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A dishy, definitive look at Cary Grant

‘A Brilliant Disguise’ portrays actor as gay, bi, and straight

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Cary Grant, gay news, Washington Blade
Cary Grant (Photo courtesy of Simon & Schuster)

‘Cary Grant: A Brilliant Disguise’
By Scott Eyman
c.2020, Simon & Schuster
$35 / 576 pages

Recently, during the pandemic and election season, I felt down. Until I watched “Bringing Up Baby,” the 1938 screwball comedy. Like millions of other fans, especially queer aficionados, I cracked up when David (Cary Grant) loses his clothes. He’s wearing Susan’s (Katharine Hepburn) bathrobe. A prim, proper dowager comes to the door. “Why are you wearing those clothes,” she asks.

“Because I just went gay all of a sudden!” David (Grant) exclaims.

“Gary Grant: A Brilliant Disguise” by film historian Scott Eyman is a fascinating, comprehensive biography of the screen legend. There have been other biographies of Grant, a queer icon, but Eyman’s is definitive.

Grant, who died in 1986, was born in 1904 as Archibald (Archie) Alexander Leach in Bristol, England. Grant’s childhood was as far removed from the glitz and glam of Tinsel Town as could be imagined. Charles Dickens (whose youth was no picnic) might have put the young Archie in one of his novels.

His father was an alcoholic. Grant was told his mother was dead. (Years later, he learned that she was alive and residing in a mental institution.) Money was scarce. He found solace by attending vaudeville shows in music halls.

His skills as an acrobat were his ticket out of his impoverished circumstances. He toured with vaudeville acts in England and America. Eventually, he landed in Hollywood. His first big break came when Mae West picked him to star with her in “She Done Him Wrong.” From there, Grant embarked on a decades long career. From the 1930s until “Walk, Don’t Run” in 1966, he made 57 films. An astute businessman, Grant sat on several corporate boards.

Grant married five times. He remained on friendly terms with Betsy Drake, one of his ex-wives and had a daughter Jennifer with Dyan Cannon, his fourth wife.  

Long before it was fashionable to “tune in, drop out,” Grant used LSD to learn about himself.

And, of course, there was Randolph Scott, the actor, with whom Grant lived in Hollywood in the 1930s during his (and Scott’s) bachelor years. A fan magazine photographed the two of them at their home. Jennifer, Grant’s daughter, denied that her father was gay. “Dad somewhat enjoyed being called gay,” she wrote in her memoir. “He said it made women want to prove the assertion wrong.”

Yet, it’s hard not to believe that Grant wasn’t queer. It’s been claimed that before he became famous, Grant had a relationship with the gay costume designer Orry-Kelly. Though there’s no way that Grant or Scott could have been open about being a couple at the time, their relationship seems to have been an open secret. The actress Carole Lombard joked about Grant and Scott, “Randy pays the bills and Cary mails them.” 

In “Cary Grant: A Brilliant Disguise,” Eyman, author of “Hank and Jim: the Fifty-Year Friendship of Henry Fonda and James Stewart,” deftly illuminates Grant’s sexuality and the other mysterious aspects of the legendary actor’s life.

We adore “Cary Grant,” the polished, charming, suave, witty presence who we see on screen. Yet, Cary Grant, the actor, wasn’t this character. Grant is “the most self-invented man in the movies,” Eyman writes.

“It’s a part I’ve been playing a long time, but no way am I really Cary Grant,” Eyman tells us Grant would say.

Grant wasn’t carefree as he so often appears in his movies. “Underneath Grant’s fascinating, nonpareil facade was a personality of nearly perpetual anxiety,” Eyman writes.

Both gays and straights have wanted to claim Grant as one of their own, writes Eyman, who lives with his wife in West Palm Beach. Grant likely wouldn’t have liked to have been labeled as gay or queer. Yet, Eyman reports that Grant in a conversation with his friend Bill Royce, implied that “he had been basically gay as a young man, later, bisexual, still later straight.” 

“Cary Grant” gives us a dishy, informative look at not only Grant but Hollywood in all its delicious machinations. Katharine Hepburn, while a houseguest at Grant’s home, becomes absorbed in reading Sophocles while she’s taking a bath. Mae West, larger-than-life on screen, is tiny in person.        

Looking for a glorious read?  Check it out.

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Books

Book details fight to repeal ‘Don’t Ask, Don’t Tell’

Clinton-era policy was horrific for LGB servicemembers

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‘Mission Possible: The Story of Repealing Don’t Ask, Don’t Tell’
By C. Dixon Osburn
c.2021, self-published $35 hardcover, paperback $25, Kindle $12.99 / 450 pages

When Senior Airman Brandi Grijalva was stationed at Tyndall Air Force Base, she talked with a chaplain’s assistant about some problems she had at home. The chaplain’s assistant said what she told him would be confidential. But when she revealed that she was a lesbian, the chaplain’s assistant no longer kept her conversation with him confidential. Grijalva, after being investigated was discharged.

