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First Trans Amazon introduced by DC Comics In ‘Wonder Woman’

DC Comics-Warner Brothers became more LGBTQ+ inclusive with the introduction of the character of Bia, a Black trans woman

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Courtesy of DC Comics-Warner Brothers

BURBANK – The world of DC Comics-Warner Brothers became more LGBTQ+ inclusive this weekend as the venerable comic book franchise of Wonder Woman expanded with the introduction of the character of Bia, a Black trans woman, in the first issue of the series Nubia & The Amazons.

Earlier this month on National Coming Out Day, the canon of the Superman series changed for the life of Jon Kent, the Superman of Earth and son of Clark Kent and Lois Lane, taking a bold new direction. After initially striking up a friendship with reporter Jay Nakamura, he and Jon become romantically involved, making Kent an Out bisexual character.

In this latest offering, Stephanie Williams and Vita Ayala, writers and creators confirmed that Bia is a Black Trans woman. They stressed that she ā€œisnā€™t a box to tick … [she] is important to her community. Just as Black trans women are important to us in real life.ā€ 

Of special significance to the introduction of the character in the DC Comic worlds was the endorsement of actress Lynda Carter who played the title role of Wonder Woman on television based on the comic book superheroine, which aired on ABC and later on CBS from 1975 to 1979. Earlier in the week Carter tweeted her support of Trans women;

Writing for the DC Comics-Warner Brothers website blog, co-creator Stephanie Williams said;

Itā€™s been a dream to work with the likes of Vita Ayala, a non-binary Afro-Latinx comic writer who has been making quite a name for themselves. And then there is the illustrious and widely talented and dedicated Afro-Latina artist Alitha Martinez who is already in the comic hall of fame for all-time greats. Her passion for Nubia is unmatched. It shows in every cover and panel from Nubiaā€™s Future State story written by L.L. McKinney, her Infinite Frontier #0 story written by Becky Cloonan and Michael Conrad, and now the Nubia and the Amazons miniseries written by myself and Vita Ayala.”

Courtesy of DC Comics-Warner Brothers

Iā€™m so excited about the history weā€™re creating, adding to, and remixing. The foundation has always been there, but needed some TLC. As Nubia embarks on this new journey as Queen of Themyscira, I hope her rebirth will be met with open arms and the desire to keep her always at the forefront. Nubia, now being queen, is poetic in so many ways, but one that stays on my mind is the very personal connection I feel. As I help to add to her legacy, sheā€™s opened the door wider to my own,” Williams said adding:

Long may Queen Nubia reign, forever and always.”

Nubia and the Amazons #1 by Stephanie Williams, Vita Ayala and Alitha Martinez is now available in print and as a digital comic book.

Along with co-writing Nubia and the Amazons, Stephanie Williams writes about comics, TV and movies for DCComics.com. Check out more of her work on Den of Geek, What To Watch, Nerdist and SYFY Wire and be sure to follow her on both Twitter and Instagram at @steph_I_will.

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PHOTOS: Birthdays at JR.’s

Drag queens celebrate at local establishment

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Citrine performs at JR.'s on Saturday. (Washington Blade photo by Michael Key)

Citrine, Andromeda and Silver WareĀ Sidora celebrated their birthdays at JR.’s Bar with a drag show on Saturday, Nov. 2.

(Washington Blade photos by Michael Key)

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Theater

Signatureā€™s fresh take on classic ā€˜Forumā€™

Actor Mike Millan says ā€˜itā€™s like a new work in many waysā€™

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ā€˜A Funny Thing Happened on the Way to the Forumā€™
Through Jan. 12
Signature Theatre
4200 Campbell Ave.
Arlington, Va.
$40-$126
sigtheatre.org

For out actor Mike Millan, Signature Theatreā€™s production of ā€œA Funny Thing Happened on the Way to the Forum,ā€ couldnā€™t feel fresher. 

Set in ancient Rome, the 62-year-old Tony-winning hit (music with lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart) borrows from Roman comedy, farce, and a dash of bawdy vaudeville to the tales of slaves, soldiers, courtesans, and a lovesick young man. 

Millan plays Hysterium, a nervous slave in the House of Senex, whose tagline reads ā€œI live to grovel.ā€

ā€œIā€™ve never done ā€˜Forum,ā€™ so to me itā€™s like a new work in many ways,ā€ he says. ā€œAnd because itā€™s older and has a classic musical point of view and weā€™re doing it now, itā€™s as if weā€™ve been given a lovely opportunity to make it our own.ā€ 

And indeed, they are doing just that. Directed and choreographed by Matthew Gardiner, the Signature production is introducing new bits and playing with gender: the central character Pseudolus, a sly slave role created by Zero Mostel, is played by Erin Weaver; Erronius is played by Sherri Edelen in drag; and two male actors and one nonbinary actor play courtesans.

Though Millan, 35, is based with his partner in Los Angeles, he regularly travels to New York and is pleased to make Signature in Shirlington an additional destination on his bicoastal work journey. Recently, the affable actor took time to talk about Signature and ā€œForum.ā€ 

WASHINGTON BLADE: A little about the brilliantly named Hysterium, please. 

MIKE MILLAN: As a gay actor, I can say that Hysterium is one of the gayer characters Iā€™ve ever played. Heā€™s a sort of fop and heā€™s in drag most of the second act. How can you not see him as a queer character?ā€ 

When the part was written it was sort of gay coded and now itā€™s just abundantly clear, you donā€™t think twice about it. 

BLADE: ā€œForumā€ is unapologetically fun. Is now the right time for a romp? 

