Galleries
National Portrait Gallery art competition now open
Expert panel seeks entries that broaden the definition of portraiture


The Outwin Boochever Portrait Competition hosted by the Smithsonian National Portrait Gallery is open for submissions until Friday, Jan. 29.
This competition seeks entries that broaden the definition of portraiture with images and media that reflect the countryβs diversity as represented through the identities of the artists and subjects as well as their varying backgrounds depicted.
Artists 18 and up who are living and working in the U.S. and its territories are invited to submit one portrait to be reviewed by a panel of experts. First prize is $25,000 and a commission to portray a remarkable living American for the galleryβs collection.
The finalistsβ and prizewinnerβs works will be included in The Outwin 2022: American Portraiture Today exhibition to be displayed at the National Portrait Gallery April 30, 2022 – Feb. 26, 2023, before continuing on to other cities.
For more information, and to submit works electronically, visit portraitcompetition.si.edu.
Galleries
Artists examine gender identity in D.C. exhibition
Event sponsored by the Blade, Dupont Underground

Each weekend this June, visitors to Dupont Underground β an arts space built into an abandoned trolley station under Dupont Circle β will find walls lined with artwork ranging from embroidery to watercolors. Together, the pieces make up the Undergroundβs latest exhibition, βThe Gender Within: The Art of Identity,β which unites more than 35 local artists in a conversation on gender identity and the dynamic ways that gendered labels are experienced.
Sianna Joslin, a web developer by day and one of the artists participating in the exhibition, is including a piece entitled βThe Inherent Agony of Having A Bodyβ β an embroidery hoop that depicts an anatomical model of a transmasculine individual bearing top surgery scars and patterned red boxers.
The piece juxtaposes βthe old ideals of the human body, the male form, with top surgery scars (and) these funny pennant boxers,β they said. βItβs kind of a play on what society has traditionally considered masculine versus these new symbols of masculinity that transmasculine folks are embracing.β
Another artist, Rashad Ali Muhammad, brings to the exhibition a compilation of videos in which colorful, moving backgrounds are transplanted onto the faces of different people β pieces that originally began as NFTs.
This project, entitled βA World Within,β was inspired by the realities of existing in a period of social volatility like the pandemic, and aims to show the βworldsβ that exist within each person, Ali Muhammad said.
Left to face the challenges of the pandemic and broader social inequities, βyou need to take the time inwardly to think about and process everything thatβs going on,β they explained. βYou have to go within to understand who you are sometimes.β
Nikki Brooks, whose painting βBlaq Jesusβ portrays a Black and androgynous Jesus smoking a cigarette with a nondescript expression, rooted her creative exploration in her experience with societal gender norms.
βFor a long time I struggled with my gender expression. I had to live up to how people framed me β¦ putting this femininity on me,β she said. The painting challenges βpressures from people saying that one person has to be one way, or express themselves one way,β and encourages others to βlet them live how they feel on the inside.β
Brooks also noted the use of religious imagery was key to her piece. In historical depictions of Jesus, he is often assigned certain racial and gender identity markers according to societal demands, she said. βThis Black Jesus in a way defies all those stigmasβ tied to the identities depicted by connecting them to a revered religious icon.
The artists all noted that they are excited by the diversity of experiences the Undergroundβs exhibition has brought together.
βWeβre going to see β from all of these different artists β interpretations of what gender means to them, and I just think thatβs wonderful,β Joslin said. βI really hope that it expands on that notion of gender for a lot of people.β
Ali Muhammad found the exhibition especially meaningful for openly creating space for queer artists.
βIn the history of art, a lot of artists tend to be queer β¦ but people donβt talk about that,β they said. βFocusing specifically on queer art and queer artists (says) we are here, we are represented.β
The exhibition, cosponsored by the Washington Blade and Dupont Underground, can be accessed at 19 Dupont Circle, N.W., each Friday, Saturday and Sunday in June from 11 a.m. to 5 p.m. Entry costs $10 per person, or $7 for students, seniors and members of the military.
Galleries
Not-to-miss exhibits at Baltimoreβs Gallery Blue DoorΒ
Works by Brooks, Halvorsen now on display

Baltimoreβs bustling art scene includes several current exhibits at the gay-owned Gallery Blue Door.
Striking works by acclaimed artist Scott Brooks are on display now through July 9 in an exhibit titled βSelf Contained β Pandemic Era Works.β
βThe Work in βSelf Containedβ was created over the last two years,β Brooks said in a statement. βIt has been a challenging time for the world, and for myself personally. As an artist, being in lockdown gave me the gift of time.β
Brooks, a former D.C. resident who is gay, is a figurative artist who has been living and working in Baltimore since 2016. His art borders on the surreal and ranges from portraiture to complex narratives, according to the gallery.
Also currently on display is an exhibit titled βBecomingβ by out artist Tracey Halvorsen, which runs until May 14.
βThis latest body of work reflects a composite of subject and abstraction through continued exploration of landscapes, still life, and narrative themes,β according to a statement from the gallery.
Gallery Blue Door should be on your list of places to visit in Charm City. Itβs located in a historic row home in Mount Vernon, long the epicenter of LGBTQ life in Baltimore.

The Baltimore Museum of Art unveiled its latest addition on Wednesday: the John Waters Restrooms, named for the iconic filmmaker who is a trustee of the museum.
There were plenty of snickers and jokes about who would be the No. 1 and No. 2 patrons of the new facilities, but beneath the potty humor was an important message about access to the most fundamental spaces in society.
Joining Waters at a BMA event Wednesday to officially dedicate the gender-neutral restrooms was Elizabeth Coffey, a transgender actress and longtime friend and collaborator of Watersβ. Coffey noted the importance of access to public spaces to the trans community. Preceding her at the lectern was Christopher Bedford, the Dorothy Wagner Wallis director of the BMA, who noted that adding the gender-neutral restrooms was the right thing to do.
After brief remarks, Coffey and Waters led a group of museum supporters and reporters downstairs to see the new space and Coffey cheekily took the inaugural trip into one of four private stalls. The stalls and adjoining communal washroom were designed by Quinn Evans Architects and feature white tile with bright red tile in the stalls. The idea for naming the restrooms came from Waters when he bequeathed his fine art collection to the BMA, according to a museum statement.Β
The John Waters Restrooms will open to the public on Sunday, Dec. 12, in conjunction with the adjacent Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings and Photographs and Ruth R. Marder Center for Matisse Studies.Β Waters is about to embark on a national tour of spoken-word performances.Β

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