Craig Haack was a corporal in the Marines serving in Okinawa, Japan. Haack, who had made it through boot camp, felt confident. Until investigators barged into his barracks. Looking for evidence “of homosexual conduct,” they ransacked everything from his computers to his platform shoes. Haack was too stunned to respond when asked if he was gay.

In 1996, Lt. Col. Steve Loomis’ house was burned down by an Army private. The Army discharged the private who torched Loomis’ house. You’d think the Army would have supported Loomis. But you’d be wrong. The army discharged Loomis for conduct unbecoming an officer because a fire marshal found a homemade sex tape in the ashes.

These are just a few of the enraging, poignant, at times absurd (platform shoes?), all-too-true stories told in “Mission Possible: The Story of Repealing Don’t Ask, Don’t Tell” by C. Dixon Osburn.

As a rule, I don’t review self-published books. But “Mission Possible” is the stunning exception that proves that rules, on occasion, are made to be broken.

“Don’t Ask, Don’t Tell” (DADT) was the official U.S. policy on gay, lesbian and bisexual people serving in the military. Former President Bill Clinton announced the policy on July 19, 1993. It took effect on Feb. 28, 1994.

Sexual orientation was covered by DADT. Gender identity was covered by separate Department of Defense regulations.

Congress voted to repeal DADT in December 2010 (the House on Dec. 15, 2010, and the Senate on Dec. 18, 2010). On Dec. 22, 2010, Former President Barack Obama signed the repeal into law. 

DADT banned gay, lesbian and bisexual people who were out from serving in the U.S. military. Under DADT, it was not permitted to ask if servicemembers were LGB. But, LGB servicemembers couldn’t be out. They couldn’t talk about their partners, carry photos of their girlfriends or boyfriends or list their same-sex partner as their emergency contract.

It took nearly a year for the repeal of “Don’t Ask, Don’t Tell” to go into effect. On Sept. 20, 2011, Obama, Secretary of Defense Robert Gates and Adm. Mike Mullen, chairman of the Joint Chiefs of Staff “certified to Congress that implementing repeal of the policy {DADT} would have no effect on military readiness, military effectiveness, unit cohesion or recruiting and retention,” Osburn writes.

Before DADT, out LGBT people weren’t permitted to serve in the military. “Don’t Ask, Don’t Tell” was intended to be a compromise—a policy that would be less onerous on LGB people, but that would pass muster with people who believed that gay servicemembers would destroy military readiness, morale and unit cohesion.

Like many in the queer community, I knew that DADT was a horror-show from the get-go. Over the 17 years that DADT was in effect, an estimated 14,000 LGB servicemembers were discharged because of their sexual orientation, according to the Veterans Administration.

But, I had no idea how horrific “Don’t Ask, Don’t Tell” was until I read “Mission Possible.”              

In “Mission Possible,” Osburn, who with Michelle Benecke, co-founded the Servicemembers Legal Defense Network (SLDN), pulls off a nearly impossible hat trick.

In a clear, vivid, often spellbinding narrative, Osburn tells the complex history of the DADT-repeal effort as well as the stories of servicemembers who were pelted with gay slurs, assaulted and murdered under DADT.

Hats off to SLDN, now known as the Modern Military Association of America, for its heroic work to repeal DADT! (Other LGBTQ+ organizations worked on the repeal effort, but SLDN did the lion’s share of the work.)

You wouldn’t think a 450-pager about repealing a policy would keep you up all night reading. But, “Mission Possible” will keep you wide-awake. You won’t need the espresso.

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Books

‘Two Omars’ is uneven, but remarkable memoir

Celebrated actor’s gay grandson charts own path

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Omar Sharif Jr. came out during Arab Spring. (Book cover image courtesy of Counterpoint Press)

‘A Tale of Two Omars’
By Omar Sharif Jr.
c.2021, Counterpoint Press $26.00 / higher in Canada / 224 pages

You always wanted to make your mark.

There’d be no footstep-following in your life. You’d carve your own path, select your own adventures, seize the opportunities that appealed to you, and blaze trails for the sake of others’ journeys. You’d take the best of those you knew and loved, and you’d go your own way. As in the new memoir, “A Tale of Two Omars” by Omar Sharif Jr. you’ll also make your own mistakes.

