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Johnny Depp, Amber Heard and the deeply unsatisfying matter of re-litigating their trial

The series was panned by critics

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Amber Heard (Screen capture/YouTube-Netflix)

On Aug. 16, Netflix released a three-part docuseries revisiting last summer’s televised civil litigation over allegations that Amber Heard had defamed ex-husband Johnny Depp by claiming to have survived sexual violence and domestic abuse during their four-year relationship.

Rather than offering anything new by way of insight or analysis from anyone with relevant qualifications or experience, each episode features clips from some of the online “creators” who turned their hot takes on the trial into a veritable cottage industry of amateur legal commentary and courtroom conspiracy theories, feeding the rapacious demand for anti-Heard and pro-Depp content. (As if to underscore the project’s unseriousness, these included a men’s rights YouTuber who wore a Deadpool mask and was surrounded by Spider-Man costumes.)

Worse still, “Depp v. Heard” director Emma Cooper fails not only to answer but also to even ask the obvious questions that have lingered since a verdict was returned more than 14 months ago by seven jurors in northern Virginia who were not sequestered as the case became, by far, the most popular topic on social media and online platforms.

At the same time, however, the episodes include footage of courtroom testimony that offer a glimpse, though incomplete, into some of the trial’s more salient and dispositive moments that I otherwise would never have seen (with neither the time nor the inclination, either last year or now, to follow 120+ hours of argument by the parties presented over the course of a seven-week trial.)

Do these scenes redeem the series? Hardly. But that does not mean they offer nothing of value, especially considering that while this was not the retelling of last summer’s events that we deserve, it remains the only one we’ve got. At least, for now.

Susan Sontag, in her 1977 collection of essays “On Photography,” proclaimed “The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.”

In “Depp v. Heard,” the cameras facilitate a very specific kind of tourism that feels both exploitative and voyeuristic, because the reality in which we find ourselves trespassing is dark: the unraveling of a relationship between movie stars through patterns of dysfunction and abuse both familiar and alien, knowable and unknowable, like a city you have visited but never called home.

Especially when coupled with the more outrageous moments from trial that made headlines at the time – such as the debate over whether Heard defecated on Depp’s bed and blamed his teacup Yorkshire Terrier – there is a temptation to treat footage of testimony concerning the smashing of liquor bottles and hurling of wine glasses, the shoving and taunting and threats, even the physical and sexual violence, as though it were pure spectacle.

However, this would suggest, wrongly, that the painful realities of the actors’ relationship are so far removed from our lived experiences that we do not, cannot, or should not relate to them. As if a seven-week trial adjudicating the conflicts in our own intimate relationships or those involving the people we love would not turn up evidence of trouble and dysfunction, or worse.

Considering that we are primed to pick winners and losers and heroes and villains, perhaps it was unsurprising that incomplete and selectively edited footage from the case provided ample fodder for Instagram reels and TikTok videos that were created in the service of narratives that, most often, favored Depp and vilified Heard.

For me, witnessing these scenes in their proper context revealed a picture so much more complicated and, frankly, ugly that the prospect of framing the case in this manner seemed as preposterous as the idea that audiences leaving a production of “Who’s Afraid of Virginia Woolf” should find themselves allied with either Martha or George.

To take just one example: From the witness stand, Heard recounted how she would often return home to their shared Los Angeles penthouse to find Depp nodding off in a chair because he had washed Roxicodone down with whiskey, or lying supine on the sofa fully unconscious with melted ice cream pooled in his lap. Worried about her husband’s apparent substance use disorder and unsure how best to help, the actress admitted she would sometimes take photos of him and share the pictures with a trusted friend.

Or, Depp’s attorney asked, was she just trying to humiliate him? Or, online commentators asked (often rhetorically), was this a calculated and premeditated move to collect evidence she would use against Depp in litigation or for purposes of extorting him?

As if these motives are mutually exclusive.  

Having experienced the pain of watching loved ones spiraling in the throes of drug and alcohol addiction, I can tell you why I suspect Heard took the photos, but of course the reality is neither I nor anyone else – perhaps not even she – has any clue.  

Last year, so much of the online noise about the trial came from content creators who made specious arguments to poke holes in the credibility of Heard’s testimony or alleged ulterior, sinister hidden motives based on the actress’s countenance, demeanor, speech, and other behavior.

For example, in clips that were often selectively edited or presented outside of their proper context, Heard might have seemed to cry more hysterically upon realizing the cameras were trained on her, which were used as supposed proof that her claims of suffering abuse at the hands of her ex-husband must therefore be fabricated.

