wilson looked SO exquisite. I really enjoyed her swept over hair with jeweled clip. Jason Woo gown and Vintage Pomellato jewelry.”

Billy Porter on the 2020 Oscar Red Carpet. (Photo Porter’s Twitter

Many of the male celebrities at the Oscars were a fantastic sight to see too. “I thought Spike Lee looked great wearing his amethyst and golden tux. We are starting to see more jewelry on men, lapel pins being a very popular trend on the red carpet. Antonio Banderas is wearing a really nice ‘man brooch,’ O’Connor enthused.

The veteran stylist is thrilled that Hollywood in embracing more jewelry. “I love the bling; it adds so much glamor and completes a look. We are also seeing a lot more necklaces, which I really like. Julia Louis Dreyfus is wearing a lovely statement necklace. And Janelle Monae was so amazingly sparkly with her bejeweled dress and choker necklace. I LOVED the look!”

Still, O’Connor did see a few fashion faux pas. “I have to say, that as a gay man, Billy Porter’s outfit is so over the top that it makes me nervous. I realize that the pendulum sometimes needs to be pushed hard to get it into a right place, but I feel that his golden bird feather top and patterned skirt is just too contrived and over the top.

“I know that men’s fashion needs a push, but don’t push it off the cliff!” O’Connor quipped.

Gift Bags

Distinctive Assets indulged the major Oscar® nominees with the annual “Everyone Wins” Nominee Gift Bags, which have become the most buzzed about swag in history. This year’s gift bonanza features Soma’s Sensuous Silk Kimono Robes along with SOMAINNOFIT™ smart-fit bra; a one-of-a-kind private in-home cannabis-infused chocolate culinary experience by Coda Signature; gold and silver signature Moon bead bracelets from Officina Bernardi; health, nutrition and longevity programs from ProLon; and a discovery voyage aboard the ultra-luxury Scenic Eclipse expedition yacht.

“One of the greatest joys in life is to do something you love,” said Lash Fary, the company’s gay owner. “I have been so fortunate to do just that for 21 years now. In recent years, I have been able to use my access to talent and brand relationships to help organizations doing good in the world to amplify their messages.”

Lash Fary’s Gift Bag offerings. (Photo by Susan Hornik)

Fary loves to have gifts for celebrities that give back in meaningful ways. “I am able to publicize PETA’s incredible efforts to increase awareness about the connection between animal agriculture and climate change, through partnerships with DIFF Charitable Eyewear and Veestro Plant-Based Meals.”

So much detail goes into creating these gift bags, Fary said. “I often feel like a kid in my own candy store, as i go through the gift bags my team creates. I genuinely use and love so many of the items I share …like the ProLon fasting mimicking meal program, Instytutum Result Driven Skincare, Flora Farms field to table restaurant in Cabo, and Soma’s Sensuous Silk Kimono Robe.”

One of the exciting items in Fary’s gift bag is Origin Stretch Spa, which is owned by a gay couple, and are gifting a day of pampering.

“I’m excited to participate in the ‘Everyone Wins” Nominee Gift Bags because it gives me the opportunity to educate even more people about the benefits of IV Therapy,” said owner Garrett BellRios.

“Actors – much like athletes and performers – are always on the go and their systems get run down, BellRios noted. “They’re not getting enough sleep, working too much, always on airplanes and breathing recycled air. Through IV Therapy and vitamin injections, I can customize their protocol using European homeopathic remedies and treat their specific symptoms. So many of my clients now tell me, ‘I haven’t been sick in ages.’ And my treatment is mobile, can be done anywhere and they often feel better immediately.”

Oscar Gifting Lounges

Doris Bergman’s 12th Annual Valentine Oscar Luxury Lounge & Party was held at Weho hotspot, Fig & Olive. There were lots of great gifts to choose from BeautyStat Cosmetics, Precious Vodka, BuyWine.com, Pachamama, My Saint My Hero, Twisted Silver and Appletinis.

Gay hair expert Shann Christen with influencer Chadd Brittian at Doris Bergman Gifting Suite. (Photo by Susan Hornik)

In the spirit of giving back, guests and sponsors made monetary donations and/or donated unwrapped gifts for young adults (ages 13-18) for a Gift Drive benefiting ‘Wednesday’s Child’ — a weekly segment airing on KTTV FOX 11 News with anchor Christine Devine. Bergman always invites beloved foster children to join in on the festivities and experience what it feels like to be treated as a VIP.

Shann Christen, celebrity stylist and owner of a hair loss clinic and full service salon and ColorBar on Westwood Blvd, gifted his biology based, dual shampoo system, BioMethod.

“It was exciting to meet all the celebrities at this years event. Any day is a good day when you get your photo taken with Richard Grieco! Miles Tagtmeyer never fails to be charming and it was fun to do ‘boomerangs with the Social Media Guru.”

Business and lifestyle influencer and ambassador in the LGBTQ space, Chad Brittian, was happy to meet all the vendors attending. “I was quite impressed with the diversity and overall inclusion of brands. There were quite a few companies that I could see myself aligning with on an influencer branding basis.”

True Gold Honey’s line of all/natural honey was delicious and packaged in a beautifully designed and well-branded wooden box, Brittian noted. “No attention to detail was missed which I can really appreciate from a branding and marketing perspective. I also received a warm welcome from Bio Method and can appreciate the time, energy and passion Shann has for his products. I am thoroughly looking forward to a collaboration with his brand in the future.”

John Kelson with Jasika Nicole, The Good Doctor. Jasika was with her wife, checking out John Kelly Chocolates at GBK Productions’ Gifting Suite. (Photo by Susan Hornik)

At GBK Productions, Brittian met Dapper & Dashing custom clothing for men and women. “They had a beautifully designed area that was welcoming and really showcased their brand. I am hopeful to partner with them for future events and I definitely can see a lot if potential and look forward to seeing how this brand grows.”

