Arts & Entertainment

LGBTQ youth inspired to action by “Cured” documentary and country’s homophobic past

“Cured” documentary a revelation for LGBTQ youth

Published

3 years ago

October 15, 2021

A new documentary’s archival footage of the country’s homophobic past opened the eyes of four young members of the LGBTQ+ community who were only dimly aware of the events the film describes.

“Cured,” which aired on PBS’ Independent Lens on October 11, was a revelation to the youth– who work with the D.C.-based Urban Health Media Project on multimedia health journalism.

Some of the scenes that made an impression:

At a 1966 South Florida high school assembly on the evils of homosexuality, an official warns students that “if we catch you … the rest of your life will be a living hell.’’
A gay psychiatrist, appearing on a 1972 American Psychiatric Association panel, is identified only as “Dr. Henry Anonymous.” He’s so afraid of reprisals that he must protect his identity by wearing a Halloween face mask and a fright wig and using a distortion mic.
A series of sober, eminent psychiatrists – leaders of the profession – insist in forum after forum that homosexuality is a sickness.

For two decades, that assumption was reflected in the “Diagnostic and Statistical Manual of Mental Disorders (DSM),” the American psychiatric profession’s official compendium of mental and brain diseases and disorders.

“Cured” tells the story of how a relatively small number of courageous gay activists got the “gays are sick” notion struck from the manual –a pivotal moment in the gay liberation movement.

“Being gay and trans myself,’’ said Hermes Falcon, “this film meant a lot to me, because it exposed me to people that I didn’t even know were part of the movement.’’

Those people included Barbara Gittings and Frank Kameny, who in the mid-1960s – when most Americans still said they feared or hated homosexuals — organized some of the first public protests against employment discrimination against gays. One depicted in “Cured”took place outside the White House.

Another early activist was Dr. John Fryer, the psychiatrist who, it later turned out, was “Dr. Anonymous.’’

Falcon, a college freshman, also noted the tension at the heart of the story told by “Cured”: “How working together makes a big difference, but also how one person can make a big change.’’

Falcon cited the example of Fryer, who testified at the APA convention in Dallas in 1972 that anti-gay bias was hurting psychiatrists, too. At that point, the DSM’s entry 302.0, which termed homosexuality “a mental disorder,” was two decades old. Within two years of Fryer’s testimony, it had been abolished.

Another young member of the LGBTQ+ community, Adrian Gibbons, an assistant video editor at UHMP and recent college graduate, also was struck by the example of Fryer, “a real person who was risking his job to stand up for himself and the LGBTQ community.’’ His example, Gibbons said, “inspires me to fight for myself and my community, no matter the risks.’’

Gibbons noted that some trailblazers faced a harsh backlash from colleagues or family members. But he said their sacrifice was worth it, considering that “their efforts brought justice to LGBTQ people who had been injured or abused in mental institutions, and saved countless people from being put through that same torture in the future.’’

Torture is probably not too strong a word; “Cured” shows how electroshock and even lobotomy were used as elements of “conversion therapy’’ to make gay people straight.

The early activists’ sheer courage also inspired Dillon Livingston, a high school student. The film shows, he said, that “it is imperative to remain true to yourself, even if everyone around you does not like the things that make you who you are.’’

Even though they faced intense discrimination and disdain, he added, the gay rights pioneers “were proud about their sexuality.’’

The four young LGBTQ+ viewers agreed that “Cured”made them more appreciative of the efforts of those who went before them, and more eager to emulate their example in the future.

As Livingston put it, “I must speak more about the queer community to inform heterosexuals about the problem we face.’’

Jojo Brew, an aspiring filmmaker, agreed: “All those people in the sixties and seventies fought for our rights, so it’s only fair that we continue to fight for the next generation’s rights.’’

“Cured” airs locally at 9 p.m. Oct. 21 on WHUT. After its broadcast premiere Oct. 11, the film will be available to stream for free on the PBS app and website for 30 days. The documentary will be rebroadcast a few more times over the next three years and eventually released on streaming platforms.

Theater

Two queer artists ready to debut new operas at Kennedy Center

Works by JL Marlor, Omar Namji part of American Opera Initiative

Published

1 day ago

January 11, 2025

Patrick Folliard

JL Marlor (Photo by Sy Chounchaisit)

American Opera Initiative
Kennedy Center Terrace Theater
Jan. 18, 7 p.m. and 9 p.m.
$25.00 – $39.00
Kennedy-center.org

For those who find traditional opera off-putting or mired in the past, there’s the American Opera Initiative (AOI). Now in its 12th season, the Washington National Opera’s well-known program pairs composers and librettists who under mentorship spend months collaborating on new work, culminating with the premiere of three 20-minute operas.

Included in this year’s exciting group are queer artists JL Marlor and Omar Namji. While these multi-taskers lend their composition talents to AOI, they are also performers and arts administrators. Marlor’s bio includes electric guitarist, and performer (she fronts the celebrated indie rock band Tenderheart Bitches), and Namji divides most of his time writing music and performing as an operatic tenor.