Born into a family that had ties on several continents, Omar Sharif Jr. never had to worry about money or a place to live. On one side of the family—his maternal side—the Holocaust left a mark on his mother’s parents, who’d barely escaped the concentration camps. On the other side, Sharif’s paternal grandparents were both famous and beloved actors with roots in Egypt. Sharif was close with his entire family, but particularly with his grandfather, Omar Sharif.

Sharif recalls many a dinner party, listening, while his grandfather held court at dinner, laughing and telling stories. Everyone, everything seemed so elegant and refined and those meals showed Sharif a life that he could have if he wanted it. As time passed, the lessons he received were paid back: He was one of the few allowed to help his grandfather as Alzheimer’s took hold at the end of the great actor’s life. 

But this is not a story of a famous actor or a grandfather. It’s the story of a man who’s not just half-Jewish and Egyptian. He’s also gay, a part of himself that Sharif kept hidden until well into adulthood, although he says that other children must’ve sensed it when he was young. It was a part of himself that he feared revealing to his father. It helped him land a dream job that ultimately became a nightmare. 

The title of this book—”A Tale of Two Omars”—is a bit of a misnomer. Judging by what author Omar Sharif Jr. writes here, there are several Omars: The activist; a globe-hopper; a son and grandson; a writer and a grandfather whose life was impactful but who has a surprisingly small footprint in this book.

Which is not to say that readers will like them all.

Indeed, parts of this book may seem as though you’ve read them before: Bullied as a child, fear of coming out, the college revelation, the mismatched first love. Those ubiquitous bits are here, but they pale in comparison to Sharif’s ultra-urbane life and the hair-raising, terrifying account of getting and getting out of what seemed like the ultimate job with a wealthy sheikh, a job that slowly grew dangerous. That story-within-a-story is so edgy, so mouth-drying, that you’ll throw away the thriller you bought last week.

Then there’s the part about his life-threatening activism, a tale that starts and ends this book …

And so, beware at the unevenness of this memoir, but understand that the tedium doesn’t linger. Skip past the ho-humness of “A Tale of Two Omars” and the rest is remarkable.

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Books

‘Charm Offensive’ suffers from too much drama

A cute story but we all know how it will end

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‘The Charm Offensive: A Novel’
By Alison Cochrun
c.2021, Atria $17.00 / 368 pages

The applause is all for you this time.

It’s deafening, really — perhaps because there’s a standing ovation beneath it. All the work you did, the emoting, the emotions, you know how much your fans appreciate it. So take a bow. Drink in the love. As in the new novel, “The Charm Offensive” by Alison Cochrun, that’s one thing that’s sometimes missing in life.

Dev Deshpande was good at his job. He knew it, his colleagues knew it, it was fact. He might personally be terrible at love – case in point: he was still smarting from a three-months-ago break-up with his boyfriend, Ryan – but Dev was a pro at his job as producer for the reality TV show, “Ever After.” In fact, he’d been in charge of making dreams happen for six years’ worth of beautiful “Ever After” contestants; it helped that he believed in fairy tales.

Maybe one day, he’d find his own Prince Charming.

Just not this season.

This season, his lead director made him handle the “prince” instead of the usual “princesses,” and that was a challenge.

Charles Winshaw was 28, devastatingly handsome, extremely wealthy, and a nervous, introverted nerd who rarely dated. Geeky, awkward, and prone to panic attacks, he sincerely had no clue how to be romantic. Truth was, he was only there because his best friend and agent put him on “Ever After” to counter a reputation for being weird.

Still, Charlie was weird, and it was up to Dev to make him work for the show.

Shoring up Charlie’s confidence didn’t work, and neither did a pep talk. He couldn’t seem to just perform a role without freaking out and it was becoming obvious. By the time Dev’s assistant suggested having a few practice dates, Dev was willing to try anything.

He took Charlie to dinner. He spent time doing jigsaw puzzles with him, and he got Charlie to relax a little. If sparks flew, well, it was one-sided: Charlie was completely straight.

Wasn’t he?

You know what’s going to happen in the end, don’t you? Of course, you do. You’ll know it by page 30, step-by-step, with virtually no surprises, which leaves a long way to the final sentence of “The Charm Offensive.”

Now, it’s true that this novel is cute. It has its lightly humorous moments and author Alison Cochrun gives it a good cast, from contestant to show creator. It doesn’t lack details; in fact, reality dating show-watchers will feel right at home here. It even has the ubiquitous panoply of exotic locales for the “challenges” that the contestants must endure.

At issue is the length of this book. There’s too much of it, too many shirts that creep up, too many mentions of vomit, too much needless drama, too many will-he-won’t-he, when we know full well he will. This extra doesn’t ratchet up the tension, it makes things slow.

And so: cute story, familiar scenes, good characters in “The Charm Offensive.” But if taut is what you want in a rom-com, leave this book and bow out.

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