Owned by a gay couple, John Kelly Chocolates also had a great time at the GBK gifting suite. “We have a fairly large celebrity clientele, being located in Hollywood, and it was nice to see some people who already know about us as well as make some new friends,” Kelly said.

At the suite, they gifted the 8-pc assortment box filled with their most popular flavors, inviting celebs to come visit them at their chocolate factory. “Our chocolate really is unique and has something special, and it was fun seeing celebrities have that visceral reaction when they tasted it.”

She Phillips, who owns Scenterprises, gifted numerous celebrities her unique perfumes. “Marcus Gay Harden chose a Woodsy and Spicy perfume and was excited by the combination of these lovely scents. I love this one as it has a hint of exotic spices.. soft…alluring and proactive”!

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Photos

PHOTOS: The Bonnet Ball

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Sirene Noir Sidora Jackson dances at The Bonnet Ball at JR.'s Bar on Sunday, April 5. (Washington Blade photo by Michael Key)

The Bonnet Ball was held at JR.’s Bar (1519 17th St., N.W.) on Sunday.

(Washington Blade photos and video by Michael Key)

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Books

Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

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(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

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Theater

Iconic Eddie Izzard takes on 23 characters in ‘Hamlet’

Energized take on role offers accessible way to enjoy Shakespeare

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Eddie Izzard in ‘The Tragedy of Hamlet.’ (Photo by Carol Rosegg)

‘The Tragedy of Hamlet’
Through April 11
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Tickets start at $90
Shakespearetheatre.org

Eddie Izzard is an icon.  

Best known for her innovative standup and film roles, the famed British performer is also a queer activist who over the years has good-naturedly shared details from her decades long trans journey. What’s more, Izzard has remarkably run 43 marathons in 51 days for charity. 

And now, Izzard finds a towering new challenge with the worldwide tour of “The Tragedy of Hamlet” (at Shakespeare Theatre Company’s Klein Theatre through April 11), in which she plays 23 characters (Hamlet, King Claudius, Queen Gertrude, the ghost, etc.) in a solo performance running just over two hours. 

At a recent performance, Izzard, before slipping into character, appeared on the unadorned stage to say that though infused with comedy, “Hamlet” is definitely a tragedy, a story of a family and country both tearing themselves apart. She also warns that there’ll be a lot of breaking the fourth wall. After all, it didn’t exist in 1600 around the time when “Hamlet” was written.

The play unfolds in flurry of movement and scandal as the Danish prince begins to plot revenge after learning that his father, the old king was conspired against and murdered. 

While some of Izzard’s character shifts are shown only by a subtle change in stance or modulation of voice, others are more obviously displayed like court sycophant Polonius walking with a stiff leg and mimed cane, or his ill-fated daughter Ophelia trotting girlishly across the upstage platform.

Delivered downstage at the intimate Klein venue, Izzard’s Hamlet soliloquies are performed with striking clarity. The one actor play is adapted and edited by Mark Izzard (the star’s older brother) and directed by Selina Cadell who successfully fosters the visceral connection between the actor and the house. Directly addressing an audience is something Izzard does exceedingly well. You feel as if she’s looking at/speaking to only you. 

Cuts and choices are made that might not please traditionalists. The stabbing of eavesdropping Polonius might prove disappointingly underplayed to some. Whereas, the subsequent satisfying dual/death scene is long and precisely choreographed. Fear not, Izzard doesn’t flag a bit, not even when battling a cough (as was the case on the night of No Kings Day).

Not surprisingly, Izzard leans into the comedy. Her deliciously placed pauses, lines read ironically, and double takes, all gifts of comedy sharpened to perfection over a long career that kicked off as a street performer in the early eighties in London’s Covent Garden.

The play within a play scene finds Hamlet slyly rattling the conscience of King Claudius. As played by Izzard, it’s wickedly delightful and especially good. And the back and forth between the grave diggers done as a clever Cockney and his green assistant is a master class in how to play a Shakespearean clown.

Kitted out in a black peplum jacket over leather leggings and boots, Izzard gives gender fluid shades of contemporary diehard scenester and a Renaissance courtier. (Design and styling by Tom Piper and Libby DaCosta)

Attention has been paid to the blonde high ponytail, crimson lips and matching lacquered nails. The hands are important. Whether balled into fists or fingers fluttering, they’re in use, especially when playing Hamlet’s ex-friends Rosencrantz and Guildenstern (a clever surprise that can’t be spoiled).

Tom Piper’s set is wonderfully minimal. It’s an empty white walled space with three narrow windows that appear cut deeply into stone like those of a castle. These white flats serve as the ideal canvas for lighting designer Tyler Elich’s looming shadows, ghostly green light, and other unexpected flourishes of drama.

Izzard fills the stage. Her presence is huge, and her acting first-rate. At times, you forget it’s a one-person show.  

I’d like to say, prior knowledge of the Bard’s best tragedy isn’t necessary to enjoy this fast-paced production. Despite a halved runtime and obscure words replaced with modern equivalents (“tedious old git” Hamlet says of Polonius), familiarity with the play is helpful. 

With “The Tragedy of Hamlet,” Izzard secures a place among fellow queer Brits like Miriam Margolyes (“Dickens’ Women”), Sir Ian Mckellan (“Ian McKellen on Stage”), and more recently Andrew Scott (“Vanya”) in the solo players’ pantheon. 

Izzard’s energized take on Hamlet is terrific. The way her powerful public persona bleeds into the work without taking over is exciting, and a uniquely accessible way to enjoy Shakespeare. 

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