Watching the footage in the manner presented on screen in “Depp v. Heard,” it becomes even more obvious how silly these interpretations were. In reality, of course, no one – not even police officers, trial court judges, F.B.I. and C.I.A. agents, trial lawyers or forensic psychiatrists – can reliably spot when someone is lying to them.

However convincing some YouTuber may have been, and however comforting the idea that we are able to see through the lies of others, I’m sorry to tell you the research on this is overwhelming and uncontested.

As Malcolm Gladwell observes in “Talking to Strangers,” Amanda Knox was falsely convicted for a murder she did not commit because “much of the prosecution’s case…rested on the allegedly strange, guilty behavior she exhibited,” which “the public deemed not in line with typical responses to grief and trauma.”

The cameras did not tell the complete story.

Well before 2022, private details about Depp and Heard’s troubled relationship had spilled onto the pages of tabloids like The Sun, which called Depp a “wife beater” in a 2018 story alleging that “overwhelming evidence was filed to show Johnny Depp engaged in domestic violence against his wife.” After he sued the paper for defamation, London’s High Court of Justice ruled against the actor in 2020, concluding the claims at issue were “substantially true.”

Still, last summer’s litigation between the actors earned far more public attention and unearthed far more (and far more titillating) private information, causing, therefore, far more damage than the supermarket rags and gossip blogs – as well as, ironically, the financial and reputational damage resulting from the very defamation claims that were adjudicated at trial.

As a reminder, Depp sued his ex-wife for a 2018 opinion article in the Washington Post in which she had written, “two years ago, I became a public figure representing domestic abuse, and I felt the full force of our culture’s wrath for women who speak out.” Heard was referencing the backlash against, essentially, identical claims she made in a statement after securing a restraining order against Depp following their divorce in 2016. (“During the entirety of our relationship, Johnny has been verbally and physically abusive to me,” she wrote.)

In so many cases including this one, intimate partner abuse is messy. An audio recording of one of the couple’s arguments shows Heard acknowledging she had struck her ex-husband but denying that she punched him. Her testimony, meanwhile, detailed serious violent crimes, including that Depp had thrown her into a ping pong table and repeatedly hit her in the face before sexually assaulting her with a liquor bottle that may have been broken.

Of course, assuming their sworn testimony to be true, it must also be said, domestic violence is a gendered crime. And the imbalanced power dynamics within their relationship put Heard at a disadvantage, including in this respect. While both are famous actors, the wealth, power, and fame wielded by Depp was then (and remains, now) much greater.

The disparity was evident from the outset. In the Netflix series, throngs of fans are shown cheering the Pirates of the Caribbean star and booing Heard on the first day they were sighted arriving separately to the Fairfax County Circuit Court. Meanwhile, online, evidence of a sustained and coordinated character assassination of Heard had just begun to emerge.

The smear campaign would persist through the trial and beyond. The actress was called a manipulative liar, a gold digger, an abuser, a violent psychopath, a drug addict, and worse. Some of the most outrageous claims were among the most widely circulated: She snorted cocaine on the witness stand, killed her own mother to conceal testimony that would have exonerated Depp, plagiarized lines from the film The Talented Mr. Ripley.

Creators mocked Heard by lip-synching over audio of her testimony about suffering violent abuse in videos that went viral on TikTok along with hashtags like #JusticeForJohnnyDepp, which was seen nearly 3 billion times on the platform. (#justiceforamberheard earned just 25 million views.) One-sided articles and videos, many containing false and misleading claims, were promoted by Ben Shapiro’s conservative media outlet The Daily Wire through its estimated $35,000 and $47,000 purchase of Facebook and Instagram ads.

“Depp v. Heard” was panned by critics.

“If ever a true-crime documentary needed the usual collection of talking-head interviews with esteemed journalists, law enforcement veterans and legal experts to put things in perspective,” Richard Roeper of the Chicago Sun Times wrote, “this is it — but that never happens.”

Others, like CNN’s Brian Lowry, agreed: “How much is gained from listening to a guy in a Deadpool mask offering extensive trial takes is a question ‘Depp v. Heard’ should have contemplated and apparently didn’t,” he wrote.

Several reviews added that part of the problem was that not nearly enough time had elapsed between the events and their retelling. Bustle’s Scaachi Koul pointed to other recent projects involving the private lives of public figures (especially women) that, with sufficient space and distance, found new and interesting things to say about their subjects and opportunities to tell their stories anew.

Ryan White’s excellent documentary “Pamela: A Love Story,” which was released by Netflix in January, manages to find plenty of material about actress and model Pamela Anderson along with the broader sociocultural forces of the 90s and early aughts that helped shape – and were shaped by – the era’s most enduring sex symbol.  

