Arts & Entertainment
Study finds Caitlyn Jenner has positive impact on trans acceptance in older generation
In a new paper published by American Politics Research, researchers at the University of Kansas revealed that, in a new study, older transphobic individuals were more likely to have a favorable response to the former “I Am Cait” star than younger transphobic individuals.
The findings are based on a survey of 1400 people who followed news of Jenner’s transition in 2015, in which transphobic people were asked if Jenner’s transition was a sign of “negative social trends.” The percentage of responders among the older demographic questioned showed a higher number were “less likely” to say yes than those among the younger.
In addition, the study also found that older transphobic people were more likely to support pro-transgender policies if they viewed Jenner favorably, which is interpreted as an indicator that people with transphobic views were still willing to support pro-trans policies because of exposure to her story.
According to Associate Professor of Political Science Patrick Miller, one of the reasons for the role of the age factor in the study is “probably” that older people were more likely to think of Jenner as an Olympic gold medalist (i.e., as an American hero), while younger people are more likely to recognize her as a reality television star. He also posits that her support for Donald Trump in the 2016 election is another factor that has made older conservatives like her more.
He says, “What’s interesting about the Jenner case is the people who she seemed to influence are the older, more conservative type — those who probably became vested in her back when she was Bruce Jenner competing in the Olympics and appearing on Wheaties boxes.
“She didn’t appear to have any effect on the younger people who might have been more attuned to ‘Keeping Up with the Kardashians.’”
Miller – who co-authored the article with KU’s Don Haider-Markel along with Andrew Flores, Daniel Lewis, Barry Tadlock and Jami Taylor – was using Jenner’s story as a case study in his larger research on how celebrities affect politics in general, an area which he says has been subjected to little academic study.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