Marlor and librettist Claire Fuyuko Bierman’s “Cry, Wolf” is a short yet probing opera about three males (a late teen and two college age) who are navigating some dark internet ideologies. The work explores how the red-pilled manosphere pipeline serves as spaces of community for some people.

“To me it’s a very timely piece inspired by an outlook that has consequences in the real world.” She adds, “We’ve heard a lot about how angry incels [involuntary celibates] think about women. I want to hear what incels think about themselves.”

While Marlor tends to gravitate toward more serious opera pieces, Fuyuko Bierman, whose background includes standup, tends toward humor.

“I think this work brought out the best in both of us. The libretto feels like a comedy until suddenly it doesn’t.”

Marlor was introduced to opera through osmosis. At her gay uncles’ house there was always music – usually Maria Callas or Beverly Sills. She appreciated grand opera but not with the same ardor of true buffs. But her relationship with opera changed dramatically while attending Smith College.

“I was lucky enough to have Kate Soper as my first composition teacher and saw her opera ‘Here Be Sirens’ as my first piece of modern opera. I was totally hooked.”

Originally from picturesque Beverly, Mass., Marlor now lives in Brooklyn with her partner and their very senior dog. For Marlor, coming out at 25 in 2017 wasn’t entirely smooth, but finding support among the many queer women in the world of classical music helped. And more recently, AOI has bolstered her confidence in continuing a career in the arts, she says.

Namji and librettist Christine Evans’ opera is titled “Mud Girl.” Set against a post-apocalyptic, climate-affected world, it’s the story of a mother, daughter, and the daughter’s child Poly, created from toxic detritus, trying to navigate relationships.

“Most people go into opera without having had a ton of exposure. Often through musical theater or choir,” says Najmi, 37. In his case, he was pursuing a BFA in musical theater at Ithica College. After an unanticipated internal transfer to the School of Music, where he transitioned from baritone to young gifted tenor, his interest veered toward opera.

While enjoying a performance career, he wrote his first opera on a whim. “And now,” he says “composition is my creative passion. Singing is more like a trade or sport. I love the action of doing it and practicing.”

In one of his recent operas, “Jo Dooba So Paar,” Namji, who is half Pakistani American, draws specifically from personal experience, exploring how queer and Muslim don’t necessarily need to be conflicting identities. And while he grew up in liberal Boston in a secular environment, he still had insights into what it means to exist in two worlds. It’s a story he wanted to tell.

On a broader level, he says coming of age in the 1990s and aughts, on the cusp of homosexuality becoming normalized and accepted, created certain angsts. Today, his artist’s voice is drawn to the sentimentality that comes with unrequited longing.

What’s more, Namji collaborates with his husband Brendon Shapiro. In 2022, the Boston-based couple co-founded Catalyst New Music, an organization dedicated to fostering, developing, and producing new works.

AOI’s three 20-minute operas will be led by conductor George Manahan and performed by Cafritz Young Artists on Jan. 18, at 7 p.m. and 9 p.m. in the Kennedy Center Terrace Theater.

Following their world premiere at the Kennedy Center, the three operas will travel to New York City in a co-presentation with the Kaufman Music Center. The Jan. 23 performance will mark AOI’s first appearance in New York City.

Music & Concerts

Gay Men’s Chorus starting the year with a cabaret

‘Postcards’ to be performed at CAMP Rehoboth

Published

2 days ago

January 10, 2025

Tinashe Chingarande

The Gay Men's Chorus of Washington performs 'Postcards' in Rehoboth Beach, Del. on Jan. 18. (Photos courtesy of the Gay Men's Chorus of Washington)

The Gay Men’s Chorus of Washington will perform “Postcards,” a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.

In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures they’ve had and hope to have. Songs include “Midnight Train to Georgia,” “Streets of Dublin,” “Magic To Do,” “Home,” and “I Left My Heart in San Francisco.” Tickets cost $35 and can be purchased on Camp Rehoboth’s website.

Calendar

Calendar: January 10-16

LGBTQ events in the days to come

Published

2 days ago

January 10, 2025

Tinashe Chingarande

Friday, January 10

“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].

Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, join their closed Facebook Group.

Go Gay DC will host “First Friday LGBTQ+ Community Happy Hour” at 7 p.m. at Puro Gusto. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, January 11

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Ms. Capital Pride will host “MAL Weekend Drag Brunch” at 12 p.m. at Baby Shank. Guests will enjoy a lively gathering full of joy, laughter, and connection. They will also indulge in food and drinks while enjoying dazzling performances and entertainment. Tickets are $27 and can be purchased on Eventbrite.

LGBTQ People of Color Support Group will be at 1 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 12

Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.

DC9 Nightclub will host “Dance Club” at 8 p.m. at 1940 9th St., N.W. At this event, Jacq Jill and Flotussin will join Dance Club for the Sunday night closing party of MAL Weekend at DC9. The Baltimore staples will be joined by Dance Club resident DJs Baronhawk Poitier, Joyce Lim & Tommy C, plus Artemis on lights, to close out a jam-packed MAL 2025. Tickets start at $10 and can be purchased on Eventbrite.

Monday, January 13

Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Tuesday, January 14

Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook page.

Wednesday, January 15

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 16

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.