The film would have been nothing, however, without Anderson. Listening to her tell her own story, one realizes how poorly suited everyone else was to the task – particularly the leering talk show hosts and journalists who treated her as nothing more than a sex object.

And maybe that, above all else, is the lesson to be gleaned from “Depp v. Heard”: Let’s come back to this story, sure, when we’re ready to cut through the bullshit, reframe the conversation away from the “him vs. her” framing, stop relying on provably unreliable evidence, and consider the broader context of their relationship and the impact of the trial that happened on TikTok and YouTube. And let’s definitely listen to Heard if and when she’s ready to talk about this again.

Until we get that docuseries (or documentary, scripted series, film, book, whatever), I fear everything else will be deeply unsatisfactory and unsatisfying.

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Opinions

Response to a personal attack against me

Writers should stick to facts and reason

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(Photo by sqback/Bigstock)

I was disappointed when the Blade didn’t publish my response to a personal attack on me in a column by Hayden Gise, in last week’s print edition. They did publish it online. To be clear, I have no problem with people disagreeing with my columns and opinions. That is absolutely fair. But when they get into personal attacks, it often means they don’t have enough to say about the ideas they are trying to criticize. 

In a recent column ‘Why the Democratic Socialists of America are right for D.C.,’ the author decided to attack me personally. Here is the response I wrote to her column: 

“I am responding to a column by Hayden Gise who says in her column she is a transgender, lesbian, Jewish, Democratic Socialist, and supports having the Democratic Socialists of America (DSA) in Washington, DC. She is definitely as entitled to her view on this, as I am to mine. However, I was surprised she clearly felt it important to use the column to attack me personally, without even knowing me. What she didn’t do is respond to the issues in the DSA platform I wrote having a problem with, and which I asked candidates endorsed by the DSA to respond to. 1. Are they for the abolishment of the State of Israel? 2. What is their definition of a Zionist? 3. What is their definition of antisemitism? 4. Will they meet with Zionist organizations? 5. Do they support BDS? One needs to know when a candidate claims they are only a member of the local DSA, according to the DSA bylaws no person can be a member of a local DSA without being a member of the national organization. So Hayden Gise has a little better idea of who I am she should know: I was a teacher and a union member. I worked for the most progressive member of Congress at the time, Bella S. Abzug (D-N.Y.), and supported her when she introduced the Equality Act in 1974, to protect the rights of the LGBTQ community, and have fought for its passage ever since. I have spent a lifetime fighting for civil rights, women’s rights, disability rights, and LGBTQ rights. I have no idea what Hayden Gise’s background is, or what her history of working for the causes she espouses is. But I would be happy to meet with her to find out. But she should know, I take a back seat to no one in the work I have done over my life fighting for equality, including economic equality, for all. So, I will not attack her, as I don’t know her, and contrary to her, don’t personally attack people I don’t know much about. 

“I have, and will continue to attack, what the government of Israel is doing to the Palestinian people, and now to those in Lebanon and Iran. I will also attack the government of my own country, and the felon in the White House, and his sycophants in Congress, for what they are doing to our own people, and people around the world, and will continue to work hard to change things. However, I will also continue to stand for a two-state solution with the continued existence of the State of Israel, calling for a different government in Israel. I also strongly support the Palestinian people and believe they must have the right to their own free state.”

I have not heard from Gise, but I hope she knows that since she wrote her column indicating her support for Janeese Lewis George for mayor, her preferred candidate has attended a birthday party to celebrate a person who still refers to gay people as ‘fags.’   

We should not personally attack people we don’t know as a way to criticize their views on an issue. Once again, I have no problem with people disagreeing with what I write, and having the Blade publish those contrary columns. But a plea to all who disagree with any columnist, or story: disagree with the issues and refrain from making personal attacks on the writer. That actually takes away from whatever point you are trying to make. 


Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist. 

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Opinions

Science said stop; the Supreme Court said no

What Chiles v. Salazar means for LGBTQ health

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(Washington Blade file photo by Michael Key)

Imagine if researchers found that coffee drinking increased your risk of death by more than 50%. The public health response would be immediate – regulations, warnings, a swift mobilization of policy to match the evidence. We would act, because protecting people from documented harm is what evidence-based policy exists to do.

The same logic is why Colorado banned conversion therapy. The science was clear: research from The Trevor Project and others shows that exposure to conversion therapy increases suicidal ideation among LGBTQ+ youth, and more than doubles suicide attempts for transgender youth. Every major medical organization in the country – the American Medical Association, the American Psychological Association, and the American Academy of Pediatrics – has condemned the practice. 