MILLAN: The show comes with a level of escapism that is really infectious. During these tense times, it feels great to be doing a silly musical. Weā€™re doing fart jokes in tunics, and the material and jokes really hold up. Youā€™ll feel better leaving than when you came in.

BLADE: All that and a Sondheim score too? 

MILLAN: Heā€™s the reason Iā€™m here. In high school, I discovered his ā€œInto the Woodsā€ and remember locking myself in my room until I knew every word to ā€œGiants in the Sky.ā€ 

ā€œPassion,ā€ ā€œFollies,ā€ I love it all. Heā€™s so singular because he writes from a perspective of acting and storytelling; Sondheim touches me in a way that feels quasi-religious. 

When I think about the number of times I sang ā€œLast Midnightā€ alone in my car, it fills me with a joy that Iā€™ve never gotten from any other composer or jukebox musical.

BLADE:  In 2022, you played Idina Menzel super fan Jeff in ā€œWhich Way to the Stageā€ at Signature. Are you glad to be back? 

MILLAN: Yes, Iā€™m happy to be employed. Itā€™s a tough business. Not only are we asked to be great singers, dancers, actors, and performers but weā€™re asked to have a social media presence and to be the most popular kid in school. 

Signature provides a safe environment to try something new and different, to experiment with a community that respects doing that. Also at Signature, it never feels like any audience members are being dragged by their partners to see a show. Itā€™s a supportive community. 

BLADE: Speaking of partners, do you miss being away from home?

MILLAN: Sometime itā€™s nice to have that time away from each other; it builds a little mystery.

BLADE: Will your performance change between now and January?

MILLAN: In recent years, Iā€™ve changed my acting approach from cracking the code on how to play a character to inviting the audience on a journey and making them part of the process. 

I was raised in musical theater, but by doing comedy, standup, and improv, Iā€™ve come to find the joy of failure freeing. And I like being part of a changing show. I like the idea of somebody being able to say ā€œI was there the night Patti LuPone yelled at the guy who took a picture.ā€

BLADE: An unexpected moment. 

MILLAN: Of course, I go in with certain things I have planned out, but I like the element of excitement that anything might happen. And I think the audience should feel that way too.

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Travel

2024 transatlantic cruise on Celebrity ASCENT: blog #1

Welcome to Barcelona

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The flight over to Barcelona was uneventful and landed on-time in this beautiful city. I was met at the airport by a very nice taxi driver I had pre-arranged through booking.com. He drove me to my hotel, the Barcelona Continental, on the Ramblas. It was a little disappointing. They neglected to tell those booking the road in front of the hotel was dug up and therefore you needed to be let out of the taxi across the Ramblas and had a long walk with your luggage. It is really old and not redone, except for the bathrooms, those are nice. But I would not recommend it.

I was early and they couldnā€™t get me checked in for a few hours, so had coffee and then met my friend Simone, also staying at the hotel. She had checked in a couple of days earlier and had the same reaction to the hotel I did. But that didnā€™t stop either one of us from enjoying Barcelona in all its beauty. I donā€™t sleep on planes, so the first day was spent relaxing and wandering aimlessly past cathedrals, long shopping streets, and wonderful little side streets off the Ramblas. Simone took off to do her shopping with more specific plans. It was an early night for me and we met again in the morning for coffee and spent a wonderful day together, shopping, walking, and seeing some great street performers. Then it was dinner with friends who we would be boarding the ship with the next morning. They kept predicting rain. It did come late at night and continued through us heading to the port to board the ASCENT. Because of the broken-up roadway we got a little wet heading to the taxi stand, which didnā€™t make us feel any better about the hotel.

It was a short ride to the port, and soon the beautiful ASCENT came into view. Boarding was easy and then suddenly the cruise was beginning. A walk around the ship unveiled some beautiful artwork, and small changes from the rest of the EDGE series ships I have been on. But it still felt like a welcome home. I headed to deck 15 and the Retreat lounge to meet some of the 70 people I would be traveling with. Scott and Dustin of My Lux Cruise had planned a sail-away party for all of us in their beautiful Iconic suite. They will be hosting a number of events during the cruise, which makes them such great travel agents, and friends. Another friend, the extraordinarily talented Andrew Derbyshire, who would be performing that evening, was there. He was on the ship for only one night, getting off in Alicante to head home to the UK the next day.  

I joined friends, Scott, Mike, and the irrepressible Jason, for dinner in Luminae, the dining room for the retreat.  It was to be a night where dinner came first and then the show. At 9 p.m. we were seated in the third row of the beautiful theater, to hear Andrew. He didnā€™t disappoint. He is better than ever. He has an incredible voice and such great stage presence. I, and everyone else, were just so sorry he wouldnā€™t be staying on the cruise with us. He reminded us he has been working with Celebrity for more than eight years and is one of their biggest stars. He also hosts their Pride month events doing so with great panache. As a young man Andrew performed in the West End in London, and has been a star performer for much of his life. Then it was off to The Club for a little disco music, and then off to bed with a satisfied smile on my face to complete day one on the ASCENT. 

Day two began with a knock on the door of my cabin with delivery of coffee, juice, and a bagel. I sat down to write, which I do every morning, and then headed to the gym for my first workout on the ship. It was empty, which was great, and the sun had come out and the view from the lifecycle made it fun. After the gym I headed to the retreat lounge and met some friends and had a cappuccino. The sky started to get gray and clearly it was going to rain in Alicante, our first stop. But that didnā€™t stop anyone from walking around the town. I was getting the best feeling this was going to be a great cruise. 

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