Colorado looked at the evidence and did what public health is supposed to do. It intervened. 

On March 31, 2026, the Supreme Court struck down that intervention 8-1 in the Chiles v. Salazar case, ruling that conversion therapy is protected speech.

This decision should alarm anyone who believes that science has a role in protecting human lives. The court did not dispute evidence. It did not produce contradicting research or question the methodology of the studies Colorado relied on. Instead, it decided that the ideological underpinnings of conversion therapy deserve more constitutional protection than the children being harmed by it. In doing so, it severed the fundamental link between what science tells us is dangerous and what the law is willing to prohibit. 

That severance has consequences far beyond Colorado, as Supreme Court Justice Ketanji Brown Jackson noted in her dissent. More than 20 states and Washington, D.C. have enacted conversion therapy bans. The court majority’s reasoning – that regulating talk-based practices constitutes censorship – hands challengers a blueprint. The scientific consensus that built those protections did not change on March 31, but its power to hold them in place did.

For LGBTQ+ public health researchers like us, this ruling is a reckoning. And a personal one. Both of us came to public health because it offered a way to ask questions that matter: How can we help people live safe, healthy, and happy lives?

As a Ph.D. student and an assistant professor focused on LGBTQ+ health, we have been energized by the possibility that rigorous research could inform policies that protect LGBTQ+ people. The Chiles v. Salazar ruling forces us to recognize something uncomfortable: the possibility of research driving policy is real, but it is not automatic. Evidence reaches policy only when researchers advocate to put it there. As it turns out, scientific evidence itself is not enough. 

This means the work of LGBTQ+ health researchers cannot stop at the journal article. It has to extend into the spaces where policy is actually made and public opinion is actually influenced. Researchers must work alongside educators, communicators, and community organizers to make evidence impossible to ignore or misrepresent. 

As Sylvia Rivera observed in 1971, “our family and friends have also condemned us because of their lack of true knowledge.” More than 50 years later, misinformation about conversion therapy, gender-affirming care, and LGBTQ+ health still fills the gap that researchers leave when they stay silent.

We also want to say this directly to LGBTQ+ young people: Science has not abandoned you. The evidence of your worth, your health, and your right to be protected is overwhelming and it is not going anywhere. The researchers, clinicians, and advocates who built that evidence are still here and still working to ensure it translates into the protection you deserve. 

The Chiles v. Salazar ruling is a serious setback. But it is not the end of the argument.

Science has shown us how conversion therapy causes harm. It has shown us clearly, repeatedly, and with the backing of every credible medical institution in the country. The Supreme Court chose to look away. The only response to that is to make looking away harder. To build a public, cross-sector, science-informed movement that refuses to let evidence be sidelined when lives are on the line.

The evidence is on our side. Now, we have to make sure it counts.


Vincenzo Malo is a Health Services Ph.D. student at the University of Washington’s School of Public Health who studies affirming health systems. Dr. Harry Barbee is an assistant professor in the Johns Hopkins Bloomberg School of Public Health whose research focuses on LGBTQ+ health, aging, and public policy.

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Eswatini

The emperor has no clothes: how rhetoric fuels repression in Eswatini

King Mswati III’s anti-LGBTQ comments can have deadly consequences

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King Mswati III (Screen capture via Eswatini TV/YouTube)

In an absolute monarchy, the words spoken by the sovereign can swiftly become a baton striking a citizen. When King Mswati III speaks, his words do not simply drift into the air as political “opinion”; they often quickly turn into, sometimes violently, state policy. This reflects the reality of Eswatini, where the right to freedom of expression, including the right to hold dissenting political views, is increasingly being systematically eroded by the very voice that claims to uphold “traditional values.”

To understand the current crisis facing the LGBTIQ+ community in Eswatini, one must view it through the lens of a broader strategy: the weaponization of culture to justify the erosion of democratic institutions, the rule of law, and human rights protections. As observed across Africa, from the streets of Harare and Dar es Salaam to the parliamentary courtrooms of Dakar and Kampala, African leaders are increasingly using the marginalised as an entry point to dismantle civil society. In Eswatini, this strategy has manifest its most brutal expression in the king’s recent harmful rhetoric concerning sexual orientation and gender identity.

The danger of the king’s words lies in how the state apparatus interprets them as a divine mandate for persecution. Recently, we have seen this “Rhetoric-to-Policy Pipeline” operate with chilling efficiency. Shortly after the Minister of Education made public vitriol against the existence of LGBTIQ+ students, reports emerged of children being expelled from schools. In a country where the king is culturally and traditionally called the “ingwenyama” (the lion), the bureaucracy acts as his pride; when leadership suggests that a particular group is “un-African” or “deviant,” the machinery of the state, along with the emboldened segments of the public, moves to purge that group from society.

For an openly gay man who has dedicated most of his adulthood to advancing equality and dignity for all, especially marginalized communities, these are not merely policy changes; they pose existential threats. When a powerful leader speaks, they offer a moral shield for the dogmatist and a legal roadmap for the policeman. In Eswatini, where political parties are banned, and the “tinkhundla” system (constituency-based system) — a system that systematically silences dissent and favors those aligned with the sovereign — is celebrated as the sole “authentic” form of governance, any identity that falls outside the narrow, state-defined “tradition” is seen as treason. By branding LGBTIQ+ rights as “ungodly” and essentially unwelcome in Eswatini, the monarchy effectively views the mere existence of queer Swazis as a subversive act against the crown.

The most harrowing example of this pattern is the assassination of human rights lawyer Thulani Maseko in January 2023. Maseko’s murder did not happen in isolation. It followed a period of heated rhetoric directed at those calling for democratic reforms. The king had publicly warned those demanding change that they would face consequences. On the evening after the king had said, “[t]hese people started the violence first, but when the state institutes a crackdown on them for their actions, they make a lot of noise blaming King Mswati for bringing in mercenaries,” Maseko was shot dead at his home in front of his family.

The parallel here is unmistakable. When the king targets the LGBTIQ+ community with his words, he is aiming at the most vulnerable. If a world-renowned human rights lawyer can be silenced following royal condemnation, what chance does a queer youth in a rural area stand when the king’s words reach the local chief or school head? This is what I call “Chaos as Governance”: a state where the law is replaced by the monarch’s whims, leaving the population in a constant cycle of managed chaos that renders collective opposition nearly impossible. Despite strong condemnation from the organization I founded, Eswatini Sexual and Gender Minorities (ESGM), recent reports already suggest growing support for the rhetoric shared by the king, indicating treacherous weeks and months ahead for ordinary queer people in Eswatini.  

The monarchy’s defense of these actions is almost always based on “African tradition.” As Mswati has shown, the ban on political parties and the suppression of minority rights are framed as a return to indigenous governance, the “tinkhundla” system. But we must ask: whose culture is being defended? Is it a culture that historically valued communal care and diverse social roles, or is it a modern, imported authoritarianism cloaked in the robes of the ancestors?

When he uses his platform at the “sibaya” (traditional gathering) to alienate a segment of his own people, he is not engaging in dialogue; he is delivering a monologue of exclusion. This weaponized version of culture serves a dual purpose. First, it offers a “neocolonial” defense against international criticism, portraying human rights as a foreign threat. Second, it creates an internal enemy, the “terrorist” political dissident or the “immoral” LGBTIQ+ person, to distract from the fact that nearly two-thirds of the population live below the poverty line. In contrast, the royal family resides in obscene luxury, acquiring fleets of expensive vehicles.

The silence of Eswatini’s neighbors worsens its situation. The Southern African Development Community (SADC), a regional organization ostensibly committed to democracy and human rights, has repeatedly allowed Mswati to evade accountability. By agreeing to remove Eswatini from the Organ Troika agenda at the king’s request in 2024, SADC sent a message to every authoritarian in the region. If you conceal your repression behind the guise of tradition, we will not intervene.

The call for freedom of expression, including LGBTIQ+ rights, is a fundamental human right vital for safety and dignity. It demands that a child should not be expelled from school because of who they are. It insists that a lawyer should not be murdered for expressing their beliefs. It states that a king’s word should not be a death sentence. We must resist the “politics of distraction” that portrays the fight for minority rights as separate from the fight for democratic reform. The dissolution of political parties in Burkina Faso, the attack on lawyers in Zimbabwe, and the criminalization of advocacy in Senegal, Tanzania, and Uganda are all parts of the same pattern. They reflect a leadership class that fears its own people.

It is time for the African Union and SADC to decide whether to uphold the ideals of their lofty charters or to prioritize political convenience across Africa. For the people of Eswatini, improving livelihoods and human development can only occur when the king’s words are limited by a constitution that protects every citizen, regardless of whom they love or how they pray. Until then, the chaos is not a failure; it is the purpose. The monarch’s word may be law today, but the universal right to dignity is the only law that will endure. We must demand an Eswatini, and by extension, an Africa that seeks to improve the lives of its people, and where the “lion” protects all his people, rather than hunting those he deems “unworthy” of the shade.

Melusi Simelane is the founder and board chair of Eswatini Sexual and Gender Minorities. He is also the Civic Rights Program Manager for the Southern Africa Litigation Center.

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